X:1
T: the World Turned Upside Down [D]
T: When the King Receives His Own Again
R: march
O: England 1632
C:
M: C|
L: 1/8
F: http://everythingdulcimer.com/tab/turned.abc 2005-01-28 18:45:20 UT
F:http://trillian.mit.edu/~jc/music/abc/England/March_18thC.abc 2024-06-08 223855 UT
K: D
cB \
| "D"A2 A2 d2 d2 | "A7"efga "D"f2 ef | "G"g2 B2 c2 f2 | "A7"e3 c A4 \
| "D"A2 A2 d2 d2 | "A7"efga "Bm"f2 ef | "Em"g2 B2 "A7"c2 f2 | "A7"e3 d "D"d2 :|
|: "D"d2 \
| "A"e2 cd e2 A2 | "A"edef e2 A2 | "A"edef e2 dc | "E7"B3 A "A"A4 \
| "D"a3 g f2 ed | "Em"efga "Bm"f2 ef | "Em"g2 B2 "A7"c2 f2 | "A7"e3 d "D"d2 :|
%%sep 1 1 500
X:1
T: the Girl I Left Behind Me
T: Brighton Camp
O: 1758
R: march
Z: John Chambers <jc:trillian.mit.edu>
B: E.Hunt p.13(F)
B: Karpeles & Schofield P.31(F), p.55(G)
B: Nan Fleming-Williams and Pat Shaw "English Dance Airs" Book 3 p.5 (1968, 1984)
N: Many versions exist from all over the British Isles. Commonly used for sword dances.
M: C
L: 1/4
K: G
g/f/ \
| "G"ed/c/ BA | "C(Em)"BG E>F | "G"GG G/A/B/c/ | "D7"d2 Bg/f/ \
| "G"ed/c/ BA | "C(Em)"BG E>G | "D7"FA DE/F/ | "G"G2 G :|
|: d/c/ \
| "G"Bd "D7"ef | "G"gd "D7"B>A | "G"Bd "Em"ef | "C(Am)"g2 "D7"fg/f/ \
| "G"ed/c/ BA | "C(Em)"BG E>G | "D7"FA DE/F/ | "G"G2 G :|
%%sep 1 1 500
X:1
T: The Indian Queen [D]
O: 1701
Z: 1997 by John Chambers <jc@trillian.mit.edu>
N: Barnes p. 57 (dated 1701); Hunt p.12 #39 (in C)
M: 2/4
L: 1/16
K: D
|: fg \
| "D"a2f2 d2f2 | "A7"e4 A4 | "D"F2A2 A2f2 | "A7"e4- e2fg \
| "D"a2f2 d2f2 | "A7"e4 A4 | "D"F2A2 "A7"A2f2 | "D"d6 :|
|: cd \
| "A"edcB A2e2 | "F#m "f2c2 "Bm"d2B2 | "(D)"fga2 "E7"b2^g2 | "A"a4- a2ef "I"\
| "G"gfed "A"c2a2 | "G"B2g2 "D"A2fg | "Em"e2d2 "A7"e2c2 | "D"d6 :|
%%sep 1 1 500
X:1
T: Hampshire March
O: England 1770?
%Q: 140
S: Benjamin Cooke MS.circa 1770, F.Kidson Coll.
R: March
O: England
A: x
Z: vmp.John Bagnall
M: 2/4
L: 1/8
K: G
|: "G"gg "D7"ff | "G"gg d2 | "C"cd/c/ "G"Bc/B/ | "D7"A2 "G"G2 \
| "G"gg "D"fg | "A7"aa g2 | "D"fe/d/ "A7"ed/^c/| "D"d4 :|
|: "G"gg dd | "C"e/d/c/B/ c2 | "A7"aa gg | "D"f>e d2 \
| "G"gg "D7"ff | "G"gg "D7"dc | "G"BA/G/ "D7"AD | "G"G4 :|]
%%sep 1 1 500
X:1
T: Yankee Doodle
O: 1730
Z: 2006 John Chambers <jc:trillian.mit.edu>
M: 2/4
L: 1/8
P: Both parts may be repeated.
K: D
% - - - - - - - - - -
[| "D"dd ef | df "A7"eA | "D"dd ef | d2 "A7"c2 \
| "D"dd ef | "G"gf ed | "A7"cA Bc | "D"d2 d2 |]
[| "G"B>c BA | Bc d2 | "D"A>B AG | F2 A2 \
| "G"B>c BA | Bc dB | "D"Ad "A7"ce | "D"d2 d2 |]
% - - - - - - - - - -
%%begintext align
%% Originated in England as a song mocking Americans, who adopted it as a
%% military march to taunt the British soldiers during the Revolution.
%% Variants of the tune are much older than the Revolutionary-era song.
%% The parts are often repeated in instrumental versions, but not for the song.
%% Also in some old collections in jig time, as Kitty Fisher's Jig.
%%endtext
%%sep 1 1 500
X:1
T: the White Cockade
O: 1745
B: RSCDS 5-11
B: The Caledonian Companion, Alastair J. Hardie, 1981, p.29.
B: Skye, p.170.
R: march
N: Military citations include this tune as one of two tunes (along with "St.
N: Patrick's Day in the Morning") played by pipers attached to the Irish
N: Brigade in the service of France which helped to turn the tide of battle
N: against the English troops in the battle of Fontenoy on May 11, 1745. Are
N: there any earlier citations?
Z: John Chambers <jc:trillian.mit.edu>
M: 2/4
L: 1/16
K: G
GA | "G"B2B2 B2AG | B2B2 B2ge | d2B2 "Em"cBAG | "Am"B2A2 "D7"A2GA \
| "G"B2Bd cBAG | B2d2 "Em"g3a | "C"bagf "D7"agfe | "G"d2B2 B2 :|
|: Bc | "G"d2B2 g2Bc | d2d2 "D7"d3e | "G"d2B2 "Em"g2fg | "Am"a2A2 "D7"A2GA \
| "G"B2Bd cBAG | B2d2 "Em"g3a | "C"bagf "D7"agfe | "G"d2B2 B2 :|