alltunes [ABC]

Date: Mon, 03 Jun 2024 09:33:30 GMT Server: Apache/2.4.58 (FreeBSD) OpenSSL/3.0.12 Last-Modified: Wed, 22 May 2024 13:04:35 GMT ETag: "1108fa-6190a9385a970" Accept-Ranges: bytes Content-Length: 1116410 Content-Type: text/vnd.abc X:0 T: The Walsh Collections for Country Dancing C: John Walsh, publisher, London Z: 2011-2013, mostly by John Chambers. F:http://trillian.mit.edu/~jc/music/book/JohnWalsh/alltunes.abc 2024-06-03 093330 UT K: %%sep 1 1 500 %%sep 1 1 500 X:1 T: 1: Caledonian Country Dances S: http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) K: %%begintext align with a Thorough Bass for the Harpsicord, the (3rd?) Edition, with Aditions Printed for I Johnson, Musical Instrument Maker at ye Harp & Crown in Cheapside London %%endtext W: %%sep 1 1 500 %%sep 1 1 500 X:2 T: 2: Caledonian Country Dances S: http://petrucci.mus.auth.gr/imglnks/usimg/5/50/IMSLP98359-PMLP202128-walsh_caledonian_country_dance_vol2.1.pdf K: %%begintext align CALEDONIAN COUNTRY DANCES Being a Collection of all the celebrated Scotch and English Country Dances now in Vogue, with Proper Directions to each Dance. Perform'd at Court, and Publick Entertainments. For the Harpsicord, Violin, Hoboy, or German Flute VOL. II. PART I. %%endtext W: %%sep 1 1 500 %%sep 1 1 500 X:3 T: 3: Caledonian Country Dances S: http://javanese.imslp.info/files/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf K: %%begintext align Being A Collection of all the Celebrated Scotch Country Dances now in Vogue, with the Proper Directions to each Dance, As they are perform'd at Court, and Publick Entertainments. For the Violin, Hoboy, or German Flute; with their Basses for the Bass Violin, or Harpsicord. 3d Edition. Engraven in a Fair Character, and carefully Corrected. Prive 2s.6d. %%endtext %%begintext align London. Printed for and Sold by I. Walsh, Musick Printer; Instrument maker to his Majesty at the Harp & Hoboy in Catherine Street in the Strand. No. 493 %%endtext W: %%sep 1 1 500 %%sep 1 1 500 X:4 T: 4: A Composite Music Volume S: http://archive.org/details/acompositemusicv01rugg K: %%begintext align Country Dances Selected as perform'd at court and all publick assemblies and entertainments Parts 1 & 2, and Caledonian Country Dances being a collection of all the celebrated Scotch and English country dances now in vogue, with proper directions to each dance. %%endtext %%text Small note before the first title page: %%begintext align Presented by Lady Dorothea Ruggles-Brise to the national library of Scotland, in memory of her brother, Major Lord George Stewart Murray, Black Watch, killed in action in France in 1914. 28th January 1927. %%endtext W: %%sep 1 1 500 %%sep 1 1 500 X:1 T: 5: Country Dances Selected S: http://erato.uvt.nl/files/imglnks/usimg/5/50/IMSLP98359-PMLP202128-walsh_caledonian_country_dance_vol2.1.pdf K: %%begintext center %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: 6: The Compleat Country Dancing-Master S: http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) K: %%begintext align Being a Collection of all the Celebrated Country Dances now in Vogue. Perform'd at Court, the Theatres, Masquerades, and Publick Balls. With Proper Tunes and Directions to each Dance. The Tunes fitted for the Violin, Hoboy, or German Flute. The 4th Edition. London. Printed for I. Walsh, in Catharine Street, in the Strand. %%endtext W: %%sep 1 1 500 %%sep 1 1 500 X:1 T: 7: The Dancing Master: Containing Directions and Tunes for Dancing S: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 N: Printed by William Pearson, in the year 1697, for John Walsh and P. Randall N: From the Glen Collection of Scottish Music, now at the National Library of Scotland (nls.uk) K: %%sep 1 1 500 %%sep 1 1 500 X:0 T: 8: THE THIRD BOOK of the most Celebrated jiggs, Lancashire hornpipes, T: Scotch and Highland Lilts, Northern Frisks, Morris's and Cheshire Rounds, ... C: published by John Walsh, ca. 1730 Z: Pete Stewart 2004 K: %%begintext align %% THE THIRD BOOK %% of %% the most Celebrated Jiggs, Lancashire %% Hornpipes, Scotch and Highland Lilts, %% Northern Frisks, Morris's and Cheshire Rounds, %% with Hornpipes the Bagpipe manner. %% To which is added the Black Joak, the White Joak, the Brown, %% the Red, and the Yellow Joaks. %% With variety of Whims and Fancies of diff'rent humour, %% fitted to the genious of Publick Performers. %%endtext % This file is no longer needed. %%sep 1 1 500 %%sep 1 1 500 X:1 T: Abergenny P: Longways for Eight %R: march, reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.35 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The tunes strains are presumably to be repeated. N: The dance has 3 sections; the first two are in two columns (indicated by ##); the third is one wide block of text. M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - [| G2G2 B3c | def2 F3F | G2G2 Bcd2 | c3c B4 |]\ [| b2b2 a2g^f | g2^fg a2d2 | e^fg2 ^f2g2 |a3g g4 |] % - - - - - - - - - - Dance description: - - - - - - - - - - %%begintext align %% Lead up and fall back, that again .| Set and fall back, that again :| %% ## %% The first and last cu. cast off into the middle, the 2. cu. slip up, and %% the 3. cu. slip down at the same time, the 2. and 3. cu. cast off and %% back again into their own places at the same time. %%endtext %%sep 1 1 300 %%begintext align %% The 1. cu. take hands betwixt the 2. cu. and the last %% cu. take hands betwixt the 3. cu. and meet the 1. and %% 2. cu. all abreast and fall back; the 1. man turn the 2. (?) %% wo. into her place; the last man turn down the 3. %% man into his place, and the last wo. at the same %% time turn down the 3. wo. into her place; the 2. %% and 3. cu. do the like. %% ## %% The 2. and 3. cu. hold up hands, and let the first and last cu. go %% under into their places; the first and last man lead out to the wall, and %% the first and last wo. lead out to the wall, and the 2. cu. lead up %% and the 3. cu. lead down; and lead back again at one time; change %% places all with your own and turn round S. The 1. and 2. cu. %% hands half round; the 1. cu. change places with the 2. cu. and at %% the same time the last cu. change places with the 3. cu. and the 3. %% cu. do the same all over. %%endtext %%sep 1 1 300 %%begintext align %% The first and last cu. meet and change places with your own; 2. cu. slip up, and 3. cu. down; the 2. cu. cast off into %% the 1. cu. place, and the 3. cu. cast off about the last cu. into the last cu. place and stand all at one time; the 1. man %% change places with the last wo. and the 1. wo. with the last man; the first and last man, and first and last wo. give right %% and left hands to the next: the 1. cu. turn into the 2. cu. place, and the 3. cu. turn down into the last cu. place, the 2. %% and 3. cu. doing the same. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Albermarl's March N: It's spelled "Albemarl's" in the ToC, and "Albermarls" in the tune. %R: march, reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (95) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to match the dance instruction. N: It's not clear why the Bb in bar 14 is written as an A#. M: 2/4 L: 1/16 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ FGAB c2f2 | efge f2F2 | c2BA d2c2 | B4 A4 |\ f2ga g2fe | d2ef =B2cd | BA=Bc dfed | Td4 c4 |\ g2fe dfed | Td4 c4 :| [|\ cdef g2c2 | B2AG A2GF | defg a2^c2 | dfed c2^A2 |\ A=Bc2 cde2 | efge f2b2 | b2a2 dgfe | Te4 d4 | ^fgaf g2de | fagf e2dc | B2AG A2fe | dcBA G4 |\ FGAB c2f2 | b2ag a2gf | B2AG Afgd | e3f f4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%center The 1st strain twice the last but once. % - - - - - - - - - - Dance description: - - - - - - - - - - %%begintext align %% All four lead up then back again the 2d C. go round the 1st Cu. into %% their own Places the 1st Cu. turn hands at the same time .| then the 1st %% Cu. cast off and go the half figure thro the 2d Cu. into the 2d Cu. %% Places the 2d Man and 2d Wo. change places at the same time :| the 1st %% Cu. being in the 2d Cu. places improper the 1st Man change with %% the 2d Wo. then the 2d Man change with the 1st Wo. then lead to %% the Wall and back again then the 1st Cu. cast off back to back and %% turn .| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Alchurch P: Longways for as many as will %R: B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.152 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The time signature is 3/4, but it's obviously wrong, as all measures contain 6 quarter notes. The correct way to group notes isn't obvious. N: There's a quarter note missing between at the end; perhaps an initial pickup note is called for ... M: 6/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ G4d2 d3ed2 | c4B2 c6 | B2c2d2 e2f2g2 | a2g2a2 f3ef2 |\ g2f2e2 d2c2B2 | c4d2 e4a2 | (f3e/f/)g2 A4 B2 | A6 G4 |] FG |\ A3BA2 F4G2 | A4B2 c6 | d2c2B2 g2f2e2 | ^d6 f6 |\ g3ag2 f3ed2 | A4B2 c4a2 | (f3e/f/)g2 A4B2 | A6 G4 |] % - - - - - - - - - - Dance description: - - - - - - - - - - %%begintext align %% First cu. meet and set, and turn S. then the 1. wo. cast off into the second improper, (her Partner at the %% same time follows her and casts off to the second improper,) the 2. cu. doing the same, then the two men %% hands and lead through the we. to the same, then all clap, and all hands quite round, and then the two %% we. do the same, then clap, and all hands half round and turn S. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Aldersgate Bars P: Longways for as many as will %R: minuet B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.54 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: 3/2 L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: dcBA BcBA G2GA | B2AB cBAG ^F2A2 | dcBA BcBA G2A2 | BABc d2^f2 g4 :| |: bagf gdcB edcB | A2gf edcB A2^F2 | dcBA BcBA Gg^fa | gdcB ABcA B2G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: G4 g4 B2A2 | G4 c4 d4 | z4 G4 B2A2 | G4 B2d2 G4 :| |: d4 e4 c4 | d4 c4 d4 | B4 G4 e4 | B4 c2d2 G4 :| % - - - - - - - - - - Dance description: - - - - - - - - - - %%center Each Strain twice. %%begintext align %% The 1st Cu. lead forward and take hands across and go half round .|, %% then the same back again :| %% The 1st and 2d Cu double figure and turn the 1st & 2d Man casting down into the 2d Wo. Place .| %% then the two We. do the same on the Men's side :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Allister %R: reel, hornpipe B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #2 (2) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats adjusted to satisfy the "Each Strain twice" instruction. M: C L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ G2g2 fdcd | BF2D F2F2 | G2g2 fdcd | BG2^F G2G2 :|\ |:\ F>GB>c d>Bc>d | BF2D F2F2 | G>AB>c d>Bc>d | BG2^F G2G2 |\ F>GB>c d>Bc>d | BF2D F2F2 | de/f/ gd fdcd | BG2^F G2G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice % - - - - - - - - - - Dance description: - - - - - - - - - - %%begintext align %% The 1st Cu. sett and cast off into the 2d Cu. Place .| %% The same back again :| %% Then go thro' the 2d and 3d Cu. and turn your Partner in the 2d Cu. Place .| %% Figure thro' the 2d Cu. and turn your Partner :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: All alive %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (140) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. N: The second strain is 10 bars long. M: 6/4 L: 1/4 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - A |\ d2e fed | fa2- a2A | def efd | ^c3 A2d |\ cBA BAG | AcF B2A | GEF E2D | D3- D2 :| |: F |\ E2F GAF | Ac2 B2A | fed gef | ^c3 A2a |\ bag a2A | BAG A2f | gfe e2d | d3- d2A |\ GEF E2D | D3- D2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice % - - - - - - - - - - Dance description: - - - - - - - - - - %%begintext align %% The 1st Cu. sett to each other then cast off and go half the %% Figure then cast off again into the 2d Cu. Place Improper .| %% Then the 2d Cu. do the same :| Then all four cross %% over and give a Jump then Face to Face and Jump again %% and Back to Back with your Partner in the 1st Man and 2d %% Wo. meet then take right and left Hands the 2d Man and %% 1st Wo. do the same .| Then go quite round Hands a cross %% which will bring the 1st Cu. into the 2d Cu. Place :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Althrop House N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.3:17 M: C| L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 c/d/ |\ eca2 ecdf | ecBA TB3D | CEAB cdef | ecac TB3 c/d/ |\ eca2 ecdf | ecBA TB3D | CEAB cfed | c2B2 A3 :| |: c |\ BEdB cAec | BEdB Tc3A | BEdB cefg | ((3agf) ((3edc) TB3c |\ BEdB cAec | BEdB Tc3D | CEAB cfed | c2B2 A3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d a |\ a2A2 c2d2 | c2d2 e2g2 | a2e2 abc'd' | c'2a2 e'2e2 | a2e2 A2d2 | c2d2 e2g2 | a2e2 Adcd e2E2 A3 :| |: a |\ g2e2 a2A2 | g2e2 a2A2 | g2e2 ac'd'b | c'2a2 e'2e2 | g2e2 c2A2 | e2g2 a2e2 | A2e2 adcd | e2E2 A3 :| % - - - - - - - - - - Dance description: - - - - - - - - - - %%begintext align %% The 1st Man sets to the 2d Wo. & turn her .| %% the 1st Wo. sets to the 2d Man & turn :| %% the 2d Man sets to the 3d Wo. & turn .|. %% the 2d Wo sets to the 3d Man & turn :|: %% the 1st Cu. cross over two Cu. lead up to the top & cast off | %% hands round 4 with the 3d Cu. Right & Left at top :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Amaryllis P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.75 "H 2" Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ d3 c B2 AG | A2 D2 G4 | de dc BA BG | A2 D2 G2 ][ \ A3 B c2 B2 | c2 d2 e3 f | g2 f2 ga f2 | e4 d4 |\ g3 f e2 d2 | ed c2 B3 c | d2 ed c2 B2 | A4 G4 |] % - - - - - - - - - - Dance description: - - - - - - - - - - %%begintext align %% Lead up, and back, that again :| Then set to your own wo. fall back and turn her about :| %%endtext %%sep 1 1 300 %%begintext align %% Cross over with your own wo. into the 2. place, the 2. cu. leading up between, the 2 doing as much :| %% The 1. man cross over with the 2. wo. the 1. wo. cross over with the 2. man, then take all hands %% and go quite round .| Do this to the last .| %%endtext %%sep 1 1 300 %%begintext align %% The 2. cu. lead up and slide out from your own, fall back and slide in :| The 1. man takes his wo. by %% the right-hand and leads her into the 2. place, then cast off into their own places and meet, then cast %% off into the 2. place. Do this to the last .| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: America P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.306 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the dance instructions. M: C| L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - A2 |\ d2D2 F2A2 | B2(AG) A2c2 |\ (fe)(dc) (BA)(GF) | F6 :|\ c2 |\ G2B2 A2d2 | A2 (A/B/c) =B2AG | c3d (c/d/e) (dc) | c6 |:\ "^:S:"e2 | f2d2 e2^c2 |\ d2=B2 ^c2(BA) | d3e (d/e/f) (ed) | d6 :| % - - - - - - - - - - Dance description: - - - - - - - - - - %%begintext align %% The 1. cu. leads through the 2. cu. .| The w. cu. leads through the 1. cu :| The 1. man change places %% with the 2. wo. the 1. wo. with the 2. man, then right and left quite round, the 1. cu. Figure through %% the 2. cu. .| %% [DMDfD] %%endtext %%sep 1 1 300 %%text: Note: The last Strain once, and the Repeat over again. %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: America with the Minuet P: Longways for as many as will %R: reel+minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.68 #102 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats modified to match dance instructions. N: The meaning of the D.C. is unclear. It should probably be "fine" to match the dance instructions. M: C| L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - A2 |\ "_First Strain twice"\ d2D2 F2A2 | B2(AG) A2c2 | (fe)(dc) (BA)(GF) | F6 :|\ "_2d Strain once"\ c2 | G2B2 A2d2 | A2 (A/B/c) =B2AG | c3d e2(dc) | c6 |: e2 | f2d2 e2^c2 | d2=B2 ^c2A2 | d3e f2(ed) | d6 :| P: Minuet M: 3/4 L: 1/8 |:\ "_First Strain twice"\ fe d2 f2 | e2 a2 A2 | d2 e2 f2 | edef e2 |\ fe d2 f2 | e2 a2 A2 | d2 e2 ^c2 | "_D.C."d6 :| "_The 2d Strain but once, and end with the 1st Strain of the Minuet."\ ag f2 a2 | g2 c'2 c2 | f2 g2 a2 | gfga g2 |\ ag f2 a2 | g2 c'2 c2 | f2 g2 e2 | f2 g2 e2 | e6 |] % - - - - - - - - - - Dance description: - - - - - - - - - - %%begintext align %% First Cu. sett and cast behind the 2d Cu. then sett and cast up again, %% 1st Cu. cross over and figure thro' the 2d Cu. and cast up in their %% own Place; then the 1st Man dance the Minuet step with the 2d Wo. %% and the 2d Man the same to the 1st Wo. the 1st and 2d Cu. take %% Hands and dance round, then the 1st Man leads his Partner in %% the 2d Cu. Place. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Andrew Kerr P: Longways for as many as will. %R: slip-jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.11 S: 3: CCD3 http://javanese.imslp.info/files/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.21 Z: AK/Fiddler's Companion Z: 2013 John Chambers <jc:trillian.mit.edu> M: 9/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: B2d dBG dBG | d2e efg f2A | B2d def efg | D2G GAB A2G :| |: g2d dBG dBG | g2e eae f2d | gfe dBd def | g2G GAB A2G :|] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: g3 G3 g3 | g3 e3 d3 | g3 f3 e3 | B3 G3 d2G :| |: b3 g3 G3 | e3 c3 d3 | e3 B3 d3 | b3 g3 d'2g :| % - - - - - - - - - - Dance description: - - - - - - - - - - %%begintext align %% The 1st Cu. foot it and cast off one Cu. and turn .| %% foot it and cast off the 3d Cu. and turn :| %% lead up to the top cast off and turn . %% Right hand and Left with the 2d Cu. .| %% the 1st man foot it with the 3d Wo. and turn the 1st Wo. and 2d man at the same time, %% the 1st man foot it with the 2d Wo. the 1st Wo. the 3d man :| %% Right hand and Left with the 3d Cu. then hands round all six till you come into the 2 Cu. place :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Anna Maria P: Longways for as many as will %R: triple hornpipe, minuet B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.228 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 3/2 L: 1/8 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - [| b4 f3(e/f/) g4 | f2(ed) c2cd e2ef | g2e2 f2d2 (cd)e2 | d2 B4 f2 d2B2 |] [| e2 g4 _ag f2(ed) | e2 c4 cd e2c2 | e2 g4 _ag f2(ga) | b2 B4 c2 d2B2 |] % - - - - - - - - - - Dance description: - - - - - - - - - - %%begintext align %% The 1. cu. take hands and lead through the 2. cu. and cast up into their own places .| The 2. cu. lead %% up through the 1. and cast off into their own places :| %% All four hands half round, then cross over with your own Partners .| The 1. cu. being in the 2. cu. %% place, go the Figure through till the 1. cu. comes into the 2. cu. place :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Any thing T: Saturday Night %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #3 (15) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The tune is almost the same as for "Any Thing or Sunday Morning" in CCDTB, but the dance is different. N: Final repeat sign missing. M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - D |\ G2A BGB | A3 c3 | Bcd ABc | A2D D2D |\ G2A BGB | A3 c3 | Bcd Ad^c | d3- d3 :| |: d |\ e2c cde | d2B Bcd | c2A ABc | B2D D2A |\ B2B Bcd | A2A ABc | Bcd AGF | G3 G2 |] % - - - - - - - - - - Dance description: - - - - - - - - - - %%begintext align %% First Cu. hands across with the 2d half round back %% cross over two Cu and lead up the Middle foot at %% Top reverss [sic] and Cast off and right hand and left tell [sic] %% you come proper then cast off %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Any Thing T: Sunday Morning P: Longways for &c. %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.66 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 D |\ G2B BGB | A3 c3 | Bcd ABc | B2G G2D |\ G2B BGB | A3 c3 | B^cd Ad^c | d3- d2 :| |: d |\ e2c cde | d2B B>cd | cBA BAG | A2D D2A |\ B2B Bcd | A2A ABc | BAG GAF | G3- G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ G3 g3 | fdf e2f | g3 zzd | G3 z2z |\ G3 g3 | fdf e2f | g3 a3 | d3- d2 :| |: B |\ c3 A3 | B3 G3 | A3 G3 | d3 f3 |\ g3 zzg | f3 d3 | g2B c2d | G3- G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice over % - - - - - - - - - - Dance description: - - - - - - - - - - %%begintext align %% The 1st Cu. cross over & lead thro' the 3d Cu. .| %% Then cast up at Top & lead thro' the Top and cast up & cast off again :| %% Then the first Man Hands half round with the 3d Cu. & his Partner Hands half round with the 2d Cu. at Top. %% then 1st Cu. turns in the Middle .| %% Then the first Wo. Hands half round with the 3d Cu. & the first Man the same at Top. %% & meet his Partner in the Middle & turn her :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Apley House P: Longways for as many as will %R: march, reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.320 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ B2G2 Bcd2 | e2c2 A2c2 | B2G2 g2G2 | B4 d4 |]|\ f2a2 (ba) (gf) | e2g2 g2(fe) | f2a2 (ba)(gf) | e4 d4 |[|\ e2c2 cdec | d2B2 BcdB | g2G2 G2A2 | B4 d4 |] % - - - - - - - - - - Dance description: - - - - - - - - - - %%begintext align %% The two men take hands and fall back, and turn single; the women do the same: Hands a-cross half %% round, and turn single. The second couple being in the first place, cast off, and the other couple follow %% and lead up a-breast, the first couple cross over into the second couples place, the second couple lead up %% and cross over into their own places. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Apollo and Daphne P: Longways for as many as will %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.115 #169 (229) Z: 2013 John Chambers <jc:trillian.mit.edu> M: 3/2 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ G4 GAB2 A2G2 | B2 d4 g2 e4 |\ d2ed c2dc B2cB | A2D2 GAB2 A2G2 |]\ A4 FGA2 d2A2 | FGA2 A2d2 B4 | g2ag f2e2 ^def2 | B2b2 a2g2 f2e2 |\ g4 Bcd2 ded2 | e4 EFG2 F2D2 |\ G4 (A3G/A/) B2dc | B2e2 ABc2 B2G2 |] % - - - - - - - - - - Dance description: - - - - - - - - - - %%begintext align %% The two first Cu. meet and foot it, then turn back again into their %% own Places and foot it .| Lead to the Wall, and back again :| Cast off, %% and lead thro' the 3d Cu. and cast up into the 2d Cu. Place, then go %% the whole Figure into the 2d Cu. Place .| All four Hands quite %% round, Back to Back, and turn Hands :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Arcadia P: Longways for as many as will %R: march B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.124 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Missing 1/8-note between the strains, fixed with a rest. M: C| L: 1/8 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - f2 |\ d2B2 c2A2 | B3A G2AB | c2A2 B2c2 | A2 F4 A2 |\ B3B/B/ B2B2 | c3c/c/ c2c2 | d=ef2 f3=e | f6 |] z |\ f3f/f/ f2f2 | f3f/f/ f2f2 | g3f gab2 | a3g f2d2 |\ g3g/g/ g2g2 | a3a/a/ a2gf | b2b2 b3a | b6 |] % - - - - - - - - - - Dance description: - - - - - - - - - - %%begintext align %% The 1. man stand in the wo. place, and the wo. in the man's, then first man slip down in the middle into %% the 2. wo. place, and 1. wo. into the 2. man's place, then 1. man and 2. wo. clap hands, while the 2. %% man and 1. wo. clap hands and cross over and change places, then 2. man and 1. wo. clap hands, while %% the 1. man and 2. wo. clap hands at the same time, then 2. wo. change places with the 1. wo. and each %% clap hands with their own, while the two men cross over and take right and left-hands quite round %% with your own, then lead through the middle, and cast off into the 2. cu. place; the rest doing the %% same Figure. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Arundel street N: DMDfD has a hyphen in the title; CCDM1 doesn't. P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.90 #131 (172) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.192 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The dance descriptions differ trivially in spelling and punctuation. M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - B/A/ |\ G2g G>AB | A2a A>Bc | B2G B>cd | e3 =f3 |\ (e<c)(e/c/) (d<B)(d/B/) | (c<A)(a/A/) B>cd | e2a d>cB | A3 G2 |] B |\ c2g ceg | B2g Bdg | A2f gAG | F3 D2B |\ (c<e)(e/c/) (e<c)(e/c/) | (d<B)(g/G/) (d<A)(a/A/) | d<Bd g<ea | f3 g2 |] % - - - - - - - - - - Dance description: - - - - - - - - - - %%begintext align %% The 1st Man being Improper, go Back to Back with the 2d Man, the 1st %% We. being improper, go Back to Back with the 2d Wo. .| The 1st Wo. %% go Back to Back, side with the 2d Man, the 1st Man go Back to Back, side %% with the 2d Wo. then 1st Cu. Back to Back with their Partners :| The %% 1st Cu. cross over below the 2d Cu. and go the Figure through, 'till %% they come into the 2d Cu. Place, then go the Figure through the 3d %% Cu. till then come into the 2d Cu. Place, then the Figure thro' the %% upper Cu. and cast off :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Astrope Wells P: Longways for as many as will %R: triple hornpipe, slip-jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.120 #179 (180) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.142 Z: 2013 John Chambers <jc:trillian.mit.edu> N: CCDM1 doesn't have the C sharp in the last measure. M: 9/4 L: 1/4 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - [| f3 efd f>ga | ge^c d>ef e^cA | f3 efd f>ga | gef ef^c d3 |]\ [| F2c cAc cAF | E2G GEG E>DC | F2c cAc cAF | GEF EF^C D3 |] % - - - - - - - - - - Dance description: - - - - - - - - - - %%begintext align %% The 1st Man take the 2d Man by the Hands and turn round into their own %% Places, then lead thro' between the two We. into their own Places again, %% the We. doing the like after, then the 1st Cu. cast off below the 2d Cu. %% and go Back to Back, then lead up between the lower Cu. and the Outside %% of the 1st Cu. so sett to your Partner, and cast off into the 2d Cu. %% Place. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% The 1. man take the 2. man by the hands and turn round into their own places, then lead through %% between the two we. into their own places again, the we. doing the like after; then the 1. cu cast %% off below the 2. cu. and go back to back, then lead up between the lower cu. and the out-side of the %% 1. cu. so set to your Partners, and cast off into the 2. cu place. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Athol Bray(s) P: Longways for as many as will %R: reel B: John Walsh "Caledonian Country Dances" S: 3: CCD3 http://javanese.imslp.info/files/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p:34-35 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.4 #3 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 d | TB2 AG B/c/d e/f/g | TB>AGB A/A/A Ad | TB2 A>G B/c/d eB | AFDB G/G/GG :| |: e/f/ | gdBg dgdB | g/f/e/d/ Bg Tf2 Ae/f/ | g/f/e/d/ Bg dgdB | c/B/A/G/ FA G/G/GG :| |: c | (BG)(BG) (BG) (B/c/)d | BG B/c/d g2A2 | (BG)(BG) (BG) (B/c/)d | D2 DB G/G/GG :| |: B | Gg g/f/e/d/ Bg g/f/e/d/ | BgDg Tf2 Ae/f/ | g/f/e/d/ Bg dgdB | c/B/A/G/ FA G/G/GG :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z | g4 z2c'2 | gdBG d2D2 | G4 z2c'2 | d'2d2 g/g/gg :| |: z | g4 G4 | gabc' d'e'd'c' | b2zc' b2zg | a2d2 g/g/gg :| |: z | g4 G4 | g2f2 ecfd | g4 G2A2 | BcdD G/G/GG :| |: z | g4 G4 | gabc' d'e'd'c' |b2zc' b2zg | a2d2 g/g/gg :| % - - - - - - - - - - Dance description: - - - - - - - - - - %%center Athol Bray. a Scotch Country dance. %%begintext align %% The 1st Cu. foots it and cast off .| %% the 1st Cu. foots it again 1st man casts down and the 1st wo. casts up .| %% the 1st man Heys with the 2d and 3d wo. 1st wo. heys at the same time with the 2d and third men .| %% 1st man heys with the 2d and 3d men 1st wo. at the same time heys with the 2d and 3d we. :| %% the 1st man foots it with the 3d wo. and turns her %% 1st wo. does the same at the same with the 2d man .| %% then the 1st man foots it with the 2d wo. and turns her %% 1st wo. does the same at the same time with the 3d man :| %% the 1st Cu. leads through the 2d and 3d men and turn in the 2d Cu. Place .| %% then the 1st Cu. leads through the 2d and 3d we. and turn in the 2d Cu. Place. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Audenard Battle T: London Spy %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (139) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. N: Do the two titles correspond to the two different dances described? M: 6/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - g |\ g2d d2g | fdB B2e |\ ecA A2d | dBG G2g |\ g2d d2g | fdB B2e |\ ecA Bd^F | G3- G2 :| |: A |\ B>cB d2B | (d/e/f)B A2d |\ (G/A/B)G A2D | G/A/Bc d2g |\ fdB AG^F | G3- G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice % - - - - - - - - - - Dance description: - - - - - - - - - - %%begintext align %% All four Hands across quite round the 1st Cu. cast off and %% turn Hands .| Then all four left Hands across quite %% round the 1st Cu. cast up and turn Hands The 1st Man %% back with the 2d Wo. then Back to Back with his Partner %% .| the 2d Man back with the 1st Wo. then Back to Back %% with his Partner at the same Time the 1st Cu. casts off :| %% %% OR thus: The 1st Man leads off his Partner the Wo. going the %% Figure of 8 round the 3d Cu. the Man doing the same with the 2d Cu. %% meets his Partner between the 1st and 2d Men then lead thro the 2d Wo. %% turn in the Middle then lead thro the 2d and 3d Men and turn as before. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Aurelia and Gallitea P: Longways for as many as will %R: minuet B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.22 #39 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> M: 3/2 L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - "1"[| G4 B4 d2cB | A2F2 F2cB A2GF | G4 B4 d2cB | A2G2 g2G2 A2(GF) |] "2"[| DGFA G2G,2 B,4 | D2 F4 (Bc) A2(GF) | DGFA G2G,2 B,4 | D2 G4 B2 A2G2 |] "3"[| GABG ABcA BcdB | A2F2 c2F2 ABcA | GABG ABcA BdcB | A2G2 g2G2 ABcA |] "4"[| Gg^fa g2G2 B4 | F2 f4 F2 ABcA | Gg^fa g2G2 B4 | A2 g4 G2 ABcA |] "5"[| B,2CB, A,2B,A, G,4 | D2 F4 Bc A2GF | B,2CB, A,2B,A, G,4 | D2 G4 B2 AG |] % - - - - - - - - - - Dance description: - - - - - - - - - - %%begintext align %% First Cu. set and cast off, and turn his Partner, 2d Cu. do the same; 1st Cu cross %% over twice, lead to the Top, and cast off; the Man figures on the Wo. Side, and the %% Wo. on the Man's, then cast up, and Back to Back with his Partner; the 2d Cu. %% lead thro' the 1st Cu. and cast off, and turn his Partner; the 1st Man cast off and %% turn the 2d Wo. and the 1st Wo. cast off and turn the 2d Man, then they are in %% the 2d Cu. Place. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: A la Mode de France. P: Longways for as many as will %R: reel, march B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.116 #173 (231) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.52 Z: 2013 John Chambers <jc:trillian.mit.edu> N: AKA "Nonesuch", which is usually in D minor. M: C| L: 1/4 K: Dmix % - - - - - - - - - - - - - - - - - - - - - - - - - a |\ af ga | f>e da | af ga | f3 :: a |\ eA de | f>e df | eA de | f3 f |\ eA de | f>e ca | af ga | f3 :| % - - - - - - - - - - Dance description: - - - - - - - - - - %%begintext align %% Lead up a D. and back, this again :| Sett and turn single. This again :| %%endtext %%sep 1 1 300 %%begintext align %% First Cu. meet, take both Hands and fall in between the 2d Cu. each of %% you turn your Faces toward them and put them back, you meet the two %% Men and We. all four fall back and turn your We. So to all %%endtext %%sep 1 1 300 %%begintext align %% Sides all to the Right and Left and turn S. This again .| Then fall all into one %% File, each Wo. behind her own Man :| thus, M W M W M W M W Then Arms all %% with your own by the Right and Left and remain in the same Figure, then %% Men fall off to the right Hand, and We. to the left, fall back into the same %% Figure; then Men to the Left and We. to the Right, and back again into the %% same Figure; then the 1st Man fall into his 1st Place, and his Wo. the like, %% so the rest, one after another; then the 1st Man take his Wo. by the Hand, %% his left Hand to the 2d Wo. his Right to the 3d Wo. and so forward, his %% Wo. doing the like on the other Side until you all meet atain in %% your Place. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% Lead up all a D. and back, this again :| Set and turn S. This again :| %%endtext %%sep 1 1 300 %%begintext align %% First cu. meet, take both hands and fall in between the 2. cu each of you turn your faces toward them %% and put them back, you meet the two men and we. all four vall back and turn your we. So to all. %%endtext %%sep 1 1 300 %%begintext align %% Sides all to the right and left and turn S. This again .| Then fall all into one File, each wo. behind %% her own man: thus, M W M W M W M W. Then arms all with your own by the right and left and %% remain in the same Figure, then men fall off to the right-hand, and we. to the left, fal back into the %% same Figure, then men to the left and we. to the right, and back again into the same Figure, then the %% 1. man fall into his 1. place, and his wo. the like, so the rest one after another, then the 1. man take %% his wo. by the hand, his left-hand to the 2. wo. the right to the 3. wo. and so forward, his wo. doing %% the like on the other side until you all meet again in your places. %% [DMDfD] %%endtext %%sep 1 1 500 %%begintext center %% The "M W ..." notation refers to the funny "Sun and Moon" symbols at the upper right, %% to show the men's and women's positions at the start and in other diagrams of figures. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Bacchus Defeat %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (201) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. N: The actual key signature is just "3". M: 3/4 L: 1/4 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ fef | e/>f/gc | fe/d/c/B/ | A3 |\ FAc | f2e | dgf | e3 |\ fe/d/c/B/ | A2f | Bc2 | F3 :|\ |:\ FAF | c2B/A/ | GBG | d2B |\ Agf | e/d/^cd | e/f/gf | e3 |\ fef | FED | ede | EDC |\ fed | ^cAd | GA2 | D3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice % - - - - - - - - - - Dance description: - - - - - - - - - - %%begintext align %% The 1st Cu. back to back sett and cast off and Minuet thro %% the 3d Cu. .| Then cast off below the 3d Cu. and Minuet up %% to the Top and turn :| then the 1st and 2d Men lead thro' the %% two We. and the two We. lead quick thro' the Men .| then the %% 1st Cu. whole figure thro' the 2d Cu. and cast of [sic] quick %% and turn :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Bantering Billy N: Pub: J. Walsh, London, 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.93 #353 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:93 #353 Z: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: AA2c | B2 A/B/c/d/ | ee2d | cBAG | AA2c | B2a2 | ((3gfe) f^d | e4 :| |: ee2f | dd2e | (3cde dc | B2E2 | AA2c | BB2d | ((3cBA) BG | A2A,2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: c'2a2 | g2a2 | c'c'2b | a2e2 | c'2a2 | g2a2 | b2B2 | d2D2 :| |: c'2a2 | b2g2 | a2d2 | e2E2 | c'2a2 | g2e2 | a2e2 | a2A2 :| % - - - - - - - - - - Dance description: - - - - - - - - - - %%begintext align %% The 1st Man cast off into the 2d Man's Place, his Partner following .| %% the Wo. casts up, the Man following :| %% Hands round four .| %% cast off and turn :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Barbadoes %R: __ B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #11 (17) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The rhythm wasn't correct at the ends of the strains; fixed in an obvious way. N: The notes in the triplets in the penultimate measure have obviously incorrect lengths. M: C L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A |:\ d3f e3g | f3d c3A | d3f e3g | f2 a4 zA |\ d3f e3g | f3d c3A | B3B c3A | B2 d6 :| |:\ A3G F3D | E2 (G6 | A3)G F3E | D2 d6 |\ A3G F3D | E2 G6 | A2G F3E | D2 d6 | d3f e3g | f3d c3A | d3f e3g | f2 a4 zA |\ d3f e3g | f3d c3A | (3(afd) (3(ecA) | B2 d6 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% First Cu. cast off and cast up again turn and the %% whole figure 1st Man foot it to the 2d Wo. 1st %% Wo. to the 2d Man all four foot it together %% then Right hands and Left %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Barcelona %R: slip-jig, triple hornpipe B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (171) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Added missing dot to the last note. N: The 2nd 3 in bar 7 isn't marked; it's probably e natural. M: 9/8 L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ G2g f2e (d/e/f)d | c2d edc dcB |\ A2B cBA BAG | D2G (^F/G/A)^F G2A |\ B2B BAG d2A | B2B BAG d2A |\ d2=e fed (^c/d/e)^c | d2D ^F2A d3 |] [|\ d2f fgf fga | b2f fgf fdB |\ A2e edc cd=e | f2c cdc cBA |\ B2B B_AG Gc=B | c2d edc dG=B |\ c2d cBA BGe | dg^f g3- g3 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Man go Back to Back with the 2d Wo and the 1st Wo. go Back %% to Back with the 2d Man then the 1st Cu. cross over below the 2d %% Cu. and then Back to Back with your own Partners then cast up %% and cross over into the 2d Cu. Places then clap Hands and turn %% your own Partners. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Barker's Maggot P: Longways for as many as will %R: triple hornpipe, minuet B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.348 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain play'd twice over" instructions. M: 3/2 L: 1/8 K: Ddor % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ D2d2 (cB)A2 c4 | GEC2 C2D2 (EF)(GE) |\ D2d2 (cB)A2 d4 | AFD2 DFD2 (EF)(GE) :|\ |: D2a2 gfe2 c4 | GEC2 C2D2 EFGE | D2a2 gfe2 d4 | (AF)D2 (DF)D2 (EF)(GE) :|\ |: (af)d2 (ec)A2 c4 | (GE)C2D2 EFGE |\ (af)d2 (ec)A2 d4 | AFD2 DFD2 EFGE :| % - - - - - - - - Dance description - - - - - - - - %%text Note: Each Strain play'd twice over. %%begintext align %% The first couple Sett and cast off, and cast up again; the second couple do the same .| Then cross %% over and half Figure and lead through the third couple and cast up :| Then cast up the first couple, %% then the 1. couple cast up the second couple and right and left .:| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Barley Cake %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (37) Z: 2013 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ G2A2 Bd2g | dBAG AFED | G2A2 Bd2g | dBAG TA2G2 :| |:\ (g/f/e/f/) ge (a/g/f/g/) af | ge fd Te2d2 | g/f/e/f/ ge a/g/f/g/ af | gdcB A2D2 | G2A2 Bd2g | dBAG AFED | G2A2 Bd2g | dBAG TA2G2 :| % - - - - - - - - Dance description - - - - - - - - %%begintext align %% First Man and 2d Wo. foot it and turn Hands The 1st %% Wo. and 2d Man do the same. the 1st Cu. lead thro' %% the 2d Cu. and go round the 3d Cu. then lead up the %% Middle and foot it at the top then cast off and Right %% hand and Left Quite round then foot it and turn %% hands. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Barley Mow P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.103 #146 (206) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.240 Z: 2013 John Chambers <jc:trillian.mit.edu> N: In DMDfD, the a notes in bars 15 and 16 lack the flats. The high a in bar 7 has a flat, however. M: 6/4 L: 1/4 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - d |\ B2F B2c | d3- d2e | (fd)B (dc)B | (cF2) F2f |\ (dc)B e2f | g3- g2g | _agf (cf)=e | f3- f2 |]\ f |\ c2f c2d | e3- e2f | (gG)G (cd)e | A3- A2c |\ d2B e2c | f2d (ga)f | b3- b2_a | g_ab f2f |\ e3 (g2f) | f3 def | cde c2B | Bb2- b2 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Man sett to the 2d Wo. fall back and turn single, then turn %% the 2d Wo. and cast off into the 2d Man's Place .| The 1st Wo. %% do the same :| Then all four Hands half round and turn single, %% then right Hands and left with your Partners, then lead thro' %% above, and cast off into the 2d Cu. Place. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man set to the 2. woman, falls back and turn single, then turn 2. woman and cast off into the %% 2. man's place .| The 1. woman does the same :| All 4. hands half round and turn single, then right %% and left with your Partners, then lead thorow above and cast off into the 2. cu. place. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Barton's Maggot B: John Walsh "Caledonian Country Dances" 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/5/50/IMSLP98359-PMLP202128-walsh_caledonian_country_dance_vol2.1.pdf p:32 #292 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:32 #292 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: (GB) (dg) (bg) (af) | (ge) (dg) (dB) A2 | (GB) (dg) (bg) (af) | (ge) d>e (BG) G2 :| |: B>d .G.G B>d .G.G | c>e dB cA A2 | (GB) (dg) (bg) (af) | (ge) d>e (BG) G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: g2g2 g2g2 | g2g2 g2g2 | g2g2 g2g2 | g2g2 g2g2 :| |: g2g2 g2g2 | g2g2 g2g2 | g2g2 g2g2 | g2g2 g2g2 :| % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Man Right hands with the 2d Wo. .| %% the 1st Wo. the same with the 2d Man :| %% Hands across all round .| %% the 1st Cu. cast of and turn :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Bath Medley P: Longways for as many as will %R: jig B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.9 #22 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> N: 2nd part has initial repeat but no final repeat. M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ G2g Tf>ed | efg dcB | ecA dBG | F2G AFD |\ G2g Tf>ed | efg dcB | ecA dBG | ADF G3 :| |:\ f2g afd | e2g/f/ g3 | B2c dBG | F2G AFD |\ G2g Tf>ed | efg dcB | ecA dBG | ADF G3 :| % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Man cast down, and the 2d Wo. Cast up at the %% same Time, and then cast back again into your own %% Places .| First Wo. and 2d Man does the same :| The %% 1st Man change Places with the 2d Wo. 1st Wo. does %% the same with the 2d Man, all four go round to your %% own Places .| First and 2d Men Sets to their Partners %% Right and Left half round. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Battle of the Boyn N: The title has "Boy?n", with an illegible smudge; the Table of Contents spells it "Boyn"; the modern spelling is "Boyne". P: Longways for as many as will %R: reel B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.?? #8 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> N: 2nd part has initial repeat but no final repeat. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ B2AG TF3E | DEFG A4 | B2AB G2G2 | GABG c4 |\ c2cd B2Bc | A2AG F2ef | g2d2 edcB | ABcd B2AG :| |:\ g2G2 g2G2 | gfef g2G2 | G2GA F3G | E2E2 c4 |\ c2cd B2Bc | A2AG F2ef | g2d2 edcB | ABcd B2G2 :| % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st and 2d Men leads through the two We. and turn in their own Places .| %% The two We. does the same :| %% First and 2d Cu. clap Hands, 1st Cu. leads through the 2d .| %% Then the 1st Cu. cross over and half figure at Top. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Beautiful Scrabmagg, by G. B. P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.250 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - A/G/ |\ F>ED FAA, | D3 e3 | (e/f/g)f efd | ^c3- c2(A/G/) |\ F>ED FAA, | D3 f3 | (e/f/g)f (ea)A | d3- d2 |] [| f/e/ |\ f>ef gab | a3 f2c/B/ | ABc G>FE | F3- F2G/F/ |\ E>FG ABc | =B>cd ^cde | (fA)f f>ed | d3- d2 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1. man turns his Partner, with his right-Hand, and turns the 2. man with his left, his Partner does %% the same; Then take Hands and fall back, all four turn single, the 1. man goes into the 2. wo. place, %% and the 1. wo. into the 2. man's place, then 1. cu. go the Figure through the 3. cu. and cast up into %% the 2. cu. place. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Beaux Delight P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.75 #108 (150) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The CCDM1 version had several illegible words, filled in from CCDM1, whose dance is identical except for spelling and punctuation. N: There are some differences in the tune. M: 6/4 L: 1/4 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ E>FG C2c | B>cd G2c/B/ | c>de A>fe | d3 G3 |\ E>FG C2c | B>cd G2g/f/ | e>fg G>cB | c3 C3 |] [|\ GEG AFA | GEG AFA | GEG ABc | B3 G3 |\ dBd eBe | fdf geg | aga def | e3 c3 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% Do the single Figure and turn single, and cast off and %% change Places with your Partner, then you will be in %% the 2d Cu. Place; the 2d Cu. do the same: Then %% clap Hands and cast off, the next Cu. do the same, %% then right and left 'till you come to the 2d Cu. %% Place, and lead thro' the 1st Cu. %% [CCDM1] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Beaux Delight P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.242 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The CCDM1 version had several illegible words, filled in from CCDM1, whose dance is identical except for spelling and punctuation. N: There are some differences in the tune. M: 6/4 L: 1/4 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ E>FG C2c | B>cd G2c/B/ | c>de A>fe | d3 G3 |\ E>FG C2c | B>cd G2g/f/ | e>fg G>cB | c3 C3 |] [|\ GEG AFA | GEG AFA | GEG ABc | B3 G3 |\ dBd ece | geg afa | geg def | e3 c3 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% Do the single Figure and turn single, and cast off and change places with your Partner, then you will %% be in the 2. cu. place, then 2. cu. does the same; Then clap hands and cast off, the next cu. do the same, %% then right and left till you come to the 2. cu. place, and lead through the 1. cu. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Beaux Stratagem %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (180) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/8 K: Am % - - - - - - - - - - - - - - - - - - - - - - - - - cB |\ A2E2 E2A2 | ^G4 A3B | cdcB ABcd | edcB AcBc |\ A2E2 E2A2 | ^G4 A3B | cdcd (e3c/d/) | e6 :| |: ed |\ cBcd efef | g2G2 G2gf | edcB ABcA | e2E2 E2(3(efg) |\ a2d2 cBcd | eBcA ^G2e2 | dcBA E2^G2 | A6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Cu. slip on the Outside below the 2d Cu. .| %% Then figure thro the 3d Cu. the 2d Cu. do the %% same :| Fall back Sides and change Places with your %% Partners .| The 1st Cu. figure thro the 2d Cu. %% and turn down the Middle into the 2d Cu. Place :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Bellamira P: Longways for as many as will %R: reel, march B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.107 #152 (214) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.149 "O 3" Z: 2013 John Chambers <jc:trillian.mit.edu> N: The two versions differ only trivially in spelling and punctuation. M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ G2 D4 AB | G4 B4 | A2F2 f2c2 | A4 c4 |\ B2G2 d2g2 | ^f4 d4 | (ed)(cB) (AB)c2 | B4 G4 |] [|\ G3B/c/ d3B/c/ | d2B2 G2B2 | A3A/B/ c3A/B/ | c2A2 F2f2 |\ d3g/a/ b3a/g/ | a2g2 ^f3=e/^f/ | g2a2 a3g | g4 d3B/A/ |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% First Man take Hands with his Partner, and lead her down the Middle, %% the Man go on the Wo. Side, and the Wo. on the Man's, then 1st Man %% side with Foot and Elbow, the 2d Wo. and the 1st Wo. side with Foot and %% Elbow the 2d Man, and turn Sides to their own Places. %%endtext %%sep 1 1 300 %%begintext align %% Cross over with their Partners, and go round about the 1st Cu. 'till the %% 1st Man comes into the 2d Man's Place, and the 1st Wo. into the 2d Wo. %% Place, then 1st Man cross over with the 2d Wo. and 1st Wo. with the 2d %% Man, then all four clap Hands, and Hands half round and turn single. %% [CCDM1] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Belvedera %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (163) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat signs added to match the dance description. N: The actual time signature is just "3". M: 3/4 L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ cd e2 c2 | d2 B2c2 | A2 B2 G2 | AGABAB |\ cd e2 c2 | c2B2 c2 | A2 B2 G2 | A6 :| cBABcd | e2 (e3 d/e/) | f2 e2 d2 | e2 c2 a2 |\ e2 fe d2 | e2 c2 d2 | e2 fedc | B6 | cd e2 c2 | d2 B2 c2 | A2 B2 G2 | AGABAB |\ cd (d3 c/d/) | e2 c2 a2 | c2 dcBc | A6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Note The 1st strain is to be play'd twice and the last but once % - - - - - - - - Dance description - - - - - - - - %%begintext align %% First Man lead his Wo. by the right Hand half round and back %% again by the left Hand .| Cast off 1st into the 2d Cu. Place then %% into the 3d. Cu. place :| Then lead thro both Cu. and cast off %% then all three Cu. take Hands round till the 1st Cu. meet in the %% Middle and turn Hands .| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Berks of Abergelde P: Longways for &c. %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.38 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/16 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ F3G A2c2 f4 e2d2 | f4 e2d2 efg2 c2c2 |\ F3G A2c2 f3g a2g2 | f2d2c2A2 GGG2 d4 :| |:\ F3G A2B2 c2F2 ABcA | c2F2 ABcA dcBA G2d2 |\ F3G A2c2 f3g a2g2 | f2d2 c2A2 GGG2 d4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ f4 F4 A4 B4 | A4 B4 c4 c'4 |\ f4 F4 A4 c4 | d4 A4 G8 :| |:\ f4 z4 F4 z4 | f4 z4 B4 G4 |\ F4 f4 A4 c4 | d4 A4 G8 :| % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Cu foot it cast off and turn .| %% 1st Cu. foots it again cast up and turn :| %% the 1st ?? 2d Cu. hands across quite round with their right hands .| %% Back again with their left hands :#: %% 1st Man foots it with the 2d Wo. and turns her .| %% their Partners do the same :| %% the 1st Cu. cross over and half figure at top .| %% First and 2d Cu. right and left quite round. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Bessy Bell P: Longways for as many as will %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.15 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 A |\ FGA ABc | B>AB G2G | FGA A>BA | f3 g2f/g/ |\ aAA ABc | BAG g2f/g/ | agf ed^c | d3 f2 :| |: f/g/ |\ afd faf | e^ce efg | afd d>ed | f3 Tg2f/g/ |\ afd faf | e^ce efg | agf ed^c | d3 f2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ d3 D3 | g3 G3 | d3 zzd | dAF D2d |\ d3 D3 | g2d B2G | f2d a2A | dAF D2 :| |: z |\ d'3 d3 | a3 A3 | d2f a2f | d3 e2c |\ d2f a2d | a3 A3 | fed a2A | dAF D2 :| % - - - - - - - - Dance description - - - - - - - - %%begintext align %% Two first Cu. fall back and cross over, and so back again to their Places :| %% cross over and figure in .| %% lead thro' the 3d Cu. cast up and turn hands. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:25 T: Bess Kings Hornpipe M:3/2 L:1/4 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:Gmin c2e2g2 | fd2e/d/c_a | gfedc=B | cG2d/e/dc || eg2_abe | df2g_ad | ce2fgd | =B2G2G2 || b2bedb | a2adc_a | g2gc=Bc | c3=Bc2 || Gcdefd | Bdefge | cefg_ae | d3cc2 || cc'gegb | dbfdf_a | gc=BgA^f | gG_AFG=B || cGEGCF | BFDFDG | cGEGCD/E/ | D>EDC=B,G || CG_AG_AC | B,FGFGB, | _A,FGE_A/G/F/E/ | D4C2 || %%sep 1 1 500 %%sep 1 1 500 X:28 T: Bess Kings Jigg M:6/4 L:1/4 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:Gmin e/f/ | g3f>ed | egc=B>cd | e.dcB>AG | _AF3/2E/4F/4G2 || G/_A/ | B>cBe2e/4f/4g | fe/d/c/B/B2b | g>feded/c/ | g3g2f | edc=Bcd | efg_a2g | fe/d/e Gc=B | (c3c2) || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Better Day Better Deed %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (105) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat. M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - a2b |\ agf efg | fed ABc | def gaf | e3 a2b |\ agf efg | fed Adc | def edc | d3 :| |: D2G |\ FED GAB | AFD D2G | FED def | e3 E2G |\ FED GAB | AGF GAB | ABc dec | d3 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Man go with in-side of the 2d Man, then go %% round about him, and stand below the 3d Man .| then the %% 2d Wo. do the same :| the 1st Cu. being below the 3d Cu. %% cross over above the 3d Cu. and so above the 2d Cu. into %% their own Places .| the 1st Man take Hands with his %% Partner, and lead down the 2d Cu. then lead up again %% into your own places and cast off :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Betty's Maggot P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.179 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to satisfy the "Each Strain twice" instruction. M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - D |\ G>AG D2D | G>AG d2B :: (cE)c (BG)B | (AF)A c2A | ggd eeB |\ ggd eeB | c>d e/f/ gdB | A>BA c2A | G>AG D2D | G>AG d2B :| % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1. cu lead through the 2. and 3. cu. and back again through the 2. cu. and cast off into the 2 cu. %% place :| The 1. man being in the 2. wo. place, turn the 2. wo. once round, the first wo. being in the %% 2. man's place, turn the 2. man round at the same time till they meet above, then take left hands and %% change to their own sides, and cast off into the 2. cu. place .| Then all four take right-hands a-cross %% half round, and left-hands half round back again, and so cast off :| %% [DMDfD] %%endtext %%sep 1 1 300 %%text Note: Each Strain is to be played twice over. %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Billy Dimple N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.41 #301 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:41 #301 N: The 2nd part has a begin-repeat but no end-repeat. M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 F |\ Ac-cd/e/ fc-ce | (d/e/f) cB/A/ G>AGA | Bd-de fe-eg | ed/c/ dc/=B/ c3 :: C | EGGB Beeg | ((3gfe) ((3dcB) {B}A3G | FA-Ac- cf-fe/d/ | cB/A/ BA/G/ F3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ fgab afac' | bgaf c'cef | gabg a=bc'b | c'2g2 c3 :: z | c2c2 c2c2 | c2e2 f3c | f2f2 fgab | afc'c f3 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% First Man set to the 2d Wo. then the 1st Wo. does the same .| %% First Man sets and Jiggs to the 2d Wo. and turn her, 1st Wo. does the same :| %% Hands across half round and back again, all four Set, and both hands round, %% till the 1st Cu. gets in the 2d Cu. Place. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Billy Kings Bass Minuet %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (55) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "1st strain twice" instruction. N: The bar line between measures 13 and 14 was missing. M: 3/4 L: 1/8 K: Am % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ A2EDCB, | A,2cBcA | B2G2G2 | G2edcB |\ c2^G2A2 | E2C2F2 | DFEDCB, | A,6 :| e2c2c2 | d4G2 | cedfeg | e3def |\ g2c2d2 | BAG2c2 | d2B4 | c3edB "D.C."|] % - - - - - - - - - - - - - - - - - - - - - - - - - %%center The 1st strain twice the second but once and End with the 1st strain % - - - - - - - - Dance description - - - - - - - - %%begintext align %% Minuet step The 1st Cu. go hands across half round with %% the 2d Cu. and lead thro the 3d Cu. and cast up .| then %% hands across half round with the 3d Cu. and cast up to %% the Top :| the 1st and 2d Cu. take hands and go quite %% round then the 1st Cu. cast of [sic] in the 2d Cu. place. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Bishop of Bangors Jigg P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.92 #138 (184) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.286 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: Em % - - - - - - - - - - - - - - - - - - - - - - - - - B |\ efg fge | ^def B2e |\ dcB cBA | B3 B2 |]\ B/c/ |\ dBG cAF | BGE AFD | GAB A2G | G3- G2B |\ ge^c af^d | bge af^d |\ efg Be^d | e3- e3 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% All four hands half round and turn single, then back again to your %% own Places and turn single. the 1st Man change Places with the 2d %% Wo. and the 2d Man with the 1st Wo. then right Hand and left 'till %% you come into your own Places, then go the half Figure and cast up, %% then cross over and turn your Partner, and so forward. %% [CDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% All four hands half round and turn single, back again to your own places and turn single; The first %% man change places with the second woman, and the second man with the first woman, right-hand and %% left till you come into your own places, then go the half Figure and cast up, then cross over and turn %% your Partner, so forward. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Bishop of Chester's Jigg T: The Fit's come on me now P: Longways for as many as will %R: slip-jig, triple hornpipe B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.106 #148 (212) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89752805 p.132 Z: 2013 John Chambers <jc:trillian.mit.edu> N: CCDM1 has K:F (one flat), whihc DMDfD has K:Fmix (2 flats). N: Repeats added to match instructions in the dance. N: DMDfD has (fa)a rather that (fb)a in bar 6, beat 2. N: CCDM1 is mising the final f in bar 6, which has only 8 counts. M: 9/4 L: 1/4 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - |: F2c (cA)c c2A | F2c (cA)c (d/e/f)c | F2c (cA)c d2e | (fc)d (cA)F G2F :| |: (fc)f (ec)f e2d | d>ed f>g a/f/ g2f | (fc)f (fb)a g2f | (df)d (cA)F G2F :| % - - - - - - - - Dance description - - - - - - - - %%begintext align %% First Man cast off and go below the 2d Man and come up into his Place, %% the 2d Wo. go up and cast around the 1st Wo. into her Place again; %% then each Cu. take Hands and turn once round into their Places. the %% 2d Cu. do the same over as the first did :| First and 2d Men cross %% over and change into their own We. Places; then the 1st Man go %% below the 2d Wo. the half Figure while the 1st Wo. goes round the %% 2d Man the half Figure, 'till they come into their Places again, and %% turn S. the next Cu. cast up and do the same :| %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% First man cast off and go below the 2. man and come up into his place, the 2. wo. go up and come %% round the I. wo. into her place again, then each cu. take hands and turn once round into their places; %% the 2. cu. do the same over as the first did. This to the first Strain played twice. %%endtext %%sep 1 1 300 %%begintext align %% First and 2. man cross over and change into their own we. places, then the I. man go below the 2. wo. %% the half Figure, while the I. wo. goes round the 2. man the half Figure, till they come into their places %% again, and turn S. The next cu. cast up and do the same. This to the second Strain played twice. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Black and Grey P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.42 #81 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.127 "M 4" Z: 2013 John Chambers <jc:trillian.mit.edu> N: The tune and dance are the same in both books, except for minor spelling and punctuation differences. M: C| L: 1/8 K: Am % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ A2A2 d2B2 | c4 A2d2 | B4 G2g2 | B4 G4 |\ A2A2 d2B2 | c3B A2d2 | B2G2 (Bc)(dc) | A4 e4 |] [|\ a2e2 (fe)(dc) | a2e2 (fe)(dc) | g2d2 (Bc)(dB) | g2d2 (Bc)(dB) |\ a2e2 (fg)(ag) | (ag)(fe) (fe)(dc) | B2G2 (Bc)(dB) | A4 e4 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st and 2d Cu. take Hands and go quite round and cast off, %% then the 2d and 3d Cu. take hands and go quite round and %% cast off, the 2d Cu. being now in the 3d Cu. Place, the 1st Man %% turn the 3d Wo. and the 1st Wo. turn the 3d Man with the %% right Hand at the same Time, then each turn their own with %% the Left; then the 1st Man turn the 2d Wo. and the 1st Wo. %% turn the 2d Man with the right Hand, and then turn their %% own with the Left, 'till they are in their Places. %% [CCDM1] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Black as a Cole P: Longways for as many as will %R: slip-jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.31 Z: 2013 John Chambers <jc:trillian.mit.edu> N: "Each Strain twice." Fixed repeats accordingly. M: 9/8 L: 1/8 K: Dmix % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: DEF DEF A,3 | DEF DEF G2E | DEF DEF A,2A, | efe e2G TF2E :| |: df/g/a/f/ df/g/a/f/ d2A | df/g/a/f/ df/g/a/f/ g2e | df/g/a/f/ df/g/a/f/ d2A | efe eEG TF2E :| |: afd dBG AFD | afd def g2e | afd dBG AFD | efe e2G TF2E :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: d3 d3 A3 | d3 d3 e3 | d3 d3 A3 | c3 a3 d2A :| |: d3 D3 d3 | d3 d3 e3 | d3 D3 d3 | c3 a3 d2A :| |: d3 D3 d3 | d3 d3 e3 | d3 D3 d3 | c3 a3 d2A :| % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Cu. turn sett and cast down .| %% then turn sett and cast up again :| %% the 1st Man takes hands with the 3d Cu. %% the 1st Wo takes hands with the 2d cu and turn 'em half round. then turn his Partner .| %% the 1st Man turn the 2d Cu. the 1st Wo. the 3d Cu. half round and turn Partners. :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Black Bess P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.91 #134 (182) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.196 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to match the dance instructions. N: The two dance descriptions are very similar except for spelling and punctuation, and also some minor rephrasing. M: 6/4 L: 1/4 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - c |\ (AF)A c2f | (BG)d g2a | (bd)g (ec)f | f2e f2 :| a |\ (af)d b2a | (ge)c g2a | (fd)g (ec)d | (=BG)=B c2_B |\ AFA (cf)A | (BG)B (dg)a | (bd)g (ec)a | f2e f2 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Man cast off below the 2d Man then go Back to Back with the 1st %% Wo. and stand in the 2d Mans Place, the 1st Wo. cast off below the 2d %% Wo. and go Back to Back with the 1st Man, and stand in the 2d Wo. Place. %% This to the 1st Strain twice. %% Both Cu. Back to Back with their Partners, then right Hands and left %% With your own Partners, 'till you come into your own Places, the %% 1st Man change Places with the 2d Wo. and the 2d Man with the 1st Wo. %% then turn your own Partners to your own Sides. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man cast off below the 2. man, then go back to back with the 1. wo. and stand in the 2 man's %% Place; the 1. wo. cast off below the 2. wo. and go back to back with the 1. man, and stand in the 2 wo. %% place. This to the first Strain twice. %% Both cu. back to back with their Partners, then right and left-hands with your own Partners till you %% come into your own places; the 1. man change places with the 2. wo. and the 2. man with the 1. wo. %% then turn your own Partners to your own sides. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Black-Heath P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.303 "D d 2" Z: 2013 John Chambers <jc:trillian.mit.edu> N: The actual time signature is just "2". Missing half-beat between strains fixed with an added rest. M: 2/2 L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - G2 |\ B2d2 d2g2 | dcde d2G2 | B2d2 d2g2 | agab a2d2 |\ g2a2 b2f2 | gfed c2f2 | d2B2 c2A2 | B6 G2 |\ B2d2 d2g2 | dcde d2G2 | B2d2 d2g2 | agab a2d2 |\ g2a2 b2f2 | gfed c2f2 | d2B2 c2A2 | B6 |] z2 |\ d2A2 A2dc | =Bc =BA G2d2 | g2d2 d2gf | =ef =ed c2=e2 | f4 g4 | agab a2gf | =e2f2 g2=e2 | f6 f2 |\ b2d2 d2ef | gfed c2de | f2B2 B2cd | edcB A2Bc |\ d4 =e4 | ^f2B2 g2ab | a2g2 a2^f2 | g6 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The two men lead round their Partners into their own places, the 1. man leads his Partner through the %% 2. cu. and cast up .| The we. does the same :| The 1. man sets to the 2. wo. and the 2. man sets to the 1. %% wo. the 1. cu. cross over and go the Figure .| The 1. wo. goes between the 2. cu, the 1. man goes between %% the 3. cu. the 1. man cast up into the 2. cu. place, the 1. wo. cast off into the 2. cu. place, then %% turn hands till the Tune be ended :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Black Jack N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.50 #310 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:50 #310 N: The 2nd part has a begin-repeat but no end-repeat. M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: d>efd ecdf | ecdB AFE2 | d>efd ecdf | ecdB AFD2 :|\ |: DEFG ABAF | ABAF d>edB | ABAF d>efe | dBAB AFE2 |\ DEFG ABAF | ABAF defe | dBAB ABAF | dBAB AFD2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: d'2d2 a2bd' | c'abg a2a2 | d'2d2 a2bd' | c'abg d2d2 :| |: d2d2 d2d2 | d2d2 d2d2 | d2d2 d2d2 | d2d2 a2A2 | d2d2 d2d2 | d2d2 d2d2 | d2d2 d2d2 | d2d2 d2d2 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% Foot it cross ways, First Cu. cross over two Cu. lead up to the top and foot a %% little, cast of one Cu. foot it and back to back and right hands and left with %% the uppermost Cu. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Black Jack P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.117 #177 (233) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.76 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - d | c2A F>GA | B2G G2d | c>dc A>GF | c3 A2 |]\ A | d2e f>ed | c>BA G2d | c>dc A>GF | c3 A3 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% Lead up all, and down .| That again; sett to your own, and fall back .| That again. %%endtext %%sep 1 1 300 %%begintext align %% The 1st Man casts off and goes round the 2d Man and 2d Wo. follows him into %% their own Places, the 1st Wo. and 2d Man do as much .| The 1st Cu. lead down %% the Middle and back again, then casts off into the 2d Place and foots it :| %% Do this to the last. %%endtext %%sep 1 1 300 %%begintext align %% The 1st Man take his Wo. in his left Hand, and the 2d Wo. in his Right, and %% lead to the Wall and back, then turn about and take the 2d Man and lead %% to the Wall and back :| Take all Hands and go half round and foot it, go %% back again, the 1st Cu. cast off into the 2d Place :| Do this to the last. %%endtext %%sep 1 1 300 %%begintext align %% The 1st Cu. cast off into the 2d Place, take hands and lead up all a-breast %% and back :| The 1st Cu. being in the 2d Place, take Hands and turn, the other %% Cu. sett the Men, then they turn, and the other sett :| Do this to the last. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% Lead up all, and down :| That again; Set to your own, and fall back :| That again. %%endtext %%sep 1 1 300 %%begintext align %% The first man casts off and goes round, the 2. man and 2. wo. follows him into their own places, the 1. %% wo. and 2. man does as much :| The 1. cu. lead down the middle and back again, then casts off into %% the 2. place and foots it :| Do this to the last. %%endtext %%sep 1 1 300 %%begintext align %% The 1. man take his wo. in his left-hand, and the 2. wo. in his right, and lead to the wall and back, %% then turn about and take the 2. man and lead to the wall and back :| Take all hands and go half %% round and foot it, go back again, the 1. cu. cast off into the 2. place :| Do this to the last. %%endtext %%sep 1 1 300 %%begintext align %% The 1. cu. cast off into the 2. place, take hands and lead up all a-breast and back :| The 1. cu. being %% in the 2. place, take hands and turn, the other cu. set the men, then they turn, and the other set :| Do %% this to the last. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Black Joak P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.27 #57 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. N: Note unusual phrasing: The two strains are 3x2=6 and 2x5=10 bars long. M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ D>EF G2G | A>BA AGA | B>cB BAG | A>BA AGF | G3 E3 | D>EF G3 :|\ |:\ B2c d2d | e>fe d2c | B>cd d>ed | e>fg f>ed | c2g B2g |\ A>BA AGA | B>cB BAG | A>BA AGF | G3 E3 | D>EF G3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. % - - - - - - - - Dance description - - - - - - - - %%begintext align %% Hands round, all four quite round, Hands round, all %% four back again, clap Hands with your Partner, then %% clap Sides and right and left half round, then lead down %% and lead up, clap Hands with your Partner, and right and %% left quite round at Top. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:11 T: Black Joak M:6/8 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:G D | D2GG2G | A2A A>GA | B>cB B>AG | A>BA A>GF | G3E2D | D.EFG2 || B | B2d d>ed | e>fgd2B | B2d d>ed | e>fgd2B | c>ca B>Bg | A>BA A>GA | B>cB B>AG | A>BA A>GF | G3E2D | D>EFG3 || %%sep 1 1 500 %%sep 1 1 500 X:8 T: Black Mary's Hornpipee M:3/2 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:D AFDF AFDF G2E2 | AFDF ABcde2E2 | AFDF AFDFG2E2 | afdf ecAc d2D2 || ecAc ecAc d2B2 | ecAc efgea2E2 | AFDF AFDF g2e2 | afdf gecA d2D2 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Black Nell P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.147 #201 (293) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.295 "C c 4" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Fixed rhythm inconsistencies at phrase boundaries. M: 6/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - z2 |\ G4d2 B3AG2 | B2d4- d4e2 | d2B2g2 d2B2G2 | F2A4- A4B2 |\ G4d2 B3AG2 | c2e4- e4g2 | fga2b2 a2f2d2 | A2d4- d4 |] A2 |\ AG ABA2 A2F2D2 | dcded d2B2G2 | e^defe2 BA BcB2 | B2e4- e4g2 |\ dcded2 d2B2G2 | AGABA2 A2F2a2 | bagfe2 agfed2 | B2g4- g4 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Cu. lead up, the 2d Cu. lead down at the same Time, and all four Hands %% quite round; then 1st Cu. cast off, and go the whole Figure, then clap Hands %% and lead up, then clap Hands again and cast off into the 2d Cu. Place, %% and turn his Partner 'till the Tune ends. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% The first couple lead up, the second couple lead down at the same time, and all four hands quite round; %% then first couple cast off, and go the whole Figure, then clap hands and lead up, and then clap hands %% again and cast off into the secont couple place, and turn his Partner till the Tune ends. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Blazing Star P: Longways for as many as will %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.80 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd part has initial repeat but no final repeat, and 12 bars. M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ c2 f4 a2 | g2f2 e4 | f2ed c2d2- | d2dB A2F2 |\ c2 f4 a2 | g2f2 e2g2- | g2fe d2c2 | G2=B2 c4 :|\ |:\ G2 B4 d2- | d2cB A2f2- | f2ed ^c2d2 | A2^c2 d4 |\ g4 g2fe | defg e2c2 | f6 _ed | cd_ec d2B2 |\ b2 a4 g2- | g2 f4 e2 | efg2 c2f2 | f3e f4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ z2f2 a2f2 | c'2f2 c2a2 | d'2c'b a2b2 | e4 f4 |\ z2f2 a2f2 | c'2f2 c2e2 | f2d2 g2a2 | g4 c4 :| |:\ c4 d2e2 | b2ag f2d2 | g4 a2b2 | a4 d2f2 |\ e2d2 e2c2 | =B4 c2c'2 | a2fg a2b2 | a4 b4 |\ g2a2 b4 | =b4 c'2c2 | g2b2 a2f2 | c'2c2 f4 :| % - - - - - - - - Dance description - - - - - - - - %%begintext align %% First Man cast off into the 2d Wo. Pace, she crossing over at the same %% Time into his Place, the 1st Cu. run the Figure thro' the 2d Hands all four %% a quarter round. 2d Cu. cast off and lead up the Middle 1st Cu. casting %% down and run the Figure between the 2d the 1st Cu. being in 2d Place, %% Hands Right & Left, till they come in their own Places, sett & cast off. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Bleeding Heart P: Longways for &c. %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.88 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (53) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: 6/4 L: 1/4 K: Am % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 B |\ cBA ceB | cBA ^GBE | ABc BcA | B>A^G/F/ E2B |\ edc def | edc BdG | cde dcB | G>cB/d/ c2 :| |: B |\ GFE CEC | FED B,EB, | ABc BcA | B>A^G/F/ E2B |\ cec BdB | cec BdB | ceA ^GEG | A>EC/B,/ A,2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d e |\ a3 zze | a3 e2d | cBA def | e3 ^g2e |\ cBA B3 | cBA G2B | ABc g3 | G3 c2 :| |: g |\ edc zze | dcB G2f | f3 def | e3 ^G3 |\ A3 ^G3 | A3 ^G3 | A3 e3 | A3 zz :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Cu. turn & Back to Back & lead thro' the 3d Cu. .| %% then lead up to the Top and turn :| %% then 1st & 2d Cu. take Hands across and dance round and turn single .| %% then Right & Left the Tune out :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Bleinheim Pound %R: march, reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (87) N: Repeats added to satisfy the "Each Strain twice" instruction. Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - A2 |\ d2A2 d2e2 | f2gf e2ag | fed2 f2g2 | a6 :|\ |: fg |\ agfg a2b2 | c'2 g4 dc | BAGA B2c2 | A2 F4 cB |\ ABc2 Bcd2 | cde2 A2a2 | f2ed e2^c2 | d6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Man turn the 2d Wo. once round .| the 1st Wo. %% turns the 2d Man once round :| Then cross over and lead %% up all four abreast, the 1st Cu. being between the 2d %% Cu. Then the 1st Cu. cast off and right and left quite %% round :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:21 T: Blew Bell M: 3/2 L: 1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K: Cmin E4 GABD E4 | cBAG FGAE D2F2 | BAGF EFED C2F2 | AGFE B,EDF E4 || e4 gbge cecA | F4 fgfe dcde | D2E2 c3B AGFE | AGFE B,EDF E4 || EFGA B2E2 D2E2 | FGA=B c2F2 =E2F2 | g3f edcB AGFE | AGFE B,EDF E4 |] %%sep 1 1 500 %%sep 1 1 500 X:1 T: Bloomsbury Market P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.91 #133 (181) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Fixed incorrect rhythms at phrase boundaries. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - G |\ (dB) (AG) G2 D2 | (DE) (DB,) D3 D | (DG) (GF) E2 G2 | (c>d) cB A3 B |\ (ce) (ge) (dB) d2 | (GB) (dB) (AG) E2 | e3 d (e/f/)g (GA) | (cB) (AG) G3 |] z |\ g2 g(a/b/) g3 e | (ge) (dB) A3 G | (EG) (GA) B2 (AG) | (EG) (GA) B2 (AG) |\ d3 e (de) (dB) | (AB) (cd) e3 d | e3 d (ef) (gB) | (cB) (AG) G3 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% First Man turn the 2d Wo. with his right Hand, and the 2d Man with his %% Left, then the 3d with his right Hand, and cast up to his own Place .| %% His Partner do the same :| First Cu. hey with the 2d Man, then lead down %% the Middle and cast up and turn, then 1st Cu. hey with the 2d Wo. and %% cast off :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Bloomsbury Market P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.341 "G g 3" Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ d2 (dB) (AG) (GD) | (DE) (DB,) D3 D | (DG) (GA) B2 (Bc) | d2 (cB) A3 B |\ (cd) (e=f) (e^f) (gB) | (Bc) (dB) (AF) D2 | e3 d (ef) (gB) | (cB) (AG) G4 |] [|\ g2 (ga/b/) g3 d | (ef) (gB) A3 G | (DG) (GA) B2 AG | (DG) (GA) B2 (AG) |\ d3 e (de) (dB) | (AB) (cd) e3 d | e3 d (ef) (gB) | (cB) (AG) G4 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The first man turns the second woman with the right-hand, the second with his left-hand, then %% the third with the right-hand, then cast up to his own place .| Then his Partner does the same :| Then %% the first man and woman Hey with the second man, lead down the middle and cast up and turn, then the %% first couple Hey with the second woman and cast off :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Blowzabella %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 3: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.26 Z: 2020 John Chambers <jc:trillian.mit.edu> N: The rhythms of repeats aren't all correct; fixed by adding initial rests and adjusting lengths of final notes. M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 reformatted for compactness and easy proofreading. V: 1 z |\ d2c B>AG | c2A B2G | d2c B>AG | A2D G2 :: z | g2d BGB | cAc B>AG | g2d BGB | ADF G2 :: G/A/ | BAB cBc | d3- d2c | B>cB A>BA | G3- G2 :: z | g2G g2G | A>BA B2G | g2G g2G | A>BA G2 :: G/A/ | BAB cBc | d3- d2c | B>cB A>BA | G3- G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ g3 G3 | g3 G3 | g3 G3 | d3 G2 :: z | g3 G3 | g3 G3 | g3 G3 | d3 G2 :: z | g3 G3 | g3 G3 | g3 d3 | G3- G2 :: z | g3 G3 | d3 G3 | g3 G3 | d3 G2 :: z | g3 G3 | g3 G3 | g3 d3 | G3- G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%text Blowzabella a Scotch Country dance. %%begintext align %% The 1st Cu. foots it and cast off .| first foots it again and cast off below %% the 3d Cu. :| first Cu. leads up to the top . and cast off .| First Cu. %% leads thro the 3d Cu. :| first Cu. turns hands .| first Cu. turns back %% again :| the 1st Cu. foots it .| and then clap hands :| the 1st man double %% figures thro. the 3d Cu. 1st Wo. at the same time double figuers %% thro the 2d Cu. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Blundel's Maggot %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (157) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A2 |\ d2ef gfed | cdef e2ag | f2d2 efge | f2 d4 A2 |\ d2ef gfed | cdef e2ag | f2g2 a2^g2 | a6 :| |: e2 |\ cdec ece2 | cd e4 f2 | efge edcd | e2 A4 A2 |\ agfe d2d2 | gfed c2A2 | defd efge | f2 d4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Cu. cast off, the 1st Man fall in between the 2d and %% 3d Men, the 1st Wo. fall in between the 2d and 3d We. at %% the same Time .| The 1st Man go inside the 3d Wo. the 1st %% Wo. go outside the 2d Man at the same Time :| The 1st Man %% case up behind the 3d Man and the 1st Wo. cast off behind %% the 2d Wo. at the same Time .| Then cross over quite round %% the 3d Cu. and lead thro the 2d Cu. and right and left %% quite round with the 2d Cu. and turn your Partner :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Bobbing Joe P: Longways for as many as will %R: jig B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.?? #35 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.57 N: Both parts should probably be repeated. N: The dance description has 6 sections, with two columns; ## marks the right column. M: 6/4 L: 1/4 K: Am % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ A2e e2d | e>fg B>AG | A2B c2d | eB2 A3 |][|\ Bd2 G2G | Bd2 G2G | A2B c2d | eB2 A3 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% Lead up forward and back .| That again :| %% ## %% Sett and turn S .| That again .| %%endtext %%sep 1 1 300 %%begintext align %% First Couple slip down between the second, they slipping up .| %% Then they slip down :| Hands and go round :| %% ## %% First two Men snap their Fingers and change Places .| Your We. %% as much :| Do these two Changes to the last, the rest following. %%endtext %%sep 1 1 300 %%begintext align %% Sides all .| That again :| %% ## %% Sett and turn S .| That again :| %%endtext %%sep 1 1 300 %%begintext align %% First two on each Side Hands and go back, meet again .| %% Cast off and come to your Places :| %% ## %% First four change Places with your own .| Hands and go half %% round :| These Changes to the last. %%endtext %%sep 1 1 300 %%begintext align %% Arms all .| That again :| %% ## %% Sett and turn S .| That again :| %%endtext %%sep 1 1 300 %%begintext align %% Men back a Double, meet again .| We. as much .:| %% ## %% First Cu. change with the 2d on the same Side .| Then change %% with your own :| These Changes to the last. %% [CCDM1] %%endtext %%sep 1 8 500 %%begintext align %% Lead up forward and back .| that again. %% ## %% Set and turn S. .| that again :| %%endtext %%sep 1 1 300 %%begintext align %% First couple slip down between the second %% they slipping up .| Then they slip down .| %% Hands and go round :| %% ## %% First two men snap their Fingers and change places .| %% Your we. as much .| Do these two Changes to the last, the rest following. %%endtext %%sep 1 1 300 %%begintext align %% Sides all .| That again :| %% ## %% Set and turn S. .| That again :| %%endtext %%sep 1 1 300 %%begintext align %% First two on each side hands and go back, %% meet again .| Cast off and come to your places :| %% ## %% First four change places with your own .| Hands and go half round :| %% These Changes to the last. %%endtext %%sep 1 1 300 %%begintext align %% Arms all .| that again :| %% ## %% Set and turn S .| That again :| %%endtext %%sep 1 1 300 %%begintext align %% Men back a D. meet again .| We. as much .:| %% ## %% First cu. change with the 2. on the same side .| Then change with your %% own :| These Changes to the last. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Bob of Dunblane T: Rob of Dunblane N: The index has "Rob of Dunblane", but the title on the tune page looks like "Rob of Dunblane". %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (184) Z: 2013 John Chambers <jc:trillian.mit.edu> N: There's a double repeat sign between the strains, but no repeats at the beginning or end. M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ D2A F2A | E2F GE=C | D2A TF2A | D2A TF2A |\ G2B F2A | E2F GFE | dcB AFB | D2B AFD :| |:\ d2a (f/g/a)f | e2f ge=c | d2a f/g/af | d2a (f/g/a)f |\ gab fga | e2f gfe | dcB AFB | D2B AFD |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% First Man turn his Partner round and foot it clap hands %% twice and cast off in the 2d Cu. Place .| then do the same %% and cast off into the 3d Cu. Place :| lead thro' the 3d Cu. %% and turn single then lead thro' the 2d Cu. turn single %% and sett .| First Cu. take hands and slip one step down %% and one back again then cast off and turn :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Bonney Dundee P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.117 #178 (234) Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - B>AG G>AB | A2F Ac2 |\ Bdd d2g | d>c B/A/ G3 |] f |\ f>g a/g/ f>g a/g/ | f2F A/B/cc | =e/^f/gg g2b | a>g f/=e/ d2=e |\ f>g a/g/ f>g a/g/ | f2F A/B/cc |\ d2d =e>^fg | d>c B/A/ G2 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Cu. take Hands and lead down to the 2d Man, then fall back, and %% all four turn S. then 2d Cu. take Hands and lead up to the 1st Wo. so fall %% back and turn S. %%endtext %%sep 1 1 300 %%begintext align %% The 1st Man go round about the 1st Wo. into his own Place, and 2d Wo. %% go round about the 1st Man into her own Place; then 1st Wo. go %% round about the 1st Man into her own Place, and 2d Man go round %% about the 2d Wo. into his own Place; then all four Hands half round, %% so fall back, meet, and clap Hands, and turn your own. %% [CCDM1] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Bonney Dundee P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.137 "N 3" Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - D |\ DGG G2B | AFF A/B/cc |\ d2d =e>^fg | d>c B/A/ G2 |] f |\ f>g a/g/ f>g a/g/ | f2F A/B/cc | =e/^f/gg g2b | a>g f/=e/ d2=e |\ f>g a/g/ f>g a/g/ | f2F A/B/cc |\ d2d =e>^fg | d>c B/A/ G2 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1. cu. take hands and lead down to the 2. man, then fall back, and all four turn S. then 2. cu. %% take hands and lead up to the 1. wo. so fall back and turn S. %%endtext %%sep 1 1 300 %%begintext align %% The 1. man go round about the 1. wo. into his own place, and 2. wo. go round about the 1. man into %% her own place, then 1. wo. go round about the 1. man into her own place, and 2. man to round %% about the 2. wo. into his own place, then all four hands half round, so fall back neat, and clap hands %% and turn your own. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Bonny Boat Man P: Longways for as many as will %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.23 Z: 2013 John Chambers <jc:trillian.mit.edu> N: This dance seems to use periods to separate phrases and a colon for the midpoint of the dance/tune. M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 EF |\ G2 (A/B/c) (AG)(FE) | (FE)(DC) G3A | (AB)(cd) (e/f/)g fe | d3e D2EF |\ G3c (AG)(FE) | (FE)(DC) G3E | F2GA G2cB | c2C2 C2 :| |: cB |\ (AG)(AB) (cd)(ec) | (d/e/f) (fe) d3D | (DE)G2 c>d (e/f/g) | d3e D2(EF) |\ G2 (A/B/c) (AG)(FE) | (FE)(DC) G3E | F2(GA) (Gc) (B/c/d) | c4 C2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d c2 |\ c'2a2 b2c'2 | a2f2 e2c2 | f2ed c2C2 | G4 z2c2 |\ c'2c2 b2c'2 | a2f2 e2c2 | d2ef g2G2 | c'geg c2 :| |: e2 |\ f2d2 e2c2 | d2c2 g2G2 | c4 e2c2 | g2 G4 c2 |\ c'2a2 b2c'2 | a2f2 e2c2 | d2ef g2G2 | cGEG C2 :| % - - - - - - - - Dance description - - - - - - - - %%begintext align %% First Cu meet . sett and turn S . the 1st Wo . cast off into the 2d improper . her %% Partner at the same time follows her and casts off to the 2d improper . the 2d %% Cu . doing the same : then the two Men hands and lead thro' the We . to the %% same . then all clap . and all hands quite round . the two We . do the same . %% then all clap and hands half round . and turn S . %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Bonny grey-ey'd Morn T: The Bonney Grey-Ey'd Morn P: Longways for as many as will N: "a Scots air, same name" handwritten over title in DMDfD. %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.114 #167 (227) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.218 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - F |\ (BA) (Bc) d2 (cB) | (de) f2 f3 g | (fg) (fd) (ed) (cB) | (AB) (cd) c3 d |\ (ed) (cB) A3 A | (BA) (GF) =E3 C | (FA) (GB) (Ac) (dc) | (BA) (GF) F3 |] c |\ (cA) (cA) F3 f | (fd) (fd) B3 d | (eG) (cA) ^F3 d | (cB) (AG) G3 D |\ (GA) (BG) e3 d | (dG) (cB) A3 F | (Bd) (ce) (df) (gf) | (ed) (cB) B3 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Man turn the 2d Wo. and come into his own Place, and cast off below %% the 2d Man; the 1st Wo. do the same .| The 2d Cu. being in the 1st Cu. Place, %% do the same :| The 1st Cu. being in their Places, cross over below the 2d %% Cu. and go the Figure then lead thro' the 3d Cu. and cast up into the 2d %% Cu Place, the 2d Cu. being in the 1st Cu. Place, do the same, the 1st Cu. %% casting off at the same Time. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% The 1. man turn the 2. wo. and come up into his own place, and cast off below the 2. man; the 1. %% wo. do the same .| The 2. cu. being in the 1. cu place, do the same :| %% The 1. cu. being in their own places, cross over below the 2. cu. and go the Figure, then lead through %% the 3. cu. and cast up into the 2. cu. place, the 2. cu. being in the 1. cu. place do the same, the 1 cu. %% casting off at the same time. [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Bonny Laddy %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (51) Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - |: a>AAA AAAA | aAAA f2e2 | g>BBB B/B/B BB | gBBB Tf2e2 :|\ |: d>efg efge | d>efd Tf2e2 | defg e>fge | a>A A/A/A Tf2e2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Man cast off round the 2d Cu. the Wo. following %% .| Then the 1st Wo. do the same back again the %% Man following :| Cross over and figure thro the 3d %% Cu. .| The 1st and 2d Cu. take all four hands and turn %% quite round first and then single :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Bonny Lass P: Longways for as many as will %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.30 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd part has initial repeat but no final repeat. M: 6/8 L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ c2g gfe | d2e f3 | edc cde | dec dBG |\ c2g gfe | d2e f>gf | edc f2e | dBG c3 :| |:\ B2c dBG | B2c d2e/f/ | gec gec | gec gec |\ B2c dBG | B2c d2e/f/ | gec f2e | dBG c3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ e3 c3 | g3 G3 | c3 e3 | f2a g3 |\ e3 c3 | g3 G3 | c3 d2c | g2G c3 :| |:\ g3 G3 | g3 G3 | c'3 c3 | c'3 c3 |\ g3 G3 | g3 G3 | c3 d2c | g2G c3 :| % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The two 1st Men dance round Partners. 1st Man lead his Partner thro' the 2d Cu. %% the two 1st We. figure round the Men. then 1st Wo. lead her Partner thro' .| %% the 1st Man sett to the 2d Wo. and turn single. the 1st Wo. sett to the 2d Man. 1st Cu cast off .| %% Man takes his Partner and draws her quite round 3d Cu. and round 2d :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Bonny Lass of our Town P: Longways for &c. %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.67 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The first note in the bass line is almost certainly wrong. M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 c |\ B>AB cGE | G>AG G2c | B>AB cGE | D>ED D2c |\ B>AB cGE | G>AG G2c | B/c/dB c2B | AFD D2 :| |: c |\ B/c/dB GBG | B/c/dB G2c | B/c/dB G2B | AFD D2c |\ B/c/dB GBG | B/c/dB G2e | dcB c2B | AFD D2 :| |: g |\ fef gdB | gdB G2g | f>ef gdB | AFD D2g |\ fef gdB | def gdB | cac BaB | AFD D2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d B |\ g2f e2c | B2g e2c | g2f e2c | G3- G2c |\ g2f e2c | B2g e2c | g3 a2g | d3- d2 :| |: c |\ g3 z3 | G3 zzc | g3- g2G | d3 f3 |\ g3 z3 | G3 B2c | B2g a2g | d3- d2 :| |: e |\ d3 g3 | zzg G3 | d3 f3 | d3- d2e |\ d3 g3 | d2c B2g | a3 g3 | d3- d2 :| % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Cu. lead thro' the 2d Cu. & cross over & turn single .| %% the 2d Cu. do the same :| %% the 1st Cu. cross over & go the whole figure of Eight .| %% the 2d Cu. do the same :| %% then all 4 clap Hands with your Partners & turn single .| %% then clap sides, & lead thro' & cast off & turn the Tune out :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Bonny Lass T: Under the Water N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.3-14 M: C| L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: agfe dcBA | agfe f2a2 | agfe dcBA | aaAA c2e2 :| |: A/B/c/d/ ec ecec | B/c/d/e/ fd fd a2 | A/B/c/d/ ec ecec | agfe f2a2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: a4 A4 | c'2a2 d'2d2 | c'4 a4 | c2e2 a2A2 :| |: a4 A4 | d'4 d4 | a4 A4 | c4 d2A2 :| % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Cu. cast off two Cu. .| %% cast up again :| %% Gallop down one Cu. up again & cast off .|. %% hands round all six :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Border Reel P: Longways for as many as will %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.43 Z: 2013 John Chambers <jc:trillian.mit.edu> N: "Each Strain twice." Repeats corrected to match this instruction. M: 6/8 L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ cAA eAA | cAA e2c | dBB fBB | dBB f2e |\ cAA eAA | cAA e2c | d2e fga | edc TB2A :| |:\ cAA f/g/a/g/f/e/ | cAA e2c | d2B f/g/a/g/f/e/ | dBB f2e |\ cAA f/g/a/g/f/e/ | cAA e2c | d2e fga | edc B2A :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ a3 A3 | a3 a3 | b3 B3 | b3 B2g |\ a3 A3 | a3 A3 | f2e d2c | cBA e2A :| |:\ a3 A3 | a3 A3 | b3 B3 | b3 b2g |\ a3 A3 | a3 A3 | f2e d2c | cBA e2A :| % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The two 1st Men whole figure round their Partners, %% then the 1st Man lead his Partner thro' the 2d Cu. %% the two 1st We. figure round the Men and the Wo lead her Partner thro :| %% the 1st Man sett to the 2d Wo and turn single. %% the 1st Wo. sett to the 2d Man, and 1st Cu. cast off. %% the 1st Man takes his Partner by both hands and draws her quite round the 3d Cu. and round the 2d Cu. :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Bore la Bass P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.31 #52 B: "The Dancing-Master: Containind Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.103 "K 4" Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - ga |\ b2(ag) f3g | a2 d4 (ed) |\ c3B A2(Bc) | d2 d4 |] AB |\ c3d edef | g2 g4 cB | c3d edcB | A2 A4 cB |\ c3d edef | gfga g2Bc |\ d2cB A2Bc | B2 G4 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% Honour to the Presence, then to your own. %% Lead up forward and back, that again. %%endtext %%sep 1 1 300 %%begintext align %% First Cu. cast off into the 2d Cu. Place, and %% then cross over and go into the 3d Cu. Place, %% then go the Figure of 8 with the 3d Cu. and %% then with the 2d Cu. then the 1st Cu. being %% in the 2d Cu. Place, take Hands and lead up %% all abreast to the Presence; then the 1st Cu. %% being in the Middle, change Places and cast %% off into the 2d Cu. Place. Do this to the last. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% Honour to the Presence, then to your we. Lead up forward and back, that again. %%endtext %%sep 1 1 300 %%begintext align %% First cu. cast off into the 2. cu. place, and then cross over and go into the 3. cu. place, then go the %% Figure of 8. with the 3. cu. and then with the 2. cu. then the 1. cu. being in the 2. cu. place take hands, %% and lead up all a-breast to the Presence, then the 1. cu. being in the middle, change places and cast %% off into the 2. cu. place. Do this to the last. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Borne Races %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #75 (31) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat. M: 6/8 L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - c |\ fef fed | cgB AGF | BAB- B(d/c/B) | AGF EGC |\ fef fed | gfg gfe | edc Gc=B | c3- c3 :| |: c |\ geg gec | afa afd | bag agf | gef T^c3 |\ DFA dfa | GBd gab | agf ed^c | dAF D2c | fef fed | cgB AGF | BAB B(d/c/B) | AGF EGC |\ f2d AGF | gbg edc | fga cfe | f3- f2 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Cu. foots it half round to the left then clap %% twice and cast off .| then foot it half round to the %% right and turn :|| then the 1st 2d and 3d Cu. foot it %% to their Partners all at the same time then turn %% them then hands round all Six and all turn single || %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Bouzer Castle P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.118 #172 (236) B: "The Dancing-Master: Containind Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.102 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - C |\ E2G (GE)G | A2c cAc | E2G (GE)C | D3 G,3 |\ E2G (GE)G | A2c (cA)c | (ec)e (dB)G | c3 C3 |] c |\ e2g (ge)g | B2d (dB)d | E2G (GE)C | D3 G,3 |\ E2G (GE)G | A2c (cA)c | (ec)e (dB)G | c3 C3 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% Honour to the Presence, then to yr we. lead up forward and back, that again. %%endtext %%sep 1 1 300 %%begintext align %% Then the 1st Man cast off into the 2d Wo. Place, and 2d Wo. into the 1st Man's %% Place, and the 2d Man do the same in the 1st Wo. Place; then the 1st Cu. being %% in the 2d Cu. Place, go the Figure of 8, and the 2d Cu. being in the 1st Cu. %% Place do the same; then Hands round and turn S. %%endtext %%sep 1 1 300 %%begintext align %% Then the We. take right Hands, and the Men right Hands, and change Places %% then change Places with your own, the 2d Cu. being in the 1st Cu. Place %% cast off, the other lead up in the Middle, and cast off into the 2d Cu. Place %% and meet, then cast off into their own Places again, and so lead down %% into the 2d Place. Do this to the End. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% Honour to the Presence, then to your we. Lead up all forward and back, that again. %%endtext %%sep 1 1 300 %%begintext align %% Then the 1. man cast off into the 2. wo. place, and 2. wo. into the 1. man's place, and the 2. man do %% the same into the 1. wo. place, then the 1. cu. being in the 2. cu. place, go the Figure of 8. and the 2. %% cu. being in the 1. cu. place do the same, then hands round and turn S. %%endtext %%sep 1 1 300 %%begintext align %% Then the we. take right-hands, and the men right-hands, and change places, then change places with %% your own, the 2. cu. being in the 1. cu. place cast off, the other lead up in the middle, and cast off %% into the 2. cu. place and meet, then cast off into their own places again, and so lead down into the %% 2. place. Do this to the end. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Box and Dice T: Boscomb Bucks P: Longways for as many as will %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.8 S: 3: CCD3 http://javanese.imslp.info/files/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.14 Z: 2013 John Chambers <jc:trillian.mit.edu> N: "The first Strain twice, and the last but once." (Repeats modified to match.) N: The 2nd part has 14 bars. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 has 4 staffs rather than 2, showing the 4/6/4/4-bar phrasing. V: 1 |:\ B2 A/B/c/A/ BG Gg | dd de B3 d |\ BGAF gfed | ^c/d/e Ac d4 :| A2 G/A/B/G/ AA2A | B3/c//d// cB B2 A2 |\ GG Gg GG G2 | AA Aa AA A2 |\ cc (c/B/)A Bedc | B2A2 G4 | ^cccc dD DD | cc cB/A/ Bg2g |\ ac cB/A/ Bedc | B2A2 G4 | B2 A/B/c/A/ BGFG | B2 A/B/c/A/ BGFG |\ Dc cB/A/ Bedc | B2A2 G4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout. V: 2 clef=bass middle=d |: g2d2 G4 | b2g2 g2f2 | g2d2 ed^cB | A2a2 d4 :| d2e2 f2d2 | g2fg d4 | g4 e4 | f4 d4 | e2f2 ec'ba | g2d'2 g4 | g4 f4 | e2f2 g4 | f2d2 gc'ba | g2d'2 g4 | g2d2 G2z2 | g2d2 G2z2 | f2d2 gcBA | G2B2 G4 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Cu. sett and cast off, clap Hands and turn sides; the 2d Cu. do the same :| %% Then the 1st Cu. turn the 2d Cu. across, and turn Partners :| %% The 1st Man change Places with the 2d Wo. and the 1st Wo. with the 2d Man. %% Then all four sett and turn single, then right & left half round, then sett and cast off .| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Bracelet %R: slip-jig, triple hornpipe B: John Walsh "Caledonian Country Dances" 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/5/50/IMSLP98359-PMLP202128-walsh_caledonian_country_dance_vol2.1.pdf p.38-39 #298 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:38-39 #298 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 9/8 N: 2nd part has initial repeat but no final repeat. L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 has 4-bar staffs: V: 1 |:\ G3 GBG BdB | G3 GBG afa | ece dBd cAc | BGB ADG FED | G3 GBG BdB | G3 GBG afa | gdg ece dBc | BGB ADF G3 :| |:\ b3 G2b aga | gfg efg fed | bgb afa geg | fdf e^ce d3 | G3 GBG BdB | G3 GBG afa | ece dBd cAc | BGB ADG FED | G3 GBG BdB | G3 GBG afa | gdg ece dBc | BGB ADF G3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff breaks: V: 2 clef=bass middle=d |:\ g3 G3 z2z | g3 e3 d3 | c2a B2g A2f | g3 f2e d3 | B3 G3 z2z | g3 e3 d3 | B2b c'3 b2a | g2c d2D G3 :||: g3 b2g f2d | e3 ^c'3 d'3 | g3 f3 e3 | d3 A3 D3 | z2z g3 f3- | f3 e3 d3 | c2a B2g A2f | G3 c3 d3 | B3 g3 f3 | e3 e3 d3 | B2b c'3 b2a | g3 d3 G3 :| % - - - - - - - - Dance description - - - - - - - - %%begintext align %% First Man cast down, the 2d Wo. at the same time cast up, and double figure round their own Partners .| %% their Partners does the same :| %% First Cu. gallops down, gallop up again, and cast off Right and Left quite round at Top, and foot it. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Brave Blakeney T: Wild Boars Frolick N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.3:21 M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ G3 d2c | BGB AFD | EGE AcA | F3 D3 |\ G3 d2c | BGB AFD | E/F/GE AGF | G3 G,3 :| |:\ b3 gb2 | afa geg | faf gbd | ^c3 A3 |\ afa bgb | afa geg | faf ed^c | d3 D3 | G3 d2c BGB AFD | EGE AcA F3 D3 |\ G3 d2c BGB AFD | EGe cAF G3 G,3 :| |:\ BdB c2a | AcA B2g | EGE AcA | F3 D3 |\ G3 d2c | BGB AFD | EGE F/G/AF | G3 G,3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ g3 f3 | g3 d2B | c3 A3 | d3 D3 | G2g f3 | g3 d2B | c3 d3 | g3 G3 :| |:\ g3 G3 | d3 ^c3 | d3 g3 | a3 A3 | d3 g3 | f3 e3 | d3 a2A | d3 D3 | g3 f3 | g3 d2B | c3 A3 | d3 D3 | G2g f3 | g3 d2B | c3 d3 | g3 G3 :| |:\ gbg a3 | fgf g3 | c3 A3 | d3 D3 | G2g f3 | g3 d2B | c3 d3 | g3 G3 :| % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Cu. cast of two Cu. .| %% lead up to the top & cast off :| %% 1st Man falls in between the 3d Cu. & his Partner between the 2d Cu. %% at the same time foot it all six foot it & hands round 3 top & Bottom .|. %% lead up to the top and cast off .||. %% lead thro the 3d Cu. cast up into the 2d Cu.s place & turn .||. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Brisk and Airy %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (190) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/4 L: 1/4 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - g |\ e>fg cde | B3 GcB |\ c>de def | e3- e2 :|\ |: f/g/ |\ a>ga def | g3 c3 |\ f>ge d(f/e/d/c/) | B3 G2c |\ f>ge d>cB | c3- c2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Cu. cast off and clap Hands then they being in %% the 2d Cu. Place the 2d Cu. cast off and do the same :| %% Then they draw the 1st Cu. into the 2d and the 2d into %% the 1st Cu. Places then right and left then the 1st Cu. %% cast off and turn it out :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Britains P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.215 Z: 2013 John Chambers <jc:trillian.mit.edu> N: All the A notes are flatted, so the usual K:Cm signature would be better. M: 6/4 L: 1/4 K: Cdor % - - - - - - - - - - - - - - - - - - - - - - - - - G |\ c>dc ccG | c>dc ccG | c>de d>e (d/c/) | =B2G G2_A |\ B_AG _AGF | def =B2_A | G>FE D2C | C3- C2 |] [| D |\ E2F G>FE | GAB B2_A/G/ | c2d edc | def f2(e/d/) |\ g2_a b_ag | f2e fed | edc B2=B | c3- c2 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1. man cast off to his left-hand into the 2. wo. place, and the 2. wo cast up into the 2. man's place, then turn both %% hands into their own places; then the 1. wo. cast off to her right-hand, into the 2. man's place, and the 2. man cast up into %% the 1. wo. place, then take both hands and turn into their own places; then the two men lead through the two we. and %% cross over into each other's places, and then hands round and come into each other's places again; then the we. go between %% the men and cross over into each other's places and hands round. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Bromely Assembly N: Pub: J. Walsh, London, 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.90 #350 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:90 #350 Z: 2012 John Chambers <jc:trillian.mit.edu> N: The 2nd part has a begin-repeat but no end-repeat. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 A |\ d2d {g}Tf>ef | e2e {a}Tg>fg | fag fed | ced cBA |\ d2d {g}Tf>ef | e2e {a}Tg>fg | fba {a}T^g>fg | a3 A2 :| |: a |\ a2a bab | g2g aga | f2f fed | ced cBA |\ d2d {g}Tf>ef | e2e {a}Tg>fg | fed {d}Tc>Bc | d3 D2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ d3 d'3 | c'3 a3 | d'3 d3 | a3 A3 |\ d3 d'3 | c'3 c3 | d3 e3 | A3- A2 :| |: z |\ d3 z3 | e3 c'3 | d'3 d3 | a3 A3 |\ d3 d'3 | c'3 a3 | d'2g a2A | d3 d2 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% Set and cast off down to Cu. Right hand Left half round and turn your Partners of their own Side | %% The 1st Man turn hands with the 2d Cu. and the 1st Wo. do the same with the 3d Cu. at the same time, %% and meet in the middle and turn, lead thro' the 3d Cu. and then a Top into the 2d Cu.s Place. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Brook and Hilliar %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (136) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - G |\ GDF G2A | BGA B2c | dcB ABG | F3 A2G |\ GDF G2A | BGB d2f | gfe Ad^c | d3- d2 :| |: d |\ gfg e2e | fef ^d2B | efg Be^d | e3 g3 |\ dBd e2d | cAc d2f | gGB dDF | G3- G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Cu. cast off and cast up again .| The 2d Cu. cast %% off below the 3d Cu. then lead up and cast off into %% their own Places :| The 1st two Cu. follow each other %% half round, then clap hands once, then follow the other %% half round clap Hands once .| The two Men go the half %% Figure between the two We. then the 1st Cu. cast off :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:13 T: Brown Joak M:6/4 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:Gmin GA | B3A G2d3g^f2 | g3ab2f2d2B2 | f6A4G2 | ^F2d2c2=B2g2f2 | b3a g2A2B2^F2 | G6G,4 || gf | g3a b2^f2d2f2 | g3a b2c'3b a2 | ^f6d4f2 | g3ab2^f2d2f2 | g2d2B2c2D2^F2 | G6G,4 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Bucket %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #10 (6) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - c |\ Bcd dBG | G2B cde | ecA A2c |\ Bcd dBG | c2B ABA | AFD D2 :| |: c |\ B2E EFE | EFE B2E | EFG AFD |\ B2G EGE | EFE FGA | AFD D2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Cu. go the whole figure thro the 3d Cu. .| %% the 2d Cu. do the same :| %% the 1st Cu. figure on the contrary sides meet in the middle and turn Partners quite round .| %% then lead to the Wall, sides, and the 1st Cu. slip the 2d Cu. below them, then set two steps and cast off :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Buff-Coat P: Longways for as many as will %R: jig B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.16 #28 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ d3 F3 | E3 c2B/c/ |\ d2A F2E | FD2- D2 |][| d |\ d>ed B>cd | e>de c>BA | d2d e>fg | f3 a3 |\ f>ef B>cd | e>de c>BA |\ d2A F2E | FD2- D2 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% Lead up all, back again .| That again, fall back, sett every Man %% to his own Wo. %%endtext %%sep 1 1 300 %%begintext align %% The first Cu. cast off into the 2d Cu. Place, back again :| Cross over %% with your own Wo. into the 2d Place, and give one Clap with your %% Hands, and turn your own Wo. round .| Do this to the last. %%endtext %%sep 1 1 300 %%begintext align %% The first Man cast off, his Wo. following him; then he takes the %% other Wo. by the left Hand and leads her between his Wo. and the %% other Man, going round them into the same Place; then he takes %% his own Wo. and leads her up the Middle, and both cast off into the %% 2d Cu. Place, and turn her about .| Do this to the last. %%endtext %%sep 1 1 300 %%begintext align %% The first Man puts his Wo. back into the 2d Place, and back again :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Buff-Coat P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.40 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> N: "Scots Air" handwritten after title N: The "Ducks Dang Over My Daddie" handwritten after first section of dance. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ d3 F3 | E3 c2B/c/ |\ d2A F2E | FD2- D2 |][| d |\ d>ed Bcd | e>de c>BA | d2d e>fg | f3 a3 |\ f>ef def | e>de ABc |\ d2A F2E | FD2- D2 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% Lead up all, back .| That again, fall back, set every man to his own wo. %%endtext %%sep 1 1 300 %%begintext align %% The first cu. cast off into the 2. place, back again :| Cross over with your own wo. into the 2d place, and give one clap %% with your hands, and turn your own wo. round .| Do this to the last. %%endtext %%sep 1 1 300 %%begintext align %% The first man cast off, his wo. following him; then he takes the other wo. by the left-hand and leads her between his wo. %% and the other man, going round them into the same place; then he takes his own wo. and leads her up the middle, and %% both cast off into the 2. Place, and turn her about .| Do this to the last. %%endtext %%sep 1 1 300 %%begintext align %% The first man puts his wo. back into the 2d place, and back again :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Buford's March T: Jocky was a dowdy Lad P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.301 "D d" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Handwritten at bottom: Named "Buford's March" or, "the Private Wedding' in the 12th Edition 1703 M: C| L: 1/8 K: Cm % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ (ec) (eg) (fd) =B2 | c2 (c/d/e) G3 c |\ (BG) (FE) F2 (F/G/A) | G2 =B2 c4 |\ (ec) (eg) b3 g | f>g (f/g/) (f/d/) B3 B | c2 BG (B/c/) (B/G/) FB | (c/B/) (A/G/) (F/G/F/E/) E3 G |\ (GB) (Be) B3 A | (FA) (cA) F3 B |\ (GE) e>f (g/f/)(g/a/) g>a | (gf/e/) d>c c4 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1. man goes round the 3. wo. and the 1. wo. goes round the 2. man, and turn your Partner in the 2. cu. %% place, then lead up toward the 2. cu. and lead through the 3. cu. then cast up and go right and left with %% the 3. cu. then go the whole Figure through the 2. cu. and right and left quite round. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Bunters Joke T: The Bunters Ioke N: The first letter of the title's second word is ambiguous; it could be I or J. %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #9 (23) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The meaning of the # above several notes isn't known. N: Repeats adjusted to match the "Each Strain twice" instruction. M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ G>AG B2g | f3 ed2 | e>fe (gb)B | A3 D3 |\ G>AG (Bd)g | faf e2d | ^c>de A>Bc | dAF E2D :| |:\ A>BA B2e | ef^d e2f | g>fe "^#"e2^d | e2z .g2z |\ .d2z .c2z | .B2z z2z | (BG)g (dB)b | g>fe d2c | BgB AcA | BgB "^#"c2A | (BG)g (dB)b | g>fe d2c |\ BgB AcA | BgB "^#"c2A | B>AG ADF | G3 z2z :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Cu. do the Rigadoon step and cast off meeting one %% another .| The Rigadoon step again and cast up again :| then %% cross over and half figure with the 2d Cu. and turn %% Partners .| lead thro the bottom and top and cast down into %% the 2d Cu. Place. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Bury Fair P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.103 #145 (205) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p. 207 "T 2" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Nearly-illegible left edge verified with http://deriv.nls.uk/dcn30/8975/89753707.30.jpg N: Repeats added to satisfy the "Each Strain twice" instruction. The numbers above pickup notes are in both books. M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - "^1"d2 | c2A2 A2F2 | G4 "^*)"[D3C3]d | c2A2 A2GF | F4 F2 \ :: "^2"f2 | c2f2 e2f2 | g2G2 G2f2 | c2f2 efge | f6 :| |: "^3"c2 | dcBA BAGF | GFED C2c2 | dcBA BAGF | !fine!F4 \ :: "^4"f2 | c2f2 e2f2 | g2G2 G2f2 | c2f2 efge | f6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%text *) DMDfD has D here; CCDM1 has C. %%center Each Strain twice and end with the third Strain. %%begintext align %% 1st Man cast off and fall between the 3d Cu. and all three Hands %% abreast; the 1st Wo. cast off and fall between the 2d Cu. and sett to %% one another Face to Face; the 1st Man and 3d Cu. take all three Hands %% and go half round and back again, the 1st Wo. and 2d Cu. do the same; %% The 1st Man and 3d Cu. go the Hey, the 1st Wo. and 2d Cu. do the same; %% Then the 1st Man take his Partner by the Hand in the 2d Cu. Place, and %% lead her thro' the 3d Cu. and cast up into the 2d Cu. Place, then lead %% thro' the other Cu. and cast off into the 2d Cu. Place. %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%text: Play each Strain twice, and end with the thirs Strain. % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1. man cast off and fall between the 3. cu. and all three hands a-breast; the 1. wo. cast off and %% fall between the cu. and set to one another face to face; The 1. man and 3. cu. take all three hands %% and go half round and back again, the 1. wo. and 2. cu. do the same. The 1. man and 3. cu. go the %% Hey, the 1. wo. and 2. cu. do the same; then the 1. man take his Partner by the hand in the 2. cu. %% place, and lead her through the 3. cu. and cast up into the 2. cu. place, then lead through the other cu. %% and cast off into the 2. cu. place. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Bush B: John Walsh "A Composite Music Volume" 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/5/50/IMSLP98359-PMLP202128-walsh_caledonian_country_dance_vol2.1.pdf p.44 #304 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:44 #304 Z: 2012 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 d |\ gd-de dB-Bd | e/f/g dc/B/ {B}A3d |\ gd-de dc/B/ e/f/g | dBcA G3 :| |: B |\ AD cB/A/ BG dc/B/ | AD cB/A/ B3A |\ (B/^c/d) (e/f/g) (f/e/d) (c/B/A) | (f/a/f/d/) (e/g/e/^c/) d3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z | gabc' bg-gb | c'abg d'2d2 | gabc' bgc'a | d'2d2 g3 :| |: g | d'2d2 g2G2 | d'2d2 g3d | g2g2 a2a2 | d'2a2 d3 :| % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Cu. foots it cast off and turn .| %% First Cu foots it again, cast up and turn :| %% the 1st and 2d Cu. hands across quite round with their right hands .| %% back again with their left hands, First Man foots it with the 2d Wo. and turns her .| %% their Partners do the same :| %% the 1st Cu cross over and half figure at top .| %% First and 2d Cu. right and left quite round. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Buskin P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.104 #149 (207) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89754629 p.284 Z: 2013 John Chambers <jc:trillian.mit.edu> N: In bar 5, DMDfD has B for the final note. Typo? M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A2 |\ d2AG F2A2 | BAGF E2G2 | AGFE D2F2 | EDCB, A,2A2 |\ d2AG F2A2 | e2cB A2fg | afd2 A2c2 | d6 |] f2 |\ f2df a2fd | f2df e2cA | d2cd B2GB | e2Be c2A2 |\ gaga b2ag | fd fg a2gf | e2de A2c2 | d6 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Man cast off and turn the 3d Wo. .| The 1st Wo. cast %% off and turn the 3d Man :| Hands half round with the 2d Cu. turn single %% and right and left into the 2d Cu. Place, then figure thro' the %% 3d Cu. and turn your Partner into the 2d Cu. Place. [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% The first man cast off and turn the 3d. woman .| The 1st woman cast off and turn the 3d man :| %% Hands half round with the second cu. turn single and right and left into the 2d. couple place, then %% Figure through the 3d cu. and turn your Partner into the 2d cu. place. [CMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Butchers Hornpipe %R: minuet, triple hornpipe B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (93) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. N: The initial E in bar 3 should perhaps be F. M: 3/2 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - |: GFGA B2c2 d4 | edcB cBAG F2D2 | E2d2 E2c2 D2B2 | D2EF G2D2 B,2G,2 :| |: g4 Bc d2 g2G2 | cde2 A2a2 f4 | e2ce d2Bd c2Ac | D2G2 GABc A2G2 :| |: G3A GABc d2G2 | F2 A4 B2 c2E2 | E3F EFEF G3C | A,2D2 DEDC B,2G,2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st and 2d Cu. take hands and go half round the 1st %% Cu. go the half Round again with the 2d Cu. the 2d Cu. %% at the same time turn one another into their own places %% .| then 1st Cu. lead up to the top then sett and cast %% off :| then 1st Cu. lead down the Middle thro the 3d Cu. %% and lead up again thro the 2d and cast off into the 2d %% Cu. place .:| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:54 T: Butcher Row M:6/8 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 N:aka 'Pibroch'(D.Johnson)[RC}; extra pick-up notes as printed; strain 10 N:has leading note in same bar; B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:D g | f>ga a2g | f>ga gdB ||\ g | f>ga e>fg | f>ga gdB ||\ g | f2e f/e/f/g/a | gec fdB ||\ e>fe cAd | cdc fdB || ABA cAd | cec fdB ||\ cAd cAd cac BdB ||\ a2e f/e/f/g/a | g/f/e/d/c f/e/d/c/B ||\ e>fe f/e/f/g/a | g/f/e/d/c f/e/d/c/B || aec aec | aec BGB ||\ B | c>Bc c>Bc | c>Bc BGB ||\ ceA dfA | ceA fdB ||\ cac dbd | cac BGB || A>BA cAd | cec fdB ||\ e3g3 | aec fdB ||\ e>fe f>ga | gec fdB ||\ e3c3 | cec fdB || A3c3 | c3 BGB ||\ cAd cAd | cec fdB ||\ e3g3 | a2cB2g ||\ a2c a2c | a2cB2g || a3e3 | cec fdB ||\ A/A/A/A/e A/A/A/A/e | A/A/A/A/e BGB ||\ A/A/A/A/e A/A/A/A/g | A/A/A/A/e BGB || A/A/A/A/A cAc | A/A/A/A/A BGB ||\ e/e/e/e/e cAc | e/e/e/e/e BGB ||\ a/a/a/a/a cAc | a/a/a/a/a BGB || A/A/A/A/A A/A/A/A/A | A/A/A/A/A BGB ||\ A3d3 | c2BGB ||\ cAd cAd | cAd BGB ||\ aec aec | aec fdB || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Butter'd Pease P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.24 #48 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The tune has many small differences from the CCDTB version, enough to treat them as different settings. N: The dance differs from the CCDTB version only in spelling. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ B2d2 d2cB | c2e2 e4 | B2d2 d2cB | c2A2 A4 |\ B2d2 d2cB | c2e2 e4 | BcdB ABcA | B2G2 G4 :| |:\ B2d2 d2ef | gfga g4 | B2d2 d2cB | c2A2 A4 |\ B2d2 d2ef | gfga g4 | BcdB ABcA | B2G2 G4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Man and Wo. set, Foot it and turn .| %% the 1st Man does the same with the 2d Woman, as at the same time doth his Partner with the 2d Man .| %% The 1st Couple cross over below the 3d Couple .| %% Then slip up the Middle to the Top, Foot it and cast off. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Buttered Pease P: Longways for as many as will %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.13 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: B2 d4 cB | c2 e4 dc | B2 d4 cB | c2 A4 dc |\ B2 d4 cB | c2 e4 dc | Bcd2 ABc2 | B2G2 G4 :| |: B2 d4 ef | gfga g4 | B2 d4 cB | c2 A4 ef |\ B2 d4 ef | gfga g4 | Bcd2 ABc2 | B2G2 G4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: G4 g4 | a4 f4 | G4 g4 | a4 f4 |\ g2f2 e2g2 | a4 f4 | g2B2 c2d2 | G8 :| |: g4 f4 | e6 d2 | g4 b4 | a4 d4 |\ g4 f4 | e6 f2 | g2B2 c2d2 | G8 :| % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st Man and Wo. set, foot it and turn .| %% the 1st Man does the same with the 2d Wo. as at the same time doth his Partner with the 2d Man .| %% The 1st Cu. cross over below the 3d Cu. .| %% Then slip up the middle to the top, foot it and cast off. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Buttock of Beaf %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (96) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/4 L: 1/4 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - (d/c//d//) |\ B3 g.ab | G>AB c>dc/B/ | A2F F2B |\ G>_AG F>ED | E>F(G AF)A | B2B, B,2 :| |: D/E/ |\ F3 (BF)D | E3 (GE)C | Gc2- c2d/e/ |\ f3 (ge)d | c2a (ga)b | d2B B2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice % - - - - - - - - Dance description - - - - - - - - %%begintext align %% The 1st and 2d Cu. Jigg it round with their %% hands across .| then the 1st Cu. cast off %% behind 2d Cu. and Jigg it :| then cast up turn %% Jigg it and turn at top .| then right and left %% sett to your Partner and cast off :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Cabinet N: Pub: J. Walsh, London, 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.91 #351 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:91 #351 Z: 2012 John Chambers <jc:trillian.mit.edu> N: The 2nd part has a begin-repeat but no end-repeat. M: 2/4 L: 1/16 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ c2AB c2f2 | d2B2 Tc4 | c2BA B2AG | A2GF G2E2 |\ c2AB c2f2 | d2B2 c4 | f2ed e2dc | d2c=B c4 :| |:\ g2ef g2a2 | b2ag a2f2 | cdef g2a2 | gfed c4 |\ c2AB c2f2 | d2cB c2A2 | b2ag a2gf | g2fe f4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: f4a4 | b4a4 | f4e4 | f4c4 | f4a4 | b4a4 | =b4c'4 | g4c4 :| |: c4c4 | e4f4 | c4c4 | c4c4 | f4a4 | b4f4 | e4f4 | c4f4 |] % - - - - - - - - Dance description - - - - - - - - %%begintext align %% First Cu. hands round with the 2d Cu. .| %% First Cu. foot it and cast off and turn Partners :| %% Cross round the 2d Cu. into the 2d Cu.s Place .| %% Right and Left quite round. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:39 T: Cackling of the Hens M:4/4 L:1/4 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 N: bar 16 as printe B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:D dAd/e/f/g/ | ag/f/ e/f/d/e/ | A>A d/c/d/e/ | f/g/f/g/ a>a | (a2a/)g/f/a/ | g/f/e/g/ f/e/d/e/ | A2d/c/d/e/ | f/a/g/f/e2 | d4 || dddd/d/ | f>a dd | dddd/d/ | f>a dd/d/ | f>a d/e/f/g/ | f>a dd | b<gdd/d/ | f>a dd/d/ | b>g dd/d/ | f>a dd/d/ | a2a/g/f/a/ | g/f/e/g/ f/e/d/e/ | A>A dd/e/ | f/a/g/f/e2 | d4 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Cackny T: New Camargo P: Longways for &c. %R: strathspey, hornpipe B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.99 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: C| L: 1/8 K: G V: 1 |: G>BB>A G>gf>e | d>ed>c TB2A2 | G>BB>A G>ga>f | e>de>f d2C2 :| |: d>gg>d c>gg>c | B>gg>B TB2A2 | G>AB>d d>gg>c | B2TA2 G4 :| V: 2 clef=bass middle=d |: G2dc Acdc | Bc BA FBdc | BG dc B2^cd | a2A2 d4 :| |: A4 c4 | g2c2 dd'c'c | B2G2 B2c2 | cAdD G4 :| %%center Each Strain twice. %%begintext align %% The 1st Cu. set turn and cast off & then cast up again; the 2d Cu do the same .| %% then cross over & half figure & lead thro the 3d Cu & cast up :| %% then cast up the 1st Cu Back to Back & turn .| %% then the 1st Cu. cast up the 2d Cu & Right & left :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Cadgers in the Conongate N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.2:11 N: "Canongate" is how they spelled it. N: There is a really long, undulating slur over the last 4 bars, perhaps an unusual sort of ending notation. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ GBGB (de/f/g)e | dBgB A/A/A A2 |\ GBGB (de/f/g)e | dBgB G/G/G G2 :|\ |:\ bage gedB | GBgB A/A/A A2 |\ [1 bage gedB | GBgB G/G/G G2 ||\ [2 (b/a/)g (a/g/)e (g/e/)d (e/d/)B | GBgB G/G/G G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: g4 G4 | g2G2 d2D2 | g2G2 B2c2 | d2D2 g2G2 :| |: g2c2 B2G2 | g2G2 d2D2 |[1 g2c2 B2G2 | d2D2 g2G2 || [2 g2c2 B2G2 | d2D2 g2G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. hey contrary sides .| %% then on your own sides :| %% the 1st Cu. foot it to the 2d Wo. and turn her .|. %% the same to the 2d Man :|: %% the 1st and 2d Cu. foot it and Right hands across .|| %% Foot it and Left hands across back again :|| %% cross over one Cu. and turn .||. %% Right and left at top :||: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Camargo P: Longways for as many as will %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.50 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 [|\ GFGA B4 | AGAB c4 | BABc d2e2 | d2c2B2A2 |\ GFGA B4 | AGAB c4 | BABc d2G2 | A2GF G4 |] d2d2 g2fe | dcBA B2G2 | d2d2 g2e2 | dcBA B4 |\ c2B2 e2d2 | c2B2 A2G2 | c2B2 e2d2 | c2B2 A4 | GFGA B4 | AGAB c4 | BABc d2e2 | d2c2B2A2 |\ GFGA B4 | AGAB c4 | BABc d2G2 | A2GF G4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d [|\ g4 z2G2 | d4 e2f2 | g4 z2c2 | B2A2G2d2 |\ g4 z2G2 | d4 e2f2 | g4 B4 | c2d2 G4 |]\ G4 z2A2 | B2d2 g4 | G4 z2A2 | B2d2 g2G2 |\ A2B2c2B2 | A2G2 d2e2 | A2B2c2B2 | A2G2 d2f2 |\ g4 z2G2 | d4 e2g2 | f4 z2c2 | B2A2G2d2 |\ g4 z2G2 | d4 e2f2 | g4 B4 | c2d2 G4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Man foot it to the 2d Wo. 1st Wo foot it to the 2d Man, 1st Cu. %% cross over and half figure, lead thro' the 3d Cu. and cast up, lead thro' %% the 2d Cu. and cast off and turn your Partner. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Camberwell Frolick N: Pub: J. Walsh, London, 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.87 #347 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:87 #347 Z: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ GGG2 B2d2 | gfga g2d2 | e2d2c2B2 | AdBG F2D2 |\ GGG2 B2d2 | g2{a}b2a2g2 | f2d2 ged^c | {^c}d8 :| |:\ de=f2 e2d2 | cBA^G A2A,2 | (cde2) d2c2 | BAGF G2G,2 |\ G2 B4 d2 | gfga g2d2 | ecdB cAGF | GGG2 G4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: g4g4 | g4g4 | c'2b2a2g2 | d4d4 | g4g4 | g4g4 | a4A4 | d8 :| |: b4^g4 | a4A4 | a4^g4 | g4G4 | g4g4 | g4g4 | c4d4 | g4g4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Hey contrary sides and then on your own sides :|: %% cast off and turn your Partner .|. %% Right and Left at Top. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Cameronian Rant %R: reel B: John Walsh "Caledonian Country Dances" S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/5/50/IMSLP98359-PMLP202128-walsh_caledonian_country_dance_vol2.1.pdf p.27 #287 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:27 #287 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd part has an initial repeat, but no final repeat. M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 f |\ cF F/F/F cFBd | cF F/F/F c2Ad | BG G/G/G BGdG | BG G/G/G c2A :| |: G |\ Fffg fdcA | Fffg fdcA | Ggga gfed | Ggga gfed | Fffg fdcA | Fffg {f}e>dcf | (e/f/g) dg (e/f/g) dg | e/f/g dg {f}e3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ f2f2 f2f2 | f2f2 f2f2 | g2g2 g2g2 | g2g2 f2f :||: z | f2f2 f2f2 | f2f2 f2f2 | g2g2 g2g2 | g2g2 g2g2 | f2f2 f2f2 | f2f2 c'3=b | c'2=b2 c'2=b2 | c'2=b2 c'3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Fall back two Cu. lead your Partner to the top and foot it, fall back to %% the 2d Cu. and lead thro' the 3d, cast up the 3d Cu. and lead thro' the 2d, %% foot it corners and turn, lead out of the sides. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Captain's Maggot P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.224 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - cB |\ A2c2 a2e2 | f3g fga2 | f2c2 A2F2 | G6 cB |\ A2F2 A2c2 | f3g fga2 | g2(fe) d4 | c6 |] ef |\ g2e2 f2e2 | df ed ^c2A2 | a2(gf) (ef) (ed) | d6 AB |\ c2f2 (dc) (BA) | G2g2 e2(dc) | a2(gf) f3e | f6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man go within-side of the 2. man, then go round about him and stand below the 3. man .| %% The 1. wo. do the same :| %% The 1. cu. being below the 3. cu. cross over the 3. cu. and so above the 2. cu. into their own %% places .| The 1. man take hands with his Partner and lead down the 2. cu. then lead up again into their %% own places and cast off :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Captain Drivers Delight N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.57 #317 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:57 #317 M: C L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: e2cd e3f | edcB c2BA | e2cd e2a2 | e2dc B4 :| |: BAGA Bcdf | edcB c2BA | a2ec f2dB | ecdB A4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: a2a2 a2d2 | e2e2 a2a2 | a2a2 a2d2 | c2d2 e4 :| |: e2e2 e2e2 | e2e2 a2a2 | c2c2 d2d2 | e2e2 a4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First and 2d Men lead thro sides and turn .| %% Their Partners do the same :| %% First Cu. gallop down one Cu. gallop back again and cast off .| %% First and 2d Cu. Right and Left quite round. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Captain Flash N: Pub: J. Walsh, London, 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.84 #342 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:84 #342 Z: 2012 John Chambers <jc:trillian.mit.edu> N: in bar 9 there's what looks like a faint sharp before the f. N: The 2nd part has a begin-repeat but no end-repeat. M: 6/8 L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ c3 ecA | afd {c}B3 | cGF EFG | ABc dBG |\ A2c B2d | c2g f/g/af | edc G2B | c3 C3 :| |:\ ecA e2^f | g3 G3 | dBG d2e | =f3 F3 |\ dBG def | edc BAG | (A/B/)cA (B/c/)dB | c3 C3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ c3 A3 | f3 g2f | e2d c3 | f3 g3 |\ f2e d2B | c2e f2a | c'ba g2G | c2G C3 :| |:\ a3 c'2a | bag G3 | g3 b2g | agf F3 |\ g3 b3 | c'ba g2G | f3 g3 | c2G C3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Man turn his Partner, with his Right Hand, and cast off .| %% 1st Wo. turn the 2d Man with her Left Hand and cast off .|. %% 1st Cu. clap Hands sideways with the 2d Cu. and turn them |. %% 1st Cu figure and turn it out :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Carey's Minuet %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (107) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to match the dance directions. M: 3/4 L: 1/8 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ f2edcB | A2B2c2 | F4E2 |\ DEF2B2 | e2d4 | c6 :|\ c2dcBA | G2g2f2 | e4d2 | cdedcB | A2B2c2 | F6 |\ f2edcB | F2B2c2 | F4E2 |\ DEF2B2 | e2c4 | B6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%center The 1st twice and the last but once %%begintext align %% The 1st Man and 2d Wo. do the Minuet step, and turn each %% other proper .| the 2d Man and 1st Wo. do the same :| %% the 1st Cu. go the Figure thro' the 3d Cu. and turn each %% other in the 2d Cu. place :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Carlton Maggot %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (41) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd (long) strain has initial repeat but no final repeat. M: 6/8 L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - B<c |\ d2d d>cd | B2B B>AB | c>de d>cB | A2A A>Bc |\ d2d d>cd | B2B B>AB | c>de dcB | A2G G> :| |: BB |\ B3 Acc | c3 Bdd | d>ed c>dB | A2A A>BB |\ B3 Acc | c3 B>cd | d>ed c>dB | A2A A>Bc | d2d d>cd | B2B BAB | c>de d>cB | A2A A>Bc |\ d2d d>cd | B2B BAB | c>de dcB | A2G G>ba | g>fg a>ba | g>fg a>ba | a>gf =efg | ^f2d d>Bc |\ d2d d>Bc | B2B B>AB | c>de d>cB | A2A A>Bc | d2d d>cd | B2B B>AB | c>de d>cB | A2G G3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Man go round the 2d Wo. and turn the 2d Man 'till the 1st Man comes into his own %% Place the 1st Wo. go round the 2d Man and turn the 2d Wo. 'till the 1st Wo comes into %% her own Place the 1st Cu. cross over and go the Figure thro till they come into the 2d Cu.s Place %% then lead thro' the 3d Cu. and cast up and go the figure thro the 1st Cu. and so cast off %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Carpenters Maggot P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.258 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ D>ED FAA | d3 f3 | e>fe eBd | c3 A2a |\ b>ag (f/g/a)c | dBe c2A | B/c/dB c/d/eA | B/c/dB c/d/eA | a3 f>gf | gcd eBc | d3 D3 |][| fdd g>ab |\ a(b/a/) (g/f/) g2a | (ge)d BB/c/d | cac Bag | a3 A3 | fdd caa | ecc Bgg | dBB Aff | Gee Fdd | Edc d2F |\ G>AB AG/F/E/D/ | C/D/EA, a3 | f>gf eBc | d3 D3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. cross over below the 2. cu. the man cast up again and go quite round into the 2. wo. place, % his Partner following him .| The 2. cu. do the same :| All four hands half round, and turn S. the 1. %% man turn the 2. wo. into the 1. man's place .| The other cu. do the same, then right and left till you %% come below the 2. cu. :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:17 T: Carpenters Morris M:3/2 L:1/4 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:Dm F2E2D/E/F/D/ | EG2A^C2 | F2E2D/E/F/D/ | EA,2^CD2 || F2G2A/B/c/A/ | BG2cE2 | F/E/F/G/ A/B/c/A/ B/^c/d | eA2^cd2 || f2e2d/e/f/d/ | eg2a^c2 | f2e2d/e/f/d/ | eA2^cd2 || F2F/G/AA/B/c | EG2AB2 | AG/F/ E/F/G/E/ FE/D/ | D2^CD3 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Cary's Maggot P: Longways for as many as will %R: B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.269 "A a 3" Z: 2013 John Chambers <jc:trillian.mit.edu> M: 3/2 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ d4 F4 E4 | F2 D4 EF G2E2 | d4 F4 f4 | e2dc B2cd c2A2 |\ a4 f4 g4 | f2d2 e2c2 d2A2 | d2 F4 E4 c2 | d6 F2 E2D2 |] [|\ D2 F4 G2 A2(GF) | G2(AB) (=cB) (AG) F2A2 | f2 d4 f2 e2g2 | fgfe dedc B2A2 |\ a2 e4 fg f2e2 | FGA2 B2c2 d2F2 | (EF)E2 FGF2 ABA2 | B2 d4 c2 d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. cast off, the 1. man turns the 3. wo. with his right-hand, the 1. wo. turns the 3. man, then %% go the half Figure and cast up to the 2. cu. place. The 1. man turns the 2. wo. with his right-hand, %% and the 1. wo. turns the 2. man, then go the half Figure through the 2. cu. the 1. wo. Heys on the men's %% sides; and turn her Partner, the man does the same with the wo. and turn his Partner. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Cast a Bell P: Longways for as many as will %R: B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.42 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The dance description is in three sections and two columns; ## used to separate columns. M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [| F>G A>A f2 e>d | f2 e>d e2 E2 | F>G A>A f2 e>d | d<B A<F E2 D2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up a D. forward and back, set and turn S .| That again :| %% ## %% First cu. change places, set and turn S. .| First man lead your %% own and the 2. wo. forward and back, bring the 2. wo. under %% your arms, leave her and turn your own :| Do thus to the last, %% the rest following and doing the like. %%endtext %%sep 1 1 300 %%begintext align %% Sides all, set and turn S. .| That again :| %% ## %% First cu. change places, set and turn S. .| First cu. meet the 2. cu. %% lead each other's wo. to each Wall, meet your own turn them, %% Do thus to the last, the rest following. %%endtext %%sep 1 1 300 %%begintext align %% Arms all, set and turn S. .| That again :| %% ## %% First cu. take both hands, slip down between the 2. cu. cross and %% turn each one of them with your right hands, fall to your own %% side in the 2. place .| Do thus to the last, the rest following. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Catch Club P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.305 "D d 3" Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - g |\ (a<A)B c2d | (e<E)F G2A |\ B>cd ecd | B3- B2 |]\ a |\ (b<e)f g2g | (a<c)d e>f=g |\ fdf ecA | G/A/Bb g>fg |\ (a<A)B B2A | A3- A2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. cast off and lead up all four hands abreast :| Then hands half round and turn single, then cross %% over with your Partners .| Then back to backsides, meet and set to your Partners, and cast off .| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Cavylilly Man P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.77 "H 3" Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ f2f e2d | d>ef A3 | A>Bc c2c | f>gf e>dc |\ f2f e2d | d>ef A2A | B>AG A2A | A>B^c d3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first cu. lead up, and the 2. cu. lead down, turn about and lead, the first cu. cast off into the %% 2. place. Do this to the last. %%endtext %%sep 1 1 300 %%begintext align %% The first cu. take hands and change places, the 1. man and 2. wo. take hands, and the 1. wo. and %% 2. man take hands and change places, then take hands with your own and change places. Do this to %% the last. %%endtext %%sep 1 1 300 %%begintext align %% The first man cast off, his wo. following him into the 2. place, so going the Figure of 8. the wo. casts %% off, and does as much. Do this to the last. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:10 T: Chark's Hornpipe M:3/2 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:D d2A2F2D2A2d2 | cde2Bcd2c2A2 | d2f2efg2fga2 | A2d2cdecd4 || fefg fedc B2d2 | c2e2d2B2^A2F2 | BcdB cdec defd | F2B2^ABc^AB2AG | FEFD GFGE AGAF | BABG cBcA dcdB | efedc2A2dcde | f2d2cdecd4 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Charlton Lads %R: reel, march B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #10 (24) Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - e2 |\ a4 ^g4 | a4 z2a2 | b2a2 g2f2 | {f}e4 z2f2 |\ a3b a2f2 | a3b a2f2 | g2e2 a2A2 | d4 z2 :|\ |: f2 |\ e2d2 c2d2 | e3f e2f2 | e2d2 c2d2 | {d}e4 z2f2 | e2d2 c2d2 | e3f e2e2 | f2b2 e2^g2 | a4 z2f2 |\ a3b a2g2 | {g}f4 z2a2 | g2f2 (bag)f | {f}e4 z2fg |\ a3b a2gf | (ga)b2 a2g2 | f2ed A2c2 | d4 z2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% The 1st Cu. cast off and lead up hands all abreast with the %% 2d Cu. then the single figure round the 2d Cu. into the %% 2d Cu. Place and turn .| The 1st Cu. lead thro the 2d and %% 3d Men and turn in the Middle then the same thro the %% 2d and 3d We. and turn as before. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Chearily and merrily P: Longways for as many as will %R: hornpipe B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.150 #203 (299) Z: 2013 John Chambers <jc:trillian.mit.edu> N: DMDfD has a different tune and dance by the same name. M: C| L: 1/8 K: Dmix % - - - - - - - - - - - - - - - - - - - - - - - - - [| F>G A>A f2 e>d | f2 e>d e2 E2 | F>G A>A f2 e>d | d>B A<F E2 D2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up a D. forward and back, sett %% and turn S .| That again :| %% First Cu. change Places, sett and turn S .| First %% Man lead your own and the 2d Wo. forward and %% back, bring the 2d Wo. under your Arms, leave her %% and turn your own :| do thus to the last, the rest %% following and doing the like. %%endtext %%sep 1 1 300 %%begintext align %% Sides all, sett and turn S .| That again :| %% First Cu. change Places, sett and turn S .| First %% Cu. meet the 2d Cu. lead each other's Wo. to %% each Wall, meet your own and turn them. Do %% thus to the last, the rest following. %%endtext %%sep 1 1 300 %%begintext align %% Arms all, sett and turn S .| That again :| %% First Cu. take both Hands, slip down between %% the 2d Cu. cross and turn each one of them %% with your right Hands, fall to your own Side %% in the 2d Cu. Place .| Do thus to the last, the rest %% following. %% [CCDM1] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Chearily and Merrily P: Longways for as many as will %R: waltz B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.25 "D" Z: 2013 John Chambers <jc:trillian.mit.edu> N: CCDM1 has a different tune and dance by the same name. N: The actual time signature is "3i". N: The dance directions are in two columns; ## is used to separate the columns. M: 3/4 L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - [| cB A2 F2 | GA G2 E2 | F4 F2 | a4 g2 | g2 e2 c2 | de d2 G2 | c3 e de | c6 |] [| c2 de f2 | d2 c2 A2 | G3 A Bc | d4 c2 | c2 A2 F2 | GA G2 C2 | F3 A GA | F6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up a D. forward and back .| That again. %% ## %% Set and turn S .| That again :| %%endtext %%sep 1 1 300 %%begintext align %% The 2. man and 3. wo. change places, the 3. man and 2. wo. change :| %% the first four and last four hands and go round. %% ## %% Then change as before, and hands round as before :| %%endtext %%sep 1 1 300 %%begintext align %% Sides all .| That again :| %% First and last cu. meet your own, while the other four go back, first and last %% cu. meet while the 2. slip up, and the 3. down .| First and last cu. hands and %% go round while the other turn their own :| %% ## %% Set and turn S. That again :| %% Then do the same again ?| %% %% Arms all .| That again :| %% Men hands and go round .| We. as much :| %% Set and turn S .| That again :| %% Men the S. Hay, while they we. do as much :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Cheshire Alley P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.290 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Is the key signature right for this tune? (Phrygian scales weren't common in the British Isles in the 18th century.) M: 6/4 L: 1/4 K: Ephr % - - - - - - - - - - - - - - - - - - - - - - - - - B |\ e2f g>fe | d2c B2B/c/ | d2d d2c | B3- B2B/c/ |\ d2d d2c/B/ | A2A A>BA | G2G (GB)A | G3- G2 |] G |\ G2G GBG | G3- G2B | B2B e2g | ^d3 g3 |\ (dB)c A2^G | A3 g3 | fge e2^d | e3- e2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first man cast off behind the second man, and turn his Partner once round; The first woman %% doing the same with the second man: The first cu. being in the second cu. place, go the double Figure %% through the 3d. cu. and turn each other. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:41 T: Cheshire Round M:3/2 L:1/4 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:C c2B2A2 | Ad2AB/c/d/B/ | c2B2A2 | Gc2AB/c/d/B/ || eg2BA2 | Aa2AB/c/d/B/ | dgBgA2 | Gc2AB/c/d/B/ || c/d/ e/c/ B/c/ d/B/ A/B/c/A/ | Ad2AB/c/d/B/ | cg2BA/B/c/A/ | Gc2AB/c/d/B/ || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Cheshire Rounds P: Longways for as many as will %R: triple hornpipe, minuet B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.241 "Y" Z: 2013 John Chambers <jc:trillian.mit.edu> M: 3/2 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [| f2(ef) gfed (fg)a2 | b2 e4 d2 c2A2 | f2(ef) gfed (fg)a2 | A2 d4 A2 F2D2 |]\ [| B2AB (=cB) (AG) F4 | E2 e4 d2 c2A2 | B2(AB) (=cB) (AG) F3E | D2 d4 A2 F2D2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man casts off and his Partner follows him, the man goes quite round; the woman slips up the %% middle, the woman casts off and goes quite round: the 1. man slips up the middle, the 1. cu. cross over %% below the 2. cu. and cross up into their own places again, then right and left quite round into the 2. %% couples places. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:18 T: Cheshire rowling Hornpipe M:6/4 L:1/4 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:Dmin FDFE^CE | D>E F/D/ECc | C2FE/F/GE | FDFE^CE | D3A>GF/E/ | D2FE/F/GE || AFDd>c=B | c3G>FE/D/ | C2FE/F/GE | D>d^c=Bed/c/ | d3A>GF/E/ | D2FE/F/GE || fafege | cegcAF | C2FE/F/GE | a/g/f/e/ dg/f/e/d/^c | d3AFD | D/E/FDE/F/GE || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Chester Assembly N: Pub: J. Walsh, London, 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.95 #355 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:95 #355 Z: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 a/g/ |\ fddd | d2d2 | (=c/B/c/d/) cG | EG Gg |\ fddd | d2d2 | (a/g/a/b/) ag | fa- a :| |: (a/g/) |\ fadg | bg2=f | e=c2G | EG2d |\ cA2(^c/d/) | ee2f/g/ | aa2g | fa2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ d'2d2 | f2d2 | e2=c2 | e2=c2 |\ d2e2 | f2g2 | a2A2 | d3 :| |: z |\ d'2=c'2 | b2g2 | c'2c2 | e2g2 |\ a2a2 | a2a2 | a2a2 | d3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Foot it to your Partner and turn .|. %% then foot it sideways and turn :|: %% Cross over and half figure .|. %% lead thro' the 3d Cu. cast up and turn :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Chester Jigg %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (55) Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: C N: The time signature is 6/8, but there are 6 quarter-notes per measure. % - - - - - - - - - - - - - - - - - - - - - - - - - G/F/ |\ (EC)E (GE)G | ABc B2A | GAB (A/B/)dB | D3 D2G/F/ |\ EFG ABc | Bcd Ggf | e>dc GEG | c3- c2 :| |: g |\ gec afd | gec fed | ABc def | B3 G2g |\ g/f/e/f/g/e/ a/g/f/g/a/f/ | g/f/e/f/g/e/ def | e>dc d>cB | c3 c2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Man sett to the 2d Wo. the 1st Man turn the 2d %% Man turn quite round the 2d Wo. turn the 1st Wo quite %% round at the same time .| then the 1st Wo. and 2d Man %% do the same :| the 1st and 2d Cu. clap hands with your %% Partners turn single then take hands and go half round %% .| take hands and go half round and all turn S. the 1st %% Cu. clap hands and cast off :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Childgrove P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.261 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The rhythms don't match at the start of the 2nd strain. The 2nd dance phrase probably isn't correct. M: C| L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ A2d2 d2e2 | f4 e2d2 | g2f2 e2d2 | e3d cBA2 | A2d2 d2e2 | f4 e2a2 | g3f (ef) (ed) | d4- d4 |][| fg | a2f2 f2a2 | g2e2 e2g2 | f2d2 (de) (fd) | e2 A4 fg | a2f2 f2a2 | g2f2 ( ef) (ge) | f2(ed) (e2(d^c) | d4- d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First man and 2. man side to their Partners once and go back to back .| Then the wo. side to the 2. %% man, and the 1. wo. to the 2. wo. at the same time, and go back to back :| Then turn sides and turn %% your own Partner in the 2. place .| Then go the whole Figure with the 2. cu. :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Chloe's Farewel %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (162) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/8 L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - d |\ (dc)B (BA)G | (DC)D zzG | (AB)c (BA)G | d3 zzd |\ (e/f/)gf (e/d/c)B | (FE)F zz(c//d//e/) | (dc)B (cF)A | B3- B2 :| |: B |\ f2F (BA)G | (cB)A zzd | (ed)e (cB)c | A3 zzg |\ (gf)g (ed)e | (c=B)c- c2(c//d//e/) | (dc)B (BA)G | G3 zz :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% First Wo. figure thro the 3d Cu. then outside the 2d Wo. %% to her Place the 2d Man go the whole figure thro the 3d %% Cu. at the same Time :| First Man and 2d Wo. do the same :| %% First Man take his Partner by both Hands and lead her on %% the out side below the 2d Man, set to the 3d Wo. then to %% the 3d Man and turn sides quite round .| First Wo. cast %% up and go to her Partner's Place he follows her at the %% same Time they go round each other proper and turn %% down the Middle. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Christmass Cheer T: Christmas Cheer P: Longways for as many as will %R: waltz B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.147 #202 (194) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.295 "C c 3" N: Repeats added to satisfy the "Each Strain twice" instruction. N: The last note of bar 10 is a in CCDM1 and g in DMDfD. Neither sounds wrong. Z: 2013 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/4 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - A |\ (df)d | (^cA)^c | (df)d | ^c2A | (df)d | (eg)e | (fa)^c | d2e |\ (fa)f | (gb)[ag] | (ab)a | g2a | (ba)g |(ac)f | (ga)e | f2 :| |: c |\ (Ac)A | (Gc)G | (Ac)A | G2c | Acf | def | efd | ^c2a |\ fad | ^cAa | fad | ^c2a | fad | ^cAd | d>e^c | d2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Note, Each Strain is to be play'd twice over. %%begintext align %% The 1st Cu. sett and cast off, and take both Hands, 1st Man turn his Partner %% up the Middle, the 2d Cu. sett and turn round S. and stand still, the 1st Cu. %% sett and do the same; then the 1st Man follow his Partner quite round, %% then all four fall back, then meet, turn your Backs and clap Hands, then %% turn your Faces and clap Hands, then all four take Hands and turn %% quite round. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% The first cu. set and cast off, and takes both hands and turns her up in the middle, the second cu. set %% and turns round single and stands still, the first cu. set and do the same: Then the first man follows his %% Partner quite round, then all four fall back, then all four meet and turn your backs and clap hands, then %% turn your Faces and clap hands, take all four hands and turn quite round. Each Strain twice. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Christ Church Bells in Oxon P: Longways for as many as will %R: march B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.104 #150 (208) B: "The Dancing-Master: Containind Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.104 Z: 2013 John Chambers <jc:trillian.mit.edu> N: This tune is often played as a round. N: The dances in DMDfD and CCDM1 are identical except for minor spelling and punctuation differences. M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - [| c3 c c2 c2 | c2 c2 c2 e2 | d2 c2 B2 A2 | G6 G2 | E2 G2 C2 G2 | c2 F2 G2 gf | f2 a2 de f2 | e3 d c4 |] [| e3 e e2 e2 | e3 e e2 g2 | f2 ef d2 c2 | d2 G2 d3 d | e2 d2 e2 d2 | e2 d2 d2 cB | c2 A2 d2 B2 | c3 d e4 |] [| gg gg g2 gg | g2 gg g2 G2 | A3 B c2 d2 | B6 AB | c2 B2 c2 B2 | c2 d2 B2 AG | G2 F2 G3 G | C8 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to the Presence, then to your We. lead up all forward and back, that again. %%endtext %%sep 1 1 300 %%begintext align %% First Man turn right hands with the 2d Wo. once round, and left hands with his %% own Wo. once round: This ends the first Strain of the tune. %%endtext %%sep 1 1 300 %%begintext align %% Second Man turn left Hands with the 1t Wo. once round, and right Hands %% with his own Wo. once round: This ends the second Strain. %%endtext %%sep 1 1 300 %%begintext align %% All four take Hands and go once round, then each Cu. clap right and left %% Hands; then the 1st Cu. cast off into the 2d Cu. Place, while the 2d Cu. %% leads up. This ends the third Strain. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Chudleigh Box N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.1:9 M: 2/4 L: 1/16 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: [A2D2] (B/c/d) AGFE | Ddef e2e2 | [A2D2] (B/c/d) AGFE | Ddec d2D2 :|\ |: efec fgfd | gfge a2a2 | agfe dcdA | BGFE D2D2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: d4 c2A2 | d4 a2A2 | d4 c2A2 | d2A2 d4 :| |: c2A2 d2A2 | e2A2 f4 | c'2a2 f4 | g2a2 d4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. foot it and cast off two Cu. .| %% Lead up to the top & cast off :| %% Hands round four with the Third Cu. .|. %% Right and Left at top :|: %% foot it Corners and turn :|| %% Lead outsides and turn :||: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Cleaver Lad, or T: Gin I was a bonny Lad P: Longways for as many as will %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.49 B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (104) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. N: Differences: Titles in reverse order; staff breaks; one "Then" vs. "then". M: C| L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: c>BAg f/g/a e>c | d>fe>d B/B/B B>e | c>BAa g/a/b e>c | d>fe>c A/A/A A2 :| |: cA eA fA eA | df ec B/B/B Be | cA eA aA ec | df ec A/A/A A2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: ABcA d2cA | AdcA e2G2 | ABcd edcA | BdcA a2A2 :| |: A2c2 d2c2 | BdcA e2G2 | A2c2 d2c2 | BdcB a2A2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% The 1st Man turns the 2d Wo. and fall back and turn S. then 1st Wo. %% sett to the 2d Man and fall back and turn S. the 1st Man change Places with %% the 2d Wo. then 1st Wo. change Places with the 2d Man. then all four meet & turn %% S. then the 1st Cu. being in the 2d Cu Place, lead thro' and cast off. %% [CCDTB] %% [CCDM2] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Coblers Hornepipe P: Longways for as many as will %R: triple hornpipe B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.271 "A a 4" Z: 2013 John Chambers <jc:trillian.mit.edu> M: 3/2 L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - [| F4 D2EF GFED | E2 C4 G2 F2E2 | F3G A2(GF) (DE)F2 | A,2 D4 F2 E2D2 |] [| d4 (de)f2 e2d2 | e2 c4 g2 f2e2 | f3g a2(gf) (ef)(ed) | A2 d4 F2 E2D2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man meets and sets with his Partner, and turn sides with their right-hand, in their own places .| %% The second cu. do the same :| The 1. cu. being in their own places, cross over below the second cu. and %% go the Figure .| Then lead through the third cu. and cast up in the 2. cu. place :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Cobler's Jigg P: Longways for as many as will %R: march, reel B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.11 #20 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.92 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> N: The dance descriptions are identical, except for minor spelling and punctuation differences. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ g2g2 f2g2 | e2f2 d4 | e2e2 f2d2 | g4 d4 || g2d2 e2(dc) |\ B3c d2cB | A2B2 c2d2 | B3A G2A2 | B3A G2A2 | Bcd2 A3G | G8 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to the Presence, then to your own; lead up %% forward and back, that again. %%endtext %%sep 1 1 300 %%begintext align %% The 1st Man Sides with his own Wo. then on the %% other Side of his own Wo. then change Places with %% your own Wo. and act the Cobler, then change Places %% with your own Wo. again, then cross over with %% your own Wo. and act the Cobler again, and then %% turn half round; then the 1st Man do the same to %% the 2d Wo. and the 1st Wo. to the 2d Man. Do this %% 'till you come to your own Places again. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Cockle-Shells N: Handwritten after the title: a Scots air N: Handwritten between the staffs: The "Lass of Livingston" P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.304 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F % and Dm % - - - - - - - - - - - - - - - - - - - - - - - - - A2 |\ F3G A2c2 | A2d2 cA GF | A2G2 G2FG | A2G2 G2D2 |\ F3G A2c2 | A2d2 cA GF | A2D2 D2C2 | F2D2 D2 |] c2 |\ dcdc A2c2 | dcdc A2(GF) | A2G2 G2(FG) | A2G2 G2c2 |\ dcdc A2c2 | dcdc A2(GF) | A2D2 D2C2 | F2D2 D2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man turns the 2. wo. with his right-hand, and his Partner with his left .| The 2. cu. does the same :| %% The 1. man change places with the 2. wo. and the 2. man with the 1. wo. then hands half round and %% cast off .| Then the Figure of Eight through the 3. cu. and turn your Partner :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Cock and Bull %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (38) Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - B2 |\ A2G2 FGAE | F2 D4 B2 | A2G2 gfgB | c2 e4 dc |\ d2a2 c2g2 | B2g2 A2f2 | gfed cdec d2 D4 |] B2 |\ A3G F2d2 | E2c2 D2B2 | A3G F2a2 | Bcde c3B |\ A2G2 FGAF | BcdB cdec | fgaf befc | d3 D4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. foots it and turns .| 1st Cu. cross over and %% half figure at Top :| The 1st Man goes round the 3d Man %% on the Right hand side 1st Wo. does the same at the same %% time round the 2d Wo. 1st Cu. turns in the 2d Cu. Place %% .| The 1st Man figures round the 3d Wo. 1st Wo. at the %% same time figures round the 2d Man and turn again in %% the 2d Cu. Place. %% [CCDM2] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Cold and Raw N: "a Scots Air" handwritten after the title. P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.105 #153 (209) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.146 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The two versions have only trivial differences in spelling and punctuation. M: 6/4 L: 1/4 K: Am % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ A2A c2d | (ef)g ^G2G | A2A e2c | A2 c2 |][|\ c2c c2B/c/ | d2d d2d | e2e a2g | e3 g3 |\ c2c c2B/c/ | d2d d>ef | e>dc (Bc)^G | A3 e3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. go Back to Back with their Partners, and the 2d Cu. do the %% same at the same Time. %%endtext %%sep 1 1 300 %%begintext align %% The 1st Man take Hands with his Partner and turn her round, the 2d %% Cu. doing the same at the same time. %%endtext %%sep 1 1 300 %%begintext align %% The two We. stand still, while the 1st Man goes round about the 2d %% Wo. into the 2d Man's Place, and the 2d Man goes round abou the %% 1st Wo. into the 1st Man's Place then all clap Hands, then all four %% take Hands and go quite round, the We. doing the like. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Colonel's Health P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.346 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ F4 A3F | cd GA B3B | A2Bc de fA | Gfe2 f4 |\ F4 A3F | cd GA B3B | A2Bc defd | cA GF G2C2 |] [|\ G4 c3d | cA Fc f3g | fd ge ^cfe2 | Ad^c2 d3c/B/ |\ Ac fA B4 | Bd gd e4 | fc BA dG cE | F/G/F/G/ G>F F4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man and 2. woman meet and fall back again, the 1. woman and 2. man do the same: The %% two first cu. take hands and meet, the 2. cu. do the same: The 1. and 2. man back to back, the 1. and %% 2. woman the same time the like; then right and left till the first cu. comes into their own places: then %% the Figure of Eight, the first cu. cast off below, and the second cu. lead up %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Come along Ioan %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (158) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A |\ d2f e2g | faf def | efg faf | d3- d2A, |\ D2F E2G | FAF DEF | GAB A2A, | D3- D2 :|\ |: f |\ (eg)f e2d | c3- c2g | (fa)g f2g | e3- e2f |\ gbg faf | ege dag | faf eAc | d3- d2F |\ GBG FAF | EGD CDE | (FG)A/B/ A2A, | D3- D2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Man take his Partner by her right hand lead her %% below the 2d Man and cast off below the 3d Cu. improper .| %% The 1st Man lead his Wo. above the 3d Wo. and cast up to %% the Top proper :| The 1st Man change Place with the 2d Wo. %% the 1st Wo. and 2d Man do the same the 1st Cu. dance %% across with the 3d Cu. and turn all four single .| Then %% the 1st and 2d Cu. change Places with your Partners, the %% 1st Cu. slip outside to the Top, all four dance across, %% then the 1st Cu. cast off :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Constant Leander %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (159) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/8 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ B2f2 c2f2 | d2fe d2B2 | f2ab b2a2 | g4 fedc |\ B2f2 c2f2 | d2fe d2B2 | f2ga b2a2 | g4 f4 :| |:\ c2e2 d2^f2 | gbag ^f=efd | g^fgd edcB | A4 G2DC |\ B,2E2 C2F2 | D2FE D2B,2 | faga babc | c4 B4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st and 2d Cu. each take Hands, meet all four, dance and %% turn single then 1st Cu. figure thro the 3d Cu. .| Then %% Meet as before with the 2d Cu. then 1st Cu. cross up to %% the Top :| The 1st Man and 2d Wo. take right then left %% Hands across, the 1st Wo. and 2d Man do the same, then %% go all four half round and turn single .| Then right %% Hands and left round, all four meet, lift up your Hands %% and clap once with your Partners, the 1st Cu. cast off :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Cookow P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.337 "G g" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to satisfy the dance instructions. M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - G2 |\ cBcd cdcd | edef efef | gfga gagf | edef efef |\ g2d2 g2d2 | g2d2 g2d2 | c2B>A A3G | G6 :|\ Bc |\ d2de dcBA | G6 Bc | dB dB dB dB | G6 ef |\ g2ga gfed | c6 ef | ge ge ge ge | c6 fg |\ af cf af cf | af cf af ef | g2(fe) d3c | c6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first man goes back to back with the second woman, then turn right-hands with her; the first %% woman and second man do the same. The first couple takes both hands and half round and back %% again, then cross over and half Figure, then all four quite round. The first Strain twice, and the second %% once, and Repeat. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Corelis Gavot %R: gavotte B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (202) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ e2 g2 c'2 c2 | f>g e>f d2 c2 |\ e2 g2 d2 G2 | c>d B>c A2 G2 :|\ |:\ d2 g>f e2 a>g | f>e d>c B2 A2 |\ e>f g>G A>B c>g | f>g e>f d2 c2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. Hands across with the 2d Cu. and go the half %% round .| then the same back again :| then the 1st Man %% change Places quick with the 2d Wo. and the 1st Wo. %% with the 2d Man at the same time then all four go %% round in their proper places then right and left %% with the 2d Cu. :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Cork T: Thiselworth Assembly P: Longways for as many as will %R: slip-jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.92 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 9/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 D |\ G2c BGB AFA | G2G (B/c/)dB g2f | g>fe dcB AFD | G2G (B/c/)dB G2 :| |: d |\ gdg gdg gdf | gdg gdg a2g/f/ | g>fe dcB AFD | G2G (B/c/)dB G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ b2a g2G d3 | g3 G3 g3 | b2c' bag d3 | g3 G3 g2 :| |: z |\ b3 g3 d3 | b3 g3 f2d | | b2c' bag f3 | g3 G3 g2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Cross over & turn Hands, the 2d Cu. do the same, then Right Hands %% and Left; Jigg up & down & cast off. Hands & cross dance to the 2d %% Wo. and turn, the other Cu. do the same. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Coronation Day P: Longways for as many as will %R: march, reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.109 #158 (218) S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.8 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain is to be played twice over" instruction in DMDfD. N: Illegible right-edge parts in CCDM1 corrected from DMDfD. M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - c2 |\ f2e2 f2c2 | f4 c3c | d2(BA) G2c2 | A2 F4 :: A2 | B3c d2(cB) | A3G F2A2 | B3c d2(cB) | A3B c2(BA) | (G2A2) (B2c2) | d3e f2A2 | B2A2 G2c2 | A2 F4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. lead down in the contrary Place, the 2d Cu. cast %% up at the same Time, and cross over; the 2d lead down as before; %% 1st Cu. cast up in their own Place; 1st Man go within side %% round his Woman into her Place, she turning single at the %% same Time into the 2d Wo. Place, she going round her Man %% at the same Time, he turning single into the 1st Man't Place. %% 1st Cu. lead thro' the 2d then the 1st Man's Place, then turn %% single all four; 1st Cu. cross over into the 2d Cu. Place, %% they leading up at the same Time, cross into their own Place. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% First cu. lead down in the contrary place, the 2. cu. cast up at the same time, and cross over; %% Second lead down as before; first cu. cast up into their own place; First man go within side round %% his wo. into her place, she turning single at the same time into the 2. wo's place, she going round %% her man at the same time, he turning single into the 1. man's place, 1. cu. lead through the 2. then the %% 1. man's place; turn single all four; 1. cu. cross over into the 2. cu. place, they leading up at %% the same time, cross into their own place. %% [DMDfD] %%endtext %%sep 1 1 300 %%text Note: Each Strain is to be played twice over. %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Cottey House P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.324 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A |\ d3 f2g | afb gea | fdg ecf | dBe c2A |\ d3 f2g | afb geg | aBc dB2 | A3- A2 |]\ A |\ d2d B2B | ede c2c | fef ^ABc | c2B B2f |\ bab g2e | aga f2f | gfg cBc | aga dcd |\ bed cAG | (FA2) (GB2) | (Ad2) (Be2) | (Ad)c d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. cast off and cross over into the 2. cu. place, the 1. man and 2. wo. lead to the wall, 1. wo. %% and 2. man do the same at the same time .| The 2. cu. do the same as the first :| The 1. and 2. cu. turn %% back to back and clap hands, then face about and clap hands again, Right-hands across half round, all 4 %% turn single, the 1. cu. go half a Figure of Eight through the 2. cu. all hands abreast to the top and back %% again, the 1. cu. lead between the 2. cu. all a-breast down, the 1. cu. change places the while they lead %% down, and all four clap hands twice, and turn their Partners half a turn into their places. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Country Abigail P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.119 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - g |\ dgB A2G | BdB g2a | b>ab g>fe | a>ga f2(e//f//g/) |\ d2B A2G | B>cd g>ag | f2e e2d | d3- d2 |] a |\ f>ed B>gf | g2a b2a | g>ag f>ed | e>fe B2c |\ d>ed c2B | A3- A2B | A2G F2E | FA2 D2c |\ B>cB A2G | G3- G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First man and 2. wo. cast off and go below the 2. cu. then cross over below the 3. cu. and lead up %% again in the middle, and then cast off into the 2. cu. place, then the 2. man and 1. wo. being together %% take hands and fall back, while the 1. man and 2. wo. cross over and turn their own, then the two we. %% cross over, and the two men cross over, and all four clap hands, then take hands and go quite round %% and cast off; The rest do the same Figure over. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Country Farmer P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.84 #119 (167) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.325 "F f" Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - F2 |\ cBcd c2(BA) | B2G2 A2c2 |\ fefg f2e2 | d4 c2 |][| c2 |\ gfga g2(ab) | a2gf g2ab | a2gf g2fe | defg e2(dc) |\ f2ef d2ef | g2fg e2fg |\ a2(ga) fgab | g4 f4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man cast off, and his Partner follow him .| The 2d %% Cu. do the same :| The 1st Man being in the Wo. Place, %% change Place with the 2d Wo. the 2d Man cross over with %% the 1st Wo. then cast up .| The Hands quite round 'till %% you are in your Places, then right and left quite round :| %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man cast off, and his Partner follows him .| The 2. cu. does the same :| The 1. man being in %% the wo. place, change place with the 2. wo. the 2. man cross over with the 1. wo. then cast up .| Hands %% quite round till you are in your places, then Right and Left quite round :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Country Garden %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (72) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ g2gf e2dc | c2c2 B3c | d2G2 c2(BA) | A4 G4 :|\ |:\ gfge a2gf | gfge a2gf | gfge a2gf | e4 d4 |\ g2gf e2d2 | c2c2 B3c | d2G2 c2BA | A4 G4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% First Man go the Hey with the 1st and 2d Wo. .| Then take %% hands across and turn :| Then 1st Cu. whole figure Sides %% with the 2d and 3d Cu. .| Then sett sides with the 2d Cu. %% 1st and 2d Men take their Partners by the right Hand, %% then each clap their hand on their left side the next %% their Heart, then 1st Cu. turn down the Middle into the %% 2d Cu. Places proper :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Count Tallard P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.82 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to match the "Each strain twice" instructions. M: 6/4 L: 1/4 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - G |\ GEG GEG | c3 B2A | GEF D2C | D3- D2EF |\ GEG GEG | c3 d3 | e/f/ge dBG c3- c2 :| |: g |\ geg gee | g3 g>fe | d>ed dBG | d3 dcB |\ ABc GFE | FGA D2B | cEF D2C | C3- C2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain is to be play'd twice over. %%begintext align %% The 1. man cast off behind the 2. man into the 2. wo. place, the 2. wo. casting up the same time on %% the out-side of the 1. wo. into the 1. man's place; the 1. wo. cast round her own partner into the 2. %% man's place, and the 2. man cast up round his own partner into the 1. wo. place .| Then the 1. cu. %% half Figure, and the 2. cu. half Figure :| Then hands half round, and right and left half round; then %% lead through the 3. cu. and cast up and lead through the 2. cu. and cast off. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Craftsman P: Longways for as many as will %R: reel B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.4 #4 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> N: 2nd part has initial repeat but no final repeat. M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - |: fgag f2f2 | f2ef g4 | fgag f2f2 | f2ed c4 :|\ |: ABcA dBf2 | ABcA dBf2 | ABcA dBfd | cBAG F4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. takes Hands and foots it with the 2d Wo. .| %% First Cu. does the same with the 2d Man :| %% First and 2d Cu. Hands across half round with their right Hands .| %% Back again with their Left :#: %% First Cu. leads below the 2d Cu. and foots it .| %% First Cu. leads through the 3d Cu. :| %% First Cu. Right and Left quite round with the 2d .| %% and turn in the 2d Cu. Place. %% [CCDM1] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Crosby-Square P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.280 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "[each] Strain twice" instructions. M: 6/4 L: 1/4 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - E |\ A3 Bcd | c3 A2a |\ (ge)f (ec)d | B3- B2 :|\ |: c |\ (df2) c2B | (ce2) B2c |\ (dc)B (cB)A | (G/A/)BG E2f |\ (ef)B B2A | A3- A2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st. couple cast off and clap hands, then they are in the second couple palce; the second couple %% do the same; To the first Strain twice. Then they draw the first couple into the second, and thesecond %% into the first's place, then right and left, then 1st. couple cast off and turn, so to the end of the Tune. %% Second Strain twice. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Cuckfield Place %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #76 (32) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat. M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ ABc dAF | GEA TF2D | DEF GAB | dBe Tc2A |\ ABc dAF | GEA TF2D | agf efd | eAc d3 :| |:\ agf gfe | dBe Tc2A | dAd eAe | fAf e3 |\ agf gfe | dAe Tc2A | dcB AGF | EDC D3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. foot twice and cast off and half figure up | %% foot it again and half figure with the 3d Cu. :|: 1st %% Man foots it to the 3d Wo. and his Partner at the %% same time to the 2d Man then the 1st Man turns the %% 2d Wo. and his Partner the 3d Man at the same time || %% then clap twice and foot it twice and lead thro the %% 3d Cu. and cast up :||: %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Cuckolds all arow P: For four or eight %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.141 #191 (281) S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.15 "C 2" Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ a2a a2g | f2g a2d |\ e2e f>ef | g3- g2 |]\ B |\ cdc B>AB | A2A f(ef) | g2d ed2 | B3 G>AB |\ c>dc B>AB | A2A f>ef |\ g2d ed2 | B3 G3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Meet all forwards and back .| That again :| %% Turn Back to back with the Co. We. faces again, go about the Co. %% We. not turning your Faces .| Turn Back to back to your own, Faces %% again, go above your own not turning Faces %% Sides all with your own .| Sides with the Co. :| %% Men change Places, We. change Places, Hands all and go round .| We. change %% Places, Men change Places, Hands all and go round to your Places :| %% Arms all with your own .| Arms with the Co .:| %% Men put the Cu. We. back by both Hands, fall even on the Co. side, Men cast %% off to the Right, your We. following come to the same Place again .| %% Put them Back again, fall on your own Side, Men cast off to the left %% Hand and come to your Places. the We Following :| %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% Meet all forwards and back .| that again :| %% %% Turn back to back with the co. we facas [sic] again, go about the co. we. %% not turning your faces .| Turn back to back to your own, faces %% again, go above your own, not turning faces :| %%endtext %%sep 1 1 300 %%begintext align %% Sides all with your own .| Sides with the co :| %% %% Men change places, we. change places, hands all, go round .| we. change %% places, men change places, hands all and go round to your places :| %%endtext %%sep 1 1 300 %%begintext align %% Arms all with your own .| Arms with the co .:| %% %% Men put the co. we. back by both hands, fall even on the co. side, %% men cast off to the right, your we. following come to the same place %% again .| Put them back again, fall on your own side, men cast off %% to the left-hand and come to your places, the we. following :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Cuckow P: Longways for as many as will %R: reel B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.17 #32 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - G2 |\ cBcd cdcd | edef efef |\ gfga gagf | edef efef |\ g2d2 g2d2 | g2d2 g2d2 | c2B>A A3G | G6 :|\ Bc |\ d2 de dc BA | G6 Bc |\ dB dB dB dB | G6 ef |\ g2ga gfed | c6 ef |\ ge ge ge ge | c6 !segno!fg |\ af cf af cf | af cf af ef |\ g2(fe) d3c | c6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Note: The first Strain is to be play'd twice, and the last but once and from the Repeat. %% %% The 1st Man go Back to Back with the 2d Wo. then turn right %% Hands with her; the 1st Wo. and 2d Man do the same. The 1st %% Cu. take both Hands and go half round, and back again; then %% Cross over and half Figure, then all four quite round. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Cupid's Garden N: Called "Cuper's Garden" in the CCDM1 Table of Contents P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.107 #151 (213) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.135 "N 2" Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - F |\ B>AB c>de | dB2- B2d/e/ | f>gf A2B | c3- c2F |\ B>AB f>gf | gab a>gf | (gcf) f2=e | f3- f2 |] f |\ f>gf g2a | bd2- d2d | e>fe dec | g3- g2f |\ (ef)d (cd)B | ABG F2a | (g/a/)bG A2B | B3- B2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man go the Hey between the 2d and 3d Men into the 4th Man's %% Place, then the 1st Wo. do the same as the 1st Man did, then 1st Man back %% to back with his own Wo. and cast up into the 2d Place; then 1st Man cross %% over into the 2d Wo. Place, and 2d Wo. at the same time cross over %% into the 1st Man's Place; then meet and sett, and cast off into the 2d Cu. %% Place; then go the half Figure into the 2d Cu. Place, and so turn their %% own, the rest doing the like. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% The 1. man go the Hey between the 2. and 3. man into the 4. man's place, then the 1 wo. do the %% same as the 1. man did, then 1. man back to back with his own wo. and cast up into the 2. place, %% then 1. man cross over into the 2. wo. place, and 2. wo. at the same time cross over into the 1. man's %% place, then meet and set, and cast off into the 2. cu. place, then go the half Figure into the 2. cu. %% place, and so turn their own; the rest doing the like. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Cupid disarm'd %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (160) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/4 L: 1/4 K: Am % - - - - - - - - - - - - - - - - - - - - - - - - - E |\ AcA BdB | c3 zzB | cec dfd | e3 zzf/g/ |\ afd gec | BeA ^GBE | Aed c2B | c3- c2 :| |: e/f/ |\ gec c'ge | fae d2c | dBG gec | dfa d>cB |\ A2z G2z | F2z E2f | eac B2A | A3- A2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Man cast off below the 2d Man, the 1st Wo. follow him, %% then take hands with the 2d Cu. and go half round .| Then %% Hands back again, the 1st Wo. go on the outside round the %% 2d Man to her Place, the 1st Man follow her to his Place :| %% The 1st Cu. slip outside below the 2d Cu. and change Places %% fall back sides with the 2d and 3d Cu. and turn single .| %% The 1st Man cast off below the 3d Cu. the 1st Wo. at the %% same time cast up to the Top and go on the out side below %% the 2d Wo. then take Hands sides as before and turn single :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Cure of all Grief N: Pub: J. Walsh, London, 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.78 338 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:78 338_ N: The 2nd part has a begin-repeat but no end-repeat. Z: 2012 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ d2A d2e | f2g a3 | gfe d2g | fge d3 |\ d2A d2e | f2g a3 | gfe d2g | fge d3 :| |:\ a2g fga | g2f g3 | g2f efg | f2e f3 |\ d2A d2e | f2g a3 | gfe d2g | fge d3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ d3 z3 | d2e fed | e3 f2b | a2A d3 |\ d3 z3 | d2e fed | e3 f2b | a2A d3 :| |:\ f3 d3 | e3 E3 | e3 c3 | d2A D3 |\ d3 z3 | d2e fed | e3 f2b | a2A D3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First and 2d Cu. Right hands half round, Left hands back again .| %% 1st Cu. cast off 2 Cu :| %% Hands 6 round, 1st Cu lead to the top and cast off :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Czar of Muscovy P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.290-291 "C c 2" Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 %K: Fm K:_e_B_d_F_G % but this makes little sense. N: Others have interpreted this tune as in F minor, which makes musical sense. N: Walsh's accidentals are copied here exactly. Sharps are used to cancel flats, unlike modern notation. % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ AF2 f2F | A2B cBA | GE2 e2E | G2A BAG |\ AF2 f2F | A2(B cB)A | e3 g2e | gab a2g |\ af2 a2g | fe"^#"d efg | B^G2 g2^d | efg c^de | B^G2 d2F | EGc Dc^B |\ (c3 C2D | "_1"^EGc B>AG | c3 C2) "_2"||\ g3 c2g | aga d^ef | ^e3 c2c | GAB cBc | ^A3 F2c | fef c^de | d3 B2f |\ bab fga | g3 efg | aAB B2A | A3 A2g |\ aca gcg | fcf ^ecg | aca gcg | fcf ^ec^e | fcf gcg | aca gc^e |\ fcf gcg | aca gcB | Acf Gf^e | f3- f3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first and second cu. fall back and turn single, all 4. set again and the two men lead through the two %% women and turn twice, all 4. fall back and set, and turn single; then all 4. fall back again, then the we. %% do the same; the first man and woman take hands and set to the second man and turn single, set again %% and all 3. go the Hey once; then take hands again and set to the 2d. woman. and turn single, set again %% and go the Hey into their own places, and slip down the middle into the second couples places. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Dainty Davy N: "a Scots Air" and "same name" handwritten to right of title. P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.292 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the dance instructions. M: C| L: 1/8 K: F % and Dm % - - - - - - - - - - - - - - - - - - - - - - - - - f2 |\ c3 B A2 G2 | F2 (ED) F4 | F2 c2 (AB) (cA) | F2 c2 A2 f2 |\ c3 B A2 G2 | F2 (ED) F3 e | (fe) (fd) e2 (d^c) | d4 d2 :| |: e2 |\ fga2 fga2 | fg a2 a2 gf | ef g2 ef g2 | ef g2 g2 fe |\ fg a2 fg a2 | fg a2 a2 gf | (gf) (ed) e2 (d^c) | d4 d2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. clap hands and cross over below the 2. cu. and turn to your own sides .| The 2. cu. do the %% same :| The 1. cu. cross over below the 2. cu. and Figure through the 3d. cu. then Figure through the %% 1. cu. and turn in the 2. cu. place. :| Each Strain twice. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Damey P: Longways for as many as will %R: B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.100 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ c2 B2 c2 B>A | G>F E>F G2 E2 |\ D>E F>G A>B cB/A/ | G2 B2 c2 C2 |]\ c>d e2 c>d e2 | c>d e>f d>B A>G | c>d e2 c>d e2 | c>d e>f g3 a |\ g>f e>d c>B A>e | f2 A>e f3 e |\ f>e d>c B>A GF/E/ F2 G2 c4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% All four set to your Partners and turn S. and hands half round .| All four set to your Partners and turn %% S. and hands half round into your own places :| The 2. man go back to back, the women the same %% at the same time; then right and left with your Partners quite round .| The 1 cu. go the Figure %% through into their own places, then right and left with your Partners which brings the 1. cu. into the %% 2. cu. place :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Dampier P: Longways for as many as will %R: hornpipe, reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.111 #166 (222) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd Strain has an initial repeat but no final repeat. M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ c2 B2 c2 B>A | G>F E>F G2 E2 |\ D>E F>G A>B cB/A/ | G2 B2 c2 C2 :|\ |:\ c>d e2 c>d e2 | c>d e>f d>B A>G | c>d e2 c>d e2 | c>d e>f g3 a |\ g>f e>d c>B A>e | f2 A>e f3 e |\ f>e d>c | B>A GF/E/ | F2 G2 c4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% All four sett to your Partners and turn S. and Hands half round .| All %% four sett to your Partners and turn S. and Hands half round into your %% own Places .| The 2d Man go Back to Back, the Wo. the same at the same %% Time; then Right and Left with your Partners quite round .| The 1st %% Cu. go the Figure thro' into their own Places, then Right and Left with %% your Partners which brings the 1st Cu. into the 2d Cu. Place :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Dam it %R: hornpipe B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (63) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ c2 B2 c2 B>A | G>F E>F G2 FE |\ D>E F>G A>B cB/A/ | G2 B2 c2 C2 :|\ |:\ c>d e2 c>d e2 | c>de>f d>BA>G | c>d e2 c>d e2 | c>d e>f g3 a |\ g>fe>d c>BA>e | f2 A>e f3 e |\ f>ed>c B>A GF/E/ | F2 G2 c4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. turn the 2d Cu. across and turn Partners .| %% The 1st Cu. go the Hey with the 3d Cu. :| The 1st Cu. set %% and the 1st Man cast off the 1st Wo. at the same Time, cast %% up to the Top. then take each Hands with the 2d and 3d Cu. %% and go half round .| The 1st Cu. meet in the Middle and turn %% half round. take Hands with the contrary Cu. and go half %% round, which brings the 1st Cu. into the 2d Cu. Place :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Daniel Cowper P: Longways for as many as will %R: march, reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.105 #154 (210) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.169 "Q" Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ A2d2 d2B2 | B2e2 e2A2 | A2d2 d2B2 | f4 d4 |][|\ f3g a2(gf) | g3f e2(dc) | f3g a2(gf) | g4 e4 |\ f3g a2(gf) | g3f e2(dc) | A2d2 d2(cB) | f4 d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The two Men sett Sides, and the two We. do the like at the same Time, %% then both Back to Back with their Partners :| The 1st Man turn the %% 2d Wo. with his right Hand, and so fall into their own Places, the %% 1st Wo. turn the 2d Man with her right Hand, so fall into their %% own Places, and then the 1st Cu. cast off into the 2d Cu. Place. %% [CCDM1] %%endtext %%sep 1 8 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The two men set sides, and the two we. do the like at the same time, then both back to back with their %% Partners :| The 1. man turn the 2. wo. with his right-hand, and so fall into their own places; the 1. %% wo. turn the 2. man with her right-hand, so fall into their own places, and then 1. cu. cast off into the %% 2. cu. place. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Daphne's Delight %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (194) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - |: B/c/ |\ A2G ^FD^F | GBG AcA |\ (B/c/d)G ^FDG | GA^F G2 :|\ |: d/e/ |\ c2B dfB | AcA BdG | ^FAd =E=FG | ^F3 D2=E/^F/ |\ G^F=E AG^F | BAG cBA |\ dAB B>AG | G3 G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Couple cast off and cross below the 3d Couple %% and turn up the Middle in the second Couple's Place :| %% Then Hands across with the second Couple and go half %% round and turn single then Hands back again and right %% and left quite round :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: De'il take the Wars P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.113 #164 (226) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.219 "U 2" S: https://archive.org/details/dancingmasterord00play/page/218 [2018-12-7] Z: 2013 John Chambers <jc:trillian.mit.edu> N: DMDfD has "a Scots air" and "same name" to the right of the title. The two tunes differ slightly in bar 15. N: The dance seems to have the 1st cu. lead thro' the 1st cu. in the last phrase. M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ c2 (c/d/)e d3 c | cA (A/B/)c G2 E2 |\ (EG) (Gc) (cd) (de) | (fe)(dc) d4 |\ c2 (c/d/)e d3c | cG (A/B/)c G2 E2 | (EG) (Gc) (cd) (de) | (g/f/)e (d>c) c4 |][|\ e2 (e/f/)g ec ec | B2 (B/c/)d dB dB |\ e2 ec d2 dB | c2 (d/c/)(B/A/) A3 G | E2 G2 (G/A/)G cG | EG (G/A/)G G3 G |\ A2 c2 d3 A & A2 B>c d3 c | d>e dc B3 A |\ G2 (GE) G2 (cd) | (fe) (d>c) c4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. cast off below the 2d Cu. and lead thro' the 3d Cu. and cast up %% into the 2d Cu. Place, the 2d Cu. being in the 1st Cu. Place, do the same .| %% The 1st Cu. cross over below the 2d Cu. and go the Figure of 8, then %% lead thro' the 3d Cu. and cast up into the 2d Cu. Place, then lead thro' the %% 1st Cu. and cast off into the 2d Cu. Place, and turn your Partner .| %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% The 1. cu cast off below the 2. cu. and lead through the 3. cu. and cast up into the 2. cu place, the %% 2. cu. being in the 1. cu. place do the same .| The 1. cu. cross over below the 2. cu. and go the Figure %% of 8. then lead through the 3. cu. and cast up into the 2. cu. place, then lead through the 1. cu. and cast %% off into the 2. cu. place and turn your partner .| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Devil's Dream P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.72 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: Gdor % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ G3 G2A | ^F>EF G2G | A2B cdA | B3- B2 ][ d |\ c2d c2d | c2d c>BA | BAG ^F>EF | G3- G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up and fall back .| That again :| Set to your own and fall back .| That again :| %%endtext %%sep 1 1 300 %%begintext align %% The 1. cu. take hands and meet the 2. cu. and the 1. man take hands with the 2. man, and the 1. wo. with the 2 wo. %% and fall back from your own :| Two first men meet their we. and change places with them .:| %%endtext %%sep 1 1 300 %%begintext align %% The 1. man change places with the 2. wo. :| and 1. wo. with the 2. man :| And turn S. Do this to all, the rest following .:| %%endtext %%sep 1 1 300 %%begintext align %% The 1. man take hands with the 2. man, and the 1. wo. with the 2. wo. the 1. man pull up the 2. man, and the 2. wo. put %% back the 1. wo. then the 1. wo. fall back against the 2. man's back :| Then the 1. man put back the second man on the %% co. side, and the second wo. put back the first wo. on the co. side, and fall back :| Then the two men and two we. change %% places and fall back :| Then meet your own from each other, and change places. Do this to all the rest. %%endtext %%sep 1 1 300 %%begintext align %% The 1. cu. meet the 2 cu. and take hands, and fall back on the out-side of them :| Then lead up all a-breast and fall back :| %% Then take hands round all four and go half round . Then meet your own and change places .| The rest doing the like .:| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Devil in the Bush %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (65) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ f2g2 a2ga | bagf e2c2 | dcBA G2c2 | A2F2 c4 |\ f2g2 a2ga | bagf e2c2 | dcBA G2c2 | A2F2- F4 :| |:\ G2E2 GEGE | c2G2 A2F2 | d2B2 dBdB | g2d2 e2c2 |\ a2gf g2fe | defg e2c2 | dcBA G2c2 | A2F2- F4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. go with inside of the 2d Cu. then on the out %% side of the 3d Cu. and lead up to the Top and cast off .| %% then the 2d Cu. do the same :| Then the 1st and 2d Men %% sett to their Partners and take Hands and go quite round %% then lead between the 2d Cu. and cast up. then right %% and left Hands half round :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Devonshire House P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.11 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/4 L: 1/4 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - d/c/ |\ B2f d>cB | fga b2a | g>ab a>gf | f2=e f2 :|\ |: e/d/ |\ e2f g>fe | dec f2e | d>cB ABG | G2F F2B |\ G>FG E2e | c>Bc F2f | d>cB B2A | B3- B2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain is to be play'd twice over. %%begintext align %% First cu. cast off, the 2 cu. leading up, change places at the same time; 2. cu. cast down, 1. cu. lead %% up, changing places as before, men being on the wo. side, hands half round, break hands all abreast %% lead up; 1. man cross over with the 2. wo. 2. man and 1. wo. do the like, turn single, all four cross over, %% all four turn single, right and left into the 2.. cu. place. %%endtext %%center The Second Part. %%begintext align %% First cu. lead down between the 2. and cast up into their own place; the 2. cu. lead between the 1. %% and cast down into their own places; 1. man cross over with the 2. wo. cross all four, turn your %% own, the 1. man being in the 2. man's place, and the 2. man being in the 2. wo. place; cross over %% with the 1. wo then cross over all four, and turn your own. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Dick's Fancy N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.1:7 M: 6/8 L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 c |\ AFc AFc | AFc f2c | AFc AFc | GEG C2c |\ AFc AFc | AFc f2d | gfe dc=B | c3 C2 :| |: c |\ cd_e edc | cBA G2A | Bcd dcB | BAG F2c |\ fca fca | fca fed | cdB ABG | F3- F2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ f3 F3 | f3 F3 | f3 F3 | c3 C3 |\ f3 F3 |f3 F2d | e3 f2g | c'3 c2 :| |: z |\ ^f3 d3 | g3 G2=f | =e3 c3 | F3 f3 |\ F3 f3 | F3 f2b | a2b c'2c | f3 F2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man leads his Partner down, and brings up the 3d Wo. .| %% the 3d Man brings up the 3d Wo. and takes his Partner down :| %% cross over one Cu. and turn .|. %% foot it all four, Right and Left at top :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Dick's Maggot P: Longways for as many as will %R: triple hornpipe, minuet B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.332 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 3/2 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ g2 d4 B4 A2 | Bcd2 ABc2 B4 |\ g2 d4 B4 A2 | Bcd2 G2F2 G4 |][|\ f2 a4 f4 d2 | gab2 efg2 f4 | f2 a4 f4 d2 | def2 AB^c2 d4 |\ Bcd2 Bcd2 e4 | efg2 efg2 f4 |\ g2 d4 B4 c2 | A4- A4 G4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. cross over, and the 2. cu. casts off .| Then change places across .| Then cast up in your own %% places, and back to back, then Right and Left and turn .| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Donawert Pass %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (89) Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ g2 ^f2 g2 d2 | e2 dc B2 G2 |\ Bc Bc d2 G2 | e2 c2 d4 |\ d2 f>g f2 d2 | B2 d>e d2 B2 | G2 c>B A>f e>d | c4 B4 |\ d2 g>a g2 =ef | =e2 a>b a2 ^f>g |\ ^f2 g>a d2 g2 | g3 ^f g4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man sett to his own Wo. and then take hands %% with the 2d Man and turn round into his own Place, the %% 1st and 2d We. do the like at the same Time, then the 1st %% Cu. cross over into the 2d Cu. Place, then all four %% take Hands and lead up abreast, then the 1st Man cross %% over and go below the 2d Man while the 1stWo. goes %% below the 2d Wo. and clap Hands, then all four Hands %% and go quite round, the other Cu. do the same .| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Double the Cape %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (115) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to match the dance description M: 3/2 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ g2 d4 B4 A2 | Bcd2 ABc2 B4 |\ g2 d4 B4 A2 | Bcd2 G2F2 G4 :|\ f2 a4 f4 d2 | gab2 efg2 f4 | f2 a4 f4 d2 | def2 AB^c2 d4 |\ Bcd2 Bcd2 e4 | efg2 efg2 f4 |\ g2 d4 B4 c2 | BAG2 A2F2 G4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Note The 1st strain is to be play'd twice and the last but once over %%begintext align %% The 1st Cu. cross over and the 2d Cu. casts off .| Then %% change Places across and cast up into your own Places :| %% Then Back to Back then right and left quite round and %% cast off and turn. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Doway %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (97) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - |: g^fga b2ag | ^f2a2 d2=ef | g2c2 f2B2 | A4 G4 :|\ |: BABc (d2cB) | e2c2- c2fe | d2g2 =e2a2 | ^f2d2 (f3e/f/) | g2d2 c2B2 | A4 G4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. lead thro the 2d Cu. and cast up .| The 2d %% Cu. lead thro the 3d Cu. and cast up :| The three %% 1st Men and the three 1st We. go the Hey at the same %% Time | The 1st Cu. cast off and turn Hands :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:19 T: Downfall of a Ginn a Hornpipe M:3/2 L:1/8 C:Ravenscroft S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:G E4G4B4 | e2dc BAGF G2E2 | gfeg fe^dfe2B2 | A2cB AGFE^D2B,2 | E4G4B4 | e2dc BAGFG2E2 | gfeg fe^dfe2BA | GFEG B,2^D2E4 || G4B4d4 | g2fe dcBA B2G2 | bagb agfa g2dc | BAGBD2F2G4 | BA^G^F EdcB c2A2 | AGFE DcBA B2G2 | gfeg fe^dfe2BA | GFEGB,2^D2E4 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Down the Burn Davie P: Longways for as many as will. %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.7 S: 3: CCD3 http://javanese.imslp.info/files/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.10 Z: 2013 John Chambers <jc:trillian.mit.edu> N: 2nd part has initial repeat, no final repeat. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 G |\ D3E (GE)(GA) | {c}B2(AG) G2ga | (ba)(ge) (ge)(dB) | d2(AB) TA3d |\ (dB)(AG) (DE)(GA) | {c}B2AG g3d | (ef)(gd) (ga)(bd) | (cB)(AG) TG3 :| |: b/a/ |\ g3a (ba)(ge) | (dB)(de) g3G | (AB)(ge) (cB)(AG) | c2Bc A3e |\ (dB)(AG) (DE)(GA) | {c}B2AG g3d | (ef)(gd) (ga)(bd) | cBAG G3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ gabc' b3a | g2d2 B2d2 | G2z2 B2d2 | f2g2 dedc |\ B2c2 dcBA | G2A2 BABG | c2B2 A2G2 | A2d2 G3 :| |: z |\ gGBd g2c2 | B2zc GABG | c2B2 A4 | afgc dedc |\ B2c2 dcBA | G2A2 BABG | c2B2 A2G2 | A2d2 G3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up all and back .| %% that again, the 1st Man moves to the 2d Wo. salute her, turn her about, and fall into their own Places, %% the 1st Wo. and 2d Man do the same :| %% The 1st Mand and 2d Wo. go Back to Back, and fall into their own Places, %% the 1st Wo. and 2d Man do as much :| %% The two Men clap Hands, and the two We. then turn all round single, %% then clap Hands with your own, and cast off into the 2d Cu. Place :| %% Do this to the last. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Dragoons March P: Longways for as many as will %R: march, reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.118 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to match the dance instructions. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ B2Bc dc de | d2(ef) g4 | f2(ed) e2(dc) | B3A G2(GA) |\ B2(Bc) (dc) (de) | d2(ef) g4 | f2(ed) e2(d^c) | d8 :| |:\ A2(FG) AGAB | A2(Bc) d4 | B2AB c2d2 | B4 A2FG |\ A2(FG) AGAB | A2(Bc) d2(ed) | c2(BA) A3G | G8 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to your Presence, then to your we. Lead up all forward and back, that again. %%endtext %%sep 1 1 300 %%begintext align %% Then the 1. cu. cross over round below the 2. cu. and cross over again round below the 3. cu. then lead %% up through the middle into their own places, then cast off below the 2. cu. and turn hands once round. %% This to the first Strain played twice. %%endtext %%sep 1 1 300 %%begintext align %% Then lead down and cast up again to the 2. place, and turn both hands once round, then lead up and cast %% down again into the same place, and turn both hands once round. This to the second Strain played twice. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Draper's Gardens P: Longways for as many as will %R: B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.20 #42 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: 3/4 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ AF Ad AF | dA dfdA | fd fagf | e3 d e2 |\ AF Ad AF | dA dfdA | fd fagf | e3 d d2 :| |:\ ec/d/ ec Ae | fd/e/ fd Bb | ^ge a2 a2 | a3 ^g a2 |\ aa/g/ fafd | ff/e/ dfdA | d>e f>e g>f | e4 d2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Note, Each Strain is to be play'd twice over. %%begintext align %% The 1st Man and 2d Wo. sett and turn single, then Back to %% Back and turn .| The other two do the same :| Then the 1st %% and 2d Wo. change Places, the other two do the same; then %% Hands half round, and right and left half round, and lead thro %% the Bottom, then thro' the Top, and cast off and turn :| %% [CCDM1] %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Drapers Gardens P: Longways for as many as will %R: B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.189 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: 3/4 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ AF Ad AF | dA dfdA | fd fagf | e3 d e2 |\ AF Ad AF | dA dfdA | fd fagf | e3 d d2 :| |:\ ec/d/ ec Ae | fd/e/ fd fa | ^g2 e2 ga | a3 g a2 |\ aa/g/ fafd | ff/e/ dfdA | df eagf | e3 d d2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%text Note: Each Strain twice over. %%begintext align %% The 1. man and 2. wo. set and turn single, then back to back and turn .| The other two do the %% same :| Then the 1. and 2. wo. change places, the other two do the same; then hands half round, %% and right and left half round, and lead through the bottom, then through' the top, and cast off and %% turn :| %% [DMDfD] %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Drapers Maggot P: Longways for as many as will %R: minuet B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.203 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice over" instruction. N: The actual time signature is "3i". The low G, in bar 7 should probably be a low A, instead. M: 3/4 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ D2 DEFG | A2 d2 A2 | B2 BA G2 | A2 AG F2 |\ G2 GF E2 | F2 FE D2 | FG A2 G,2 | D6 :|\ |:\ d2 defg | g2 ag f2 | g2 gf e2 | f4 e2 |\ fg a2 gf | ef g2 fe | de e4 | d6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%text Note: Each Strain twice over. %%begintext align %% Hands all four quite round and cast off .| and Right and Left with the 3. cu. :| then the 1. man turn the %% 3. wo. and the 1. wo. the 2. man, and then his own Partner .| then the 1. man turn the 2. wo. and %% the 1. wo. the 3. man, and then turn Partners :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Draw Cupid %R: march, reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (169) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to matche the dance description M: C| L: 1/4 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ f2 Ff | e3 d | BG Ec | A3 A |\ Ad dc | =B3 g | c>d d>c | c3 f |\ (fe) (ed) | (dc) (cB) | (BA) GF | E3 A |\ (Ad) (dc) | (BA) GF | EF (F//G//A/) (G/F/) | F4 :| c2 G (G//A//B/) | A3 e | fd ge | ^c3 a |\ (ag) ba | (gf) (ed) | ^cd (d//e//f/) (e/d/) | d3 f |\ (fe) (ed) | (dc) (cB) | (BA) (GF) | E3 A |\ (Ad) (dc) | (BA) GF | EF (F//G//A/) (G/F/) | F4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Note The 1st strain is to be play'd twice and the last but once %%begintext align %% The 1st Cu. go the whole Figure of Eight with the 2d Cu. and then cross %% over and turn .| Then the other Cu. do the same :| Then cross over and %% Back to Back then right and left quite round. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Drive the cold Winter away P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.86 #125 (171) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The dance description is odd: It's in two columns, with the parts after the :| being on the right, here marked by "##". M: 6/8 L: 1/4 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - D |\ F>ED A2d | c>BA f2F |\ G2A B>cB | A3- A2 |]\ d |\ cAF c2d | B>AG B2c | A>GF E2D | f3- f2d |\ cAF c2d | B>AG B2c |\ A>GF E>DE | D3- D2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up all forward and back .| That again :| %% ## %% First Man back a D. then go down between the rest and %% turn the last Wo. but one, then Men the last, and stay %% there while the other Men go between the 2d and 3d We. %% and go towards the left Hand, and fall down to tHe 1st %% Man .| First Man back, then go up between the rest, and %% turn the 2d Wo. then the 1st Wo. while the Men to %% between the two last We. turn toward the right Hand, %% and go up to your Places %%endtext %%sep 1 1 300 %%begintext align %% Sides all .| That again :| %% ## %% This as before, the We. doing it :| %%endtext %%sep 1 1 300 %%begintext align %% Arms all .| That again :| %% ## %% As at the first :| %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up all forward and back .| That again :| %% ## %% First an back a D. then go down between the rest and turn the last %% wo. but one, then men the last, and stay there while the other men go %% between the 2. and 3. we. and go towards the left-hand, and fall down to %% the 1. man .| First man back, then go up between the rest, and turn the %% 2. wo. then the 1. wo. while the men to between the two last we. %% turn toward the right-hand, and go up to your Places. %%endtext %%sep 1 1 300 %%begintext align %% Sides all .| That again :| %% ## %% This as before, the we. doing it :| %%endtext %%sep 1 1 300 %%begintext align %% Arms all .| That again :| %% ## %% As at the first :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Drown Drowth %R: slip-jig, triple hornpipe P: Longways for as many as will B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.4 S: 3: CCD3 http://javanese.imslp.info/files/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.13 Z: 2013 John Chambers <jc:trillian.mit.edu> N: "Each Strain twice." Repeat signs added by jc. M: 9/8 L: 1/8 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 E | D/E/FD BFE D2B, | D/E/FD ECC C2E | D/E/FD BFE D2B, | D/E/FE DB,B, B,2 :| |: F | BcB dBg fdB | A2F A/B/cc c2F | B>cd/e/ fga bag | fbd TdcB B2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z | b3 f3 B3 | b3 f3 F3 | b3 B3 b2z | b2f B3 B2 :| |: z | b3 B3 b3 | f3 F3 f2e | d2c B2d gfe | d2B f2F B2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st and 2d Cu. set all four, and turn single .| %% Then both Cu. Back to Back with their Partners :| %% Then the 1st Cu. cross over and turn and the 2d Cu. cast off and turn .| %% Then Hands all four quite round and each turn their Partners. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Dr. Popes Jigg P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.86 #126 (172) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.58 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to match the DMDfD dance instructions. M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - gf |\ e2dc G2c2 | E2 C4 cd | e2cd e2cd | e2 g4 fg |\ agag agag | (ag)(fe) d2g2 | e2dc c2d2 | e2 g4 :| |: dc |\ B2dc B2g2 | B2 d4 cd | e2cd e2cd | e2 g4 fe |\ f2F2 A2c2 | g2G2 B2d2 | a2A2 B2G2 | A2 c4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. go the Figure thro' the 2d Cu. and turn three times in %% their own Places, then the 2d Cu. go the Figure thro' the 1st Cu. %% and turn three times into their own Places :| The 1st and 2d Cu. %% right and left all round, the 1st Man change Places with the 2d %% Wo. and the 1st Wo. with the 2d Man then all four Hands half %% round, and the 1st Cu. cast off :| %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% The 1. cu. go the Figure thro' the 2. cu. and turn three times in their own places, then the 2. cu. go %% the Figure through the 1. cu. and turn three times into their own places. This is the first Strain played %% twice. The 1. and 2. cu. go right and left all round, and the 1. man change places with the 2. wo. %% and the 1. wo. with the 2. man, then all four hands half round, and the 1. cu. cast off. This to the %% second Strain played twice. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Ducks and Draks %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (141) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction (phrased oddly for this dance). M: 6/4 L: 1/4 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - e |\ fed agf | efd ^c2e | fed agf | efd ^c2d |\ eAe fef | gcg aga | bag c'ef | gg2 f2 :| |: c |\ ABc cBA | GEc GEC | FGA AGF | EFD A2e |\ fAA =BdG | g=BB ^c2e | aAB AGF | Ed^c D2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain is to be play'd twice and repeat each Time %%begintext align %% The two 1st Cu. lead to the Wall and Back again then the 1st %% Cu. cast off and turn Hands .| Then lead to the wall and %% back again the 1st Cu. cast up and turn Hands in their own %% Places :| The 1st Man cross over with the 2d Wo. and the %% 2d Man with the 1st Wo. the two Men lead thro the two %% We. then the two We. lead thro the two Men .| The 1st %% Man cast up round the 2 Man into his proper Place the %% 2d Wo. casts off in to hers at the same Time then the 2d %% Man cast off into his proper Place the 1st Wo. casts up %% into hers at the same Time then the 1st Cu. cast off and %% turn Hands :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Duke d'Aumont's Delight %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (100) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/4 L: 1/4 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - G |\ c>Bc A>dc | B3 G2g | f>ef d>gf | e3 c>cd |\ e>de e>dc | g3 B2G | c>dB A>G^F | G3- G2 :| |: e/f/ |\ g>fg g>ag | f>ef f>gf | e>de e>fe | d>^c d>ef |\ g>fe f>ed | g3 B2A | B2c d/c/BG | c3- c2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. figure in and cast up then cross ouer [sic] %% below the 2d Cu. .| The 2d Cu. do the same :| Right %% and left quite round then the 1st Cu. cast off .| Then %% Back to Back with your own Partners lead thro the 2d %% Cu. and cast off :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Duke of Athols Rant %R: strathspey, rant B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (183) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/16 K: Em % - - - - - - - - - - - - - - - - - - - - - - - - - |: E3EE3E G3AB3G | c2A2B2G2 c2A2B2G2 | E3EE3E G3AB3G | c2A2B2G2 E4e4 :| |: g3ag3e dcBA G2B2 | cBcA e2A2 cBcA e2A2 | g3ag3e dcBA G2B2 | c2A2B2G2 E4e4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% First Man sets to the 2d Wo. foot it and turn .| the 1st Wo. %% and 2d Man does the same :| cross over two Cu. .| and lead %% thro' two Cu. and foot it and cast off :| First Man sets to the %% 3d Wo. and the 1st Wo. sets to the 2d Man at the same time %% and turn the 1st Man 1st Wo. sets to the 2d Wo. and her %% Partner sets to the 3d Wo. and turns then lead out to %% the Man's side and turn. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Duke of Gloucester's March P: Longways for as many as will %R: march, reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.254 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - F2 |\ B4 (Bc) (dB) | c4 F2 f2 |\ d2 (cB) c2 (BA) | B2 (cB) A2 (GF) |\ (Bc) d2 (ed) (cB) | f6 |] f2 |\ c4 c3d | e4 d4 |\ d2 d2 (cB) (AG) | d6 cd |\ e2 (dc) d2 (cB) | f2c2 F2c2 |\ f2 (ed) (ed) (cB) | B6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. hands half round, lead through and cast up, the 1. man turns the 2. man, we. the same; %% Then all four change sides, then right-hands a-cross and goes round, the 1. cu. goes between the 3. cu. %% and cast up, the other following at the same time, then lead down all a-breast, the 1. cu. being between, %% fall back and cast off. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Duke of Lorrain's March P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.68 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The "K:Dmix" key is overly-specific, since there are no c or c sharp notes in the tune. M: C| L: 1/8 K: Dmix % - - - - - - - - - - - - - - - - - - - - - - - - - [| d2dd d2d2 | d4 d4 | e2f2 g2fe | f8 | a2aa a2a2 | f4 f4 | e2f2 g2fe | f8 |] [| f2ff f2ff | f4 a4 | f2ef gf ed | e2fg a2g2 | (f3e/f/) g2f2 | e2d2 ag fe | d2dd d2d2 | d8 |] % - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up all and fall back, that again :| Set to your own and fall back, then arms with your own :|:| %%endtext %%sep 1 1 300 %%begintext align %% The 1. man and 2. wo. walk round their own and stand before them, then go on the Hey till the 1. wo. and 2. man meet %% each other, then give right hands to each other and left-hands to your own, the 1. cu. being in the 2. cu. place, and the %% 2. cu. in the 1. cu. place, then take hands all four and go round. Do this to all, the rest following :|:| %%endtext %%sep 1 1 300 %%begintext align %% The two first men take hands and go to the wall, and their we. following them and fall back betwixt them, then take hands %% and fall back, the 1. and 2. man give hands behind them and go half round, the 1. cu. being in the 2. cu. place, and %% the 2. cu. in the 1. cu. place, then arms with your own. Do this to all, the rest following .:|.:| %%endtext %%sep 1 1 300 %%begintext align %% The two first we. lead to the wall, and their men follow them and fall betwixt them, then the 1. and 2. wo. lead their men %% round into their own places, the 1. man and 2. wo. change places, and the 1. wo. and 2. man change places, then take %% hands all four and go half round, and the 1. cu. cast off into the 2. cu. place. Do this to all, the rest following. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Duke of Luxemburgh's March P: Longways for as many as will %R: march, reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.176 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ c2cd c2G2 | c4 e4 | d2de d2A2 | d4 f4 |\ e2ee e2dc | e2ef g4 | d2de dc Bc | d4 g4 |][|\ g2gg g2e2 | f2g2 e4 | e2de fe dc | B4 A4 |\ aaaa ffff | dddd B4 | gggg eeee | cccc A4 |\ ffff eeee | A2d2 B2cd | d4 c4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. and 2. man take hands and lead through between the two we. into their own places and turn %% sides, the two we. do the like :| Then the 1. cu. cross over into the 2. cu. place and go the full Figure %% of 8. then the Figure through the 3. cu. into the 2. cu. place, then lead up through and cast off. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Duke of York's Delight P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.90 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The key signature lacks the Eb, but the E sharp (!) in bar 4 says it should be there; this is a normal B-flat major tune. M: 6/4 L: 1/4 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - g |\ fd2 B>AB | cA2 F2g/a/ | b>ag f>ed | cd=e f2g |\ fd2 B>AB | cA2 F>GA | BG2 cA2 | FGA B2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to the presence, then to your we. Lead up forward and back, that again. %%endtext %%sep 1 1 300 %%begintext align %% The 1. cu. cast off into the 2 cu. places, then turn your own half a-turn, the 2. cu. standing still, then %% the 1. man go round the 2. man, and the 1. wo. round the 2. wo. Do this to the end. %%endtext %%sep 1 1 300 %%begintext align %% Then the 1. and 2. cu. go all round in a ring half way, then each man turn his own wo. half way, %% the 2. cu. being in the 1. cu. place, and the 1. cu. in the 2. cu. place, the uppermost cu. cast off, and %% the other cu. following them till you come as you were. Do this to the lowermost. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Dull Sir John P: Figure Dance for eight %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.139 #183 (277) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Walsh omits the diagram for this dance, which is in square formation. M: 6/4 L: 1/4 K: Gdor % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ G2D G2A | B>AB AcF | B2A B2c | d3- d2d |\ d2c d2e | f>gf F2B | A2B cdA | B3- B2 |] B |\ B2c d2e | f>gf F2B | A2B c2=B | c3- c2f |\ ed2 c2B | b2a b2d | g>ag ^f2g | g3- g2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. lead in and cast off to their Places the Man going between the 2d Cu. %% and the Wo. between the 4th. The 3d Cu. as much .| The 2d Cu. as much and the 4th %% as much :| The 1st and 3d Man Change Places a cross, their We. as %% much, Hands all four either round or cross and go round to your Places .| %% The 2d and 4th Cu. as much :| And fall the last four, the Men behind the We :| %%endtext %%sep 1 1 300 %%begintext align %% The 4th and 2d Man standing behind their We. the 1st Cu. pass into the 3d %% Place the Man going between the 2d Cu. and the Wo. between the 4th whilst the %% 3d Cu. lead right over and fall into the 1st Place, this back again to their Places, %% the 1st Cu. doing as the 3d did and the 3d as the 1st, the 4th as much :| %% Then the 1st and 3d Cu. the S. Hey twice to your Places, the We. who stand %% before their Men leading it .| The other four as much :| %%endtext %%sep 1 1 300 %%begintext align %% Men cast off and going on the outside their own We. fall into each other's Place, %% We. as much, Men as much again, We. as much :| First and 3d Cu. meet %% go about each other, We. back to back not turning your Faces, give %% right Hands to the cu. We. and left Hands to your own and so stay in %% your own Places as at first, the other four doing the like .:| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Dumbartons Drums %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (70) Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - FG |\ A3c AcGA | F2c2 (c2BA) | (GF)(GA) (BA)(GF) | D2d2 d2cd |\ f3g (ag)(fd) | (cA)(cd) f3F | GA fe (cA)(GF) | D2d2 d2 |] cd |\ f3g (fg)(ag) | f2a2 a2gf | (gf)(ga) (ba)(gf) | d2g2 g2(fd) |\ (cd)(fg) (ag)(fd) | (cA)(cd) f3g | (ag)(fd) (cA)(GF) | D2 d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. lead thro the 2d Cu. and cast off, and turn, then the %% 1st Wo. turn the 2d Man, then Cross over below the 2d Cu. %% Then below the 3d Cu. and lead thro both Cu. and cast off, %% We. fall back and Men follow them and turn S. Men fall %% back We. follow and turn S. clap hands sides, clap hands %% with your Partners and cast off. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Dumps P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.35 #66 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.36 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The first time signature looks like "2/3" or "2/5", whatever that means. N: Repeat signs added to indicate the dance instruction to repeat the 2nd Strain as many times as there are couples. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ d3 FED | d3 FED | d3 FED | D3 D2 |][M:9/4][L:1/4] E |: F>GA B2A d2E | F>GA B2A e2E | F>GA B2A d2E | F>GA B2A ["1..." d2D :|["last" d3 FED |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The Men put their Hats over their Eyes, and all lead up %% four Steps forward, nod, and four Steps back again, that %% over again :| The first Couple cross over below the %% second, and then below the third, and so on to the %% Bottom, the rest do the like to the Bottom. The second %% Strain play'd as many Times as there are Couples. %%endtext [CCDM1] %sep 1 1 500 %%begintext align %% The men put their Hats over their Eyes, and all lead up 4. steps forward, nod, and four steps %% back again, that over again :| The first cu. cross over below the 2 and then below the third, and %% so to the bottom, the rest do the like to the bottom. The second Strain play'd as many Times as there %% is couple[s]. %% [DMDfD] %%endtext %sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Dunmore Kate P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.227 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - A2 |\ (Bc) d2 (ed) (cA) | B2 (AG) G3 A |\ (Bc) (de) f2 f2 | d2 B2 f3 d |\ e3 f g2 a2 | b2 B4 B2 | (de f2) A3 B | c2 d2 e3 f |\ d3 d =e3 =e | ^f2 g2 a3 a |\ b2 d2- d2 ^f2 | g2 b4 ag |\ (^fd) (cB) c2 d2 | B2 G4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The two men take hands and lead between the two we. and come in their own places, the 1. man %% take his Partner by the right-hand and lead through the 2. cu. and cast up into their own places, then %% all four hands half round and fall back, and change with your own Partners; the rest do the same. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Dusty Miller P: Longways for as many as will %R: minuet B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.16 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.24 #47 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The CCDTB and CCDM tunes differ only in tying the repeated notes in bars 2, 4 and 6, so play it either way. N: The dances are identical, but one is described very briefly, while the other gives details. M: 3/2 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: B3c d2B2 TA2G2 | F2A2- A2c2 B2A2 | B3c d2B2 A2G2 | D2G2- G2B2 A2G2 :|\ |: B3c d2e2 f2g2 | a2A2- A2c2 TB2 A2 | B3c d2e2 Tf3e/f/ | g3a g2B2 A2G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: g4 B4 c4 | d4 f4 d4 | g4 B4 c4 | d4 D4 G4 :| |: g4 f4 e4 | d4 f4 d4 | g4 b4 a4 | g4 G8 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%text Brief version from CCDTB: %%begintext align %% Lead thro' the 2d Cu. and on the outside of the 3d Cu. meet and turn .| %% the same up :| %% turn Corners :| %% Foot :| %% and turn :| %%endtext %%sep 1 1 300 %%text Detailed version from CCDM: %%center Each Strain twice. %%begintext align %% The 1st Cu. lead thro' the 2d Cu. and the Outside below %% the 3d Cu. and turn .| then the 1st Cu. lead thro' the 3d Cu. %% and on the Outside of the 2d Cu. to the top and turn :| the %% 1st Man turn the 3d Wo. as at the same time does his Partner %% the 2d Man, then meet and turn .| do the same at the other %% Corners :| The 1st Man Foot it with the 3d Wo. as at the %% same time doth his Partner with the 2d Man, and turn .| do %% the same at the other Corners :| then the Man Heys on the %% Wo's side, as at the same time doth his Partner on the Man's %% side 'till they come into the 2d Cu. Place, and turn :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Dutches P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.178 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/8 K: Am % - - - - - - - - - - - - - - - - - - - - - - - - - B2 |\ (c2A2)c2 (B2E2)B2 | c2(AB) (cA) (B2E2)B2 | cde2c2 B2E2^G2 | A4a2 a4B2 | c3BA2 B3A^G2 | A3B (A/B/c) B3cd2 | c3BA2 B3A^G2 | A4a2 a4B2 | e2(cd) (ec) g3ag2 | d2(Bc) (dB) f4f2 | f2gfe2 e2fed2 | d3edc d2B2G2 | c3d cd d4c2 | c2E2G2 G2E2C2 | f3e dc B2E2B2 | c2(AB) (cA) B2E2B2 | cBcd ec edef ge | ^fefg a^f ^g4a2 | (e2B2)c2 (B2E2)^G2 | A6- A4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man cast off and slip up the middle, the 1. wo. goes down the middle and cast up at the same %% time; the 2. man cast up and go down the middle, the 2. wo. goes down the middle, and cast off into %% their own places; the 1. cu. cast off and go quite round the 2. cu. into their own places, and all four %% take hands and go quite round till they come into their own places, the 1. cu. cast off. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Dutches of Bedford's Delight P: Longways for as many as will %R: jig B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.8 #17 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> N: 2nd part has initial repeat but no final repeat. M: 6/8 L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ d2e f2g | aga Tf2e | d2e f2g | aga d3 :|\ |:\ gfe d2d | d^c=B A3 | A2=B Tc2d | e2f e2e |\ gfe d2d | d^c=B A3 | A2=B Tc2d | e2f d3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man turns the 2d Wo. with his Right Hand .| First %% Wo. does the same with the 2d Man :| The 1st Cu. cross over %% and half figures at Top .|# The 1st and 2d Cu. Hands across %% half round with their Right Hands .| Back again with their %% Left :| First and 2d Cu. Right and Left quite round. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Easter Eve P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.93 #141 (142) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.287 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Two versions of the dance included, since the CCDM1 version is partly illegible along the left edge. M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ g2^f>(ef/) g2d2 | b2ag ^f2d2 | g2d2 (cd)(cB) | A6 ^f2 |\ g2d2 d2(cB) | (AB)(AG) ^F2d2 | B2(AG) A2^F2 | G4- G4 |] [|\ B2d2- d2cB | ABc2 c2d2 | B2(AB) (cB) (AG) | ^F6 d2 |\ e2c2 f2d2 | b2(ag) ^f2d2 | e2c2 d2^f2 | g4- g4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The two Men leads through the We. and half figure, and turn in the %% contrary Place .| The We. do the same :| The 1st Cu. being in the 2 Cu. %% Place, the 1st Man cross over with the 2d Wo. and the 1st Wo. cross %% over with the 2d Man, then Hands half round and turn S .| Then right %% and left till you come in the 2d Cu. Place, and lead thro' the 2d Cu. and turn %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% The two men leads through the wo. and half Figure, and turn in the contrary place .| The wo. do %% the same :| The first couple being in the second cu. place, the I. man cross over with the second wo. %% and the first wo. do the same, then hands hand half round and turn single .| Now right and left till you %% come in the second couples places, and lead through the second couple and turn. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Easter Thursday P: Longways for as many as will %R: minuet B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.93 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 3/2 L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 [| d4 def2 e2d2 | e2 A4 c2 B2A2 | B4 Bcd2 c2B2 | c2 F4 c2 B2A2 | GAB2 AGF2 GFE2 | FED2 FGA2 HD4 |] [| agfe f2a2 d2a2 | bagf e2g2 c2g2 | agfe d2f2 B2f2 | gfed ^c2e2 A2F2- | F2 G4 A4 B2- | B2 A4 d2 e2^c2 "_D.C."|] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d [| d4 z2d2 ^c2d2 | A4 a4 d4 | g2f2 e2d2 e4 | f4 a4 g2^f2 | g4 d4 a4 | d4 z4 HD4 |] [| ^c4 d4 f4 | g4 c4 e4 | f4 b4 d4 | e4 a4 f4 | d4 e4 f4 | g4 f2d2 g2a2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first Cu. Back to Back with the 2d Cu. and then with their Partners .| %% the first Cu. turn the 2d Cu. then turn their own :| %% Me?? all 4 and sett then turn single and clap Hands all 4 going quite round .| %% then the 1st Cu. go the figure thro' the 2d Cu. and cross over and turn their own Partners :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Easter Tuesday P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.184 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to satisfy the "Each Strain twice" instruction. M: 6/4 L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ c3dc2 B3AG2 | A4A2 G3FE2 |\ F3GF2 G4G2 | c6 c6 ::\ e2g2g2 g3fe2 | fga2a2 a3gf2 | efg2g2 e3dc2 | d6 G6 |\ E2G2G2 G3FE2 | FGA2A2 A3GF2 |\ ABc2A2 Bcd2B2 | c6 C6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man cast off into the 2. man's place and turn S .| The 1. Wo. do the like .| Then back to back %% with their Partners, then back to back, sides, and right and left quite round till the 1. cu. comes into the %% 2. cu. place .| %% [DMDfD] %%endtext %%sep 1 1 300 %%text Note: Each Strain is to be play'd twice over. %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Easton Hall %R: reel B: John Walsh "Caledonian Country Dances" 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/5/50/IMSLP98359-PMLP202128-walsh_caledonian_country_dance_vol2.1.pdf p.33 #293 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:33 #293 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The actual time signature is just "2". N: 2nd part has begin-repeat but no end-repeat; left as-is because the dance's length isn't clear. M: 2/4 L: 1/16 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 c2 |\ (fga2) (fga2) | f4 c4 | d2f2d2B2 | A2c2A2F2 |\ (fga2) (fga2) | f4 c4 | d2f2TB2A2 | G6 :| c2 |\ (ABc2) (ABc2) | A2c2A2F2 | (d_ef2) (def2) | d2f2d2B2 |\ b2g2Tg4 | a2f2Tf4 | {a}g2f2 efge | f6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z2 |\ f4z2f2 | a2c'2a2f2 | b4z4 | a4z4 |\ f4z2f2 | a2c'2a2f2 | b4d4 | c6 :| z2 |\ f4f4 | f4z4 | b4b4 | b4z4 |\ c'4z4 | f4a2b2 | c'4c4 | f6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First and 2d Man foot it to their Partners and turn them off the Men's sides, %% then foot it to their Partners and turn them into their Places | %% Cross over the whole figure and hands across quite round | %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Eau De Luce N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.3:20 N: Triplet notation added to all the triplets. M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: (3(Acf) (3(agf) e2f2 | B>cA>B G/G/G G2 | (3(Acf) (3(agf) e2f2 | A>BG>A F/F/F F2 :| |: (3(Acf) (3(Acf) (3(Bdf) (3(Bdf) | (3(Acf) (3(Acf) a2f2 |\ (3(Acf) (3(Acf) (3(Bdf) (3(Bdf) | (3(def) (3(ece) f2F2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: f2F2 c'2a2 | g2f2 c'2c2 | f2a2 g2f2 | c'2c2 f2F2 :| |: f4 b4 | f4 F4 | f2F2 b2g2 | b2c'2 f2F2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. foot it & cast off one Cu. cast up again .| %% Gallop down one Cu. up again & cast of [sic] :| %% lead thro the 3d Cu. cast up into the 2d Cu.s place .| %% foot it & Right & left at top :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Eckel Reel %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (40) Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A |\ FDdF A2 A/B/=c | BGAF GE=CE | D/D/D dF A2 (e/f/g) | f/g/a ef d3 |]\ g |\ fdge f2de | fdge d3e | fdgf e2de | (fd)(ge) (fd)(ge) |\ (fe)(gf) e2de | (f/g/a) ef d3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. foot it and turn single all four %% hands with the 2d Cu. and back again %% cross over figure in lead up and then down %% and then lead thro the 2d Cu. at Top. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Edinborough Castle P: Longways for as many as will %R: slip-jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.45 #83 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 9/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - D |\ (FA2) A2B AFD | (GB2) Bcd E2E | (FA2) A2B AFd | GB2 =c2B AFD |] (Ad2) d>e f/e/ d2D | FAB AdF E2d | (ce2) e>f g/f/ e2E | G>A B/c/ d2e fed | BG2 B/c/de dBG | AF2 A>BA E>F G/A/ | B3 A3 d3 | F2G A2B AFD |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man cast off below the 2d Man, and go the Hey with %% the 2d Cu. 'till the 1st Man comes into the 2d Man's Place .| The %% 1st Wo. cast off below the 2d Wo. and do the like :| First Cu. being %% in the 2d Cu. Place, the two Men lead to the Wall, the two %% We. do the same at the same Time; then the 1st Cu. lead up, and %% the 2d Cu. lead down at the same time; then right Hands across %% all four half round, then left Hands and back again, 'till the 1st %% Cu. comes into the 2d Cu. Place .| The rest do the like :| %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man cast off below the 2. man, and go the Hey with the 2. man and 2. wo. till the 1. man %% comes into the 2. man's place .| The 1. wo. cast off below the 2. wo. and do the like :| First cu. being %% in the 2. cu. place, the two men lead to the wall, and the two we. do the same at the same time, then the %% 1. cu. lead up, and the 2. cu. lead down at the same time, then right-hands a-cross all four half round, and %% then left-hands and back again, till the 1. cu. comes into the 2. cu. place. The rest do the like :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Edmonton Frolick %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #5 (3) Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - d |\ B>cd (ec)e | (dB)g c>AG | AFA A2c |\ B>cd ece | fdf g2e | gGG G2 :| |: B |\ AFA (AF)A | (AF)d (AF)B | GEE E2A |\ (FD)d (Be)d | (ge)a (fd)b | gaf g2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice %%begintext align %% The 1st Man set to the 2d Wo. then make a faint to turn her but turn his own Partner .| %% The 1st Wo. do the same on the Mens side :| %% then 1st Man change Places with the 2d Wo. and the 1st Wo. with the 2d Man, %% then all proceed round into their own Places again .| %% the 1st Cu. lead in between, and round the 2d Cu. to the top, %% then clap Hands and cast off :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Ellin a Roon %R: __ B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #12 (18) Z: 2013 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ A2B2(dc) | d3ef2 | A2B2(dc) | d6 |\ A2g2a2 | (fg)(ef)(de) | (cA)(Bc)(ef) | e4f2 |\ g2g2g2 | g2B2B2 | gedefe | deBdA2 |\ gfgaga | fefgfg | edefaf | efedB2 |\ a2g2f2 | d3ff2 | A2B2c2 | d4c2 |] [|\ A2B2c2 | d3ef2 | A2B2c2 | d6 |\ A2B2c2 | (dc)(de)(fa) | A2B2c2 | e4d2 |\ A2g2g2 | (g2B2)A2 | A2g2g2 | (f2e2) d2 |\ gfgag2 | fe(fg)ag | (ed)(ef)(ge) | (fe)(dc)(BA) |\ a2gfed | e3fg2 | A2B2c2 | d6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Man go round the 2d Wo and turn the 2d Man till the 1st %% Man comes into his own Place the 1st Wo go round 2d man and %% turn 2d Wo. till the 1st Wo. comes into her own Place the 1st Cu. %% cross over and go the figure thro till they come into 2d Cu place %% then lead thro 3d Cu. and cast up and go the figure thro the 1st %% Cu. and so cast off. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Ely Court P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.279 "B b 2" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to satisfy the dance instructions. The 2nd strain has 13 bars. M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - d2 |\ B2 (AG) A2 ^F2 | G3 A (BA) (Bc) | d2 (cB) (de) f2 | A6 d2 |\ B2 (AG) A2 ^F2 | G3 A (Bc) d2 | e2 (dc) d2 g2 | ^f6 :|\ d2 |\ g2 (ga) b2 f2 | d2 (cB) f2 B2 | A2 d2 (cB) (BA) | e6 (dc) |\ d2 g2 a2 ^f2 | g2 (fe) (dc) (BA) | B2 f2 (AB)(AG) | ^F2 D4 ^F2 |\ G2 AB c2 F2 | c2 f2 c2 (c/d/e) | d2 g2 (dc) (BA) | B2 (B/c/d) B2 (AG) |\ G6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% All four cross right-hands half round, then left-hands and back to their places, the 1st. man and 1st. %% woman cast off two couple and lead up and cast off into the 2d. couple's place, the 3. first men lead out %% and back again, the 3 1st. women do the same at the same time, then 1st. man goes round the 2d. %% woman, and the 1st. woman goes round the 3. man at the same time, the 1st. man and 1st. woman sets %% one to another and turns his Partner and falls below the 2d. couple. 2d. Strain once. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Ely Minster P: Longways for as many as will %R: B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.7 "B 3" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. N: Fixed incorrect length of last note, to make repeats work correctly. M: 3/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - D2 |\ (E/F/ G3) G2 | G3 F G2 | (B/c/ d3) d2 | d3 c B2 |\ (e/f/ g3) e2 | a2 d2 g2 | e4 d2 | d4 :| |: g2 |\ (f/g/ a3) b2 | g3 f g2 | (e/f/ g3) a2 | ^d4 B2 |\ (f/g/ a3) b2 | (a2 f2 g2) | f4 e2 | e4 g2 | (B/c/ d3) e2 | c3 B c2 | (E/F/ G3) A2 | F4 D2 |\ (d/e/ f3) g2 | (d2 B2) c2 | A4 G2 | G4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Note: Each Strain is to be play'd twice over. %%begintext align %% First man go without side the 2. wo. up the middle into his wo. place; 1. wo. at the same time go %% within side, round the 2. man, up into her man's place; the 2. cu. doing the same; men being on the %% we. side, 1. cu. slips down into the 2. cu. place, right and left into their own places, men on the we. %% side; 1. man cross over with the 2. wo. the 2. man cross over with the 1. wo. so turn your own. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Emperor of the Moon P: Longways for as many as will %R: march, reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.57 #93 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.157 "P" Z: 2013 John Chambers <jc:trillian.mit.edu> N: CCDM1 has F for the first note in bar 7. The G in DMDfD sounds better, but both sound OK. N: The dances are identical except for minor capitalization, spelling and punctuation differences. (There's an unclosed "(" in DMDfD. M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ G2d2 G2d2 | G2d2 B2AB | G2g2 G2g2 | G2g2 f2=ef |\ B2f2 B2f2 | B2g2 A2(GF) | G2(AB) c2BA | A4 G4 |] [|\ G2g2 G2g2 | G2g2 G2g2 | B2b2 B2b2 | B2b2 B2b2 |\ d2f2 d2f2 | d2f2 d2(cB) | c2 (c/d/e) d2g2 | ^f4 g4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The two Men sett to their own, then all four single; then %% the two Men Hands, the two We. the same at the same Time, %% and meet and sett; then the 1st Cu. cast off to the 2d proper, %% and the 2d Cu. cross over to the 2d improper; then the 2d %% Wo. Hands with the 1st Wo. and turn to the 2d proper, the 2d %% Man at the same Time with the 1st Man to the 2d Proper, %% then the 1st Cu. the same, which brings them to the 2d proper. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The two men set to their own, then all four single; then the two men hands, (the two we. the same at the %% same time,) and meet and set; then the 1. cu. cast off to the second proper, and the 2. cu. cross over to %% the second improper; then the 2. wo. hands with the 1. wo. and turn to the second proper, (the 2. man %% at the same time with the 1. man to the second proper, then the 1. cu. the same, which brings them to %% the second proper. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Enfield Common P: Longways for as many as will %R: B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.102 #143 (144) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.252 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Partly-legible words verified by comparing with http://archive.org/stream/dancingmasterord00play/dancingmasterord00play_djvu.txt M: 3/2 L: 1/4 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - |: fge |\ fd2abg | af2age | fdeAd^c | dD2 :|\ |: efd |\ ge2 cec | fc2AcA | dBGgce | fF2fAc |\ =Bd2g=Bd | ^ce2aeg | fdeAd^c | dD2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man sets to the 2d Man, and turn right Hands once round .| Then %% set and turn left Hands once round, the two We. do the same the %% same Time :| Then the two Men lead through the two We. into their %% own Places and turn single, the two We. do the same after them .| %% Then Hands half round, and then right and left with your Partner, 'till %% the 1st Cu. comes into the 2d Cu. Place :| %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man sets to the 2. man and turn right-hands once round .| Then set and turn left-hands once %% round, the 2. wo. does the same at the same time :| Then the 2. man leads through the 2. wo. into their %% own places and turn single; the 2. wo. does the same after them .| Then hands half round, and then %% right and left with your Partner, till the 1. cu. comes into the 2. cu. place :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: English Paspy T: English Pasby P: Longways for as many as will %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.62 #91 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.276 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The "Paspy" spelling is in CCDM1; DMDfD uses "Pasby". M: 3/2 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ G2 d4 cB A2G2 | G2d2 e2f2 g4 |\ A2 a4 gf e2d2 | A2d2 e2^c2 d4 |] B2 e4 ^d2 e2B2 | B2 e4 ^d2 e4 |\ A2 d4 ^c2 d2A2 | A2 d4 ^c2 d4 | A2 c4 B2 c2(BA) | GABc defd g2G2 |\ g2(fe) defd g2G2 | g2(fe) dcBA G4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Right and left half round, the 1st Cu. lead thro' the 2d %% Cu. and cast off into their Places, the 2d Cu. do the same :| %% The 1st Cu. take both Hands and slide down the Middle and %% foot it, then slide up the Middle and foot it, then cast off, %% and go the whole Figure with the 2d Cu. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Right and left half round, the 1. man and 2. wo. lead through the 2. cu. and cast off in their places, %% the 2. man and 2. wo do the same. The 1. man and 1. wo. take both hands and slide down the midple [sic] %% and foot it, and then slide up the middle and foot it, then cast off and go the whole Figure with %% the 2. cu. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Epsom Wells P: Longways for as many as will %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.43 #75 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p._ Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to satisfy the "first Strain played twice" instruction in CMDfD. M: 3/4 L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ c3 f cA | c2 A2 F2 | d3 f dB | d2 B2 G2 |\ c f2 a gf | g2 c2 A2 | B>c dc BA | GF fe f2 :| af ca gf | f2 c2 A2 | fd Af dA | =B2 (B/c/d) G2 |\ ge cg ec | d=B d=B Gg | dg eg dg | (ed/e/) (f/e/d/c/) c2 | f>e fgfe | f3 g f2 | g>f gagf | g3 a g2 |\ a>g abag | a>b agfe | f>g (f/g/a) gf | fg fc f2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first Cu. cast off into the 2d Cu. Place, then take Hands and turn, %% and then cast up again into their own Places .| The 1st Cu. go the Figure %% of 8 through the 2d Cu. then take Hands and turn 'till they come to their %% own Sides :| The 1st Cu. cross over below the 2d Cu. and lead between the %% 3d Cu. then cast up above the 3d Cu. and cross up above the 2d Cu. into %% their own Places; the 1st Man change Places with the 2d Wo. the other %% doing the like; then all four take Hands and go quite round 'till the 1st %% Cu comes into their own Places, then the 1st Cu. cast off .| %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. cast off into the 2. du. place, then take hands and turn, and then cast up again into their own places. This to %% the first Strain played once. The 1. cu. go to the Figure of 8. through the 2. cu. then take hands and turn till they come to their %% own sides. This to the first Strain played twice. The 1. cu. cross over below the 2. cu. and lead between the 3. cu. then cast %% up above the 3. cu. and cross up above the 2. cu. into their own places; the 1. man change places with the 2. wo. the %% other doing the like; then all four take hands and go quite round till the 1. cu. comes into their own places, and then the %% 1. cu. cast off. This to the second Strain played once. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Essex Building P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.120 #180 (240) Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - g |\ e>dc dcB | c2c c>de | c2c c>de | d2d d2g |\ e>dc dcB | c2c c>ef | ^fdg g>a^f | g3- g2 |] d |\ B>AG B>AG | d2d d>ef | e>dc e>dc | f2f f>ga |\ dec c>dB | c3- c2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. double Hands and turn down the Middle to the 2d proper, and %% then all four turn S. then all four Hands abreast, (the 1st Man on the %% Outside left, and the 1st Wo. on the Outside right of the 2d Cu.) and %% lead to the Presence, then the 1st Cu. double Hands and turn to the 2d %% proper, then the 1st Cu. single Hands and lead up, and cast off to the 2d %% proper, then all four sett their Backs, and take Hands and turn, 'till %% the 1st Cu. is 2d proper. %% [CCDM1] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Essex-Building P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.155 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - g |\ e>dc dcB | c2c c>de | c2c c>de | d2d d2g | f>dc dcB | c2c c>ef | fga e2d | d3- d2 |] d | B>AG B>AG | d2d d2g | e>dc e>dc | f2f f>ga | e>dc d>cB | c3- c2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First cu. double hands and turn down the middle to the second proper, and then all four turn S. then %% all four hands a-breast, (the 1. man on the out-side left, and the 1. Wo. on the out-side right, of the 2. cu.) %% and head to the presence, then the 1. cu. double hand and turn to the second proper, then the 1. cu. single %% hands and lead up, and cast off to the second proper, then all four set their backs and take hands %% and turn, till the 1. cu. is second proper. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Europes Revels P: Longways for as many as will %R: triple hornpipe, minuet B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.229 "X" Z: 2013 John Chambers <jc:trillian.mit.edu> M: 3/2 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [| g4 G2g2 f4 | g2b2- b2ag a2f2 | g4 d2e2 B3c | d2D2 G2A2 A2G2 |] [| Bcd2 ABc2 B4 | e2a2- a2e2 f2d2 | efg2 Bcd2 GAB2 | D2G2- G2A2 A2G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man improper, the 1. man sets to the 2. man and both turn single :| The 1. woman and %% 2. woman the same :| The 1. cu. fall back and change places :| The 1. cu. go the half figure of 8. %% through the 2. cu. and slip down the middle to 2. improper (and at the same time the 2. cu. change %% sides) %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Every Lad his Lass %R: reel, march B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (175) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/8 K: Em % - - - - - - - - - - - - - - - - - - - - - - - - - B2 |\ e4 f4 | g2(fe) ^d2B2 | A2F2 G2E2 | B6 :|\ |: d2 |\ B4 d4 | g2e2 ^c2A2 | ^c4 e4 | a2(fe) ^d2B2 |\ e2g2 B2^d2 | e6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. set and cast off .| The 2d Cu. do the same %% :| The 1st Man and 2d Wo meet and give a little %% Jump the 2d Man and 1st Wo. do the same and turn %% single all four .| The 1st Cu. cross and figure in %% between the 3d Cu. into the 2d Cu. Place :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Ever Happy %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (154) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to match the dance instructions. M: 3/2 L: 1/8 K: Cm % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ c2 C4 c2 =B2c2 | d2 G,4 d2 c2d2 | e2G2 F2E2 D2=B2 :|\ c2 C4 cd e2f2 | g2 E4 ef g2a2 | b2 B4 cd e2G2 | A2f2 G2e2 F2d2 | e2E4 ga b2e2 | _d2 b4 _d2 c2a2 | B2g2 A2f2 G2=e2 | f2 F4 fg a2b2 |\ a2g2 f2e2 d2c2 | =B2 g4 d2 e2G2 | F2d2 E2c2 D2=B2 | c2C4 =B,2 C4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Note: The 1st strain is to be play'd twice and the last but once %%begintext align %% The 1st Man cross over and go Back to Back with the 2d Wo. %% and the 1st Wo. cross over and go back with the 2d Man %% at the same Time .| Meet and turn single then the 1st Man %% turn the 2d Wo. with his right Hand and the 1st Wo. turn %% the 2d Man with her right Hand at the same Time then %% the 1st Cu. take left Hands and turn into their own Places :| %% The 1st Cu. cross over into the 2d Cu. Place and go Back %% to Back with their Partners then all four lead up Hands %% abreast then go the Figure thro and cast off into the 2d %% Cu. Place .| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Excuse me P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.126 #189 (251) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.115 "L 4" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "[Each] Strain played twice" instructions. M: 6/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ G2G G2g | f2e d2e | f>gf cdB | A3 F3 |\ f>ed e>dc | d>ed c>BA | B>AG A^F2 | G3- G3 :| |: B2c dBG | B2c dBG | B2c d2g | ^f3 d3 :|\ |: ABc c>dc | f2c A2A | Bcd d>ed | g2f =e>dc | f2f f>ed | c2B A2^f |\ [1 g>ag gdc | B3 G3 :|\ [2 g2d =e>dc | =B3 G3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%text [The 1st ending of the 3rd Strain is from CCDM1; the 2nd ending is from DMDfD.] %%begintext align %% First Man and 1st Wo. cross over and pass into the 2d Cu. Place, then take Hands and %% turn round 'till the 1st Man is in the 2d Man's Place, and the 1st Wo. in the 2d Wo. Place %% then the 2d Cu. do this over as the 1st Cu. did the rest doing the same :| Then the %% 1st Man and 2d Wo. meet and fall back, and turn S. and the 1st Wo. and 2d Man meet %% and fall back, and turn S :| Then the 1st Cu. cast off and go down on the Outside off [sic] %% the 2d Cu. and go the whole Figure, 'till the 1st Wo. comes into the 2d Wo. place, %% and the 1st Man into the 2d Man's place, then the 2d Cu. cast off and go the whole %% Figure of 8 between the 1st Cu. 'till they come into the 3d Cu. place, and slip up %% the Middle, 'till they come to their own places again, the rest doing the like .| %% [CCDM1] %%endtext %%sep 1 1 300 %%sep 1 1 500 %%begintext align %% First man and 1. wo. cross over and pass into the 2. cu. place, then take hands and turn round till the 1. man is in the 2. %% man's place, and the 1. wo in the 2. wo. place, then the 2. cu do this over as the 1. cu. did, the rest doing the same. %% This is to the first Strain played twice. %%endtext %%sep 1 1 300 %%begintext align %% Then the 1. man and 2. wo. meet and fall back, and turn S. and the 1. wo. an 2. man meet and fall back, and turn S. %% This to the second Strain played twice. %%endtext %%sep 1 1 300 %%begintext align %% Then the 1. cu cast off and go down on the out-side of the 2. cu. and go the whole Figure, till the 1. wo. comes into the 2. %% wo. place, and the 1. man into the 2. man's place, then the 2. cu. cast off and go the whole Figure of 8 between the 1. cu. till %% they come into the 3. cu. place, and slip up in the middle till they come into their own places again, the rest do the like. %% This to the third Strain played twice. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Expedition %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (111) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The repeat signs don't make sense. Neither do the multiple, identical endings, the odd note beaming, or the slur/phrase mark. M: C| L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - E |\ A2 B2 c2 d2 | (ed) (cd) B2 zB | (cB)e B (cB)e A |[1 (G2 F2 E4 |]\ [2 G2 F2 E4) :| |: AE F =G F3 F | (BF) (GA) G2 FG |\ A2 B2 (cd) (ef) | c2 B2 A4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Turn the 2d Wo. with one hand and then all four foot %% it your Partner do the same Cross over two Cu. foot %% it at the Bottom Lead thro and cast off %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Fairly shot on her P: Longways for as many as will. %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.14 S: 3: CCD3 http://javanese.imslp.info/files/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.18 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/8 K: Em % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 [|\ G4E2 G4E2 | G4B2 B2G2E2 | G4E2 G4E2 | F4A2 A2F2D2 |\ G4E2 G4E2 | G4B2 B2G2E2 | c3de2 d2B2G2 | F4A2 A2F2D2 |] [| dcBAB2 E2c2E2 | G4B2 B2G2E2 | dcBAB2 E2B2E2 |\ F4A2 A2F2D2 | dcBAB2 E2c2E2 | G4B2 B2G2E2 | c2d2e2 d2B2G2 | F4A2 A2F2D2 |] [| d4g2 g2d2B2 | G4B2 B2G2E2 | d2g2f2 g2d2B2 | F4A2 A2F2D2 |\ d2g2f2 g2d2B2 | G4B2 B2G2B2 | c3de2 d2B2G2 | F4A2 A2F2D2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d [| e6 E6 | e6 E6 | e6 E6 | d6 D6 | e6 E6 | e6 E6 | e6 g6 | d6 D6 |] [| g6 e6 | e6 E6 | g6 e6 | d6 D6 | g6 e6 | e6 E6 | e6 g6 | d6 D6 |] [| g6 G6 | e6 E6 | g6 G6 | d6 D6 | g6 G6 | e6 E6 | e6 g6 | d6 D6 |] %%begintext align %% The 1st Man foot to the 2d Wo. and turn hands, %% the 1st Wo do the same to the 2d Man, 1st Strain . %% The 1st Cu. cast off and sett again, cast off behind the 3d Cu. and sett, %% then the same to the Top. Second Strain. %% The 1st Cu. go the whole Figure with the 2d Cu. then gallop down and up, %% and cast off in the 3d Cu. Place Third Strain. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Fair Phillis %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (138) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - d |\ g>ab a>bg | a3 d3 | c>BA A2G | d3- d2 :|\ |: d |\ d>ed d2f | f>gf b2B | B>cB B2d | d>ed g>GA | B2G- G>GA | B2G- G>ga | b2g- g>ag | ^f2 d- d2>ed |\ c>fe d>gf | =e>ag ^f>ga | d>cB A2G | G3 G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. cross over .| And back to back :| Change %% Place with your Partner, then with the 2d Cu. all four %% set in the Middle, then set back again and cast off .| %% Cross over, figure thro the 3d Cu. and Cast up :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Fanny's Delight N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.1:8 M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 Bc |\ dBGB dBge | dBGB dBge | {e}d2cB {d}c2BA | BGAB AFED |\ dBGB dBge | dBGB dBge | fafd ege^c | d4 D2 :| |: de |\ {g}=f2ed {f}e2dc | {e}d2cB A2cd | {f}e2dc {e}d2cB | {d}c2BA G2Bc |\ dBdB dBge | dBdB dBge | {e}d2cB {d}c2BA | G2D2 G,2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z2 |\ G4 G4 | G4 g2c'2 | b2g2 a2d2 | g2G2 d2D2 |\ G4 g4 | G4 g4 | a4 A4 | d4 D2 :| |: z2 |\ b4 ^g4 | e4 A4 | a4 f4 | d4 g4 |\ G4 g4 | G4 g2c'2 | b2g2 a2d2 | g2d2 G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st 2d and 3d Cus. foot it, and hands round Six .| %% the same back again .| %% foot it Six and change sides, the same back again .|. %% cross over two Cu. lead up to the top and cast off :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Farinellis Maggot %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #1 (21) Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/16 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - |: A2e2 e4 cde2 e4 | ABcd e2dc B4 E4 | A2e2 e2e2 edef e2fe | fefe (fga)c B4 A4 :| |: G3A B2c2 ABcd edcB | ABcd e2c2 B4 E4 | "^#"G3A B2c2 ABcd edcB | ABcd cdef B4 A4 :| |: c2e2 fefe B2e2 fefe | cde2 e2c2 B4 E4 | c2e2 fefe B2e2 fefe | cefe agac B4 A4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% The 1st Cu. set and cast off .| the 2d Cu. do the same :| The 1st %% Man and 2d Wo. meet and give A little Iump [sic] the 2d Man and %% 1st Wo. do the same and turn single all four .| The 1st Cu. cross %% over and figure in between the 3d Cu. into the 2d Cu. Place :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Ferro P: Longways for as many as will %R: reel B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.7 #14 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> N: 2nd part has initial repeat but no final repeat. M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - de |\ f2d2 a2A2 | dcde d2d2 |\ A2d2 edcB | A6 :|\ |: AG |\ F2D2 F2G2 | A4- Adcd | Adcd Adcd | TF4 def2 |\ B2B2 efg2 | c2c2 fga2 |\ d2e2 A2dc | d6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man figures round the 3d Man, the 1st Wo. at the %% same Time goes round the 2d Wo. on the inside .| The 1st %% Man goes round the 2d Wo. on the right Hand side, 1st Wo. %% at the same Time goes round the 3d Man on the right Hand %% side :| The 1st Man leads abreast with the 2d and 3d We. and %% foots it, 1st Wo. doing the same at the same Time with the 2d %% and 3d Men, the 1st Man cast down, and the 1st Wo. cast up at %% the same Time .| Then the 1st Man leads abreast with the %% 3d Cu. and foots it, 1st Wo. does the same at the same Time %% with the 2d, 1st Cu. turn Hands in the 2d Cu. Place. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Fickle Polly %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (61) Z: 2013 John Chambers <jc:trillian.mit.edu> The first A in the last bar has an extra stem; it's not clear what this may mean. M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ G4 D4 | GABG ABcA | B2d2 ^F2D2 | GABG ABcA | B4 d2cB | ABcA B2G2 :| |: B4 def2 | A4 B3A | GABG ^F2D2 | g^fgd edec | dcdB D2G2 | GAB2 A2G2 :| |: G2FE DCB,A, | G,4 GABG | ABcA ^F2D2 | G2FE DCB,A, | G,2f2 d2cB | [A2A]BcA B2G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man sett to his own Wo. and then take Hands with %% the 2d Man and turn round into his own Place. the 1st and %% 2d We. do the like at the same time. then the 1st Cu. cross %% over into the 2d Cu. Place. then all four take Hands and lead %% up abreast. then the 1st Man cross over and go below the 2d %% Man while the 1st Wo. goes below the 2d Wo. and clap Hands. %% then all four Hands and go quite round. the other Cu. do the %% same .| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Fiddle Faddle P: Longways for as many as will %R: reel B: John Walsh "Caledonian Country Dances with a Thorough Bass" p.3 B: John Walsh "Caledonian Country Dances 3d Edition" p.6-7 S: 1: http://javanese.imslp.info/files/imglnks/usimg/4/41/IMSLP74348-PMLP149069-Johnson_caledonian_country_dances.pdf p.3 S: 3: CCD3 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.6-7 Z: 2013 John Chambers <jc:trillian.mit.edu> N: This is a close relative of the Tail Toddle Reel (see Aird v.2 1785). M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: G/G/G BG c2 GE | G/G/G BG A2 FD | G/G/G BG cA BG | A/B/c B/c/d A2 FD :| |: c2 GE Ec GE | c2 GE DAFD | c2 GE EC GE | A/B/c/A/ B/c/d/B/ A2 FD :| |: G/G/G BG cA BG | G/G/G BG ADFD | G/G/G BG cA BG | A/B/c/A/ B/c/d/B/ A2 FD :| |: c2 Ec Ec GE | c2 E/c/B/c/ DA FE/D/ | c2 Ec Ec GE | A/B/c/A/ B/c/d/B/ A2 FD :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: g2z2 c2z2 | g2z2 f2z2 | g2z2 f2g2 | f2g2 d2D2 :| |: e2z2 c2z2 | c2z2 d2z2 | c2z2 c2z2 | f2g2 d2D2 :| |: g2z2 f2g2 | g2z2 f2d2 | g2z2 f2g2 | f2g2 d2D2 :| |: e2z2 c2z2 | c2z2 d2z2 | c2z2 c2z2 | f2g2 d2D2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. foots it and casts off .| Then foot it again, and the Man casts off, and the Wo %% casts up :| figure contrary Sides :| figure on your own Sides :| foot it Corners and turn .:| %% foot it the other Corners and turn :.| Hay contrary Sides :#: foot it to your Partner & turn it out. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Fidlers Maggot P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.318 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A2 |\ d2de fefg | f3g a2a2 | bagf e2a2 | f3e d2f2 |\ f2 e4 e2 | e2 d4 d2 | d2(cB) B3A | A6 |] a2 |\ e3d e2f2 | g6 a2 | b2(ag) fgfe | ^d6 B2 |\ e3f f3e | e6 e2 | a2ab agfe | f6 d2 | g2ga gfed | c6 c2 | d2de dcBA | B2ga gfed | c2ab agfe | d2g2 g3a | f3e e3d | d6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. cross over and Figure through the 3. cu. and turn .| The 2. cu. do the same :| The 1. man %% change places with his Partner, then cross over below the 2. cu and turn single, then Right and Left %% quite round, lead through the 2. cu. cast off, Right and Left with the 3. cu. quite round. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: (the) Fidler's Morris N: "Scots air" handwritten right of title in DMDfD. N: "Watson's Scots measure" and "O Gin Ye were dead Guidman" handwritten after tune. N: Robert Burns used this tune for his song 'There was a lad born in Kyle'. P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.67 #98 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Deleted an extra "and" in the dance instructions. M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - DE |\ F2F2 c2F2 | B2 G4 DE | F2F2 c2F2 | A2f2 c3c |\ defd AB cA | dc BA G2DE | F2f2 c3B | A2 F4 |] de |\ fefg fgaf | gfga gage | fefg fgaf | gfed cdec |\ defd AB cA | dc BA G2 DE | F2f2 c3B | A2 F4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. cast off below the 2d Cu. sett and cast up, %% and cross over; then cast off below the 3d Cu. set and %% cast up and cross over; then lead up to the Top, cast off, %% and turn your Partner, then go the double Figure, and %% right and left quite round. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first couple cast off below the second couple, set and cast up and cross over; then cast off below %% the 3d. couple, set and cast up and cross over; then lead up to the top and cast off and turn your %% Partner, then go the double Figure, and right and left quite round. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Fidle Fadle %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (103) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each train twice" instruction. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ G/G/G BG cA BG | G/G/G BG AD FD |\ G/G/G BG cA BE | (A/B/c) (B/c/d) A2 FD :| |:\ c2 Ec Ec GE | c2 Ec Ec FD |\ c2 Ec Ec GE | (A/B/c) (B/c/d) A2 FD :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice %%begintext align %% The 1st Cu hands with 2d Cu. and turn .| Then Back %% to Back with your Partners and turn :| Then the 1st %% and 2d Cu. Right and Left .| Then figure that the 1st %% Cu. may be in 2d Cu. Place and Turn. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Fie, nay, prithee John T: Fy, nay, prithee John P: Longways for as many as will %R: reel B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.17 #31 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.329 "F f 3" Z: 2012-2013 John Chambers <jc:trillian.mit.edu> N: This tune is usually played (and sung) as a round. N: The lyrics are a drinking song, attributed to both Henry Purcell and John Blow. M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - [| c3 e dB G2 | A3 c BG E2 | F3 A GE c2 | F2 G2 C4 |] [| cg gc Bg gB | Af fA Ge eG | Fd dF Ec cE | D2 B2 c4 |] [| ge ca fd Bg | ec Af dB Ge | cA Fd BG Eg | a2 g>f e4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Two Cu. fall back, and pass thro' into each other's Places, %% facing to the Wall, and Hands behind half a Turn, the 2d Cu. being %% a-top, to the first Strain once. The 2d Cu. cross over the 1st %% Cu. above and below, and come to the Top, and turn his own Partner %% quite round with both Hands, to the second Strain once. Then %% all four clap Hands, the 2d Cu. cast off into their own Places, and %% clap Hands again, then 1st Cu. cast off into the 2d Cu. Place, to the %% third Strain once. %% [CCDM1] %%endtext %%sep 1 1 300 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Fall back all four and pass through into each others places, facing to the wall and hands behind half %% a turn, the 2. cu. being a-top. First Strain once. The 2. cu. cross over the 1. cu. above and below and %% come to the top and turn his own Partner a whole turn with both hands. Second Strain. All four %% clap hands, the 2. cu. cast off into their own places, and clap hands again: The 1. cu. cast off into the %% 2. cu's place. The end of the Third Strain. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:53 T: The First New Dutch Skipper M:6/4 L:1/4 N:p26 missing in my copy; this is John Offord's version B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:D D2AF2D | D2AF2D | ABcd2A | ABcd2D | D2AF2D | D2AF2D | ABcdCB | EF^GA3 || e2ee2c | d2ef3 | efgf3 | efgf3 | gfegfe | fedc2B | d2AF2B | A2dc2d | e2eagf | efcd3 || M:6/8 L:1/8 K:Dm dDE FED | DDE FED | def eag | fed e^ca | dDE FED | DDE FED | def eag | fed edc | =BA^GA3 || A_Bc cdc | cdA BAG | =Bcd ded | fed e^cA | afd e^cA | fede^cA | agf efg | Ad^cd2 || K:D a | dcd ABc | dAFD2d | def eag | fed cBA | dcdABc | dAc eAe | fed cBA | AECA,2e | ecA ecA | efgg2f | efg gfe | dcB dcB | Bdf B/c/d/e/f | bfdB3 | FGA FGA | dAF GFE | GBe GBe | Bcd cBA | defecA | def ecA | dcdABc | dAFD3 || %%sep 1 1 500 %%sep 1 1 500 X:22 T: Flat Cap M:3/2 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:Dm DEFGA2D2FGA2 | c2G4C2EFGE | DEFGA2D2FGA2 | d2A4GF EFGE || DEFG ABAG ABAG | c2C4C2EFGE | DEFG ABAF ABAF | d2A4GF EFGE || f2d2g2e2f2d2 | g2e4c2efge | f2d2g2e2f3e | d2A4GF EFGE || defd efge fgaf | g2e4c2efge | defd efge agfe | d2A4GF EFGE || F2A2G2B2F2A2 | c2G4C2EFGE | F2A2G2B2F2A2 | d2A4GF EFGE || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Flower of Edinburgh %R: reel B: John Walsh "Caledonian Country Dances" 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/5/50/IMSLP98359-PMLP202128-walsh_caledonian_country_dance_vol2.1.pdf p.34-35 #294 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:34-35 #294 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 has 4/8-bar staff/line breaks: V: 1 (3(GFE) |\ D3E G3A | BGBd {c}B2AG | {G}F3E DEFG | AF dF E2FE |\ DEFD G3A | (3(BAG) (3(Bcd) e3g | dBAG E2GA | B2GA G2 :| |: d2 |\ gfg>a g/a/b ag | fef>g (f/g/a) gf | edef gfed | B2e2 e3g//f//e/ |\ dBAG d2cB | edef g3(g//a//b/) | cBAG E2GA | B2G2 G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff breaks: V: 2 clef=bass middle=d g2 |\ g2g2 g2g2 | g2g2 g2g2 | d2d2 d2d2 | d2d2 d2d2 | d2d2 g2g2 | g2g2 g2g2 | g2g2 c2d2 | g2g2 g2 :||: g2 | g2g2 g2g2 | d2d2 d2d2 | e2e2 e2f2 | g2g2 e2f2 | g2g2 g2g2 | c'2a2 b2g2 | c2c2 c2d2 | g2g2 g2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. figure down between the 2d and 3d Cu. .|. %% then figure up again the same .|. %% cast off and lead thro' the 2d Cu. and cast off .|. %% Right hands across with the 3d Cu. lead thro' the 2d Cu. and cast off .|. %% Right and Left and foot it :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:5 T: Forcers Jigg M:6/8 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:GMin g3G2=B | c2CC3 | cgc =bgc | =B3_AG3 | ceg c_ag | _a2 FF3 | Bdg Bgf | g2 EE3 | BdB BbB | B dB Bb_a | gfe fBd | e2EE3 || bBB Bdf | f2FF3 | c'cc cef | g2GG3 | cgc =bgc | =B2GG3 | CGC =B,GC | =B,2A,G,3 | gGc Dc=B | c2CC3 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Fortune Hunter %R: march, reel B: John Walsh "Caledonian Country Dances" S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/5/50/IMSLP98359-PMLP202128-walsh_caledonian_country_dance_vol2.1.pdf p.97 #357 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:97 #357 Z: 2013 John Chambers <jc:trillian.mit.edu> N: 2nd part has begin-repeat but no end-repeat. M: 2/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 g | fddg | ecce | dBAG | Addg | fddg | ecce | dBAG | DGG :| |: A | BG dc/B/ | ADDA | BG dc/B/ | Ac cB/A/ | Bdgb | Acfa | cABc | BGG |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d g | d'2b2 | c'2a2 | b2g2 | d'2d2 | d'2b2 | c'2a2 | g2d2 | g3 :| |: f | g2g2 | d2d2 | g2g2 | d2d2 | g4 | d4 | f2d2 | g3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Man turns the 2d Wo. with his left Arm and his Partner with his right .| %% First Wo. turns the 2d Man with her left arm and her Partner with her right :| %% gallop down one Cu. up again and cast off .| %% Right and Left with the top Cu. :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Fort William N: Pub: J. Walsh, London, 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.94 #354 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:94 #354 Z: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ A2 (A/B/c) | B2 (B/c/d) | cecA | BGFE |\ A2 (A/B/c) | B2 (B/c/d) | ceEG | AECA, :| |:\ cde=g | fdcB | BcdB | ecBA |\ GB Ed | cde=g | fdcB | {B}A4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: c'2a2 | g2e2 | a2A2 | e2E2 | c'2a2 | g2e2 | a2e2 | a2A2 :| |: a2c'2 | d'2b2 | g2b2 | c'2a2 | e2g2 | a2c2 | d2e2 | a2A2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. cast two Cu. .|. %% then cross up two Cu. .|. %% Gallop down, up again, cast off .|. %% Right and Left. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Fourth of June %R: hornpipe, strathspey B: John Walsh "Calidonian Country Dances" Books II and IV S: http://sites.scran.ac.uk/jmhenderson/web/collection/jmhcoll/walsh.htm Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 F | E2E>F B>FE>F | E2E>F d>FD>F | E2E>F E>FG>A | B/c/d A>G F>DD :| |: F | E>e-e>^d e>EE>F | E>ee>c d>DD>F | E>e-e>d B>cd>e | (f/g/a) e>f d>DD :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d d | a2A2 g2G2 | a2A2 d2D2 | a2A2 g2e>f |g2a2 d2D :| |: d | e2E2 e2E2 | e2E2 d2D2 | e2E2 g>ab>c' | d'2a2 d2D :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Gallop down one Cu. up again and cast off .| %% Lead thro' the 3d Cu. cast up into the 2d Cu.s Place :| %% Foot it and Right hands across with the 3d Cu. .|. %% Foot it and Left hands across with the 2d Cu. :|: %% turn corners with your Right hands and your Partner with your Left .||. %% hands round four with the 3d Cu. .||: %% Right and Left at top :||: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Four Pence Half penny Farthing T: The Jockey P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.119 #175 (237) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.140 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain to be play'd twice over" instruction. M: 6/4 L: 1/4 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ B2d (dB)d | A2c (cA)c | B2d (dB)d | f3 b3 |\ B2d (dB)d | A2c (cA)F | (G/A/)BG (A/B/)cA | G3 B3 :| |:\ f2g (fd)B | b2g (fd)B | e2g (fd)B | A3 c3 |\ D2F (FD)F | (GA)B (cA)F | (G/A/)BG (A/B/)cA | G3 B3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Note: Each Strain to be play'd twice over. %%begintext align %% First Man sett to the 2d Wo. then fall back and turn once S. the 1st Wo. %% and 2d Man do the like; then 1st Man cross over with the 2d Wo. and %% 1st Wo. with the 2d Man; then 1st Cu. being in the 2d Cu. Place, go the %% half Figure, and the other Cu. go the half Figure thro' then turn %% their own Partners. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% The 1. man set to the 2. wo. and then fall back and turn one S. then 1. wo. and 2. man do the like, %% then 1 man cross over with the 2. wo. and 1. wo. with the 2 man, then 1 cu. being in the 2 cu. %% place go the half Figure, and the other cu. go the half Figure through, then turn their own %% Partners. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Fox hunters Jigg %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #1 (1) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The rhythm isn't quite right at the Strains' boundaries. M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A |\ def Tf2e | fag Tf2e | dBB TB2A | dBB TB2A |\ def Tf2e | fag f2e | aAA A2A | cAA A2 :| |:\ ab/a/g/f/ ga/g/f/e/ | fg/f/e/d/ e2c | dBB TB2A | dBB B2A |\ ab/a/g/f/ ga/g/f/e/ | fg/f/e/d/ Te2c | aAA A2A | cAA A2A :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice %%begintext align %% The 1st Man Sides with the 2d Wo. then sett and turn single .|\ %% Then the 2d Man Sides to the 1st Wo. then sett and turn single :|\ %% The 1st Man change Places with the 2d Wo. and the 2d Man change Places with the 1st Wo. %% then change Places each with their own Partners .| %% Then Hands across all four quite round, and turn single :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Frank and easy %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (119) Z: 2013 John Chambers <jc:trillian.mit.edu> M: 3/2 L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ G2 c4 g2 e2c2 | ef g4 a2 g4 |\ efg2 cde2 d2G2 | G2 d4 e2 d4 |]\ c2 f4 g2 a2f2 | a2gf e2f2 g4 | c2 f4 g2 a2gf | e2d2 e2^c2 d4 |\ f2 e4 d4 e2 | c2de fedc d2G2 |\ f2ef def2 e2c2 | e2dc BcdB c4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First right and left half round then the 1st Man and 2d %% Wo. lead thro the 2d Cu. and cast off into their Places %% .| Then the 2d Man and 2d Wo. do the same :| The %% 1st Man and 1st Wo. take both hands and slide down the %% Middle and foot it and then slide up the Middle and foot %% it then cast off and go the whole figure with the 2d Cu. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Freeman's Yard %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (173) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat signs left as-is, to illustrate the illogical uses of repeats in this document. M: 3/2 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ d>e dc BA | B>c BA G^F | Gg ^fd ga | b d2 =e f2 |\ c>d cd e(d/c/) | B>c Bc d(e/f/) | gf bB AG | F B2 d cB :| |:\ b a2 d2 g- | g f2 B2 e- | e d2 G2 c- | cB B2 A2 |\ B f2 d2 g- | g =e2 a2 d- | d b2 g2 a | ^f>g a^f g2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Note Each strain is to be play'd but once over %%begintext align %% The two Men lead thro the two We. and cast off and %% Back to Back and turn .| Then the two We. do the %% same :| The 1st Man change Places with the 2d Wo. and %% 1st Wo. with the 2d Man and Hands half round and %% cast off then lead thro the 3d Cu. and cast up .| Then %% right and left quite round with the 2d Cu. ??? %%endtext N: The end of the dance directions seems to have faint text behind the "(173)". %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: French Embassader P: Longways for as many as will %R: march, reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.266 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - f2 |\ d2B2 F2A2 | B6 f2 | f2f2 gab2 | a6 g2 |\ f2d2 e2f2 | g2e2 c2g2 | _a2gf =efg=e | f6 |]\ f2 |\ g3f g2a2 | b2d2 d2d2 | g3a b2ag | ^f6 g2 | g2d2 d2cd | e2c2 c2cd | ed cB A3G | G6 B2 |\ A3B ABAB | c2F2 F2F2 | B3c d2cB | g6 ga |\ b2d2 g2c2 | f2B2 A2f2 |d2(dB) F2A2 | B6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. cross over and turn below the 2. cu. .| Then cross over below the third cu. and turn :| The %% 1. man turns the 3. wo. and the 1. wo. the 2. man, then turn your Partner with your left-hand, then lead %% through the 3. cu. and cast up and turn, Figure thorow the 2. cu. and turn your Partner. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Friday Night P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.145 #194 (290) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.283 "B b 4" Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ D2 F2 A2 d2 | A4 F4 | G3 A (BA) (GF) | E8 |\ D2 F2 A2 d2 | A4 f4 | (ef) (ec) (Bc) (BA) | A8 |] [|\ A2 c2 e2 a2 | e4 c4 | d3 e (fe) (dc) | B6 A2 |\ A2 d2 A2 F2 | A4 d4 | (AB) (AF) (EF) (ED) | D8 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man crosses Hands with his Woman and turns himself %% in her Place and cast off, the 2d Cu. do the same; the 1st Cu. %% cross over below the 2d Cu. and cross over above again; then %% take your Partner by the Hand and lead through the 3d Cu. %% and figure a-top. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% The 1. man crosses hand with his woman and turns himself in her place and cast off, the 2d. couple %% do the same, the 1st couple cross over below the 2d. couple, and cross over above again, then take your %% Partner by the hand and lead through the 3d couple and Figure a-top. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Frier and the Nun T: The Fryar and the Nun P: Longways for as many as will %R: march, reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.54 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ dd dd | d3 d | ee cd | e3 g |\ fd dd | d d2 d | cA AB | =c3 c | BG GA | B>c dd | AA FG | A3 =c |\ BG GA | B>c dd | cd e>d | d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%begintext align %% Lead up men a D. turn round, we. go up a D. and turn S. we. go down a D. and turn S. men down %% and turn S .:| %%endtext %%sep 1 1 300 %%begintext align %% The two uppermost men fall back, and turn S. we. as much, changing over with your own, men %% change, we. change at the same time, then each change places with his own .| Do thus to all the %% rest following :| %%endtext %%sep 1 1 300 %%begintext align %% First and second man change places by both hands, we. as much, men and we. meet side-ways, %% turn all S. hands and go half round, turn S. hands and go half round, turn S. :| %% DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Frolick P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.278 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the dance instructions. The 2nd strain has 13 bars. M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - D2 |\ G2 (BA) (cB) (AG) | (^FG) A2 D4 | G4 A3 (G/A/) | B6 :: Bc |\ d2 B2 G2 d2 | B3 A G2 Bc | d2 B2 G2 d2 | B3 A G2 (AB) | (cB) (AG) (^FG) A2 | D2 G4 A2 | B2 d4 g2 | b2 (ag) f2 d2 |\ B3 A G2 (ga) | b2 (ag) f2 d2 | B3 A G2 (AB) | (cB) (AG) (^FG) (A^F) | G6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st man arms round with the 2d. woman and come in his own place, the 2d. man does the %% same with the 1st. woman, This to the first Strain twice. %% The 1st. man crosses with the 1. woman and goes below the 2d. couple, and goes the half Figure, %% the 1st. man and 1. woman take both hands and slides up and down and up again the middle of the %% 2d. couple and cast off, the 2d. man and 2d. woman cross over and go the half Figure with the 1st. %% couple, take both hands and slide up and down, and cast off in the 1st couple place. This to the second %% Strain played twice. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: From Aberdeen P: Longways for as many as will %R: march, reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.?? #67 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.63 "G 2" N: Repeat added to match the DMDfD dance description. Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - G2 |\ B2d2 d2e2 | d2(cB) A3d | B2G2 B2d2 | g6 :|\ b2 | g2b2 g2b2 | a2(gf) e3f | g2fe d2B2 | d6 f2 | g3f (ed) (cB) | (AB) cd e3g |\ d2cB A2G2 | c6 d2 | e2fg (fg) ag | g6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man cast off below the 2d Man, and take Hands and fall %% down between the 3d Cu. the Wo follows her Partner, and slips %% between the 2d Cu :| %% The 1st Man being between the 3d Cu. all three take Hands %% and go quite round, the 1st Wo. being between the 2d Cu. does %% the same at the same Time; the 1st Man being between the %% 2d Cu. Hands quite round, the We. do the same at the same %% Time, 'till he com in the Middle and meets his Partner between %% the 2d and 3d Cu. and turn her; the 1st Man does the %% same between the 2d Cu. as before. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% The 1. man cast off below the 2. man, and take hands and fall down between the 3. cu. the wo. %% follows her Partner and slips between the 2. cu. This to the first Strain twice. %% The 1. man being between the 3. cu. all three take hands and go quite round, the 1. wo. being %% between the 2. cu. does the same at the same time; the 1. man being between the 3. cu. hands quite %% round, the we. do the same at the same time, till he come in the middle and meets his Partner %% between the 2. and 3. cu. and turn her; the 1. man does the same between the 2. cu. as before. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Fryar and the Nun T: The Frier and the Nun P: Longways for as many as will %R: march, reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.141 #192 (282) Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A |\ dd dd | d2 dd | ed cd | e3 g |\ fd dd | d d2 d | cA AB | =c3 c | BG GA | B>c dB | AG FG | A3 =c |\ BG GA | B>c dB | ed c>d | d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up Men a D. turn round, We. go up a D. and turn %% single, We. go down a D. and turn single; Men down and turn S .:| %%endtext %%sep 1 1 300 %%begintext align %% The two uppermost Men fall back and turn single, We. %% as much, changing over with your own Men, change We. %% change at the same time, then change Places with his %% own .| Do thus to all the rest following :| %%endtext %%sep 1 1 300 %%begintext align %% First and second Men change Places by both Hands, %% We. as much, Men and We. meet sideways, turn all %% single, Hands and go half round, turn single :| %% [CCDM1] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Fryar Bungy %R: reel, march B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (168) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - A2 |\ d2 f4 ed | ^c2 e4 A2 | B2A2 def2 | e2d2 ^c2 :|\ |: a2 |\ g2fe f2F2 | A2 c4 BA | B2 g4 fe | f2 b4 a2 |\ gfed e2^c2 | d6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Man cast off round the 2d Cu. the Wo. %% following .| Then the 1st Wo. do the same back again %% the Man folloing [sic] :| Cross over and figure thro the %% 3d Cu .| The 1st and 2d Cu. take all four Hands and %% turn quite round 1st and then single :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Furbelows and Aprecocks T: The Mad Frolick %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (155) Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ B2b agf | g3 d2e | fed cAB | GdB AGF |\ B2b agf | g3 d2f | =efg cf=e | f3- f2 |] [| f |\ cde dcB | bag ^f2d | gab g2^f | g3 b2a |\ gfe dcB | fAB cfe | dgc c2B | A3 f2d |\ gab c2B | B3- B2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man figures between the 2d and 3d Men and come %% up in his own Place again and the Wo. double figures at %% the Top at the same Time .| Then the 1st Wo. figure between %% the 2d and 3d We. and her Partner figures at the Top :| %% Then change Places the 1st Man with the 2d Wo. his Partner %% change at the same Time with the 2d Man then lead %% his Partner thro the 3d Cu. and cast up then Hands half %% round then Right and Left to the Bottom. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Gallant Enterprize P: Longways for &c. %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.48 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. N: The 2nd part has 11 bars. M: C| L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 is reformatted to get 3 reasonable staff lengths. V: 1 A |\ FDBB BA2A | dGGG G/F/E Ff- | fe2d ^cd/e/ GF/E/ | FdE^c d3 :| |: f |\ eAd=B ^cA2G | ^FAdA BG2F | EGcG Af2A | Bg2B ca2c | dgce f3a | ^fd2c'2 b/a/ bg | ec2b2 a/g/ af | dB2g2 f/e/ fe | dbad ^c3A | BG2e ^cA2a | ^cdec d3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff breaks. V: 2 clef=bass middle=d z |\ d2g2 ^c2d2 | =B2^c2 defd | Gc FB AA=B^c | dFGA D3 :: d |\ a2fg aAcA | d2^f2 gGBG | c2e2 f2F2 |\ g2G2 a2A2 | b2c'2 f_edc | d2Bc d2G2 | c2AB c2F2 |\ B2G2 A2dc | B2zB Aafd | gb/a/ gg agfd | a2A2 d3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% First Cu. sett and hey on the contrary sides, then on your own sides and cast %% off and turn contrary Corners, 1st Cu. whole figure at the bottom then at top, lead %% thro' the Man's side and turn in the middle then thro' the We side & turn in the middle. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Gallaway Tom P: Longways for as many as will %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.42 Z: 2013 John Chambers <jc:trillian.mit.edu> N: 2nd part has initial repeat but no final repeat. M: 6/8 L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 G |\ cde ede | cAA A2G | cde cde | fdd d2G |\ cde ede | cAA A2c | GAG AcA | cde d2 :| |: e |\ gag ede | cAA A2a | gag ede | fed d2g |\ agf edc | AAA A2c | GAG AcA | cde d2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ e3 c3 | f3- f2z | e3 c3 | g3- g2f |\ e3 c3 | f3 F3 | e3 f3 | e2c g2 :| |: z |\ e3 c3 | f3 F3 | e3 d3 | g3- g2e |\ f3 c2z | f3 F3 | e3 f3 | e2c g2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Man turn his Partner round and foot it, clap hands twice and cast off in 2d Cu. Place .| %% then do the same and case off into 3d Cu. Place :| %% lead thro' the 3d Cu. and turn single, then lead thro' the 2d Cu. turn single and sett .| %% 1st Cu. take hands and slip one step down and one back again then cast off and turn :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Galloping Nag P: Longways for six %R: jig B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.14 #30 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.12 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> N: This tune is the familiar Black Nag, in major. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A |\ d>ed e>de | f>ef efg | a>gf e>dc | d3- d2 |] d |\ ecA ecA | ecA ecA | afd afd | afd afd |\ ecA ecA | ecA e2f/g/ | a>gf e>dc | d3- d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up a D. forward and back .:| That again :| %% First Cu. take both Hands, and the 4th slip up and stand, the 2d %% Cu. as much, the 3d Cu. slip, turn all S :| Last Cu. slip down, the %% wd as much, the 1st as much, turn all S .:| %%endtext %%sep 1 1 300 %%begintext align %% Sides all :| That again :| %% First Man and last Wo. change Places, first Wo. and last Man %% change, the 2d Man change with his own .| All this back again :| %%endtext %%sep 1 1 300 %%begintext align %% Arms all .:| That again :| Men the S. Hey .:| We. as much .:| %% [CCDM1] [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Garter T: King James's March N: "King James's March or the" handwritten above/before the title "Garter". P: Longways for as many as will %R: march B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.143 B: First appeared in Playford, 1686, as "The Garter", then as "King James's March" in later editions. Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ e3d efg2 | c2G2 c2(cd) | e2(ef) g2(fe) | dcde d2g2 |\ e3d (ef)g2 | c2G2 c2(cd) | e2(ef) (^f3e/f/) | g4 |] [|\ g3f/e/ d2g2 | e3d c2e2 | d2(cB) A2d2 | B3A G2z/d/e/f/ |\ g3f/e/ d2g2 | e3f g2c2 | d2(ef) d3c | c8 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man go round on the out-side of the 1. wo. into his own place, and the 2. wo. follow the 1. %% man into her own place, and turn S. then the 1. wo. go round on the out-side of the 1. man into her %% own place, and the 2. man follow her into his own place, and turn S. %%endtext %%sep 1 1 300 %%begintext align %% The 1. man and 2. wo. change places, then the 1. wo. and 2. man change places, then both cu. go the %% half Figure and clap hands, then turn their own into their places again. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Gaveson %R: minuet B: John Walsh "Caledonian Country Dances" S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/5/50/IMSLP98359-PMLP202128-walsh_caledonian_country_dance_vol2.1.pdf p.9 #269 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:9 #269 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: (Tf3/e//f//) ((3aef) Tf2 | (Tf3/e//f//) ((3aef) f2 | d>f c>f B>f | (3AcB (3AGF (3EDC :| |: (3GBA (3GAB (3ABc | (3Beg (3Beg f2 | (3GBA (3GAB (3ABc | (3dba (3gfe f2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: f2 f2 f2 | f2 f2 f2 | b2 c'2 c2 | d2 F2 c2 :| |: c2 c2 f2 | g2 c2 f2 | e2 c2 f2 | B2 c2 F2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead down between the 2d Cu. and without sides the 3d Cu. and turn your Partner .| %% Lead up to the top foot and cast off :| %% Hands round with the 3d Cu. .| %% Right hand and left with the 2d Cu. :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Geminiani's Minuet P: Longways for as many as will %R: minuet B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.74 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd part has initial repeat but no final repeat; fixed to match the dance instructions, with da Capo at end of 2nd part. M: 3/8 L: 1/16 K: Cm % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 reformatted to make 4- and 12-bar staff/line breaks: V: 1 |: g6 | a2g2((3fga) | g2c2d2 | e4d2 |\ f2e2d2 | g2fedc | de=B4 | Hc6 :|\ e6 | c6 | f2agfe | d3cB2 | e2f2g2 | a2gfg2 | eff3e | edcdef |\ g6 | a2g2((3gfa) | g2c2d2 | e4d2 |\ f2e2d2 | g2fedc | d2=B4 | c6 | g2a2b2 | =e4f2 | a2b2c'2 | ^f4g2 |\ G2A2=B2 | cdd2cd | ((3edc)f4 | ((3edc)a4 |\ g6 | agfedc | =Bcc2Bc | "^D.C."d6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff breaks: V: 2 clef=bass middle=d |: z2c'2c2 | f2e2d2 | e4d2 | c2g4 |d2c2=B2 | c2d2e2 | f2g2G2 | c6 :|\ z2c'2c2 | z2agfe | d2B2=A2 | B2c2d2 | c2d2e2 | A2B2e2 | a2b2B2 | e4z2 | z2c'2c2 | f2e2d2 | e4d2 | B2g4 | d2c2=B2 | c2d2e2 | f2g2G2 | c6 | =e4g2 | c'2c2f2 |\ ^f4a2 | d'2d2g2 | z2z2g2 | f2=B4 | c2d2=B2 | c2fed2 | ((3edc)c'4 | f4f2 | g2c4 | "^D.C."g6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%center First Part twice, the 2d but once. %%begintext align %% The 1st Man Minuet to the 2d Wo. & turn her round with his Right Hand, then 1st %% Wo. do the same to the 2d Man. (this to the first Strain play'd twice) then first Cu. %% Hands round with the 2d Cu. then cast off & lead thro' the 3d Cu. & thro' the 2d %% Cu. & turn single in 2d Cu. Place, then first Man change Places with the 2d Wo. %% and the 1st Wo. with the 2d Man and go quite round, then Right and Left quite %% round with the 2d Cu. & lead thro' the 3d Cu. and turn. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Generous Conquest %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (121) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - d |\ g2d gba | g3 b3 | fdB dfb | c3 B3 |\ Acf Bdg | dgb abg | ^fdg (g/a/b/a/g/a/) | ^f3- f2 :| |: f |\ bfd Bdf | bfd c2B | aec Ace | aec B2A |\ GBG ^FAD | GBG Adc | Bed g/b/(a/g/^f/a/) | g3 d2c |\ BGD A^FD | BGD ccd | Bed DG^F | G3- G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Man set to the 3d Wo cast above the 2d Man and %% turn his Partner .| The 1st Wo. do the same :| The %% Man take his Partner by both Hands dance down the %% Middle turn her half round cross over below the 3d %% Cu. meet two Steps forward and turn single .| The 1st %% Man cast above the 3d Man and go outside the 2d Wo. %% to his Place the 1st Wo. follow him at the same Time to %% her Place both set two Steps forward and cast off :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: George's Maggot P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.264 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has 11 bars. M: 6/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - d |\ g>a^f g2d | gab a2a |\ bfd gdB | B>AG G2d |\ g>a^f g2d | gab a2a |\ b=e(f/d/) ^c>=BA | d=e^c d2 |] f |\ =e>d=e f2f | dfa b2b | bfd g2f | =e>d=e f2f |\ fga bfd | gde d>cB |\ B2(c/d/ f)>e (d/c/) | B>cd e>f (e/d/) |\ c>de dgf | gdB B>AG | G3- G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First man and wo lead down the 2. cu. and cast up to the top, then cross over and turn one another in their proper %% places, then 1. man go round the 2. wo. the 1. wo. doing the same round the 2. man at the same time, then cross over %% to the top as they were at first. %%endtext %%sep 1 1 300 %%begintext align Then 1. and 2. wo. and 1. man, turn once round, and 1. man and wo. cast off below the 2. cu. then lead up through %% the 2. cu. and turn S. then 1. and 2. man and 1. wo. turn once round, and 1. man and wo. cast off below the 2. %% cu. then lead up through the 2. cu. and cast below them again, and so on. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:29 T: The George or Folly Hornpipe M:3/2 L:1/8 C:Ravenscroft S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:GMin F2B,4G2F2B,2 | BAGF GCEF D4 | edcB cGBc BAGF | GFED ECDFA,4 | F2B,4G2F2B,2 | BAGF GCEF D4 | edcB A2f2edcB | AFGD ECDA,B,4 || f2B4b2g2e2 | cdec f2B2A4 | Bcde fBAB gBAB | babg afg=ef2 | f2_a4gf gede | g2b4ag af=ef | b2fdg2ecf2dB | AFED ECDA,B,4 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Geud Man of Ballangigh T: To a New Scotch Jigg P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.216 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to satisfy the "first Strain played twice" instruction. M: 6/4 L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - F2 |\ F4A2 f4g2 | e3dc2 f4e2 | d3cA2 c2A2F2 | G3AG2 d2def2 |\ F3GA2 f4g2 | e3dc2 f4e2 | d2c2A2 (cd) (cA) (GF) | A6 d4 :| f2 |\ f3ga2 g4f2 | e3dc2 f4d2 | c2f2c2 A3GF2 | G6 B4c2 |\ f2fga2 g2(fe) (dc) | f4e2 d2c2A2 | (cd) (cA) (GF) F3GF2 | A6 F2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. lead down between the 2. cu. and cast up into their places, then the 1. man take the 2. man with his right-hand %% and lead through between the two we. and come into their own places. This to the first Strain played once. %% The 2. cu. lead up through the 1. cu. and cast off into their own Places, and the 1. wo. and 2. wo. lead through between %% the two men, and cast off into their own places. This to the first Strain played twice. The 1. man set to the 2. wo. then %% fall back and turn S. the 1. wo. do the like to the 2. man, then all four hands half round, then set to your Partners and %% change to your own sides. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Gilford P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.257 "Z 3" Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D %%center [Set up the biggest String a Note higher.] N: The tuning instruction means that a violin should have its G string tuned up to A. N: This implies that the tune is written in "scordatura", with notes below D sounding a tone higher. % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ G,A,B,2 A,B,C2 | B,4 D2EF | G2(AB) (AF)(ED) | (B,D) (EF) E4 |\ G,A,B,2 A,B,C2 | B,6 D2 | EFG2 (AB) (AD) | (E2 D6) |][|\ (ef)g2 (fg)a2 | g2f2 e2(dc) | d2(ef) g2f2 | e2d2 e2(dc) |\ (ef)g2 (fg)a2 | g2f2 e2(dc) | (Bc)d2 e2(dc) | d4- d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. and 2. man take hands, and lead through the women and turn .| The women do the same :| %% The 1. cu. cross over and go the half Figure .| Then go the double Figure through the third cu. :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Gilliam Callum %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (78) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: C| L: 1/8 K: Gmix % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ GGG2 B2G2 | c4 A2F2 | GGG2 B2G2 | c4 B2G2 |\ c4 B2G2 | c4 A2F2 | GGG2 B2G2 | c2A2 d4 :| |:\ GGG2 B2G2 | A2f2 A2F2 | GGG2 B2G2 | B2g2 B2G2 |\ B2g2 B2g2 | A2f2 A2F2 | GGG2 B2G2 | c2A2 d4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st and 2d Cu. lead forward and back and turn single, %% then turn your Partners, then the 1st Cu. cast off .| %% The 2d Cu lead up and do the same :| Hands across %% round then back again and turn single .| The 1st Cu. %% Figure in cast off and turn Hands :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Glascow Lasses N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.73 #333 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:73 #333 N: The 2nd part has a begin-repeat but no end-repeat. M: 2/4 L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 c | F>GFd | cAcf | F>GFA | BG2c | F>GFd | cA2c | d>efg | af2 :| |: (f/g/) | a>gfF | Ac2f/g/ | a>gfF | eg2f/g/ | a>gfc | d/e/f cA | B/c/d BG | AF2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z | f2f2 | f2f2 | f2f2 | c2c2 | f2f2 | f2za | bgac'| f3 :| |: z | f2f2 | f2z2 | f2d2 | c4 | f2a2 | b2f2 | d2c2 | f3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Man foot it to the 2d Wo. and cast off into the 2d Mans Place, %% and the 2d Wo. cast up at the same time into the 1st Wo.s Place .| %% Then the 2d Man foot it to the 1st Wo. (he being a Top) and cast off into his Place, %% and the 1st Wo. cast up into her Place || %% then the 1st and 2d Man foot it to their Partners, %% the 1st Cu. cast off one Cu. take hands with the 2d Cu. and lead up, %% foot it and cast off into the 2d Cu.s Place. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:51 T: Glassis Hornpipe M:3/2 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:D d3B ABAG F2A2 | G2B2=cBAGF2A2 | d3B ABAG ^cBcA | d3B ABAGF2D2 || G2B2=cBAGF2A2 | B2G2gfed^c2A2 | d2f2gfed cdec | A2d2cdecd2D2 || f3g fgafb2B2 | g3f gfedc2A2 | d3f gfed cdec | A2d2 cdecd2D2 || BAGB AGFA F2D2 | d2ef gfedc2A2 | d2b2c2a2B2g2 | bagf efgaf2d2 || A,B,CD DEFD E2A,2 | B2G2gfedc2A2 | dfbf gbge dfaf | A2d2cdecd2D2 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Glory of the West P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.43 "E 4" Z: 2013 John Chambers <jc:trillian.mit.edu> N: The dance description is in three sections and two columns; ## used to separate columns. M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ BABA G2G2 | ABAG F2F2 | B2AB c2Bc | d2AB G2G2 |][| dcdc B2fe | dedc B2B2 | f2fg c2c2 | f2fg c2c2 | g2ga f2fg | d2cd B2B2 | f2fg d2cB | cB AG F2F2 | B2AB c2Bc | d2AB G2G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Meet a D. fall back, open and close .| Fall back a D. meet, open and close :| %% ## %% Back men, we. turn S. back we. men turn S. men cross over, we. cross over %% hands round, and go half to your places. %%endtext %%sep 1 1 300 %%begintext align %% Sides with the co. we set to them .| Sides with your own wo. set to her .:| %% ## %% Men turn off to the left-hand, and fall behind your we. back to back, turn back %% again in your places, we. as much, change Places round till you come to your %% own places, then take right-hands a-cross, and go round to your places :| %%endtext %%sep 1 1 300 %%begintext align %% Arms as you sided :| %% ## %% Men meet, we. meet, and give right-hands across, men go under their arms %% to your own places, men hands a-cross, and we. go under as the men did, men %% right-hands to the co. we. then left-hands to their own and fall into the %% contrary places, hands in a ring, and go half round to your places, falling all %% a-breast to the presence :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Goddesses P: Longways for as many as will %R: Rreel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.85 #121 (169) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The rhythm isn't right between the two strains. N: The dance is in 11 sections, and two columns; the columns aren't transcribed here. M: C| L: 1/8 K: Gdor % - - - - - - - - - - - - - - - - - - - - - - - - - [| G2GA B2AG | A2AB c2BA | G2GA B2AG | d2d2 d4 |]\ [| g | f2dc B3d | c2AG ^F3A | B2AG ^FGA^F | G2G2 G3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up a D. forward and back .| That again :| %% Cast off meet below .| Cast off below meed above :| %%endtext %%sep 1 8 500 %%begintext align %% Men go down on the outside of the We .| Back again :| This as before :| %%endtext %%sep 1 8 500 %%begintext align %% We. as much :| This as before :| %%endtext %%sep 1 8 500 %%begintext align %% Men go quite round about the We :| This as before :| %%endtext %%sep 1 8 500 %%begintext align %% We. as much :| This as before :| %%endtext %%sep 1 8 500 %%begintext align %% Men take Hands and go round .| Back again :| This as before :| %%endtext %%sep 1 8 500 %%begintext align %% We. as much :| This as before :| %%endtext %%sep 1 8 500 %%begintext align %% Then all Hands and go half round .| Back again :| This as before :| %%endtext %%sep 1 8 500 %%begintext align %% Men the S. Hey :| This as before :| %%endtext %%sep 1 8 500 %%begintext align %% We. as much :| This as before :| %%endtext %%sep 1 8 500 %%begintext align %% Then D. Hey :| This as before :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Godriail %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (112) Z: 2013 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ BGcA BGcA | BGEA c2A2 | BGcA BGcA | BGDG B2G2 |]\ Bdgd Bdgd | Bdgb a2A2 | Bdgd Bdgd | Bdfa g2G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Hey Contrary sides then on your own sides Cross over two %% Couple and foot the tune out then cross over the same %% couple into your own Places then the 1st Man foot it %% to the 2d Wo. turn her the 1st Wo. do the same to the %% 2d Man then the 1st and 2d Men lead out sides and turn %% till the 1st Man Comes in the 2d Mans Place then the %% 1st and 2d We. do the same %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Golden Square P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.298 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The tune has 3-bar phrases (and 6-bar strains). M: 6/4 L: 1/4 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - f |\ (ec)g d2G | c>dc dA/B/ c/A/ | B3 d>cB |\ c>dc A>GF | G>AG GD/E/ F/D/ | E3 C2 |] G/F/ |\ E>DC G>FE | F>EF A>GF | A3 d>cB |\ c>Bc e>dc | f>ed (e/f/g)G | c3- c2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first couple cast off, the 1. man go round the 3d. woman, and the woman go round the 2d. man, %% and meet between the 2d. and 3d. couple; the men cast up and the women cast off: Then the man go %% round the 2d. woman, and the woman round the 3d. man and meet between the 2d. and 3d. couple %% again: The man turn the 3d. woman, the woman the 2d. man, then turn one another, then the woman %% turn the 3d. man, and the man turn the 3d. woman, then one another, so forward. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Gold Ring %R: march, reel B: John Walsh "Caledonian Country Dances" 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/5/50/IMSLP98359-PMLP202128-walsh_caledonian_country_dance_vol2.1.pdf p.96 #356 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:96 #355 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ G2(Bd) | cAFD | GBdg | d2B2 |\ c2(Ac) | TBABG | cA FD | G2G,2 :|\ |: d2(Bc) | dB ge | d2(Bc) | d2G2 | g2(eg) | Tfefd | e2^c2 | d=cBA |\ G2(Bd) | cAFD | GBdg | d2B2 |\ (ce) Ac | (Bd) GB | (Ac) DF | G2G,2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ g2g2 | d2d2 | g2g2 | g2g2 |\ a2f2 | b2e2 | c2d2 | g2G2 :|\ |:\ g2g2 | g2g2 | g2g2 | g2g2 | e2e2 | d2g2 | a2A2 | d2d2 |\ g2g2 | d2d2 | g2g2 | g2g2 |\ a2f2 | g2e2 | c2d2 | g2G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First and 2d Cu. Set and half Right and Left .| %% the same back again :| %% cast off and lead thro' the 3d Cu. cast up two Cu. and turn single at top, and change sides .| %% Set sides and turn sides cast off and turn :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:6 T: Goodmans Fields Hornpipe M:3/2 L:1/8 C:Ravenscroft? S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:D B,4DEFE DCB,^A, | B,2GF EDCB,^A,4 | f2bg afge fdec | d2gf edcB^A2F2 | B,4DEFE DCB,^A, | B,2GF EDCB,^A,4 | gede fdcd ecBc | dcdBf2^A2B4 || D4FABc dcdA | Bcdc BAGF E4 | E4GBcd edec | dfgf edcB^A4 | b2ag fedc Bdfb | a2gf edcB Acea | g2fe dcB^AB2fe | dcBd F2^A2B4 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Good Fellow %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (108) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/4 L: 1/4 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - G |\ E>FG GcE | FDD D2G | cec dBG | ADG E2G |\ E/F/GA ^FDG | AG^F G2 :: B | Bcd GAB | cde A2e | fed edc | BA^G A2=G | AcE FGA | AdA B2e |\ edc BGc | GcB c2G | AFD dBG | AFG C2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Man take the 2d Wo. by the right Hand, and lead %% between the 2d Man and 1st Wo. cast off in their Places %% and turn, the 1st Cu. run the Figure between the 2d then %% turn your own 1st Man standing in his own place, 1st Man %% and 2d Wo. cross and go round, the 1st Man round his Wo. %% in his own place and 2d Wo. round her Man into her %% place hand half round the 2d Cu. cast off 1st Man cross %% over with 2d Wo. the 2d Man cross over with the 1st Wo. %% then turn your own. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Gossips Frolick P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.71 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The ":S:" notation is an early form of a "segno" symbol; it means to repeat from that measure. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A |\ def efd | c2A d2F | GAB ABG | F3 E2e |\ efg gfe | f3 e2B | efg gfe | f3 e2e |\ "^:S:"fga A2A | Bcd F2F | GAB A2f | e3 d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up all and fall back :| Turn round S back again, set to your own and fall back, arms with your own. %%endtext %%sep 1 1 300 %%begintext align %% The 1. cu. cast off into the 2. cu. place, and the 2. cu. slip up and change places with his own, the 1. man and second %% wo. and the first wo. and the second man meet, set, then set to your own, the first cu. lead up betwixt the second cu. and %% change places with his own; the first and second men, and the first and second we. change places, then change with %% your own. Do this to all, the rest following. %%endtext %%sep 1 1 300 %%begintext align %% The first and second cu. meet and fall back, turn round S. turn back again, walk round all four till the first man comes %% into the second man's place, then take the second wo. by both hands, and turn her quite round, while the first wo. goes %% into the second wo. place, and the first man into the second man's place. Do this to all the rest following. %%endtext %%sep 1 1 300 %%begintext align %% The first co. man change places with his wo. the first man go on the out-side of the 2. wo. and stand before her, and the %% 1. wo. go on the out-side of the 2. man and stand before him, the 1. man set to his wo. whilst the 2. man and 2. wo. walk %% to the wall; then meet the co. the 1. man lead up his wo. and change places, and cast off into the 2. cu. place, whilst the %% 2. cu. lead up. Do this to all the rest following. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Granadiers March P: Longways for as many as will %R: march B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.123 "M 2" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to match the dance instructions. The second strain has 9 bars. M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ c4 cdef | g2g2 g2f2 | e2ef gfed | c2A2 c2d2 |\ e2g2 efga | g2G2 cBcd | edcB A3G | G8 :| |: d6 dd |\ d2B2 c2d2 | G2 gfedcB | A2 fedc BA | G4 A4 |\ B3(A/B/) (c3B/c/) | d6 e2 | f2A2 B3c | c8 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First cu. set to each other, then 1. wo. go down the in-side of the 2. wo. and come round into her place, %% and the 1. man go on the out-side of the 2. man, and come up in the middle into his place at the same %% time, then the 1. man and 1. wo. set to each other, and the 1. wo. go down on the out-side of the 2. wo. %% and come up in the middle to her own place, while the 1. man goes down the in-side of the 2. man, and %% comes round him into his own place again. This to the first Strain played twice. %%endtext %%sep 1 1 300 %%begintext align %% Then 1. man and 1. wo. cross over and go the whole Figure of 8, and come below the 2. cu. and take %% hands and turn their own, then lead down through the 3. cu. and cast up again into their places and %% turn their own, the rest following and doing the same. This to the second Strain played twice. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Graneys Delight P: Longways for as many as will %R: march, reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.323 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - cB |\ A2F2 A2A2 | B2G2 g2d2 | e2c2 efge | f2 F4 |]|\ GF |\ E2G2 c2G2 | A2G2 c2G2 | e2d2 g2d2 | e2 c4 BA |\ B2f2 c2f2 | A2f2 G2f2 | c2f2 efge | a2 f4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The two men makes two hops of their own sides, the two we does the same at the same time .| %% Then all four turn single, and back to back to your Partners, and all four turn single :| Then 1. cu. %% cross over and leads the 2. cu. to the wall .| Then Right and Left quite round :| And so forward to %% the end. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Grange Court %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (137) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/8 L: 1/8 K: Em % - - - - - - - - - - - - - - - - - - - - - - - - - f |\ geg fBe | cAd BGc |\ AFB GEc | Bef ^d2 :: f |\ geg fdf | gdc BdG | gef Bgf | d>^cB B2^d |\ eBe cAc | dAc BGF |\ EGc Beg | Be^d e2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% Lead to the Wall and back again .| Lead thro and cast %% up :| The 1st Man change Place with the 2d Wo. then %% the 1st Wo. with the 2d Man Hands half round and %% cast off .| The two Men lead thro the two We. then %% the two We. lead thro the two Men :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Greenwich Park P: Longways for as many as will %R: reel, march B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.101 #140 (202) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.237 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/4 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - [| F2 c2 | A3 d | cA GF | GE DC | F2 c2 | A3 d | cf dg | e4 |] [| e2 g2 | c3 e | fc cA | d3 c | dA GF | EG Cc | (BA) (GF) | F4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. lead up and cast off below the 2d Cu. .| the 2d Cu. do %% the same :| The 1st Cu. cross over below the 2d Cu. and turn up %% the Middle into their own Places .| Then Back to Back with their %% Partners, the 1st Cu. clap Hands with their Partners and cast off :| %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. lead up and cast off below the 2. cu :| The 2. cu. do the same :| The 1. cu. cross over %% below the 2. cu. and turn up the middle into their own places .| Then back to back with their %% Partners, the 1. cu. clap hands with their partners and cast off .:| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:7 T: Green Man Hornpipe M:3/2 L:1/8 C:Ravenscroft S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:G g4 d3cB4 | edcB AGFED4 | dcBA GFEDC4 | AGFE DCB,A,G,4 | G,B,A,G, A,CB,A, B,DCB, | CEDC DFEGF4 | GBAB AcBA BdcB | cedf egfag4 || b4a3gf4 | g2ba gfed^c4 | dBAG Fd^cB AGFE | F2d2E2^c2d4 | GBdc BAG=F F2E2 | Aced cBAGG2^F2 | gdcB ecBA dBAG | cABGD2F2G4 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Green Room %R: reel, march B: John Walsh "Caledonian Country Dances" S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/5/50/IMSLP98359-PMLP202128-walsh_caledonian_country_dance_vol2.1.pdf p.30-31 #290 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:30-31 #290 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 2/4 N: The meter was actually just "2". N: The 2nd part has initial repeat but no final repeat. N: The dance description uses a thick _ character, apparently to separate dance phrases. L: 1/16 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 ed |\ c2A2A2B2 | Tc4c2e2 | d2c2B2A2 | BAGF E2ed |\ c2A2A2B2 | Tc4c2e2 | d2c2TB4 | A6 :| |: ba |\ g2e2e2f2 | Tg4g2b2 | a2g2f2e2 | fe^dc B2ba |\ g2e2e2f2 | Tg4g2b2 | a2g2Tf4 | e6 ga |\ b2d2Td4 | b2d2Td4 | b2d2d2d2 | c2B2 A2fg |\ a2c2Tc4 | a2c2Tc4 | a2c2B2A2 | G2F2 E2ed |\ Tc2A2A2c2 | Tc4c2e2 | d2c2TB4 | A6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z2 |\ A8 | A8 | d4f4 | e4g4 | a4z4 | A4c4 | d4e4 | a6 :| |: z2 \ e8 | e8 | f4c'4 | b4 z2^d2 | e8 | e8 | a4b4 | e8 | g8 | g8 | g4e4 | a4A4 | a8 | a8 | a4^d4 | e4g4 | a4z4 | A4c4 | d4e4 | A6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First and 2d Man foot it to their Partners and turn them to the Man's side _ %% then foot it to their Partners and turn each into their Places _ First Cu. %% cast off one Cu. and lead up, footing it to the Top, and cast off to the 2d %% Cu.s Place, then the 1st Cu. foot it to the 2d Cu. then to themselves and turn _ %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Green Sleeves and Pudding Pyes P: Longways for as many as will %R: jig B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.?? #36 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.113 "L 3" Z: 2012-2013 John Chambers <jc:trillian.mit.edu> N: DMDfD has "a Scots Air" ad "Green Sleeves" handwritten at upper right N: The dances are identical except for spelling and punctuation, and the "[take]" that is missing in CCDM1. M: 6/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - G |\ B2B B>cd | cAF F>GA | B2G G>AB | A>G ^F/E/ D2A | B2B B>cd | cAF F>GA | B>AG A^F2 | G3- G2 ][ =e | f2f f>ed | cAF F2f | g2a b>ag | fdd d2=e | f2f f>ed | cAF F2A | G>AG A^F2 | G3- G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. change Places and side with the 2d Cu. and turn each %% other, then the 2d Cu. side and turn again into their Places, then %% each Cu. cross over and change Places, and go the Figure of 8; %% then 1st Man fall back and turn his own, the rest doing the same: %% This to the first Strain of the Tune. %%endtext %%sep 1 1 300 %%begintext align %% First Man sett to the 2d Wo. and go Back to Back, the 2d Man %% sett to the 1st Wo. and go Back to Back, then all four [take] hands and %% go half round and fall back; then cross over with your own, while %% the 2d Cu. slip up and take hands and turn down between the 1st %% Cu. and so lead down between the 3d Cu. and cast up, and turn %% your own; the other Cu. do the same: This to the second Strain. %% [CCDM1] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Green Sleeves and Yellow Lace P: Longways for as many as will %R: jig B: "The Dancing-Master,volume one, 17th edition" London: John Young, 1721 S: Google Books idBfwFfSNu5rYC p.113. Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the dance instructions. M: 6/4 L: 1/4 K: Am % - - - - - - - - - - - - - - - - - - - - - - - - - A |\ c2c c>de | dBG G>AB | c2A A>Bc | B>A ^G/F/ E2B |\ c2c c>de | dBG G>AB | c>BA B^G2 | A3- A2 :| |: ^f |\ g2g g>fe | dBG G2g | a2b c'>ba | gee e2^f |\ g2g g>fe | dBG G2B | c>BA B^G2 | A3- A2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Note: Each Strain is to be play'd twice, and the Tune twice through. %%begintext align %% The 1. cu. sett and cast off then sett and cast off 2. cu. .| Then the same to their places again : The 1. Man whole figure %% with the 3. cu. and the Wo. with the 3. cu .| Then the 1. Man whole Figure with the 2. cu. and the Wo. with the 3. cu. :| %%endtext %%sep 1 1 300 %%begintext align %% Then the 1. Man hands half round with the 3. cu. and the 1. Wo. hands half round with the 2. cu. :| Then the 1. Wo. %% hands round with the 3. cu. and the Man hands round with the 2. cu. .| The first Man hay with the 3. cu. and the %% 1. Wo. hays with the 2. cu. :| Then the 1. Wo. hays with the 3. cu. and the Man hays with the 2. cu. %% [DM1-17] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Green Stockings P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.73 #100 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.17 "C 3" Z: 2013 John Chambers <jc:trillian.mit.edu> N: 2nd part has initial repeat but no final repeat. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A | def e2d | c2B cAF | GAB AFG | E3 D2 :|\ |: D | FAF AFD | GBG AFD | GAB dAF | E3 D2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up forward and back .| That again :| %%endtext %%begintext align %% The first Couple go Back to Back, then right hands %% round one Turn and a Half, then clap Hands, first %% your own, then one of each others, walk out to the %% Wall, then back again, and Back to Back as before. %% The Man on the Woman's Side, and the Woman on %% ??? ?? ?? ??? in the last Part, after clapping %% ??? ??? to the Wall and back again. %% [CCDM1] %%endtext %%sep 1 8 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up forward and back .| That again :| %%endtext %%endtext %%sep 1 1 300 %%begintext align %% The first cu. go back to back, then right hands round one turn and a half, then clap hands, first %% your own, then one of each others, walk out to the wall, then back again, and back to back as %% before, the man on the wo. side, and the wo. on the man's; and in the last part, after clapping hands, %% lead to the wall and back again. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Gregg's Frolick P: Longways for as many as will %R: reel, march B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.60 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (43) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to match the instructions in the dance. N: The versions of the tune and dance in CCDTB and CCDM2 are identical, even the capitalization. M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 has 4/8-bar staff lines: V: 1 |:\ g2c2 a2c2 | g2c2 a2c2 | g2c2 a2c2 | g2fe d4 |\ d2G2 e2G2 | d2G2 e2G2 | c2BA A3G | G8 :| |:\ G2d2 B2d2 | A2d2 G4 | c2e2 e2dc | B2A2 ^G4 |\ A2e2 c2e2 | B2e2 A2Bc | d2c2 B3A | A8 | A2d2 d2cB | c2d2 B4 | c2g2 g2fe | f2g2 e4 |\ g2c2 a2c2 | g2c2 a2c2 | f2ed d3c | c8 :| % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff breaks: V: 2 clef=bass middle=d |:\ c2c2 f4 | c2c2 F4 | c2c2 c2c2 | c2F2 G2G2 |\ G4 g2g2 | g4 g2g2 | ^f2gc d2D2 | G8 :|\ |:\ G2G2 G2G2 | d2^f2 g2G2 | G4 A2Bc | d2d2 efed |\ c2B2 ABcd | e2d2 cc'ba | ^g2ad e2E2 | A2AB c2^c2 |\ d4 z2d2 | d2d2 g4 | z4 z2G2 | G2G2 c4 |\ c2c2 c2c2 | c2c2 c2c2 | B2cF G2G2 | c8 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st and 2d Cu. set across and turn all 4 round single, then set again and turn to %% your own Places. This to the 1st strain play'd twice. Then cross below the 2d Cu. %% and up again to your own Places. The 1st Man change Places with the 2d Wo. and the %% 1st Wo. with the 2d Man, then hands half round and cast off. This to the 2d strain %% play'd twice. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Gypsies N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> N: The 2nd part has an open repeat but not a final repeat. S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.2:3 M: 6/8 L: 1/8 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 f |\ d>cB b>ag | fdB F2E | DFB d/e/fd | ccc c2f |\ d>cB b>ag | fdB F2E | DFB edc | BBB B2 :||: c |\ Acf edc | Bdf bag | fdf g/a/ba | ggg g2a |\ bfd g/a/bg | fdB G2B | FDF edc | BBB B2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d f |\ b2B d2e | d3- d2c | B3 b3 | f3 a3 |\ b2B d2e | d3- d2c | B2d f2F | b3 B2 :||: z |\ f3 a3 | b3 d2e | d3 D3 | G2g f2e |\ d3 e3 | B3 e3 | f3 F3 | B3 b2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. cast off, 1st Man turns the 3d Wo. with his Right hand, 1st Wo. turn the %% 2d Man at the same time with her Right hand .| 1st Cu. keep the contrary side, %% lead thro' the 3rd Cu. and cross over up to the top :| 1st and 2d Cu. Hands quite %% round, 1st Cu. cast off .| turn the other corner with your Right hand & turn your %% Partner with your Left hand. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hackney Minuet %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (106) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to match the dance directions. N: The key signature is actually just "3". M: 3/4 L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ cde2c2 | d2B2c2 | A2B2G2 | AGABAB | cde2c2 | d2B2c2 | A2B2G2 | A6 :| cBABcd | e4 e2 | f2e2d2 | e2c2a2 | e2fed2 | e2c2d2 | e2fedc | B6 | cde2c2 | d2B2c2 | A2B2G2 | AGABAB | cde2c2 | e2c2a2 | c2dcBc | A6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%center The 1st twice and the last but once %%begintext align %% First Man lead his Wo. by the right hand half round, %% and Back again by the left hand .| cast off 1st into the %% 2d Cu. place, then into the 3d Cu. Place :| then lead %% thro' both Cu. and cast off then all 3 Cu. take hands %% round 'till the 1st Cu. meet in the middle and turn %% Hands .| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hailston Jigg %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (196) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/4 L: 1/4 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - d |\ c>BA GAB | F>ED ^C>=B,A, |\ D>EF G>AB | A>GF/E/ D2 :|\ |: f |\ e>dc ABc | c>BA GAB | A>GF ECF | F2E F2a |\ agf efg | def c>BA |\ GFE F>GA | Ad^c d2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Man setts to the 2d Wo. and casts off the 1st %% Wo. setts to her Partner who is in the 2d Mans Place %% and cast off :| Then go the Figure in the 3d Cu. then %% figure at the Top then the 1st Man change Places with %% the 2d Wo. and the 1st Wo. with the 2d Man then right %% and left quite round :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hambleton's Rant P: Longways for as many as will %R: strathspey B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.37 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #21 (29) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Long beams broken to improve readability. M: C| L: 1/16 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 [|\ GGG2 Bcd2 B3A G3A | A3G F2f2 A3G F2A2 |\ GGG2 Bcd2 B3A G3c | A2F2 c2A2 G4 d4 |] [|\ B2d2 def2 g2d2 BcdB | g2d2 Bcd2 f2c2 ABc2 |\ B2d2 d2ef gfed edcB | cBAG A2F2 | G4 d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d [| g8 G8 | d8 d'8 | g8 G8 | d4D4 G8 |] [| g4z4 G4z4 | g4z4 d4z4 | g4z4 b4c'4 | a2c'2d'2d2 G8 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The two Men take Hands and fall back, then meet their Partners and turn %% single, the two We. doing the like, afterwards all four take hands and go %% half round and turn single, then half round and back again, then the double %% figure, and the 1st Cu. lead down the middle. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hampstead Assembly %R: reel B: John Walsh "Caledonian Country Dances" S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/5/50/IMSLP98359-PMLP202128-walsh_caledonian_country_dance_vol2.1.pdf p.99 #1220 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:99 #1220 Z: 2013 John Chambers <jc:trillian.mit.edu> N: "122" plus a squiggle that might be a zero are pencilled in at top center. M: 2/4 L: 1/16 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 Bc |\ d2g2d2c2 | {c}TB3AB2c2 | d2G2 BAGF | GFGA G2Bc |\ d2g2d2c2 | {c}TB3cd2g2 | {g}f2ed fed^c | d4 D2 :| |: fg |\ a2d2b2d2 | a2d2g2d2 | c2B2A2G2 | AGFE D2Bc |\ dcBc dcBc | dcBc d2g2 | cBAG BAGF | G4 G,2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d G2 |\ g4f2d2 | g4G4 | B4c2d2 | g4G4 |\ g4f2d2 | g4G4 | a4A4 | d4D2 :| |: d2 |\ f2d2g2d2 | f2d2g4 | e2d2c2e2 | d4D2G2 |\ g4G4 | g4B2g2 | c4d4 | g4G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The First Cu. foot to the Second Wo. and Hands round three .| %% The same to the Second Man :| %% Cross over two Cu. .|. %% Lead up to the top foot it and cast off :|:. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hampstead Manour %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (122) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - a |\ f2a A2A | d2d def | e2a fed | e2A A2a |\ f2a A2A | d2d def | eAa f>b^g | a3- a2 :| |: e |\ c2e A2a | f>ed d2d | B2d G2g/f/ | g3 b3 |\ efg a3 | fga b2b | bag f2e | e3- e2f/g/ | agf gfe | fed e2A | d2e f>gf | e3 A2a |\ f2a A2A | d2d def | eag f>ed | d3- d2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. lead down to the 4th Cu. the 1st Man turn the 4th %% Wo. and the 1st Wo. turn the 4th Man with her right hand %% and her Partner with her left .| Then turn the 3d Cu. and %% your Partners as before then the 2d Cu. then your Partners %% :| Then cross over every Cu. below the 4th and take %% your Partner by both Hands and draw quite round every %% Cu. till you come to the Top .| Change Places with the %% 2d Cu. and cast off and right and left quite round and %% turn your Partner :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hamstead Heath %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (152) Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - a |\ f2a A2A | d2d def | e2a fed | e2A A2a |\ f2a A2A | d2d def | eAa ab^g | a3- a2 |] e |\ c2e A2a | fed d2d | B2d G2g/f/ | g3 b3 |\ efg a3 | fga b2b | bag f2e | e3- e2f/g/ | agf gfe | fed e2A | d2e fgf | e3 A2a |\ f2a A2A | d2d def | eag fed | d3- d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man go within side of the 2d Man then go round %% about him and stand below the 3d Man .| Then the 1st Wo. %% do the same :| The 1st Cu. being below the 3d Cu. cross %% over above the 3d Cu. and so above the 2d Cu. into their %% own Places .| The 1st Man take Hands with his Partner and %% lead down the 2d Cu. then lead up again into your own %% Places and cast off :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Handel's Hornpipe N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.63 #323 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:63 #323 M: C L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 d/c/ |\ BcAB GDDE | FGAB G/F/G/A/ GA |\ B^cde cAAG | FdE^c d3 :|\ |: d |\ ecce dBgB | cAdc BGGA | BGcA BGGA | BGcA BGGA |\ BGcA A3 (3d/e/f/ | gGeG dGGF |\ EGDG CAAC | B,GA,F G3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ zafg G4 | d'bag G2z2 |\ g2fg a2A2 | d2aA d3 :| |: z |\ c2z2 b2g2 | f2d2 G2z2 | g2f2 g2z2 | g2f2 g2z2 |\ g2c2 d2z2 | b2c'2 b2z2 |\ c'2b2 a2f2 | g2dD G3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Man Set to the 2d Wo. his Partner the same, 1st Man Heys on the contrary %% site, and then on his own side, First Wo. the same at the same time, 1st %% Cu. cross over, figure in, Right and Left. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hang Sorrow P: Longways for as many as will %R: march, reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.322 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ a4 g2e2 | f2(ed) ^c4 | d3f (ef)g2 | f4 e4 |\ a3g f2e2 | f2(ed) ^c3e | d3f (ef)g2 | f4 e4 |] [|\ e2ef e2d2 | c2=B2 c2A2 | c3c (dc)(BA) | G4 F4 |\ A=Bc2 =B3c | =B^cd2 ^c3d | e3f g2(fe) | e4 d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man set to the 2. wo. turn single and turn her .| The 2. man does the same :| Cross over and %% Figure through the 1. cu. Right and Left quite round, lead through the 3. cu. then through the 2. cu. %% cast off and turn your Partners. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hanover Square %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (74) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. N: The beam in bar 7 is messy; the rhythm in bars 5 and 9 has been used to make sense of it. M: 6/8 L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - c |\ e>dc g2G | c>dc B>AG |\ f>ed e>dc | B>cd G2 :| |: g |\ ge/f/g c2g | a2f F2a |\ ge/f/g E2g | f2d D2f |\ ec/d/e dGB | c3- c2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% First Cu. clap Hand twice and cast off into the 2d Cu. %% Place .| Then clap Hands and cast off into the 3d Cu. %% Place :| Lead thro the 3d Cu. and turn single then lead %% thro the 2d Cu turn single and set .| First Cu. take Hands %% and slip one Step down and one back again then cast %% off and turn :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hap-hazard P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.32 #55 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.121 "M" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Rewrote the unusual use of "segno" as an ordinary repeat. N: The tune and dance are identical, but the dance is worded somewhat differently (and has the usual spelling and puctuation differences.) M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - D2 |:\ G2 B2 (cB) (AG) | F2 A2- A2 d2 | (GA)B2 B2 (cd) | e4 (dc) (BA) |\ G2 B2 (cB) (AG) | F2 A2- A2 (Bc) | d2 B2 e2 d2 | g4 G2 g2 | f2 a2- a2 (gf) | (gf) (ga) b2 a2 | g2 (fg) (ag) (fe) | d2 (ef) (gf) (ed) |\ (ef) (ga) (Bc) (dB) | (cd) e2 A2 a2 | (fg) a2 d2 f2 |[1 g2 (fe) (dc) (BA) :|[2 g6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. cross over and go into the 2d Cu. Place, and 2d Cu. cross over %% and go into the 1st Cu. Place, the 1st Man cross over into the 2d Wo. %% place, and 1st Wo. into the 2d Man's place; then all four take hands %% and go round 'till they come into their own places again, the rest %% following and doing the same: This to the Tune twice over. %%endtext %%sep 1 1 300 %%begintext align %% The 1st Cu. cast off into the 2d Cu. place, and the 2d Cu. into the 1st %% Cu. place, and Back to Back with their own; then right and left %% hands with your own, and go round 'till you come into your places %% the rest doing the same: This to the Tune twice over. %% [CCDM1] %%endtext %%sep 1 8 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First man and first wo. cross over and go into the 2. cu. place, and the 2. man and 2. wo. cross over and %% go into the 1. cu. place, then 1. man cross over into the 2. wo. place, and 1. wo. into the 2. man's place, %% then all four take hands and go round till they come into their own places again, the rest following, and %% do the same over again. This to the Tune twice over. %%endtext %%sep 1 1 300 %%begintext align %% Then 1. cu. cast off into the 2. cu. place, and 2. cu. into the 1. cu. place, and back to back with their %% own, then right and left-hands with your own, and go round till you come into your places; The other %% Couples do over the same. This to the Tune twice over. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Happy Clown P: Longways for as many as will %R: jig B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.13 #26 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - d |\ G2A B>AG | d2d d2g | f2e d2c | B2A G2d |\ G2A B>AG | d2d d2g | f2e e2d | d3- d2 |] d |\ dBc d>ed | c2B c3 | cAB c>dc | B2A B2d |\ g2d g2d | g3- g>fe | dcB A2G | G3- G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. cross over, and turn Hands with the 2d Cu. .| Cast up %% into your own Place, all four Back to Back with your own :| All %% four set, turn single, give three Jumps (with the Time of %% the Tune) and turn single .| Then cast off, and figure into %% the 2d Cu. Place :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Happy Marriage P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.195 "S 2" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to satisfy the "first Strain played twice" instruction. Note the ":S:" (segno) for a repeat of the last 4 bars. M: 6/4 L: 1/4 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - a |\ f>ed ^c>de | f3 e>fg |\ a>ba (fd)g | e3 f3 |\ g>ab a>gf | e>f e/d/ ^c>de | c>BA A>B^G | A3- A2 :|\ e |\ e>fe ^c>de | A>d^c d2a | b2a g>fe | d>ef e2f |\ (ge)c f2g | (af)B b2a |\ (ge)c f>ge | f3- f2"^:S:"g |\ af/g/a ge/f/g | fd/e/f e^ce |\ a>gf f>ed | d3- d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man cast off below the 2. man, go back to back with the 1. wo. and stand in the 2. man's place; then 1. wo. cast off %% below the 2. wo. go back to back with the 1. man, and stand in the 2. wo. place. This to the first Strain played twice. All four %% right-hands a-cross half round, then left-hands back again, which brings the 1. cu. into the 2. cu. place; then the Figure of 8. %% through the 1. cu. which brings them into the 2. cu. place. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Happy Meeting P: Longways for as many as will %R: B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.43 #76 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.206 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to satisfy the "first Strain played twice" instruction in DMDfD. M: 3/2 L: 1/4 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ FB2d cB | c2 A2 F2 | fb2B Bc | (B/c/d) c>B B2 |\ Bd2f ba | g2 =e2 c2 | fa2c' fg | a2 g>f f2 :| [|\ fb2a g2 | eg2f e2 | cf2e de | c3 B c2 |\ (d/e/)f (d/e/)f cf | (d/e/)f (d/e/)f cf | c2 (ef) (ed) | c4 B2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. go the Figure thro' the 2d Cu. then %% cross over above into the 2d Cu. Place, the other %% Cu. do the like :| Both Cu. clap Hands with their %% Partners, the 1st Cu. cast off, then right and left %% with your Partners quite round; the 2d Cu. being %% in the 1st Cu. Place, clap Hands and cast off, then %% right and left as before. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. go the Figure through the 2. cu. and then cross over above into the 2. cu. place, the %% other cu. do the like. This to the first Strain played twice. %% Both cu. clap hands with their Partners, the 1. cu. cast off, then right and left with your Partners %% quite round; the second cu. being in the 1. cu. place, clap hands and cast off, then right and left at %% before. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Happy Miller P: Longways for as many as will %R: march, reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.214 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The ":S:" symbol is an early "segno", meaning to repeat the last 4 bars. (But the dance seems to require only 16 bars.) M: C| L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - g |\ g2 fe | d2 cB | cB AG | d2 cB |\ e2 fg | f2 fg | a2 A2 | d2 cB |\ A2 AB | c2 cd | ef ge | f3 "^:S:"f |\ gf ed | dc Bc | d2 D2 | G6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man change places with the 2. wo. and the 1. wo. change places with the 2. man, then %% cross over into your own places and clap hands with your own Partners, then lead up above and %% cast off. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Happy Pair T: Royal Wedding P: Longways for as many as will %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.81 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd part has initial repeat but no final repeat. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ G2B2 B2AG | ABc2 c4 | Bcd2 d2cB | AGFE D4 |\ Bcd2 d2cB | cde2 efg2 | d2cB cBAG | D2F2 G4 :| |:\ g2d2 d2cB | g2d2 d4 | e2c2 edcB | AGFE D4 |\ GABG ABcA | BcdB cdec | d2g2 A2B2 | D2F2 G4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ g4 G4 | d4 e2f2 | g2G2 B2G2 | d4-dcBA |\ G4 z2g2 | a4 e2c2 | B2G2 A2c2 | d4 G4 :| |:\ z4 g2G2 | z4 g2G2 | c4 A4 | d4 z2B2 |\ e4 f4 | g4 a4 | b2A2 B2G2 | d4 G4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Man foot it and cast off one Cu. foot it again & cast of another %% Cu. lead up to the Top, foot it and cast off. both sett to the 2d Wo. and %% hands round the same with the 2d Man. lead out all four abreast on the %% We. side the same on the Mens side, Hey on the contrary. Hey on your %% own side. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Hare's Maggot P: Longways for as many as will %R: triple hornpipe, minuet B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.255 "Z 2" Z: 2013 John Chambers <jc:trillian.mit.edu> M: 3/2 L: 1/4 K: Am % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ e2 A2 a2 | g/a/b e^g a2 |\ eg/f/ eg ec | d g2 d BG |\ ce f2 ef | d4 c2 |][|\ e c2 e ge | d B2 d gd |\ ce Ac EA | ^G3 A B2 |\ c e2 B cA | ^f b2 ^f ^ge |\ ae f/e/d e/d/c | c2B A2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man goes in between the 2. cu. round the 2. man, and turn the 2. wo .| His Partner does the %% same likewise on her side :| Both clap sides and cast off, right and left quite round .| Then go the %% double Figure in the third cu. then turn his Partner :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hare in the Corn P: Longways for as many as will %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.20 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Fixed rhythm problems at part ends by adding initial rests in 2nd part. M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 G |\ d3- de=f | edc BAG | c2g B2g | aAA ABc |\ d3- de=f | edc BAG | cBc Agf | gGG G2 :| |: z |\ dB/c/d/B/ GB/c/d/B/ | dB/c/d/B/ GB/c/d/B/ | cA/B/c/A/ FA/B/c/A/ | cA/B/c/A/ FA/B/c/A/ |\ dcB edc | fed gfe | dcB Agf | gGG G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ g3 G3 | c3 g3 | a3 g3 | f3 e3 |\ g3 G3 | c3 g3 | e2c d2D | g3 G2 :| |: z |\ g3 z2z | G3 z2z | d3 z2z | D3 z2z |\ B3 c3 | d3 e3 | f2g d2D | G3- G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. cross over, half figure at bottom .| %% the 2d do the same :| %% clap to your Partner, then Sides, and turn Sides till the 1st Cu. is in the 2d Cu. Place .| %% clap Sides, clap to your Partner and turn :| %% lead up with the 2d Cu. and Jigg it, Jigg it and cast off .| %% lead down with the 3d Cu. Jigg it and cast up, 3 Men take hands, cast back to the Wall and Jigg it. %% the Wo. do the same. meet and turn single. Right hand and Left at top. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Harlequin in the Mud T: Busby's Frolick P: Longways for &c. %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.82 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd part has initial repeat but no final repeat; fixed to agree with "Each Strain twice". N: The original has M:38; it's obviously M:6/8 M: 6/8 L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ F2c cAF | E2G GEC | F2c cAF | FAc f3 |\ F2c cAF | E2G GEC | DEF GEC | DEF F3 :| |:\ cdc cAF | FAc fed | cBA GAF | EFG ECc |\ AFd BGf | ece f2B | AGF CFE | F3- F3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ f3 F3 | c3 B3 | A3 F3 | f3- f2A |\ F3- F2A | c3- c2A | B3 zzG | B3 F3 :| |:\ F3 A3 | f3 A2B | A3 =B3 | c3 zze |\ f3 g3 | c'2b a2g | f2B c3 | F3- F3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% First Man go without side 2d Wo. up the Middle in his Wo. Place. 1st Wo at %% the same time go within side, round 2d Man up into her Man's Place. 2d Cu. %% doing the same: Men being on the We. side, 1st Cu. slips down into 2d Cu %% Place. Right and Left into their own Places. Men on We. side 1st Man %% cross over with 2d Wo. 2d Man cross over with 1st Wo. turn your own. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Harly Bush Fair N: Pub: J. Walsh, London, 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.86 #346 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:86 #346 Z: 2012 John Chambers <jc:trillian.mit.edu> N: The 2nd part has a begin-repeat but no end-repeat. N: The "1st Cu" should probably be "2d Cu"; the first couple can hardly figure with themselves. M: 6/4 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 a2 |\ {g}f4d2 d2e2f2 | (ef)g2f2 g4b2 | a2g2f2 {f}e4d2 | e2c2A2 A4a2 |\ f4d2 d2e2f2 | (ef)g2f2 g4b2 | a2g2f2 e2d2c2 | d2A2F2 D4 :| |: A2 |\ F4D2 A2B2=c2 | B2G2G2 G4B2 | ^G4E2 B2c2d2 | c2A2A2 A4a2 |\ (ga)b2e2 (fg)a2d2 | (ef)g2c2 (de)f2B2 | (cde2)d2 c2A2c2 | d2A2F2 D4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z2 |\ d6 d'6 | a6 b4g2 | f4d2 a4d2 | c6 A6 |\ d6 d'6 | a6 b4g2 | f4d2 a4A2 | d6 d4 :| |: z2 |\ d6 d6 | g6 G6 | e6 e6 | a6 A6 |\ b4g2 a4f2 | g4e2 f4d2 | a6 A6 | d6- d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. Set and cast off two Cu. and up again, cross over and figure with %% the 1st Cu. then the half figure below, and half figure a Top |. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hart Hall N: Pub: J. Walsh, London, 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.92 #352 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:92 #352 Z: 2012 John Chambers <jc:trillian.mit.edu> N: The 2nd part has a begin-repeat but no end-repeat. M: 6/4 L: 1/4 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 F |\ B2B Bbg | fdB A2B | cde dcB | cAF F2F |\ B2B Bbg | fdB G2F | Ged cBA | BFD B,2 :| |: F |\ B2B B>cB/_A/ | GEE GBe | c2c c>dc/B/ | AFF Acf |\ .g(ec) .f(dB) | .e(cB) A>GF | Ged cBA | BFD B,2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ B3 d2e | d3 f3 | a3 b3 | a3 f3 |\ B3 d2e | d3 B3 | e3 f3 | B2B B2 :| |: z |\ d3 B3 | e3 z3 | =e3 c3 | f3 z3 |\ e3 d3 | e3 f2d | e3 f3 | B2B B2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man cast off and turn the 3d Wo. (his Partner turning the 2d Man at %% the same time) then his Partner, then Set and cast up to the top and Set and turn _ %% Then the 1st Man clap hands with the 2d Man, and the 1st Wo. with the 2d Wo. at the same %% time, then with their Partners and turn them, then the 1st and 2d Man clap hands %% with their Partners, then with each other and turn into the 2d Cu. Place. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Have at thy Coat, old Woman P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.150 #204 (300) S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.45 Z: 2013 John Chambers <jc:trillian.mit.edu> N: DMDfD has the comma in the title; CCDM1 doesn't. M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - B/c/ | d2e d2B | cA2 e2B/c/ | d2e d2A | BG2- G2 |]\ e/f/ | g>fe d>cB | A>BA e2B/c/ | d2e d2A | BG2 G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up forward and back, sett and turn S .| That again :| %% First Cu. lead a D. forward and back to the 2d cross, and %% turn each the 2d, then turn your own in the 2d Place :| %% Do this to the last, the rest following and doing the like. %%endtext %%sep 1 1 300 %%begintext align %% Sides all, sett and turn S .| That again :| First Cu. cross %% over, and go behind the 2d, and peep three Times, then %% turn your own in the 2d Place .:| Do this to the last, %% the rest following. %%endtext %%sep 1 1 300 %%begintext align %% Arms all, sett and turn S .| That again :| First Cu. cross %% over and go btween [sic] the 2d, then cross over again like the %% Figure of 8, falling into the 2d Place :| Do this to the %% last, the rest following. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% Lead up forward and back, set and turn S. .| That again :| First cu. lead a D. forward and back %% to the 2. cross, and turn each the 2. then turn your own in the 2. place .:| Do this Change to the %% last, the rest following and doing the like. %%endtext %%sep 1 1 300 %%begintext align %% Sides all, set and turn S .| That again :| First cu. cross over, and go each behind the 2. and peep %% three times, then turn your own in the 2. place .:| Do this Change to the last, the rest following. %%endtext %%sep 1 1 300 %%begintext align %% Arms all, set and turn S .| That again :| First cu. cross over and go between the 2. then cross over %% again like the Figure of 8. falling into the 2. place .:| Do this to the last, the rest following. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Have a sup of Brandy N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.65 #325 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:65 #325 M: C L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: f>ed>^c d>fe>a | g>fe>d T^c4 | f>cd>e f>ag>b | a>gf>e Tf4 :| |: f>ad>^f g>ab2 | e>gc>e f>ga2 | d>fB>d g>ba>g | f>ed>^c d4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: d2a2 f2^c2 | d2g2 a>ba>g | f3e d2g2 | a2A2 d4 :| |: d'2c'2 b2g2 | c'2b2 a2f2 | b2g2 e2f>g | a2A2 d4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead thro' the 1st Cu. and on the outside of the 2d Cu. then turn your Partner, %% Lead thro' the 2d Cu. and on the outside of the 1st Cu. then turn your Partner. %% cross over two Cu. lead up to the top, foot it and cast off. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hayden's Maggot %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (83) Z: 2013 John Chambers <jc:trillian.mit.edu> N: No repeat instructions, but it looks like each strain should be played twice. M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ FGAB c2F2 | c2f2 e2c2 | fedc dcBA | BAGF G4 |\ G2cB A2G2 | c2fe d2G2 | g3g edef | d4 c4 |] [|\ cdef g2c2 | g2a2 b4 | a2gf e2f2 | ^c2d2 e2A2 |\ B2 g4 fe | e4 d4 | fedc dcBA | B2 b4 ag |\ a2c2 defg | e4 f4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First and 2d Men lead thro the two We. the We. lead thro %% the Men and all turn S. .| The 1st Cu. whole figure thro %% 2d Cu. and sett and cast off :| Cross over quite round %% 3d Cu. and lead thro the Top and turn your Partner .| %% Then lead thro the 3d Cu. and thro the 2d Cu. and right %% and left with the 3d Cu. :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hay Jenny come down to Jock N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.2:9 M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 D |\ G>AG g2a | Tf>ed Te2d | (e/f/g)B ABc | TB>AG G2 :|\ |: B/c/ |\ d>ed dBg | G>AB A2f/g/ | {fg}a3 efg | Te2d d2g |\ (g/a/b)g a2d | (e/f/g)B ABc | {Bc}d3 dBg | TA2G G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ g3 b2c' | d'2b c'2b | c'3 d'2d | g3 G2 :| |: g/a/ |\ b>c'b g2G | g3 d3 | f3 g3 | a2A d3 | g3 f3 | e3 f3 | g3 G3 | d3 G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. foot it to the 2d Wo. but not turn .| %% the same to the 2d Man :| %% cross over one Cu. and turn, lead up to the top and cast off .| %% lead thro' the 3d Cu. and cast up into the 2d Cus. Place, Right & Left at top :|| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hay my Nancie P: Longways for as many as will %R: slip-jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.27 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 9/4 L: 1/4 K: Amix % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 g | f2e c/d/eA c/d/eA | f2e c/d/eA Bdg | f2e c/d/eA cdf | gfe dBG Bd :| |: g | fga efA ceg | fga eaA Bdg | fga efA cef | gfe dBG Bd :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z | d2a A3 a3 | d'2a a3 g3 | d2f a3 A3 | g3 A3 g2 :| |: z | d3 a3 A3 | d3 a3 g3 | d3 a3 A3 | G3 g3 G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man cast off, his Partner follows him, and then foot it in the 2d Cu. Place .| %% first Man follows his Partner back again, and foot it at the top :| %% first Man foots it with 2d Wo. and turns her .| %% their Partners do the same :#: %% the 1st Cu. back to back, cast off, 1st Cu back to back again, 1st Man cast down, and the 1st Wo. cast up at the same time :| %% the 1st Man turns the 3d Wo. 1st Wo. at the same time turns the 2d Man, and then her Partner with her left hand .| %% and then do the same at the other Corner. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hay to Couper %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (101) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A, |\ D>ED F2G | A2d AFD | G2d F2d | EFD CB,A, |\ D>ED F2G | A2d AFD | FdF Edc | d3 D2 :| |: A |\ ded Tf2g | aba fed | BcB Tc2d | e>fe/d/ cBA |\ ded Tf2g | a2g fed | (B/c/d)B (c/d/e)c | d3 D2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice %%begintext align %% The 1st Cu. go the whole Figure thro the 3d Cu. .| %% The 2d Cu. do the same :| The 1st Cu. figure contrary %% Sides meet in the Middle and turn Partners quite %% round .| Lead to the Wall Sides the 1st Cu. slip the %% 2d Cu. below them set two Steps and cast off :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hay to the Camp P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.111 #165 (221) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.67 "G 4" Z: 2013 John Chambers <jc:trillian.mit.edu> N: DMDfD has passing notes that are lacking in CCDM1; handled by abc overlays. M: 6/4 L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ cde2c2 d2B2G2 | ABc2E2 D4C2 |\ EFG2E2 G4G2 | cde2c2 d4d2 |\ cde2c2 d2B2G2 | ABc2E2 D4C2 |\ EFG2E2 G4G2 | efg2e2 c6 & efgfed x6 |] [|\ efg2e2 g2e2c2 & efgfef x6 | fga2f2 a4a2 |\ efg2e2 g2e2c2 &efgfef x6 | d2G2d2 d4d2 |\ efg2e2 g2e2c2 &efgfef x6 | fga2f2 a4a2 |\ efg2e2 d2B2G2 | ABc2E2 C6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. cast off and lean thro' the 3d Cu. and cast up into the 2d Cu. %% Place, and lean thro' the 2d Cu. and cast off into the 2d Cu. Place .| The %% 2d Cu. being in the 1st Cu. Place, do the same as before :| All four take %% Hands and go quite round, the 1st Man cross over with the 2d Wo. the %% other two do the same, then right and left quite round. :| till the 1st %% Cu. comes into the 2d Cu. Place :| %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% The 1. cu. cast off and lead through the 3. cu. and cast up into the 2. cu. place, and lead through %% the 2. cu. and cast off into the 2. cu. place .| The 2. cu. being in the 1. cu. place do the same as %% before :| All four take hands and go quite round, the 1. man cross over with the 2. wo. the other two %% do the same, then right and left quite round .| Till the 1. comes into the 2. cu. place :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Health %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (176) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ c2cc c2e2 | c4 G4 | e2dc d2G2 | e2dc d2ef |\ g3a gagf | e4 c3d | e^fg2 f3g | g4 :| |:\ f2ff f2a2 | f3g a4 | g2fe fedc | d4 G4 |\ e2dc d2G2 | e2dc d2ef | g2ag f2e2 | d4 c4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st and 2d Cu. lead forward and back and turn %% single then turn your Partners then the 1st Cu. %% cast off .| The 2d Cu. lead up and do the same :| hands %% across round then back again and turn single :| %% The 1st Cu Figure in cast off and turn Hands :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: A Health to Betty N: "Scots Air" handwritten next to title; "My Mither's aye glourin' o'er me" handwritten in dance description. P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.55 "F 4" Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - G |\ G>AG ^F>ED | B3 A2d | d>ed c2A | f3 d2e |\ f>e d/c/ B2B | c>B A/G/ ^F2F | G>AG ^F>ED | B3 A2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up a D. forward and back, set and turn S. .| That again :| First cu. sides, turn her once and %% an half about .:| Sides each with the 2. and turn them :|:| Do thus to the last, the rest following %% and doing the like. %%endtext %%sep 1 1 300 %%begintext align %% Sides all, set and turn S. .| That again :| First cu. meet a D. back again, fall into the 2. places, %% and turn your own .:| Do this Change to the last, the rest following. %%endtext %%sep 1 1 300 %%begintext align %% Arms all, set and turn S. .| That again :| First cu. do a D. back, meet again, take both hands, slip %% down between the 2. turn S .:| Do this to the last, the rest following. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:30 T: The Hector of Edgeworth's Hornpipe M:3/2 L:1/4 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:G B>c B/A/G/F/EB | e>g f/g/f/e/^df | g/a/bf/g/ae/f/g | Bee>^de2 || B/A/B/c/ B/A/G/F/ G/A/ B | e/d/c/B/ A/B/A/G/FD | GBA/B/c/A/ B/c/d | DGF/G/A/F/G2 | g/f/g/a/ g/f/e/d/^ce | a/g/a/b/ a/g/f/e/^df | g/b/b/b/ f/a/a/a/ e/g/g/g/ | Be^d/e/f/^d/e2 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hedge Lane T: Hedge-Lane P: Longways for as many as will %R: hornpipe B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.109 #157 (217) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.108 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The :S: symbol (an early segno) is in CCDM1, but not in DMDfD. N: The dances are only trivially different, mainly in capitalisation, spelling and punctuation. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ G>F G>A F>E F>D | E>D E>A, D2 B,2 | C>B, C>D E>F G>B, | C>A, D>D G,2 G,2 | b>a b>c' b>g a>d | g>f g>a f2 f2 | g>f g>e ^d>^c B>f | g>e e>^d e2 e2 |] [|\ E>F G>A B>c d>e | c>B A>d B>A G2 | B>A B>c d>e f>g | a>b e>g f>e d2 | C>B, C>D E>F GA/B/ | c>B A>G F>E D ":S:"(g/f/) | e>d e a/g/ f>f f>d | g>g g>f g2 g2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to the Presence, then to your own; lead up forward and back that again. %%endtext %%sep 1 1 300 %%begintext align %% The two first Cu. fall back, then the 1st Cu. cast off round into the Middle, while %% the 2d Cu. leads up thro' the Middle and comes to the OUtside, then all four being %% abreast, lead down and back again; then the 2d Cu. lead down between the 1st Cu. and %% cast off into their Places. then both Men cross over into the We. Places; and %% the We. into the Men's. This over again. %%endtext %%sep 1 1 300 %%begintext align %% First Man turn right Hands with the 2d Wo. once round, the 2d Man turn left %% with the 1st Wo. once round. %%endtext %%sep 1 1 300 %%begintext align %% First Cu. turn both Hands once round, and so down into the 2d Cu. Place, while %% the 2d Cu. cast up into the 1st Cu. Place. %%endtext %%sep 1 1 500 %%begintext align %% Honour to the Presence, then to your we. Lead up forward and back, that again. %%endtext %%sep 1 1 300 %%begintext align %% The two first cu. fall back, then the 1. cu. cast off round into the middle while the 2. cu. leads up through the middle and %% comes to the out-side, then all four being a-breast lead down and back again, then the 2. cu. lead down between the 1. cu. %% and cast off into their places, then both men cross over into the we. places, and the we. into the men's. This over again. %%endtext %%sep 1 1 300 %%begintext align %% First man turn right-hand with the 2. wo. once round, then 2. man turn left with the 1. wo. once round. %%endtext %%sep 1 1 300 %%begintext align %% First cu. turn both hands once round, and so down into the 2. cu. place, while the 2. cu. cast up into the 1. cu. place. %% [DMDfD] %%endtext %%sep 1 1 300 %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hemp dresser P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.110 #161 (219) S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.60 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Dance description is in a 4-section, 2-column layout, indicated here with ## and a tab for indentation. M: 6/4 L: 1/4 K: none % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ B>cd d2c | B>cd D>E^F | G2G G2A | B3 c3 |][|\ B>AB G>AB | A>GA D>E^F | G2G G2A | B3 c3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up all a D. forward and back .| That again :| %% ## %% First Man change Places with the 2d Wo. .| Then with the 3d %% Man :| Then with the 4t Wo. :| Then with the 5th Man :|:| %% Then with the 6th and so to the last . %%endtext %%sep 1 1 300 %%begintext align %% Sides all :| Lead up as before. %% ## %% As before, the We. doing it :| :| All do this, changing as before :| %%endtext %%sep 1 1 300 %%begintext align %% Sides all .| That again :| %% ## %% First Cu. cross over fall into the 2d Place .:| Cross again, fall %% into the 3d Place :| Cross again, fall into the 4th Place :| %% And so to the End, every Cu. doing the like. %%endtext %%sep 1 1 300 %%begintext align %% Arms all .| That again :| %% ## %% Turn your own Wo. changing Places :| Turn each the 2d %% :| Turn each the 3d :| Turn each the 4th and so to the %% last, the rest following. %% [CCDM1] %%endtext %%sep 1 8 500 %%begintext align %% Lead up all a D. forward and back .| That again :| %% ## %% First man change places with the 2. wo .| Then with the 3. man :| %% Then with the 4. wo .:| then with the 5. man :|:| Then with the %% 6. And so to the last. %%endtext %%sep 1 1 300 %%begintext align %% Sides all .| Lead up as before. %% ## %% As before, the we doing it :|:| All do this changing as before :| %%endtext %%sep 1 1 300 %%begintext align %% Sides all .| That again :| %% ## %% First cu. cross over, fall into the 2. place .:| Cross again, fall into %% the 3. place :| Cross again, fall into the 4. place .:| And so to the %% end, every cu. doing the like. %%endtext %%sep 1 1 300 %%begintext align %% Arms all .| That again :| %% ## %% Turn your own wo. changing places .| Turn each the second :| %% Turn each the third .:| Turn each the fourth, and so to the last; %% the rest following. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Hermitage P: Longways for as many as will %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.53 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. N: The c pickup for the 2nd phrase's bass is a bit odd, since the harmony is a G chord; d is better. N: Added "editorial" sharp to bass g note in bar 10. M: 6/8 L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 c |\ B>AB GAB | cGF EFG | cGF DEF | GFG Cdc |\ B>AB GAB | cGE AFD | GEA DG^F | G3- G2 :| |: d/c/ |\ Bcd GAB | cde ^GEB | cBA BA^G | A3- A2c/B/ |\ cGE AFD | GEG AFA | BAB GAB | c3- c2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d c |\ g3- g2f | e2d c3 | zgf def | gfg c2c |\ g3- g2f | e3 f3 | e2c d3 | G2A B2 :| |: c |\ g3 zzg | cBA e2"^#"g | a2c d2e | A2a/_b/ agf |\ e3 f3 | e3 f3 | g3 G3 | c2d e2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% First Man take the 2d Wo. by the Right Hand and lead between the 2d Man %% and 1st Wo. cast off in their Places, and turn the 1st Cu. run the figure between the 2d %% turn your own, 1st Man standing in his own Place, 1st Man and 2d Wo cross %% and go round. 1st Man round his Wo. in his own Place & 2d Wo. round her Man %% in her Place. Hands half round, 2d Man cross over with 1st Wo. then turn their own & cast off. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hey Boys up go we P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.124 #182 (248) B: "The Dancing-Master: Containind Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.106 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - D |\ D2d c2B | A2G F>GA | G2F E2D | d3- d2 |]\ A |\ d2e fgf | ecd B2A | d2B B2A | A3- A2e |\ a2g f>ed | g2e c>Bc | d2F E2c | d3- d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to the Presence, then to your We. lead up all forward and back; that again. %%endtext %%sep 1 1 300 %%begintext align %% The 1st Man take his own Wo. and the 2d Wo. by their Hands, and go round %% 'till they come into their own Places, the 2d Man standing still; then the 1st %% Cu. and 2d Man do the same, the 2d Wo. standing still, then fall back and %% turn single; then the two Men Back to Back, and the two We. Back to Back %% at the same Time; then the 1st Cu. clap Hands and cast off, the two Men clap %% Hands on their Side, and the two We. clap Hands on the other Side, and so %% on to the next. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% Honour to the Presence, then to your we. Lead up all forward and back, that again. %%endtext %%sep 1 1 300 %%begintext align %% The 1. man take his own wo. and the 2. wo. by their hands, and go round till they come into their %% own places, the 2. man standing still, then the 1. man and wo. with the 2. man do the same, the 2. %% wo. standing still, then fall back and turn S. then the two men back to back, and the two we. back to %% back at the same time, then the 1. cu clap hands and cast off, the two men clap hands on their side, %% and the two we. clap hands on the other side; and so on to the next. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hey ho, my Honey P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.92 #137 (183) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.128 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - g |\ ^f2d d=e^f | g3 b3 | (fd2) c2B | G3- G2g |\ ^f2d d=e^f | g3 b3 | (fd2) c2B | B3- B2F | BAB cBc | df2- f2F | B>AB cde | d3- d2F |\ B>cd ec2 | f3 g3 | (fd2) c2B | G3- G2A | B3 A2G | ^FD2- D2D | BAB cBc | d3- d2A |\ B>cd ec2 | f3 g3 | (fd2) c2B | G3- G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Man cast off below the 2d Man, and 1st Wo. do the like, and stand %% between the 2d Man and 2d Wo. then all three take Hands and lead up %% abreast and sett to the 1st Man, then the 1st Man go round the 2d Man, %% and the 1st Wo. go round the 2d Wo. while the 1st Wo. stands in the %% Middle, then all three meet, and sett to the 1st Man, then 1st Cu. %% cast off into the 2d Cu. Place, the rest do the like. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First man cast off below the 2. man, and 1. wo. do the like and stand betwen [sic] the 2. man and 2. wo. %% then all three take hands and lead up a-breast and set to the 1. man, then the 1. man, go round the 2. %% man, and the 1. wo. go round the 2. wo. while the 1. wo. stands in the middle then, all three meet %% and set to the 1. man, then 1. man and 1. wo. cast off into the 2. cu. place; The other cu. do over %% the like. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Highland Laddy P: Longways for as many as will %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.24 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.22 #40 Z: 2013 John Chambers <jc:trillian.mit.edu> N: CCDM has the pickup notes to the 2nd strain, but has incorrect rhythms in bars 8 and 16. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 z2 |\ G2G2 B2AG | c4 B4 | A2A2 cdec | A2A2 cdec |\ G2G2 B2AG | c4 B4 | G2G2 BcdB | G6 :| |: ef |\ gfed efge | d4 B4 | c2A2 A2fg | a2A2 A2ef |\ gfed efge | d4 B4 | G2G2 BcdB | G6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z2 |\ G4 g4 | a2d2 g2G2 | A4 a2A2 | A4 a2A2 |\ G4 g4 | a2f2 g2a2 | b2c'2 d'2d2 | g6 :| |: z2 |\ g4 c'4 | b2a2 g2b2 | a8 | A8 |\ G4 c4 | B2A2 G2A2 | B2c2 d2D2 | G6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% The 1st Man set to the 2d Wo. foot it and turn .| %% the 1st Wo. and 2d Man do the same ..| %% the 1st Cu. cross over below the 3d Cu. .| %% then slip up the middle to the top. foot it and cast off . %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Highland Lass %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (118) Z: 2013 John Chambers <jc:trillian.mit.edu> M: 3/2 L: 1/8 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ f4 d4 (ga) (gf) | g2 b4 d2 c2B2 |\ f2d2 c3A GAB2 | ABc2 f2A2 G2F2 |]\ D2F2 Bcd2 G4 | g3g f2e2 d2c2 | A2c2 fga2 d2a2 | b3a gab2 g2f2 |\ b2a2 g2f2 b2d2 | gfed c2B2 c2F2 |\ GAB2 ABc2 def2 | g3f e2d2 c2B2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. cross over and the 2d Cu. cast off .| %% Then change Places across :| Then cast up in %% your own Places and Back to Back .| Then right %% and left and turn :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hilanders March P: Longways for as many as will %R: march, reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.236 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - B2 |\ GGG2 B4 | A3A A2E2 | GGG2 B4 | G3G G2D2 |\ GFGA BGAB | AGAB AG AE | GFGA BGAB | GF GD B,A, B,G, | GFG2 d4 | cBcd c3c | BAB2 e4 | A3A A2E2 |\ GFGA B2(AB) | G2D2 B,2G,2 | GFGA dcde | cBcd cdcA | BA Bd edeB | A3A A2E2 | GGG2 B4 | G3G G2b2 |\ ggg2 g2b2 | a3a a2e2 | ggg2 g2b2 | g3e g2d2 | gfga b2(ag) | a3a a2e2 | gfga b2(ab) | g3e g2d2 |\ e2g2 d2e2 | B2d2 A2E2 | g3d e3c | dc BA G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. lead up and cast off, then lead down towards the 3. cu. Then lead up the 2. cu. into their own places; then %% take hands and fall back, meet and turn S. then lead down the middle, meet and cast up into their own places, the 1. man %% turns the 2. wo. and falls into his own place, the 2. wo. does the same; The 1. cu. clap hands and cast off into the 2. cu. place. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:52 T: The Hilland Solo M:4/4 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 N:aka Dunbroon(RC) B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:A ef fa fg fg | dg dg BGB2 | ef ea fg eg | ef ea cAc2 | ef fa fg fg | dg dg BGB2 | eA cA eA cA | eA cA BG B2 | eA cA eA cA | BG BG BG B2 | e/e/e/e/ ee f/f/f/f/ ff | e/e/e/e/ ee cAc2 | e/e/e/e/ ee f/f/f/f/ ff | d/d/d/d/ dd BGB2 | e/e/e/e/ ee a/a/a/a/ aa | e/e/e/e/ ee dBd2 | d/d/d/d/ da c/c/c/c/ ca | B/B/B/B/Bg BGB2 | Ac/d/e2 Af/g/a2 | Ac/d/e2cAc2 | Ac/d/e2 Af/g/a2 | AB/c/d2BGB2 | Ac/d/e2 Af/g/a2 | Ac/d/e2cAc2 | d/d/d/d/ da c/c/c/c/ ca | B/B/B/B/ Bg BGB2 | A/B/c/d/ eA eA d2 | A/B/c/d/ eA eA c2 | Ac/d/ eA eAc2 | Ae/f/ gd BGB2 | e/e/e/e/ e/e/e/e/ f/f/f/f/ f/f/f/f/ | e/e/e/e/ e/e/e/e/ cAc2 | f/f/f/f/ g/g/g/g/ f/f/f/f/ f/f/f/f/ | d/d/d/d/ d/d/d/d/ BGB2 | e/e/e/e/ e/e/e/e/ a/a/a/a/ a/a/a/a/ | e/e/e/e/ e/e/e/e/ cAc2 | d/d/d/d/ d/d/d/d/ c/c/c/c/ c/c/c/c/ | B/B/B/B/ Bg BGB2 | A/B/c/d/e2 A/B/c/d/a2 | A/B/c/d/e2cAc2 | A/B/c/d/e2 A/B/c/d/a2 | A/B/c/d/e2cAc2 | A/B/c/d/e2 A/B/c/d/a2 | A/B/c/d/e2cAc2 | d2a/g/f/e/ c2a/g/f/e/ | B2g2BGB2 | e/e/e/e/ eA f/f/f/f/ fA | e/e/e/e/ eA cA c2 | e/e/e/e/ eA f/f/f/f/ fA | d/d/d/d/ dG BGB2 | e/e/e/e/ eA a/a/a/a/ aA | e/e/e/e/ eA cA c2 | d/d/d/d/ da c/c/c/c/ ca | B/B/B/B/ Bg BGB2 | eA d/c/B/A/ eA d/c/B/A/ | eA d/c/B/A/ d/c/B/A/ B2 | eA d/c/B/A/ eA d/c/B/A/ | BG BG BG B2 | A/B/c/d/ e/f/g/e/a4 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hill's Maggot P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.296 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. The tune and dance have 3-bar phrases. M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - GF |\ EFGA G2E2 | F2D2 E2(DC) | B,2 D4 GF |\ EFGA G2F2 | c2E2 F2(ED) | E2 C4 :: gf |\ efga g2e2 | f2d2 e2(dc) | B3c d2(ef) | gagf e2(fg) | agfe d2ef | e2 c4 :: _B2 |\ A3G/F/ G3A/B/ | cBc2 D2Bc | d2 D4 _B2 |\ A3G/F/ G3A/B/ | cBc2 D2B2 | c2 C4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First cu. hands a whole round and cast off into the 2. cu. places, then right and left a whole round %% with the 3d. cu. and come into the 2. cu. places; the 1. man go round the 3d. wo. and 1. wo. goes %% round the 2. man at the same time; then 1. man goes round 2. wo. and the 1. wo. goes round the %% 3d. man at the same time, and cross over into the 3d. cu. places; the 1. cu. leads up through the 3d. %% cu. and do the whole Figure with the 2. cu. and lead through the 2. cu. and cast off in their places. %% Each Strain twice. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hit or Miss P: Longways for Eight %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.18 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The dance description is in 3 columns, indicated here with "##". M: 6/4 L: 1/4 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ c2d ecA | G>A B/c/ dBG | e2f gec | dBG cGE |][|\ c2c d>e f/g/ | e3- e2c | d2d e>f g/a/ | f3- f2 |][|\ d | ed2 B2G | gf2 e2c | fd2 g2e | ag>f e>dc |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Meet all a D. back again .| That again :| %% ## %% Meet all again, lead each other's woman %% a D. to the left hand .| Change hands, %% meet again, take your own we. and to your %% places. %% ## %% The S. Hey all four :| %%endtext %%sep 1 1 300 %%begintext align %% Sides all .| That again :| %% ## %% As before :| %% ## %% As before :| %%endtext %%sep 1 1 300 %%begintext align %% Arms all .| That again :| %% ## %% As before :| %% ## %% As before :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hobb's Wedding: A Kissing-Dance in the Country Wake P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.208 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to satisfy the "first Strain played twice" instruction. M: 6/4 L: 1/4 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - G |\ c2g e>dc | a>gf e>ag | ^f>ed g>a^f | g3- g2 :|\ |: d |\ B2c (B/c/d)G | g2e c2e | f>ga (ge)c | f3- f2g |\ a2g a2g | a2g a2g | e>dc dB2 | c3- c2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. cast off half way, the 2. cu. cross over at the same time, then lead up and turn from each other, the man %% to the right, and the wo. to the left. This to the first Strain played once. Then meet the 1. cu. the wo. the man and the man %% the wo. then the 1. man turn the 2. wo. left-hands round, the 2. man doing the same with the 1. wo. till they come %% all on a row with their left shoulders to each other, the men with their faces down, and the we. with theirs up. First %% Strain twice. Then pass by till you come to a Spuare, [sic] the the men with their faces down, and the we. with theirs up, then all %% turn S. to the left-hand with their faces to each other; then right and left three times, the 1. man beginning with the 2. %% wo. and the 2. man with the 1. wo. This to the second Strain played once. The 1. man pulls the 2. wo. back, and the 2. man %% puts the 1. wo. from him till the 2. cu. comes back to back, each man kissing the contrary wo. then the 1. cu. cast off, the %% man to the left-hand and the wo. to the right, the 2. cu. casting up both to the right hand till they come in their proper %% places. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hobson's Choice P: Longways for as many as will %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.52 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. N: The last note in both parts was missing its dot. M: 6/8 L: 1/8 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ FGF B2F | B2c d2c | A2F A2F | c2F c2F |\ def gfe | dcB A2F | Ggf =ecf | f2=e f3 :| |:\ efe g2e | ded f2d | cdc edc | dcB AGF |\ FGF B2F | B2c d2g | fed c2B | B3- B3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ z2z zzf | d2c B2e | f3 d3 | A3 B3 |\ zcd edc | BAG F2A | B3 c2A | B2c F3 :| |:\ c3 edc | B3 dcB | A2A G2A | BAG F3 |\ z2z zzf | d2c B2e | d2e f3 | B3- B3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% First Man cast off in the 2d Wo. Place, she crossing over at the same time into %% his Place. The 1st Cu. run the figure thro' the 2d Hands all four a quarter %% round. 2d Cu. cast off and lead up the Middle, the 1st Cu casting down and %% Left till they come into their own Places then sett and cast off. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hochstet Battle %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (86) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The repeats were written out, giving 20 bars; reorganized with repeats to clarify the tune's structure. M: 6/4 L: 1/4 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - |: a2a g2e | e2a g2e | e>fg a2A | A>Bc B2A :| [| c2f ^d2B | B2e ^d2f | f>ga b2e | e>fg f2e |] |: G2B d3 | A2c e3 | e>dc e>dc | e>dc B2A :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The two Men take hands and lead to the Wall and both %% cast off into their own Places again and sett, the two We. %% do the same at the same Time | Then the 1st Cu. lead %% thro the 2d Cu. and cast up into their Places :| Then cross %% over into the 2d Cu. Place and lead up all back wards and %% forwards and then half figure into their own Places .| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hole in the Wall P: Longways for as many as will %R: minuet B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.222 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to match modern playing of this well-known dance tune, which agrees with the ... .| ... :| ... dance markings. M: 3/4 L: 1/16 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ d3e (def2) c2f2 | B3c (Bcd2) A2d2 |\ G3A GAB2 F2d2 | B6 A2 B4 :|\ b3a (gab2) a2g2 | ^f3g (fga2) B2f2 | b3a (gab2) a2g2 | g6 ^f2 g4 |\ G3A (GAB2) (ABc2) | B3c (Bcd2) (cde2) | d3e (def2) Ff | d6 cd B4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. cast off below the 2. cu. and lead up the middle .| The 2. cu. cast up, and lead down %% the middle :| %% The 1. man cross over with the 2. wo. and the 1. wo with the 2. man, so all four hands half-round, %% and so cast off into the 2. cu. place, the rest do the like. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Holyrood Day N: The title may be hyphenated, or the dot may be just a smudge. P: Longways for as many as will %R: B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.139 "N 4" Z: 2013 John Chambers <jc:trillian.mit.edu> N: The first and last notes of both strains have "wrong" lengths, fixed to both have quarter-note pickups to match the tune's rhythms. M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - c |\ e4 f3c | d3_e c3B/A/ | B3G c3A | G4 F3 |] c | f3g e3d | g3g g3a |\ b3g c'3b | a4 b3a | g3f/e/ a3g | f3e d3c | f3g g3f | f7 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man and 1. wo. cast off behind the 2. cu. then 1. man and 1. wo. lead through the 3. cu. and %% up round again, then 1. man give his right-hand to his Partner's right, and 2. man give his right-hand %% to his Partner's right, and so change till they come to their places again. %%endtext %%sep 1 1 300 %%begintext align %% The 1. man and 1. so. cross over the 2. cu. and back to back, then 1. man and 1. wo. cast off behind %% the 3. and back to back, then 1. man turn the 3. wo. and 1. wo. turn the 3. man, then the 1. cu. turn %% each other, then the 1. man turn the 2. wo. and the 1. wo. turn the 2. man then the 1. cu. turn each %% other. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Honest Miller %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #23 (35) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Initial and final repeats added to match the dance pattern, which is twice as long as the tune with both strains repeated. M: 6/4 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - |: dcde dcBA GFED | dcdB efge dcBA | dcde dcBA GFED | FGAF A,2C2 D4 :| |: f2d2 f2a2 {g}f2d2 | dcdB efge c4 | A2F2 B2d2 Tc2A2 | fgae fdec d4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. takes hands and leads down between the 2d %% Cu. and foot it and cast up | the 2d C. take hands and %% lead up between the 1st Cu. foot it and cast down :| Right %% hand and Left round || hands round all four and the 1st Cu. %% cast off :|| the 1st cu. hand round and the Man goes behind %% the 3d Man and his Partner goes round the 2d Wo. | Meet %% and turn again and the Man goes behind the 2d Wo. and his %% Partner behind the 3d Man :| the Man foots it with the 2d %% Wo. and goes behind the 2d Man his Partner footing to the %% 3d Man and going behind the 3d Wo. || then foot it to %% your Partner and turn :|| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Honest Yorkshire Man P: Longways for as many as will %R: reel+jig [BG]: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.86 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (52) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. N: The only difference in the tunes is the first note (CCDTB has B, CCDM2 has G). The dances are idengical. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 [BG]A |\ B2BB B2B2 | B2A2 z2AB | c2cc c2cc | c2B2 z2d2 |\ e2ee e2dc | d2dd d2cB | edcB c2BA | G6 :|[M:6/8][L:1/8] |: d |\ ded def | g3 G2e | dBG A/B/cB | A3- A2d |\ ecA dBG | cBc A3 | z2z g3 | dcB cA2 | G3- G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d g2 |\ G6 G2 | d2dd d2z2 | e2f2 d2f2 | g2gg g2z2 |\ c'4- c'2a2 | b6 g2 | c2G2 d2D2 | G6 :|[M:6/8][L:1/8] |: z |\ g3 g2f | edc BGc | G2B A2G | dd'c' bag |\ c'2f b2e | a2c d3 | z2z e'd'c' | bag d'd2 | G3- G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% First & 2d Man lead thro the We. & hands half round. The We. lead thro' %% the Men & hands half round :| %% (The Jigg.) the 1st & 2d Cu. hands across quite round & turn all single, %% then hands across back & turn single .| %% First Man & 1st Wo. Back to Back & lead thro' the 3rd Cu. & thro' the 2d Cu. %% then Right & Left quite round with 2d Cu. & turn your Partner :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Honey suckles Frolick N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.46 #306 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:46 #306 N: The 2nd part has a begin-repeat but no end-repeat. M: 6/8 L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 F |\ ABc cde | fef cde | def {c}B3 | {B}A3 z2F |\ ABc cde | fef egf | edc ag=B | c3 c2 :| |: c |\ fef gfe | fag fag | fag fcA | G3 z2F |\ ABc cde | fge fge | fge fcA | F3 F2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ f3 g3 | a3 f3 | b3 g3 | f3 F3 | f3 g3 | a2=b c'3 | c'3 g3 | c'3 c2 :||: z | f3 g3 | a3 b3 | a3 f3 | c'3 c3 | f3 g3 | a2b a2b | a2b c'2c | f3 F2 |] %%begintext align %% Cross over down one Cu. and turn hands, then down the next Cu. the same way %% and turn hands, the Wo. turns the upper Man with one hand, her Partner with %% the other, the Man does the like at the same time, only at the last Dancers %% turn with both hands. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hot Cockles N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.62 #322 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:62 #322 N: The dance seems too short for the music. M: 6/8 L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: c>de e>de | e>de e>de | c>de dBG | c>de dBG |\ c>de e>de | e>de e>de | c>de dBG | c3 C3 :| |: g>a_b b>ab | b>ab b2g | f>ga gec | f>ga gec |\ g>a_b b>ab | b>ab b2g | f>ga gec | d3 c3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: c3 z3 | c3 z3 | c3 g3 | c3 g3 |\ c3 z3 | c3 z3 | c3 g3 | c'2g c3 :| |: c3 z3 | c3 z3 | f3 c3 | f3 c3 |\ c3 z3 | c3 z3 | f3 c3 | g3 c3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. half figure thro' the 2d Cu. and cross over .| %% First Cu. leads thro' the 3d Cu. and foot it :| %% turn Corners, and turn your Partner each time. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: How can I keep my Maiden Head P: Longways for as many as will %R: reel, strathspey B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.85 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: F/F/F FG A>GFA | G>FGA d>cdf | F/F/F FG A>GFA | G>FGA D/D/D D2 :| |: cdfg a>gfa | gfga f>edf | cdfg a>gfa | gf (g/a/b) g3 f :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: f3c FGAF | cdef B3d | f3c FGAF | c3A d2D2 :| |: dbag fgaf | edef dcBd | ABAG FGAF | cdef cBAF :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% The 1st Cu. cross over & foot it .| %% then lead thro' the 3d Cu. & cast up and turn :| %% then hands half round with the 1st Cu. & turn single and Right and Left half round .| %% then hands half round with the 3d Cu. & turn single, then Right and Left half round :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:24 T: Huckle and Buff M:3/2 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:F fgaf f2F2f3f | gabag2G2g3g | agab agfe dcBA | BAGFG2e2f4 || ABcd dAfd cAfd cAGF | ABcd cagf gedc | ABcd cAfd cAGF | EFGA GEcA GEDC | fgag f2F2 f3f | gabag2G2g3g | agab agfe dcBA | BAGF G2e2f3_e | dfdB dfbf dfdB | AcAF Acfc AcAF | EGEC EGcG EGEC | EGFAG2=B2"D.C."c4 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Humours of Marybon %R: jig B: John Walsh "Caledonian Country Dances" 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/5/50/IMSLP98359-PMLP202128-walsh_caledonian_country_dance_vol2.1.pdf p.36 #296 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:36 #296 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ A3 fga | edc Bcd | cde fdc | B2A GFE |\ A3 fga | ecA Bcd | cag Tf2e | Be^d e3 :| |:\ e3 =gec | ec^A c^AF | d3 fdB | dBG BGE |\ c3 ecA | afd ecA | f3 edc | BAG A3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ a3 a3 | a3 a3 | a3 d3 | e3 e3 |\ a3 a3 | a3 a3 | a3 a3 | b3 e3 :| |:\ e3 e3 | e3 e3 | d3 d3 | d3 d3 |\ a3 a3 | a3 a3 | d3 d3 | e3 a3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Man cast off and turn 3 with the 3d Cu. .|. %% First Wo. cast off and turn 3 with the 2d Cu. :|: %% Hands Six round .|. %% Lead thro' the 2d Cu. cast off and turn. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hunsdon House P: A Figure Dance for eight, thus, %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.34 #61 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.10 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ D2A F2B | AF2 E2D | def ec2 | B3 A3 |] a2g fc2 | d2c Bef | g2f ec2 | B3 ABc | d2c BF2 | G2F EAB | cde A2f | e3 d3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First and 3d Cu. meet, and taking the co. Wo. fall back into the %% 2d and 4th Place, whilst the 2d and 4th fall back each from their %% own, and meet the co. Wo. in the 1st and 3d Place .| As much again :| %% First and 3d Cu. meet and turn S .| Men cross over, then We. cross %% over :| The other four doing as much .| Then all this back again %% to your Places .:| %%endtext %%sep 1 1 300 %%begintext align %% This as before :| %% First and 3d Cu. meet, turning Back to Back, and Hands inward, and %% go half round :| The other four as much :| All this again, to %% your Places.:| %%endtext %%sep 1 1 300 %%begintext align %% This as before :| %% Meet and honour to your own, right Hand to the co. and %% left to your own :| The other four as much :| All this again, %% honouring to the co. Wo. :| %% [CCDM1] [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Huntington's Maggot P: Longways for as many as will %R: march, reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.191 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice over" instruction. N: Strain endings mismatched; fixed with initial rest. M: C| L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - z2 |\ f4 (g3f/g/) | a4 d2f2 | e2(fe) d2^c2 | d4 A2e2 |\ f4 (g3f/g/) | a4 d2f2 | e2(fe) d2^c2 | d6 :|\ |: a2 |\ a4 b3c' | ^f6 g2 | a2b2 c'2a2 | b3c' b2a2 | g3a a3g | g6 d2 | e6 (f/g/a) | ^c6 d2 |\ e2f2 g2(fe) | a3ab a2g2 | f3e e3d | d6 :|\ |: a2 |\ f2e2 f2(ed) | e4 A2e2 | f3g (g3f/g/) | a6 :| |: a2 |\ a3g a2b2 | gfga g2a2 | f3g g3f | f6 ef |\ g2f2 e2d2 | ed cB A2a2 | f3e e3d | d6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The two men take hands, and the two we. at the same time fall back, all four meet and turn Single, the first man turn %% the 2. wo. by the right-hand, and fall into their own places .| Take hands, fall back, meet and turn S. the wo turn the 2. %% man, and fall into their own places :| Then 1. cu. cross over below the 2. cu. take hands and turn round, the other cu. do the %% same as before :| The 1. cu. meet and set and cast off .| The other cu. do the like :| Back to back both cu. then right and %% left with your Partners .| All four lead up hands a-breast, then lead through and cast off :| Note: Each Strain twice over. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hunt the Squiril P: Longways for as many as will %R: jig B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.13 #25 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ Ae2- e2f | e3 c3 | ABc B2A | ABc B2A |\ Ae2- e2f | e3 c3 | ABc B2A | A3- A3 :| |:\ d2e fed | d2e fed | d2e f2g | a3- a2g/f/ |\ ec2 ec | ec2 e3 | ABc B2A | A3- A3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Note, Each Strain must be play'd twice over, to each Part of the Dance. %%begintext align %% First Man hey on the We. Side, and the 1st Wo. on the Men's Side at %% the same Time .| Then 1st Man hey on the Men's Side, and the Wo. %% on the We. Site, 'till they come into their own Places .| First Cu. %% cross over and turn .| Second Cu. do the same :| %%endtext %%endtext %%sep 1 1 300 %%begintext align %% First Man go the Figure of 8 on the Men's Side, his Partner %% follows him at the same Time, then she slips into her own Place .| %% First Wo. cast off on the Outside of the 3d. Wo. and half Figure with %% the 3d and 2d We. her Partner follows her at the same TIme, then the %% Man slips into his own Place :| First Cu. being at the Top, the first %% Man change over with the 2d. Wo. and the 1st Wo. with the 2d Man, %% then all four Hands half round, 1st Cu. being at Top, cast off .| %% Right and left quite round, and turn your Partner :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Hurlothrumbo %R: march, reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (94) N: Repeats added to satisfy the "Each strain twice" instruction. Z: 2013 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ G2 G2 | G3 G | A2 d2 | B G3 :|\ |:\ (dB) (ec) | (dB) (ec) | d2 cB | A4 |\ A2 d2 | B^cdG | F2 E2 | D4 :| |:\ A2 A2 | A2 D2 | (GB) (Ac) | B2 G2 |\ d2 d2 | d2 G2 | (ce) (d=f) | e4 |\ d2 (gf) | efgA | (cB)(AG) | G4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Man turn the 2d Wo. with his right hand quite %% round .| the 1st Wo. turn the 2d Man :| the 1st Cu go %% inside and outsides below the fourth Cu. and turn single %% .| take all hands quite round and back again :| the 1st %% Cu. lead up to the top and turn S. .| then figure thro %% the 2d Cu. and turn down the Middle %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Huzza P: Longways for as many as will %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.29 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.6 #12 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ defg a2a2 | b2a2 a4 | b4 a2g2 | agfe d4 |\ defg f2A2 | ABcd c2F2 | FGA2 ABc2 | A2G2 F4 :| |:\ FGAB c2F2 | EFG2 G4 | B4 A2D2 | ^CDE2 E4 |\ A=B^cd e2G2 | F2de f2A2 | G2ba gfed | e2d^c d4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ d'2de f2d2 | g2fe f2d2 | g4 f2e2 | d4 D4 |\ d4 z2f2 | f4 z2f2 | f4 F4 | c2C2 F4 :| |:\ F2FG A2B2 | c4 c4 | ^c4 d4 | A4 A4 |\ a4 ^c4 | d4 z2f2 | g4 b2g2 | a2A2 d4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. foots it and turns .| First Cu. cross over and half figure at Top :| %% The 1st Man goes round the 3d Man on the Right hand side, 1st Wo. does %% the same at the same time round the 2d Wo. 1st Cu. turns in the 2d Cu. Place %% .| the 1st Man figures round the 3d Wo. 1st Wo at the same Time figures round %% the 2d Man, and turn again in the 2d Cu. Place. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Ianthe the Lovely P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.82 #111 (105) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain is to be play'd twice over" instruction. N: The leftmost part of the dance description is quite illegible. N: "Ianthe" in the title is illegible, but it's legible in the Table of Contents. M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - A |\ B2AG e2cd | edcB A2(AB) |\ c2(BA) (Bd) (gd) | (cB) (AG) G3 :: A |\ B2(Bc) d2(de) | f2(ed) c2F2 | (BA) (Bc) d2(gf) | (ed)(cB) B2d2 |\ =B2BB c2d2 | (ed)(cB) A2g^f |\ g2(dc) B2d2 | (ed)(cB) A2d2 | (cB) (AG) G3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% 1st Man turn the 2d Wo. the other two the same, then the 1st %% ??? his Partner thro' the 2d Cu. and up again, and cast %% ??? right and left quite round; then the 1st Man turn the 3d %% ??? ??? 1st Wo. the 2d Man, then he turns his own Partner, %% ??? 1st Man turn the 2d Wo. and the 1st Wo. the 3d Man, and %% ??? own Partner again. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: I'll be Married N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.1:4 M: C L: 1/8 K: Am % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: Ae2d Tc2Ac | Bg2d B2G2 | Ae2d ea^ga | ecBe A/A/A A2 :| |: A/A/A Ac B/B/B Bd | cg2d B2G2 | A/A/A ea gede | Td>cde A/A/A A2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: a2^g2 a2A2 | =g2^f2 g2G2 | a2^g2 a2A2 | e2^g2 a2A2 :| |: a2A2 =g2G2 | c'2b2 g2G2 | a2A2 c2e2 | ^g2e2 a2A2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Right hands across at top Cast off and Left Hands across at Bottom %% Lead thro the Bottom and cast up Right and Left at top Set Corners %% and turn and Lead outsides and turn. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Indian Queen P: Longways for as many as will %R: march, reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.267 "A a 2" Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - fg |\ a2f2 d2f2 | e4 A4 | F2A2 A2f2 | e4 e2fg |\ a2f2 d2f2 | e4 A4 | F2A2 A2f2 | d6 |] cd |\ edcB A2e2 | f2c2 d2B2 | fga2 b2^g2 | a6 ef |\ gfed c2a2 | B2g2 A2(fg) | e2d2 e2c2 | d6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man meets and set with the 2. wo. and turn Single, and turn her .| The 2. cu. does the same :| %% Then all four right-hand a-cross half round, and left-hand back again .| Then back to back again with %% your Partner, and right and left quite round. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Intreague P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.25 #50 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ fga2 g2f2 | e2d2 c4 | Bcd2 c2B2 | A2G2 F4 |\ A2GF c2c2 | A2GF c4 | def2 e2c2 | d4 c4 |] [|\ C2DE F2G2 | A2B2 c4 | F2GA B2c2 | d2e2 f4 |\ d2cB g2g2 | e2dc a4 | gab2 a2g2 | g4 f4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Cast off one Cu. and Hands round with %% the same Cu. cast another Cu. and Hands %% round with them, then cross up two Cu %% to the Top, and lead thro' one Cu. and %% cast up, and clap Hands, and cast off. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Iolly Roger T: Jolly Roger %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (192) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat sign added to match the dance description. The 2nd strain has 11 bars. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - F/G/ |\ AAA AAA | A2F A2F/G/ | ABA AFG | A3- A2 :|\ A |\ GBB BBA | BBd BBd | gGA A2G | G3- G2d |\ gfg f2(e/d/) | ede (c>B)c | dFG E2D | Ddd ddd |\ ddd ddd | dDD DDD | D3- D2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Note The 1st strain is to be play'd twice and the last but once %%begintext align %% The 1st Man sett tot he 2d Wo. then jump round single the %% 2d Man do the same with the 1st Wo. .| The 1st Man change %% Places with the 2d Wo. and the 2d Man do the same with %% the 1st Wo. then Hands all four half round and right and %% left quite round then foot it and jump :| 1st Cu. cross %% over and go quite round into the 2d Cu. Place the Man %% on the Wo. side then 1st Man Arms round with the 2d Wo. %% and the 2d Man do the same with the 1st Wo. at the same %% Time then Arms with your Partners then foot it all %% and jump .| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Ioy after Sorrow T: Joy after Sorrow %R: minuet, waltz B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (161) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. The time signature is just "3". M: 3/4 L: 1/8 K: Am % - - - - - - - - - - - - - - - - - - - - - - - - - c2 |\ B2A2^G2 | A2ABcd | e2ABcd | e2A2c2 |\ B2A2^G2 | A2ABcd | e2fedc | B4 :|\ |: gg |\ g2f2e2 | f4ff | f2e2d2 | e4ee | e2d2^c2 | (de)(fe)(dc) | (Bc)(dc)(BA) | ^G2E2dd |\ d2c2B2 | c4ee | e2d2^c2 | d4ee |\ f2e2d2 | e2(AB)(cd) | e2E2^G2 | A4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% First Man go down the Middle below the 3d Wo. the 1st Wo. %% slip outside to meet her Partner and turn single .| the %% 1st Wo. slip up the Middle to the Top, her Partner slip %% outside the Men, both turn single .| First Cu. set go the Hey %% sides with the 2d and 3d Cu .| The 1st Man take the 2d Wo. %% by her left Hand lead her to the 3d Cu. and turn single %% figure between the 1st Wo. and 2d Man and turn .| Then %% 1st Cu. take Hands with the 2d Wo. and go round till you %% are improper in the 2d Cu. Place, cross up the Middle %% to your Place, fall back one Step and cast off :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Irish Boree P: Longways for as many as will %R: reel, march B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.146 #198 (292) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.200 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat sign added to match DMDfD instructions. N: The tunes are identical, but the beaming is different. DMDfD beams notes into quarter-notes; CCDM1 beams notes into half-notes. M: C| L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - e2 |\ f3e d2^c2 | d2(ef) (ga)(gf) | e6 e2 |\ f3e d2^c2 | d2(ef) (gf)(ed) | d6 :|\ A2 |\ E3E F2G2 | A2(GF) (AB)c2 | E4- E2A2 |\ F3E F2G2 | A2(GF) (GF)(ED) | D6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Wo. cast off below the 2d Wo. and slip up the middle into %% her own Place, then the 1st Man go on the outside of the 2d Man %% and slip up into his own Place, then cast off below the 2d Man, and %% slip up the middle into his own Place again; then the 1st Wo. follow %% the 1st Man, and slip up the Outside of the 2d Wo. into her own Place %% :| The 1st Man change Places with the 2d Man, the other two do %% the same; then all four Hands half round and cast off :| %% [CCDM1] %%endtext % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%begintext align %% The 1. wo. cast off below the 2. wo. and slip up the middle into her own place, then the 1. man go %% on the out-side of the 2. man and slip up into his own place, then cast off below the 2. man, and slip up %% the middle into his own place again; then the 1. wo. follow the 1. man, and slip up the out-side of the %% 2. wo. into her own place. This to the first Strain played twice. %% The 1. man change places with the 2. man, the other two do the same; then all four hands half %% round and cast off. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Irish Ground P: Longways for as many as will %R: triple hornpipe, slip-jig B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.21 #45 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.244 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Fixed rhythmic problems at phrase boundaries. N: The tunes are identical except for the g/e note in bar 2; CCDM1 has g, while DMDfD has e. M: 9/4 L: 1/4 K: F clef=bass middle=d % - - - - - - - - - - - - - - - - - - - - - - - - - z |\ f3 f3 c3 | f3 f3 [g3e3] |\ f3 f3 B3 | c3 c3 f2 :|\ [K:F clef=treble]\ c |\ A>Bc (d<c)f e2c | A>Bc (d<c)f g2c | A>Bc (d<c)f d2a | bag g2f f2 |]\ e |\ dcB AGF GAB | AGF DEF G2B |\ ABc cd_e def | edc f>ge f2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First all four Hands half round and turn single, then quite %% round and turn single, to the Bass play'd twice. The 1st Cu. lead %% between the 3d Cu. and up again, and cast off, then sett and %% cast up, and cross over below the 3d Cu. and lead up the Middle, %% then cast off and turn your Partner. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First all 4. hands half round, and turn single, then quite round, and turn single to the Bass played %% twice; the 1. cu. lead below the 3. cu. and up again, and cast off, then set and cast up, and cross over %% below the 3. cu. and lead up the middle, then cast off, and turn your partner. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Irish Trot P: Longways for as many as will %R: hornpipe, rant B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.87 #129 (173) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p._ Z: 2013 John Chambers <jc:trillian.mit.edu> N: Except for capitalization and a few spelling and punctuation differences, the dances in CCDM1 and DMDfD are identical. M: C| L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ d>e f>e d2 A2 | c>d e>d c3 c | d>d c>c A2 c2 | F2 G2 A3 G |\ A>B c>d c>A F2 | E>F G>A G>E ^C2 | D>E F>G A2 d2 | ^c>d e>f d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up all a D. and back, sett and turn S .| Lead down all a D. and back, sett and turn S :| %% The 1st Man take his Wo. with his right Hand, then with his Left, and so holding %% Hands across change Places, fall back from each other, meet again, fall back, then %% Arms with your Wo. and stay in your Places, the Man on the Wo. Side, and the Wo. %% on the Mans .:| Hands in like manner with the 2d Wo. changing Places with her on %% the right Hand, while the Wo. do the like with the 2d Man, Holding him in her left %% Hand, both Cu. fall back from each other, meet again, fall back, Arms with your own, %% and so forward to the rest, who following does the like. %%endtext %%sep 1 1 300 %%begintext align %% Take your own Wo. in your right Hand, and the 2d Wo. in your left, meet the 2d Man, fall %% back, each Man honour to his own Wo. then to each other's Wo. take them by their %% right Hands, then your own by the Left, the 1st Cu. into the 2d Place, and the 2d Cu. into %% the 1st Place .| The rest following :| %%endtext %%sep 1 1 300 %%begintext align %% Lead up all a D. and back, cast off all and meet, the 1st Cu. below, and the last Cu. above. %% take your We. in your left Hand, and lead them all to the left round about the same Places %% Lead down all a D. and back, cast off, and meet in your own Places as at the first, take your %% We. in your right Hands, and lead them round about on the right Hand to your Places .| %% [CCDM1] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: I often for my Jenny strove P: Longways for as many as will %R: jig, waltz B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.20 #41 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.160 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> N: The two versions are identical except for minor spelling and punctuation differences. M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - g |\ (d<B)c A2G | (AB)c D3 | EG2 Bd2 | (ef)g f2g |\ (d<B)c A2G | (AB)c D3 | (EF)G (Bc)d | A2G G2 |] z |\ (ga)b (ef)g | (a<f)g e2d | (B^c)d (ef)g | e2d d3 |\ (d/B/) (c/B/) (A/G/) Bd2 | FD2 FA2 | (Bc)d (ef)g | A2G G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first Man cross over with his Partner into the 2d Cu Place, %% and all four lead up Hands abreast, then fall back, and all four %% turn S. then cross over below the 3d Cu. and all four lead up %% Hands abreast, then the 1st Cu cast up into the 2d Cu. Place, %% and turn S. then go the Figure above thro' the 1st Cu. and %% turn your Partner, then figure thro' the 3d Cu. and cast up %% into the 2d Cu. Place, and turn your Partner. %% [CCDM1] %%endtext %%sep 1 8 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first man cross over with his Partner into the 2. cu. place, and all four lead up hands a-breast, then %% fall back and all four turn S. Then cross over below the 3. cu. and all four lead up hands a-breast, then %% the 1. cu. cast up into the 2. cu. place and turn S. then go the Figure above through the 1. cu. and turn %% your Partner then the Figure through the 3. cu. and cast up into the 2. cu. place, and turn your Partner. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: I will have a Wife of my own P: Longways &c. %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.75 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #13 (25) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd part has initial repeat but no final repeat. N: The two versions differ only in the first note of bar 9. N: The dances are identical except for minor spelling differences. N: 6-b phrases. M: 6/4 L: 1/4 K: Em % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: EFE G2B | G3 EFE | G2c BGE | EFE G2A | G3 DED | D2c AFD :| |: g>ag f>gf | e3 E>FE | [B2G2]c BGE | g>ag f>gf | d3 D>ED | D2A AFD :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: c3 B2G | G2A c3 | B2G G2z | c3 B2G | g2G z3 | g3 d3 :| |: g3 B3 | c3 zzc | B2A G2z | zzB d3 | B3 zzB | g3 d3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First all lead up forward & back again .| %% that again :| %% First Cu. go Back to Back then Right Hands one turn and a half, %% then clap hands first your own, then one of each others, then %% walk out to the Wall, then back again, & Back to Back as before %% the Men on the Wo. side & Wo on the Men's. and in the last Part, %% after clapping Hands, then lead to the Wall and back again. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Jack's Delight %R: reel B: John Walsh "Caledonian Country Dances" S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/5/50/IMSLP98359-PMLP202128-walsh_caledonian_country_dance_vol2.1.pdf p.8 #268 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:8 #268 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd part has initial repeat but no final repeat. N: The dance has four phrases, so the 2nd part is probably repeated. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: ga/b/ ag Tf2 ed | TB2 AG E/E/E E2 | ga/b/ ag Tf2 ed | B2 AG D/D/D D2 :| |: Bd-dc/d/ ec Tc2 | Ac-cB/c/ dB TB2 | GB-BA/B/ cA-AB/c/ | dBcA G/G/G G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: g2c2 d2f2 | g4 c4 | g2c2 d2f2 | g4 d4 :| |: g2b2 c'2a2 | f2a2 b2g2 | e2g2 a2f2 | g2d2 g4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man casts of and turns the 3d Wo. and remains in the 2d Man's Place .| %% the 1st Wo. does the same :| %% Hands round all Six .|. %% Right hand and Left :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Jacks farewel P: Longways for as many as will N: The title doesn't have an apostrophe, though many indexes show one. %R: B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.164 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The time signature is actually "3i". N: Repeats added to satisfy "... Strain played twice" instructions. M: 3/4 L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - |: fe d2 d2 | f2 A2 G2 | F2 A2 d2 |^c4 e2 | fe d2 d2 | f2 A2 A2 | df e2 ^c2 | d6 :| |: AB c2 c2 | A2 F2 F2 | f2 gf e2 | f4 a2 | ba g2 f2 | e2 a2 e2 | fe d2 ^c2 | d6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. meet and set to the 2. cu. and turn S. This to the first Strain played once. %% Then meet and set to their own Partners and turn; This to the first Strain played twice. %%endtext %%sep 1 1 300 %%begintext align %% Then all four hands half round and cross over with your own Partners; This to the second Strain played once. %% The 1. cu. go the Figure through the 2. cu. and turn their own Partners; This to the second Strain played twice. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Jack's Health P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.125 #185 (249) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.111 "L 2" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Poor legibility along CCDM1 left edge corrected with help from DMDfD. M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - d |\ B>AG d>e=f | e2e e>fg | d>cB c>de | A2A A2d |\ B>AG d>e=f | e2e e>fg | d>cB A>GF | G2G G2 |] f/g/ |\ afd d>ef | g2a b2a | g2a f>e d/^c/ | d2d d2c/B/ |\ c>dc B2c | A2G F2B | E>FG A>GF | G2G G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to the Presence, then to your We. lead up all forward and back, that again. %%endtext %%sep 1 1 300 %%begintext align %% The 1st Cu. cross over with the 2d Cu. and Back to Back, the 1st Man being on %% the Wo. Side, then the 1st Man Back to Back with the 2d Wo. and the 1st Wo. %% Back to Back with the 2d Man, the 1st Man leading the 2d Wo. to the Presence, %% and the 1st Wo. with the 2d Man lead down at the same Time; then all four %% face together, and Hands right and left to the End. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% Honour to the Presence, then to your we. Lead up all forward and back, that again. %%endtext %%sep 1 1 300 %%begintext align %% The 1. cu. cross over with the 2. cu. and back to back, the 1. man being on the 1. wo side, then the %% 1. man back to back with the 2. wo. and 1. wo. back to back with the 2. man, the 1. man leading the %% 2. wo. to the Presence, and the 1. wo. with the 2. man lead down at the same time, then all four face %% together, then hands right an [sic] left to the end. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Jack's Maggot P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.331 "F f 4" Z: 2013 John Chambers <jc:trillian.mit.edu> N: The rhythms are wrong at the the edges of the tune's strains; not fixed. M: C| L: 1/8 K: Dmix % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ d2D2 F2A2 | BA Bc d2e2 | fga2 Bcd2 | e3f e2(c>Bc/) |\ d2D2 F2A2 | Bcd2 c2ag | f2d2 f2^c2 | d4 d4 |] fg |\ a2 f4 a2 | f2 d4 ef | gfed c2d2 | e6 fg |\ a2f2 d2f2 | A2d2 F2A2 | ^d3e e3d | d6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man goes the Hey with the 2. wo. .| The 1. wo. goes the Hey with the 2. man :| Then right- %% hands a-cross, and left-hands back again .| The 1. man changing places with the 2. wo. the 2. man %% changing places with the 1. wo. then hands half round and cast off :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Jack Latine P: Longways for as many as will %R: Rreel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.56 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/16 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 [| GABc d2g2 d2B4g2 | d2B4g2 d4B4 | GABc d2g2 d2B4cd | e2A4B2 c4 dcBA |] [| GABc d2B2 e2c2 d2B2 | GABc d2B2 d4 B4 | GABc d2B2 e2c2 d2B2 | c2A4B2 c4 dcBA |] [| g2d2 BcdB g2d2 BcdB | g2d2 BcdB d4 B4 | g2d2 BcdB g2d2 BcdB | a2A4B2 c4 dcBA |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d [| g4 z4 z4 G4 | g4 G4 g4 z2G2 | g4 z4 B4 G2B2 | c2e2f2g2 e4 d4 |] [| G4 B4 c2A2B2G2 | z2G2 B4 G4 z2G2 | z2G2 B2G2 c2A2B2G2 | A2a2f2g2 a4 f2d2 |] [| z4 g4 z4 g4 | z4 G4 z2G2 g2G2 | z4 G4 z4 g4 | z2a2 f2g2 a4 f2d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. meet, set their Hands to their sides, and foot it and turn hands round .| %% The two Men and two We. do the same :| %% the 1st Cu. cross over and turn hands .| %% the 2d Cu. do the same :| %% All four foot it then take hands & gallop round .| %% Foot it again then Right & Left till 1st Cu. are in the 2d Cu. Place :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Jack Meggot N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.58 #318 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:58 #318 M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 D/E/ |\ F2G AFD | F2G AFD | F2G ABc | dfd ecA |\ F2G AFD | F2G ABc | def gef | edc d2 :| |: A/B/ |\ c2d ecA | g2e f2d | cde dcB | ABG AFD |\ F2G AFD | c2d ecA | gbg afd | gec d2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ d3 D3 | d3 D3 | d3 f3 | a3 A3 |\ d3 D3 | d3 fge | f2d c2d | a2A d2 :| |: z |\ A3 a3 | c'ba d'ad | A3 B3 | c2A d3 |\ d3 D3 | a3 A3 | g3 d3 | a2A d2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man Heys on the Women's side, %% his Partner Heys on the Men's side at the same time .| %% The 1st Cu. Hey on their own sides :| %% The to 1st Cu. foot, and hands across half round .| %% The two 1st Cu. foot, and Right and Left. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:15 T: Jack the Horse Coursers Hornpipe M:4/4 L:1/4 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:G Ge | dc/B/ A/B/c/d/ | FE/D/ G/D/G/B/ | A/D/F/A/ G/D/G/B/ | A/D/F/A/Ge | dc/B/ AB/G/ | FE/D/cB/A/ | BA/G/F>G | G2 || dg | fe/d/ e f/d/ | ^cB/A/ d/A/d/f/ | e/A/e/g/ f/A/d/f/ | e/A/e/f/Bg | fe/d/^c>B | B2Be | dc/B/AB/G/ | FE/D/ B/G/B/d/ | A/F/A/c/ B/G/B/d/ | A/F/A/c/Ge | dc/B/AB/G/ | FE/D/cB/A/ | BA/G/F>G | G2 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Jacob Hall's Jigg P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.182 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ a4d2 (d3c/d/)e2 | ^c6 A4A2 | d4c2 c4B2 | A6 F4A2 |\ G4G2 G2A2E2 | F4G2 E4C2 | D4E2 E4D2 | C6 A,6 |] e2 |\ e4f2 f4e2 | d2e2c2 B4A2 | A4G2 G4F2 | F6 f3ef2 |\ g4e2 ^c3de2 | f4e2 d3c=B2 | (c3B/c/)d2 =B4A2 | A6- A4a2 | b4g2 e3fg2 | a3ba2 g3fe2 | f4f2 (g3f/g/)a2 | b6- b4(gf/g/) |\ a4e2 ^c3de2 | f4e2 ^c3BA2 | (f3e/f/)g2 e4d2 | d6- d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man turn the 2. wo. by the right-hand once round, then take the 1. wo. by the left, and all three %% hands quite round .| The 2. man turn the 1. wo. by the left-hand once round, then take the 2. wo. by %% the right, and all three hands quite round :| The 1. cu, lead down the middle, and then up, then all %% four hands a-breast and lead up, the 1. cu. fall in the middle, and all four hands quite round till the %% 1. cu. comes into the 2. cu. place, then lead through and cast off .| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Jamaica P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.79 "H 4" Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ F2A2 A2=B^c | d2^c2 d4 | c2A2 (BA) (GF) | G4 F4 ][ \ f2f2 e2(dc) | d2d2 c2A2 | f2f2 (ef)g2 | d4 c4 |\ f2f2 e2(dc) | d2d2 c2A2 | (Bc)d2 c2(BA) | G4 F4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man take his wo. by the right-hand, then by the left, and so holding hands change places, %% then do the same to the 2. wo. the 1. wo. and 2. man do the same :| Then fall back from your own, %% the 1. cu. being in the 2. cu. place, go the Figure of 8 .| Do this to the last. %%endtext %%sep 1 1 300 %%begintext align %% The 1. man take hands with the 2. wo. and turn her round, the 1. wo. and 2. man do as much :| Then %% the two men take hands, and the two we. take hands, and turn once and a half, then turn your own .| %% Do this to the last. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Jenny's Delight N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.1:6 M: C L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 BA |\ GE2 E2E BA | GD2 D2D EF | GABc dgfe | dBAG A2BA |\ GE2 E2E BA | GD2 D2D EF | GABc dgfe | dBcA G2 \ |: Bc |\ dBdB dBge | dBAG E2Bc | dBdB dBge | dBAF G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z2 |\ e2E2 e2E2 | d2D2 d2D2 | G2ga b2c'2 | b2c'2 d'2d2 | e2E2 e2E2 | d2D2 d2D2 | G2ga b2c'2 | d'2d2 g2 |: G2 |\ g2G2 g2c2 | g2G2 c2G2 | g2G2 g2c2 | d2D2 G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. casts off one Cu. hands round four with the 3d Cu. .| %% cast up. hands round four with the 2d Cu. :| %% cross over two Cu. .|. %% lead up to the top and cast off :| %% turn corners with your Right hands, your Partner with your Left :|| %% lead thro' the 3d Cu. and cast up .||. %% lead up to the top and cast off :||: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Jenny's Whim N: Pub: J. Walsh, London, 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.85 #345 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:85 #345 Z: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 d/e/ |\ f2ed/c/ | dBAg | f2ed | ce2d/e/ |\ f2ed/c/ | dBAg | f2ed | Ad2 :| D/E/ |\ FA,TA,2 | EA,TA,2 | {G}F2TED | CE2D/E/ |\ FA,TA,2 | EA,TA,2 | f2ed | Ad2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ dd'c'a | zgfe | dd'ge | a2A2 |\ dd'c'a | zgfe | d2a2 | d3 :| z |\ A2A2 | A4 | A2A2 | A4 |\ A2A2 | A4 | d2a2 | d3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. cast off into the 2d Cu. Place, then Right hand and Left half round, the 1st and 2d Man %% foot it to their Partners and turn them into their Places | The 1st Man foot it to the 2d Wo. %% and turn her, the 2d Man do the same with the 1st Wo. First Cu. cast off the 2d Cu. and %% turn, and the 3d Cu. and turn, take hands and lead up to the top and cast off one Cu. %% Right hand and Left all round | %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Jenny come tye my Cravat P: Longways for as many as will %R: jig B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.12 #24 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> N: The rhythms at the phrase boundaries are incorrect. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ (FD)A A2A | GEF G2G | (FD)F A2A | (f/g/a)f d3 |] e |\ f/g/af g>fe | (dB)g f2e | f/g/af g>fe | cAc d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man turn the 2d Wo. and the 1st Wo. turn the 2d Man, %% then cross over below the 2d Cu. then below the 3d Cu. and %% Lead thro' both Cu. and cast off. %%endtext %%sep 1 1 300 %%begintext align %% Then We. fall back, and the Men follow them, and turn S. then %% Men fall back, and the We. follow them and turn S. %%endtext %%sep 1 1 300 %%begintext align %% Clap Hands, side, then all four turn S. then clap Hands with %% your own Partner and so cast off. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Jenny come tye my Cravat P: Longways for as many as will %R: jig B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.12 #24 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> N: The rhythms at the phrase boundaries are incorrect. DMDfD has a slightly different setting of the tune. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ (FD)A A2A | GEF G2G | (FD)F A2A | (f/g/a)f d3 |]\ e |\ f/g/af g>fe | (dB)g f2e | f/g/af g>fe | cAc d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man turn the 2d Wo. and the 1st Wo. turn the 2d Man, %% then cross over below the 2d Cu. then below the 3d Cu. and %% Lead thro' both Cu. and cast off. %%endtext %%sep 1 1 300 %%begintext align %% Then We. fall back, and the Men follow them, and turn S. then %% Men fall back, and the We. follow them and turn S. %%endtext %%sep 1 1 300 %%begintext align %% Clap Hands, side, then all four turn S. then clap Hands with %% your own Partner and so cast off. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Jenny come tye my Cravat N: "Scots Air" and "???? Nancy" handwritten next to title. P: Longways for as many as will %R: jig B: "The Dancing-Master" printed by John Walsh, London S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.138 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> N: CCDM1 has a slightly different setting of the tune. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A | FDF A>BA | GEF G>AG | FDF A>BA | (f/g/a)f d2 |]\ e | f/g/af g>fe | dBg f2e | f/g/af g>fe | cAc d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man turn the 2. wo. and the 1. wo. turn the 2. man, then cross over below the 2. cu. then %% below the 3. cu. and lead through both cu. and cast off. %%endtext %%sep 1 1 300 %%begintext align %% Then we. fall back, and the men follow them, and turn S. then men fall back, and we. follow %% them and turn S. %%endtext %%sep 1 1 300 %%begintext align %% Clap hands, side, then all four turn S. then clap hands with your own Partner, and so cast off. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Jigg it on foot %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (170) Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ g2f ea2 | A2B c2A | g2f ea2 | A2B c2A |\ edc dcB | A2B c2A | edc fga | A2B c2A |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Note This tune must be play'd quite through %%begintext align %% The 1st Man setts to his own Partner %% and then casts off then right %% Hands and left quite round and %% so on to the End. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Joan's Placket P: Longways for as many as will %R: jig B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.15 #34 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.30 M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - G/A/ |\ B3 B>AG | A2A A2d/c/ |\ B>AG AGF | G3 G2 ][ d |\ g2d e2d | g2d e2d | g2d B>AG | A2A A2d/c/ |\ B2B B>AG | A2A A2d/c/ |\ B>AG A>GF | G3- G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first Couple Sides on one Side .| The same on the other %% Side :| Then dance to one another and turn .| Then dance to %% one another the second Time and turn :| The Man goes down %% on the Woman's Side, and the Woman on the Man's Side, the %% rest do the same. %% [DMDfD] %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Joan's Placket P: Longways for as many as will %R: jig N: Handwritten comment in DMDfD: Scots Air "Jumpin' John" %R: jig Z: 2012-2013 John Chambers <jc:trillian.mit.edu> B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.30 M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - G/A/ |\ B2B B>AG | A2A A2d/c/ |\ B>cd A2G | G3- G2 ][ e/f/ |\ g2d e2d | g2d e2d | g2d B>AG | A2A A2d/c/ |\ B2B B>AG | A2A A2d/c/ |\ B>cd A2G | G3- G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. sides of one side .| and on the other side :| Then dance to one another and turn .| And %% dance to one another the second time and turn :| The man goes down on the wo. side, and the we. %% on the man's side, the rest do the same. %% [DMDfD] %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Joan Sanderson T: John Sanderson T: The Cushion Dance P: An old round Dance %R: B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.?? #15 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> N: The time signature is actually "3I", whatever that means. N: Repeats added to satisfy the written repeat instructions. M: 3/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ G d c | =B> c A | G G D | G3 :|\ [M:6/4][L:1/4] G2d d2c | d>ed c2A | B2B c>dB | A2G G2 |: A | B>cB F2F |\ G>AG D2D | B2B c>dB | A2G G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%text Note. The first strain twice, the second once, and the last as oft as is requir'd. %%begintext align %% This Dance is began by a single Person, (eithe Man or Woman) who taking a Cushion in their %% Hand, dances about the Room, and at the End of the Tune they stop and sing, "This Dance it will %% no farther go." The Musicians answer, "I pray, good Sir, why say you so?" Man, "Because Joan Sanderson %% will not come too." Music. "She must come too, and she shall come too, and she must come whether %% she will or no." Then he lays down the Cushion before a Woman, on which she kneels, and he %% kisses her, singing,** "Prinkum prankum is a fine Dance, and shall we go dance it once again once %% again, and once again, and shall we go dance it once again?" Then making a Stop, the Woman sings %% as before, "This Dance &c." Music. "I pray you, Madam, &c." Woman "Because John Sanderson &c." %% Music. "He must &c." And so she lays down the Cushion before a Man, who kneeling upon it %% salutes her, she singing, "Welcome John Sanderson &c." Then he taking up the Cushion, %% they take Hands and dance round, singing as before; and thus they do 'till the whole Company %% are taken into the Ring. Then the Cushion is laid before the first Man, the Woman %% singing, "This Dance &c." (as before) only instead of "come too", they sing "go fro"; and %% instead of "Welcome, John Sanderson &c." they sing "Farewell John Sanderson, farewell, %% farewell"; and so they go out one by one as they came in. Note, the Woman is kiss'd by %% all the Men in the Ring at her coming in and going out, and likewise the Man by all %% the Women. %% -- Added note: (These words comes in at this mark * Welcome Joan Sanderson, welcome welcome: then she %% rises, takes up the Cushion and both dance, singing [illegible]) %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Johnny Cock thy Beaver P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.146 #197 (291) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.126 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Handwritten in DMDfD after title: "a Scots air". N: Repeats added to match the DMDfD instructions. M: 6/4 L: 1/4 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - d |\ c2F A>GF | GAG B2D | c2F A>GA | Ffc ABc |\ dcd fcA | GAG B2d | c2F A2G | (Ff)c A2F :| |:\ (Ff)c A/B/cA | (Gg)d B2G | (Ff)c A/B/cA | (Ff)c A>Bc |\ B/A/ B/c/d/e/ f>FA | GAG B2f | c2B A2G | (Ff)c A2F :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Man and 2d Wo. take left Hands and turn quite round into their Places again, %% the 2d Wo. cast up above the 1st Wo. and go round below the 2d Man, while the 2d Man %% slips up into the 1st Man's Place, and the 1st Man at the same Time casts off into the %% 2d Man's Place, and 2d Wo. cast up into the 1st Wo. Pace, while the 1st Wo. slips %% into the 2d Wo. Place, the other Cu. do the same Figure over :| First and 2d Men %% lead between the 1st and 2d We and go the Figure, which brings the 1st Man into %% the 2d Man's Place, and the 2d Man into the 1st Man's Place; then each Cu. as they %% now stand change Places with their own, and the two We. being now on the %% Men's Side, lead thro' the two Men and go the Figure, and each Cu. take Hands %% and turn their own 'till they come into their Places again, the other Cu. %% do the same Figure over :| %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% First man and 2. wo. take left-hands and turn quite round into their places again, and the 2. wo. cast up above the 1. wo. %% and go round below the 2. man while the 2. man slips up into the 1. man's place, and the 1. man at the same time casts %% off into the 2. man's place, and 2. wo. cast up into the 1. wo. place, while the 1. wo. slips into the 2. wo. place; The other %% cu. do the same Figure over. This to the first Strain twice. %%endtext %%sep 1 1 300 %%begintext align %% First and 2. men lead between the 1. and 2. we. and go the Figure, which brings the 1. man into the 2. man's place, and %% the 2. man into the 1. man's place; then each cu. as they now stand change places with their own, and the two we. being %% now on the men's side,lead through the two men and go the figure, and each cu. take hands and turn their own till they %% come into their places again; the other cu. do the same Figure over. This to the second Strain twice. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Johnny Grot's House N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.53 #313 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:53 #313 N: The 2nd part has a begin-repeat but no end-repeat. N: Bar 8 was missing its dot; added to fix the rhythm. M: 2/4 L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 c | f/f/f fa | f/f/f fa | f>gfA | G3A | F/F/F FA | F/F/F Ff | c>dcA F3 :| |: A/B/ | c>dcA | c/c/c cf | d>dca | {a}g3 (f/g/) | a/a/a ad | g/g/g gc | f/f/f AG | F3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z | f4- f4 | f2d2 | e2c2 | f4- | f4 | f2c'2 | f3 :| |: z | a2zf | a2zf | a2zf | e2c2 | f2z2 | e2z2 | AB cC | F3 |] %%begintext align %% The 1st Man foot it to his Partner and turn the 2d Wo. and stop in the 2d Man's Place, %% and the 2d Man turn the 1st Wo. at the same time the 1st Man was turning the 2d Wo. and %% stop in the 1st Man's Place. Then the 2d Man foots it to the 1st Wo. and turns his own %% Partner and stops in his own Place, and the 1st Man turns his Partner at the same time %% and stops in his own Place. First and 2d Cu. lead downwards abreast and hands %% half round, then lead up abreast and cast into the 2d Cu.s Place. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Johnson's Jigg P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p._ Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - f |\ d>cd e2f | (fg)G c2B | A3 f3 |\ b>ag a2g | d=ef f>g=e | f3- f2 |] [| f |\ c>fe d2c | (Bc)d (bg)b | a3 g3 |\ f>ed ecf | d>cB cAd | c3 B3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The two men lead to the wall, the two we do the like at the same time, then back to back with their %% Partners .| The 1. cu. lead up, and the 2. cu. lead down, the two men back to back, sides, the other %% doing the like :| The 1. man turn the 2. with his right-hand, and turn his own Partner with his left, the 1. %% wo. turn the 2. man with her right-hand, and turn her own partner with her left, and cast off :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Johny Too %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (64) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/4 L: 1/4 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - c |\ A>GF (A/B/c)A | (B/c/d)B c2c | f>ed (e/f/g)e | fFF F2 :|\ |: c |\ fga gab | a>gf e>fg | f>ef dgf | ecc c2c |\ def c2f | B2f A2f | G>gf e>de | fFF F2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The two first Men change Places with the two Women, %% the 1st Couple cast off and change Places again, then the %% 2d Couple cast off :| Hands half round, then clap Hands %% with your Partners and turn all four single, then lead up %% abreast and cast off :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: John Black's Daughter P: Longways for &c. %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.63 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (45) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The tune is commonly known as "Green Grow the Rashes O". N: The versions of the tune and dance in CCDTB and CCDM2 are identical, even the capitalization. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 B | G/G/G B>A BGGB | A/A/A e>d eAAB | c3e d/c/B/A/ BG | A/A/A B>A GE E |] B | G/G/G g>f gddg | e/e/e a>g aeef | ga ef d/c/B/A/ BG | A/A/A B>A GE E |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z | G2gd A2B2 | c2zB c2zB | Aaec B2GB | A2d2 e2E |] z | G2zd B2GB | c2zB c2zd | edcA B2GB | A2d2 e2E |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Hey on the Mens side .| %% Then foot it to Partners, then to sides, turn single after Each :| %% then the 1st Man turn 3d Cu. half round, and cast up into the 2d Place .| %% The Wo. do the same back again :| %% change sides and foot it, cast up, change sides and foot it and cast off .| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Jolly-Boy P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.317 "E e 3" Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ f3 F/G/ AF cA | dB G=B c3 d/e/ |\ fd de/f/ gG Gg/f/ | ef/e/ dc c4 |][|\ (f/g/a) (f/g/a) gf gc | fe/d/ cB/A/ G3 a |\ ba gf gc cB | Af Ge f4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. cross over and Arms round .| The 1. cu. are in the 2. cu. place, then go the whole Figure %% through the 2. cu. .:| Then the 1. man go round the 3. man, and the 1. wo. go round the 3. wo. then %% lead through the 2. cu. and cast off, then the 2. cu. lead through the 1. cu. and cast up, then Arms half %% round, the 1. cu. cast off. This to the second Strain twice. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Jolly Breeze P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.145 #193 (289) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.284-285 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to match the dance instructions; rhythm fixed with an added rest in the last measure. M: C| L: 1/16 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - D2 |\ G2D2 G2B2 d4 c2B2 | A2D2 F2A2 c6 d2 |\ B3A (GA)(GA) (Bc)(Bc) d2B2 | (cB)(AG) (AG)(FE) F6 A2 |\ (Bc)(BA) (GA)(GF) (EF)(ED) ^C2E2 | A2(GF) F2(ED) D6 :| AB |\ c2Bc A2dc B2AB G2cB | A2GA F2BA G2FG E2AB |\ (cB)(AG) (AG)(FE) ^D4 B,4 | (EF)(EF) G2E2 (FG)(FG) A2F2 |\ (GA)(GA) B2G2 (AB)(AB) c2A2 | B2(cB) (AG)(FE) E6 B2 | (ed)c2 (dc)(Bd) (cB)A2 (BA)(GB) | A2F2 G2A2 F4 (DE)(FD) |\ G2(FG) (EF)(GE) A2(GA) (FG)(AF) | B2(AB) (GA)(BG) c2(Bc) (AB)(cA) |\ d2(ed) (cB)(AG) G6 F2 | G4 G8 z2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%text: Note, The first Strain is to be play'd twice, and the last but once over. %%begintext align %% The 1st Cu. cast off and figure single thro' the 3d Cu. and cross up to the Top, and %% slip down the Middle into the 2d Cu. Place .| The 2d Cu do the same :| Then 1st %% Cu. take Hands and turn once round, and back again; then take Hands and lead %% through the 3d Cu. and cast up and lead thro' the 2d Cu. and cast off, and turn %% your Partner .| %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first couple cast off and Figure single through the 3d. couple, and cross up to the top, and slip %% down the middle into the 2. couples place; the second couple do the same. First Strain twice. %% The first couple take hands and turn once round, and back again, then take hands and lead through %% the 3d. couple, and cast up and lead through 2d. couple, and cast off and turn your Partner. The %% second Strain played once. %% [DMDfD] %%endtext %%sep 1 8 500 X:0 T: The Jolly Company O: Walsh, 1718 S: Jenny Beer email 2022-4-21 N: Reformatted by JC to get more even spacing. Z: ssgowan M: 4/4 Q: 1/4=116 L: 1/8 K: D %%text play AAB - 4 steps per bar A |\ "D"dAeA fA "A7"g2 | "D"fg/f/ ed "A"ce A2 | "D"FDAD "G"BD "D"A2 | "D"FDAD "G"BD "(Em)"d2 | "D"AG/F/ "A"EA "D"F D2 :| F |\ "Bm"BFBc dcde | "Bm"fe/d/ cB "F#"^A2 F2 | "Bm"BFcF dF "F#"c2 | "Bm"BFcF dF "Em"e2 | "Bm"fe/d/ "F#"c>B "Bm"B3 | "A7"c |\ "D"dAGF "A"(EA2)G | "D"FG/F/ "G"ED "A"(CE2) A/G/ | "D"FAdF "G"GB "(Em)" e/f/e/d/ | "A"c/B/A/G/ FE "D"F D2 |] %%sep 1 1 500 %%sep 1 1 500 X:1 T: Jovial Beggar N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.49 #309 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:49 #309 N: There are only 15 bars of music. M: 2/4 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 A | d2AG | TF3E | DEFG | A3A | Addd | Td3d | efge | f2ed | Te3d | c2Bc | dcBA | BAGF | GABG | A2dc | d3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z | d2c2 | d3a | f3e | defg | f2d2 | f2g2 | a2A2 | d'2c'b | c'3b | a2ga | bagf | gfed | efge | fga2 | d3 |] %%begintext align %% First Cu. turn right hands Single with his Partner and cast off .| %% Turn Left hands Single and cast up :| %% Cross over and half figure .| %% Lead thro' the 3d Cu. cast up and turn :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Jovial Beggars P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.39 #71 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.70 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the DMDfD dance instructions. The repeat of the first isn't mentioned, but it's obviously needed. N: CCDM1 has g for the first a in bar 3; comparing with the rest of the tune says this is probably a typo. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A |\ d2e f2g | a3 b3 | a>gf e2f | g3 f3 | e>dc d2e | A3- A2 :| |: f |\ e>dc d2e | e3- e2f | e>dc d2e | a3- a2f |\ edc B2A | d2e f2b | abf e2d | d3 d2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man cast off below the 2d Man into the 2d %% Wo's Place, the 1st Wo. follows her Partner into the 2d. %% Man's Place .| The 1st Wo. in the 2d Man's Place cast up %% into her own Place, and the Man follows her into his own %% Place :| The 1st Man take his Partner and lead thro' the 2d %% Cu. and back again and cast off .| All four lead up Hands %% abreast, lead thro' and cast off into the 2d Cu. Place :| The %% rest do the like. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% The 1. man cast off below the 2. man into the 2. wo's place, the 1. wo. follows her Partner into the 2. %% man's place, To the first Strain once. The 1. wo. in the 2. man's place cast up into her own place, and %% the man follows her into his own place :| [To the first Strain twice] The 1. man take his Partner and lead through the 2. %% cu. and back again and cast off; The second strain once. All four lead up hands a-breast, lead through %% and cast off into the 2. cu. place; The second Strain twice. The rest do the like. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Justice Busy %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (177) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. N: Corrected incorrect lengths of the "turn" notes in bar 4. M: 3/2 L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - |: c2G2 cdcd c2G2 | cdcd (e3c/d/) e4 | e2cd efef g2cd | e^fef (f3e/f/) g4 :| |: d2G2 dcde d2G2 | dcde e3d d2ef | gfga gagf efge | fgef d3c c4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. lead forward and back again and cast off %% :| The two Men and two Wo. lead to the Wall and back %% again then Back to Back :| The 1st Cu. go the whole %% Figure thro the 3d Cu. .| Then 1st right and left quite %% round with the 2d Cu :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Just thought on't N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.72 #332 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:72 #332 M: 2/4 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: f>a f>d | e2 A2 | (B//c//d/)z (c//d//e/)z | d2 D2 |\ (f>a) (f>d) | (^g>b) (^g>e) | f2 T^g2 | a4 :| |: efeA | g2fz | efeA | f2ez |\ efeA | gagA | fgfA | {f}e4 | a2gf | b2za | gfed | c2A2 |\ gecA | fdAF | E2 Tc2 | d4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: d2 d'2 | c'2 zf | gz az | d2 D2 | d2 d2 | e2 zc | d2 e2 | A4 :| |: A2 A2 | A2 A2 | A2 A2 | A2 A2 |\ A2 A2 | A2 A2 | A2 A2 | A4 | z2 zd | g2 g2 | g2 g2 | a2 A2 |\ A2 A2 | d2 zf | g2 a2 | d4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. foot it and cast off the same again .| %% Lead up to the top, foot it and cast off :| %% Six hands round .| %% First and 2d Cu. Right and Left quite round. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Kate P: Longways for as many as will %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.57 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. N: 6-bar phrases. M: 6/8 L:1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 B/c/ | d2A FDD | FDD B/c/d/c/B/A/ | GEE eEE | d2A FDD | FDD E2e | e>fd c2 :| |: A | d2e f/g/a/g/f/e/ | d2A d2g | f/g/a/g/f/a/ gec | d2g f/g/a/g/f/e/ | d2c B2e | e>fd c2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z | d3 z2z | d3 g3 | e3 c3 | B2c d3-| d3 G3 | A3 a2 :| |: z | f2e d3 | f2a f2e | d3 e3 | f2e d3 | F3 G3 | A3 a2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% The 1st Man foot it to 2d Wo. and turn Hands .| %% 1st Wo. do the same to 2d Man :| %% 1st Cu. cast off & set again, cast off behind the 3d Cu. & set; then the same to the Top .| %% the 1st Cu go the whole figure with the 2d Cu. then down and up and cast off in the 3d Cu. Place. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Katharine street %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (90) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ g2d d>ba | b3- b2a | g>ab a>bg | ^f>ga d>=e^f |\ g2d d2c | B2A B>cd | e2e d2g | ^f3 f3 :| |:\ b>ag g>ab | bdd d>ef | fcc c>de | dB2- B2b |\ bdd cac | B2A BgB | A2a bBA | Gg2- g3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. Back to Back with the 2d Cu. and then with %% their Partners .| The 1st Cu. turn the 2d Cu. Then turn %% their own :| Meet all four and sett, then turn single and %% clap Hands, all four going quite round .| The 1st Cu. go %% the Figure thro the 2d Cu. and cross over and turn %% their own Partners :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Kemp's Jigg P: Round for six %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.93 #142 (186) N: Right edge partly illegible, corrected from http://www.archive.org/stream/dancesofoldentim00moff/dancesofoldentim00moff_djvu.txt Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - g |\ g>ag =e^fg | ^f>=e^f d=e^f | gab abg | ^f3 d2 |][| A |\ B3 c3 | d3- d2A | B3 c3 | d3- d2A |\ BAB cBc | ded d>c B/c/ | A2G G^F2 | G3- G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% One Man lead in two We. forwards and back :| Honour to one, honour %% to the other, then turn the third .| Lead your own with your left Hand, %% and the Woman you turn'd, as much :| Then as much with the other two %% We. turning your own The next Man as much :|:| Then the 3d as %% much :|:| %%endtext %%sep 1 1 300 %%begintext align %% First Man lead the We. as before, turn half round, holding both Hands, %% and his own as much to the other, turn the 3d Wo. .| Do thus to all, %% the rest following and doing the like. %%endtext %%sep 1 1 300 %%begintext align %% First Man take the We. as before by the contrary Hands behind, %% then lead them forwards and back, pull one half about and kiss her, %% as much with the other, turn the 3d .| Do thus to all, the rest following %% and doing the like. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Kensington Court P: Longways for as many as will %R: march, reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.161 "P 3" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to satisfy "first Strain twice" instruction. M: C| L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ d2a2 a2g2 | f3e d2e2 | f2A2 A2^c2 | d4 d2e2 |\ f3g (e3d/e/) | f2c2 c2d2 | B3A G3F | F4 F4 :| d2a2 a2g2 | f4 f4 | f2b2 b2(ag) | a4 a4 |\ A2d2- d2dc | =B2g2- g2ag | f3e e3d | d4 d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. go the Figure through the 2. cu. and all four take hands and go half round, then the 2. cu. go %% the Figure through the 1. cu. and all four take hands and go half round as before, the two men being %% improper. This to the first strain twice. Then right and left with your partners quite round till you come %% into your own places again, then 1. cu. lead through the 2. cu. and back again, so cast off. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Kettle Bender N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.56 #316 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:56 #316 M: 2/4 L: 1/16 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 a2 |\ f3e d2d2 | c2e2 e2g2 | f3e d2d2 | d2d2 fga2 |\ a2aa b2b2 | g2g2 a4 | f2ff g2g2 | e2e2 f2ga |\ d2d2 c2c2 | B2B2 A2G2 | F2a2 a2g2 | fdge dcd2 :| |:\ a2a2 bgdB | G2b2 afdA | F2a2 geBG | E2g2 fga2 |\ d2d2 c2c2 | B2B2 A2G2 | F2a2 a2g2 | fdge dcd2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z2 |\ d4d4 | a4a4 | d4d4 | d4d4 |\ f4g4 | e4f4 | d4e4 | c4d4 |\ b4a4 | g4f2e2 | d2e2f2g2 | a2A2d4 :| |:\ f4g4 | e4f4 | d4e4 | c4d4 |\ b4a4 | g4f2e2 | d2e2f2g2 | a2A2d4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Man turn his Partner with his Right hand Single, %% the same with Left hands on their own sides .| %% Cast off and turn :| %% Cross corners, meet in the middle, clap hands four times and turn .| %% the same with the other corners and turn it out :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Kew Green N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.61 #321 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:61 #321 N: The 2nd part has a begin-repeat but no end-repeat. M: 9/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: G3 B2c dBG | gfe dcB A3 | cBc EFG AFD | EFG AGF G3 :: AFD DFA AFD | dBG GBd dBG | ede EFG F3 | G3 D2=F ECE | A3 E2G FDc | BdE FDF G3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: g3 G3 g3 | e3 g2G d3 | e3 ^c3 d3 | g3 d3 G3 :: d3 d3 d3 | g3 G3 g3-| g3 ^c3 d3 | B3 G3 c3 | ^c3 A3 d3 | g2c d2D G3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. cast off one Cu. and Back to Back, then cast up into their Places and %% Back to Back, take hands and lead down the middle below the 3d Cu. and %% cast up into the 2d Cu.s Place, then lead up abreast with the 2d Cu. and cast %% off into the 2d Cu.s Place and turn | %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Kick the World before me P: Longways for &c. %R: slip-jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.61 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (44) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The versions of the tune and dance in CCDTB and CCDM2 are identical, even the capitalization. M: 9/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 e | =f2d ecA Acd | =f2d gec d2e | =f2d ecA Acd | =f/g/a=f ecA d2 :| |: e | =f/g/a=f ged cde | =f/g/a=f ged e/f/ge | =f/g/a=f gec cde | =f2d ecA d2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d a | d3 A3 c3 | d3 e3 f2e | d3 A3 c3 | d3 a3 d2 :| |: A | d3 e3 f2e | d3 e2f c3 | d3 e3 f2e | d3 a3 d2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% The 1st Man turn the 2d Wo. then stand Back to Back and kick out their Legs .| %% The other two do the same :| %% Then the 1st Man leads his Partner thro' the 2d Cu. and up again and cast off and turn .| %% then Right and Left quite round and turn .| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: The King's Arms P: Longways for as many as will %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.17 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ D>ED AFD | AFD AFD | A>BA d>ef | e>dc/B/ A>GF/E/ |\ D>ED AFD | AFD AFD | A>BA d>ef | e>de/c/ d3 :| |:\ e>fe e>dc | B>cd/e/ Tc>BA | dAF dAF | G>AG/F/ E2A, |\ e>fe e>dc | B>cd/e/ Td>cB | fdB ecA | B/c/dB d3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ d3 D3 | f3 d3 | d'3 d3 | a3 A3 |\ d3 D3 | f3 d3 | d'3 d3 | a2A d3 :| |:\ A3 a3 | a2^g a2=g | f2a f2d | c2d A2z |\ a3 A3 | a2^g a3 | f2g a2f | g2a d3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man cast down, the 2d Wo. cast up at the same time, and then cast back again into their own Places :| %% their Partners do the same :| %% the 1st Man figures round the 3d Man. 1st Wo. figures round the 3d Wo. at the same time and turn her Partner in the 3d Cu. Place .| %% the 1st Man figures round the 2d Man. 1st Wo. figures round the 2d Wo. at the same time, and turn at top :| %% 1st Man foots it with the 2d Wo. and turns her .| %% 1st Wo. does the same with the 2d Man :| %% 1st and 2d Cu. goes cross hands half round with their right hands, back with their left and cast off .| %% 1st and 2d Cu. right and left quite round. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: King of Damascus Reel P: Longways for as many as will %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.51 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 is formatted for 4-bar staff lines. V: 1 g |\ G/G/G Bc eAAg | G/G/G BG dG BG | cdBd eAAg | G/G/G GE E2 G |] e/f/ |\ gage agab | gage gage | gage agab | gage g2b2 | G/G/G Bc eAAg | G/G/G BG dG BG | cdBd eA Ag | G/G/G GE G3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff breaks. V: 2 clef=bass middle=d z | G2zB c2zc | B2G2 z2g2 | efgB c2zB | c2zc dDG |] z | c2z2 c2z2 | c2z2 c2z2 | c2z2 c2z2 | c2z2 B2gG | z2GB c2zc | B2G2 z2g2 | efgB c2zB | c2zc G3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man Jump to the 2d Wo. and turn her .| %% The 2d Man do the same to the 1st Wo. :| %% Then Hands all four across, and go round and turn all four single .| %% Then Right and Left and turn your Partners :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: King of Poland P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.139 #184 (278) S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.14 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain ... play'd twice over" instructions. N: The description uses "ist" rather than "Ist" as an abbreviation for "first". M: 6/4 L: 1/4 K: Gdor % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ B2G B2c | dcd G2A |\ Bcd f2d | dcd G3 :: g/a/ |\ b>ag ^f>e^f | g2G G2A |\ B>cd f2d | f2d c>BA |\ B>cd g2d | B>AG G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Note Each Strain is to be play'd twice over. %%begintext align %% First Man on his Womans side. %% %% First Man take Hands with the 2d Wo. and change places, %% 1st Wo. and 2d Man doing the same at the same time, %% cross over, all four Hands as before to your own and %% chane Places, 1st Cu. lead up the Middle, and 2d Cu. %% cast off, cross over all four, right and left 'till the 1st %% Cu. comes into the 2d Cu. Place, 1st Cu. run the figure %% through the 2d Cu. and so turn your own. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% First Man on his womans side. %%endtext %%sep 1 1 300 %%begintext align %% First man take hands with the 2. wo. and change places, 1. wo. and 2. man doing the same at the %% same time, cross over all four, hands as before, to your own, and change places; 1. cu. lead up the %% middle, and 2. cu. cast off, cross over all four, right and left, till the 1. cu. comes into the 2. cu. %% place, 1. cu. run the Figure through the 2. Cu. and so turn your own. %% [DMDfD] %%endtext %%sep 1 1 300 %%begintext align %% Note: Each Strain must be play'd twice over. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Kiss quick my Mother's a comeing T: Bonny Jocky T: Bonny Iocky P: Longways for as many as will %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.72 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #2 (22) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd part has initial repeat but no final repeat. N: CCDM2 has c sharp rather than d in bar 5, and c sharp rather than c natural in bar 10; both are probably errors. N: Both dances are identical (except for minor spelling differences). M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 Bc |\ d4 A4 | F2D2 FGAF | E2=c2E2=c2 | E2C2 EFGE |\ d4 A4 | F3D D2F2 | GFED C2E2 | DDD2 D2 :| |: ag |\ f3e d2a2 | f2d2 fgaf | e3d =c2g2 | e2=c2 efge |\ f2d2 g2e2 | a2f2 g2e2 | gfed c2e2 | ddd2 d2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z2 |\ d2d'2 c'2a2 | d4 d4 | =c4 c4 | c4 ^c4 |\ d2d'2 c'2a2 | d2=c2 B2d2 | G4 A4 | d4 z2 :| |: z2 |\ d2c2 B2c2 | d4 d4 | =c4 z4 | c4 ^c4 |\ d4 e4 | f2d2 B2A2 | G4 A4 | d4 z2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% The 1st Man kiss quick the 2d Wo. & cast off & go the whole Figure round the 3d Cu & stand in the 2d Cu Place .| %% And the 1st Wo. do the same :| %% then the 1st Man heys with the 3d Cu at the Bottom & the 1st Wo. heys at Top with the 2d Cu. at the same Time .| %% then the 1st Cu. cast up at Top & go the whole figure & cast off into 2d Cu. Place :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Knot P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.88 #123 (175) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.136 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Illegible parts deciphered using the image at http://deriv.nls.uk/dcn3/8975/89752855.3.jpg M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ C4 B,2 A,2 | (B,C) (DB,) G,2 D2 | G4 F2 E2 | F2 A4 Bc |\ d4 c2 B2 | (AB) (cA) F4 | (EB) (cA) F2 (ED) | G4 G,4 |] [|\ C3 D (ED) (EF) | (EF) G2 D4 | G2 B,2 B,2 (A,G,) | A,6 AB |\ c3 d (ed) (ef) | (ef) g2 d4 | B2 (cA) A2 G2 | G6 |] [| d2 |\ =f4 e2 d2 | e2 (cB) c2 (BA) | a2 e2 (ef) g2 | f6 d(e/f/) |\ g2 (fe) (dc) (BA) | =f2 (ed) (cB) (AG) | F2 G2 (AG) F2 | G6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. cross over into the 2d Cu. place, and go the Figure thro' the 2d Cu. into their %% own places again; then they cross over below the 3d Cu. and go the Figure and the 1st %% Man turn the 3d Wo. and the 1st Wo. turn the 2d Man, and then turn their own, then 1st %% Man turn the 2d Wo. and the 1st Wo. turn the ed Man, then all four take left Hands and turn %% half round into their places again; the other Cu. do the same. This to the Tune once %% over. %%endtext %%sep 1 1 300 %%begintext align %% Then the 1st Cu. cast off into the next Cu. place, and lead thro' them round into their places %% again, then cast off and lead thro' them again, and turn his own; then 1st Man turn the 2d %% Wo. and 1st Wo. turn the 2d Man, and then each turn his own half round into their %% places again, the rest do the same. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First man and 1. wo. cross over into the 2. cu places, and go the Figure through the 2. cu. into their own places again, %% then they cross over below the 3. cu. and go the Figure, and the 1. man turn the 3. wo. and 1. wo. turn the 3. man, %% and then turn their own then 1. man turn the 2. wo. and 1. wo. the 2 man, then all four take left-hands and turn half %% round into their places again; Then the other cu. do the same over. This to the Tune played once over. %%endtext %%sep 1 1 300 %%begintext align %% Then the 1. man and 1. wo. cast off into the next cu. places, and lead through them round into their places again, then %% cast off and lead through them again, and turn his own, then 1. man turn the 2. wo. and 1. wo. turn the 2. man, and %% then each turn his own half round into their places again; The rest do the same over. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Ladds of Dunce P: Longways for as many as will %R: jig B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.?? #5 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> N: 2nd part has initial repeat but no final repeat. M: 6/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - B2 |\ B3DD2 D2F2D2 | D2F2D2 TB4A2 | (BABc)d2 A2F2A2 | B2E2E2 E4B2 |\ B3DD2 D2F2D2 | D2F2D2 TB4A2 | (BABc)d2 A2F2A2 | B2D2D2 D4 :| |: g2 |\ Tf3ed2 d4e2 | (fefg)a2 TB4A2 | (BABc)d2 A2F2A2 | B2E2E2 E2g2 |\ Tf3ed2 d4e2 | (fefg)a2 TB4A2 | (BABc)d2 A2F2A2 | B2D2D2 D4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. take Hands, slip down between the 2d and 3d Cu. foot it then lead back again and cast off .| %% The 2d Cu does the same :| %% The 1st Man leads out the 2d Wo. 1st Wo. leads out the 2d Man at the same time and then turn your Partners .| %% The 1st and 2d Men leads out the two We. doing the same at the same Time turn your Partners as before :#: %% The 1st Man goes Back to Back (or foot it) with the 2d Wo. and turn her .| %% Their Partners does the same :| %% The 1st Cu cross over and half figure thro' the 2d .| %% First and 2d Cu. Right and Left quite round. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Ladies Conveniency P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.310 Z: 2013 John Chambers <jc:trillian.mit.edu> N: There is no time signature in this tune. M: 6/4 L: 1/4 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ A2a edc | B2b fga | g>fe acd | B>AG A3 |][|\ B2c def | =g2B ^A2F | fed cdB | B2^A B3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man cast off and slip up the middle, his Partner goes between the 2. man and 2. wo. and cast up .| %% The 1. man cast up and his Partner slip up the middle and cast off .| The 2. men and 2. we. lead to the %% wall, then right and left .| Then all four hands a-breast, and single Figure, then turn :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Ladies Maggot P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.268 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Bar 8 has the dot on the wrong d; fixed. M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - G |\ (BG)B d2g | d3 B2e | (de)B (Ac)B | A3- A2G |\ BGB d2g | d3 B2e | (de)B (^cA)^c | d3- d2 |] f |\ (gf)g e2e | (fe)f ^d2d | (eB)G (Ac)(B/A/) | B3- B2B |\ (Bd)B d2d | (eg)e f2f | (gd)B (Bd)A | G3- G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man meet and set with the 2. wo. and turn his Partner .| The 2. cu. does the same :| The 1. %% man turns his Partner twice round, then right and left quite round, till the 1. cu. is in the 2. cu. place .| %% Then the 1. cu. leads through the 3. cu. and turns his Partner :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Ladies Misfortune P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.314 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: Am % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ cBA cBA | e3- e3 | cBA cBA | e3- e3 |\ edc edc | g3- g3 | edc edc | g3- g3 |\ gfe fed | edc dgf | edc dd2 | c3- c3 |] cde cde | d3- d3 | GAB cBA | B3- B3 |\ c2c ^c2c | d2d e2e | fed ee2 | d3- d3 |\ dcB BAG | dcB BAG | dcB A2G | G3- G3 | g2g ^fe^d | e3 e2^f | g^fe ^ff2 | e3- e3 |\ cGc GEG | c3- c2d | edc B2A | A3- A2B |\ cGc GEG | c3- c2d | edc B2A | A3- A3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man sets to the 2. wo. and turn single, then changing places with her, the other two cross over after, then hands %% half round and cast off; all four sets to their Partners, then set and turn sides, the 2. wo. leads the 1. wo. up, the 2 man %% leads the 1. man down at the same time, the 1. cu. cast up and lead down the middle and cast off. (Every Strain play'd once.) %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Ladies of London P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.119 #176 (238) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.141 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - F |\ Bcd edc | dcB f2d | efg fgd | c3- c2A |\ Bcd edc | dcB b2a | gaf =efg | g3 f2 |] f |\ fga b2a | gfe d2b | abg ^fga | a3 g3 |\ fga bfg | fgd c2d | BBf fdg | c3 B2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man cross over and go into the 2d Wo. Place, the 2d Wo. cast off at %% the same Time into the 1st Man's Place; then 1st Wo. cross over and go into %% the 2d Man's Place, and 2d Man cross over and go up into the 1st Wo. Place. %%endtext %%sep 1 1 300 %%begintext align %% The 1st Man and 2d Wo. cross over, and 2d Man and 1st Wo. do the like, then %% all four Hands half round, and turn single, then clap Hands, then Sides and %% turn single; then clap Hands with their own Partners, and turn them single. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% The 1. man cross over and go into the 2. wo. place, the 2. wo. cast off at the same time into the 1. %% man's place, then 1. wo. cross over and go into the 2. man's place, and 2. man cross over and go up %% into the 1. wo. place. %%endtext %%sep 1 1 300 %%begintext align %% The 1. man and 2. wo. cross over and the 2. man and 1. wo. do the like, then all four hands half round %% and turn S. then clap hands, then sides and turn S. then clap hands with their own Partners, and %% turn them single. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Lads of Dunce P: Longways for as many as will %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.19 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 B |\ AFD D>ED | D>ED TB2A | Bcd AFA | BEE Edc |\ AFD DED | DED TB2A | B/A/B/c/d AFB | ADD D2 :| |: e |\ Tf>ed d2e | f/e/f/g/a TB2A | Bcd AFA | BEE E2e |\ f>ed d2e | f/e/f/g/a TB2A | B/A/B/c/d AFB | ADD D2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ d3 g3 | f3 d3 | g3 d'3 | g3 z2z |\ d3 g3 | f3 d3 | g3 d'2g | a3 d2 :| |: z |\ d'3 d3 | d'3 d3 | g3 d'3 | g3 a3 |\ d'3 d3 | d'3 d3 | g3 f2g | a3 d2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Two Cu. slip down and up footing and cast off by turns :| %% Change over, lead to the Wall, back again and turn Partners .|| %% 2 Men lead as before .|| %% foot Corner Ways and turn :| %% cross over, 2 figure right and left .|| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Lads of Leath P: Longways for as many as will. %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.5 S: 3: CCD3 http://javanese.imslp.info/files/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.16 Z: 2013 John Chambers <jc:trillian.mit.edu> N: "Each Strain twice." Repeats added to both phrases. M: 6/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 B/c/ | ded c2B | ABG ^F2D | GAB cA^F | G3- G2 :|\ |: B/c/ | dBb a2g | (fd)g f2f | B>cB fdg | c>dc A>GF | B>cB cBc | d2G ^F>ED | GAB cA^F | G3- G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z | g3 ^f2g | d2e d2c | BAG d2D | gdB G2 :|\ |: z | b2B f2e | d2e d2B | d2B d2e | f3 F3 | g2z a2z | b2c' d'2c' | bag d2D | gdB G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. Ballance, or set twice, and cast down in 2d Cu. Place .| %% Then Ballance again, and cast down below the 3d Cu. :| %% Then lead thro' the 3d Cu. and pass on the outside of the 2d Cu into your own Places .| %% Then right Hand and left, and turn your Partners. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Lads of saltcots N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.3:24 M: C L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: A3c BABc | AFEF B/B/BB2 | A3c BABc | AFEF A/A/AA2 :| |: (ef/g/ a)c TBA(Bc) | (ef/g/ a)c B/B/BB2 | (e/f/g) ac TBABc | AFEF A/A/AA2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: a2A2 e2E2 | d2cd e2E2 | a2A2 e2E2 | d2e2 a2A2 :| |: A2A2 A2A2 | A2A2 e2E2 | a2A2 e2E2 | d2e2 a2A2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. Hey with the 2d Man .| %% then with the 2d Wo. :| %% Gallop down the Middle up again & cast off .|. %% Right & Left at top :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Lady's Favourite N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.54 #314 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:54 #314 N: The 2nd part has a begin-repeat but no end-repeat. N: The title was somewhat obscured, printed partly off the top of the page. N: Below the title, "LADy's" was added in handwriting. N: The title is also handwritten at the bottom, with the 2nd word barely legible. M: 2/4 L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ c2 (c/B/A) | d2 (d/c/B) | c2 (c/B/A) | GB B2 |\ c2 (c/B/A) | d2 (d/c/B) | (c/d/e) (f/g/a) | cA A2 :| |:\ a2 (a/g/f) | g2 (g/f/e) | f2 (f/e/d) | ce e2 |\ a2 (a/g/f) | g2 (g/f/e) | (c/d/e) (f/g/a) | cA A2 || (cA)(fd) | (ec)(dB) | (cA)(dB) | GB B2 |\ (cA)(fd) | (ec)(dB) | (c/d/e) (f/g/a) | cA A2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ a2 z2 | b2 z2 | a2 z2 | e2 z2 | a2 z2 | b2 z2 | a2 d2 | eEA2 :| |:\ a2 z2 | e2 z2 | d2 z2 | A2 z2 | a2 z2 | e2 z2 | a2 d2 | eE A2 || a2 z2 | A2 z2 | a2 z2 | e2 z2 | a2 z2 | A2 z2 | a2 d2 | eE A2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext center %% Each Strain twice %%endtext %%begintext align %% First Cu. cast off one Cu. and turn .| %% the 2d Cu. the same :| %% First Cu. gallop down the middle, up again and cast off .| %% 2d Cu. do the same :| %% First Cu. cross over and half figure .| %% Right and Left with the 2d Cu. :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Lady' Triumph %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (77) N: Repeats added to satisfy the "Each Strain twice" instruction. Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - DE |\ F2A2 A2=B^c | d2A2 A2f2 |\ e2d2 e2^c2 | d6 :|\ |: fg |\ a2f2 f2ga | g2c2 c2de | f2d2 d2ef | e2A2 A2FG |\ AGAB AGFG | AGAB A2f2 |\ e2d2 e2^c2 | d6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. set and cast off into the 2d Cu. Place .| %% The same back again :| Then go thro the 2d and 3d %% Cu. and turn your Partner in the 2d Cu. Place .| %% Figure thro the 2d Cu. and turn your Partner :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Lady Cullen P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.74 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The dance is in 4 sections, with two columns; ## used to mark the 2nd column. N: A B-sharp in the last bar supports the idea that this was in D minor, with one flat, though the key signature is empty. N: Should the last c have a sharp? And both parts should obviously be repeated (each strain twice for its column). M: C| L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ A2 A2 f3 f | gf ed ^c3 c | d2 d2 A2 f2 | e4 d4 ][ \ A2 A2 c3 c | F3 G A3 c | B2 G2 G2 G2 | A2 =Bc d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up all a D. and back .| That again :| %% ## %% Set and turn S. .| That again :| %%endtext %%sep 1 1 300 %%begintext align %% First cu. cross over, and fall on the out-side into the %% 2. place, and change places .| The first four hands all %% a-breast, and lead up to the presence, and fall back .:| %% ## %% Right-hands a-cross and go round all four .| %% left-hands a-cross and go round, back again :| %%endtext %%sep 1 1 300 %%begintext align %% First Cu. cast off, and fall into the 2. place, slip between %% the 2. cu. the 1. man standing before the 2. man, and %% the 1. wo. before the 2. wo. .| The 2. cu. cast off, and %% fall between, the 1. stand as before :| %% ## %% The 2. cu. take both hands and slip up, %% whilst the 1. cu. take both hands and slip %% down, holding hands still, both cu. slip %% together .| Set and turn S :| %%endtext %%sep 1 1 300 %%begintext align %% First cu. cross over and fall on the out-side in the second %% place .| The first four hands a-breast and lead up to the %% presence, and back again :| %% ## %% Each face to his own and clap your hands, %% we. arms whilst the men arms .| Arms each %% other with his own, the 1. cu. in the 2. %% place, and the 2. cu. in the 1. place :| %% [DMDfD] %%endtext %%sep 1 1 300 %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Lady Day P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.75 #107 (149) Z: 2013 John Chambers <jc:trillian.mit.edu> B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.21 N: Repeats added to satisfy the "Each Strain is to be play'd twice over" instruction. N: There are odd underscores several places before "side", the meaning isn't clear. M: C| L: 1/8 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - FE |\ (DE) F2 F2 B2 | G4 G2 (FE) | (DE) F2 F2 (de) | c4 c2 FE |\ (DE) F2 F2 B2 | G4 g4 | (fg) (fd) c2 B2 | B6 :| |: FE |\ D2 B,2 (DE) (FD) | E2 C4 D2 | (ED) (EF) (GA) B2 | A2 c4 f2 |\ d2 (ed) (cB) (cA) | B2 (AG) F2 f2 | (ga) b2 (a3 g/a/) | b6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Note: Each Strain is to be play'd twice over. %%begintext align %% First Man take Hands with the 1st and 2d We. half round; We. break Hands, %% and cast off; turn the 1st Wo. into the 2d Wo. Place, 1st Man at the same %% Time turn the 2d Man into his Place, then the 2d Man take Hands with %% the two We. and do as before, 1st Cu. being in their own Places, slip down %% the Wo. within _ side, and the Man without _side) into the 2d Cu. Place, %% they slip up at the same time; turn single all four, right and left into %% their own Places; then slip down as before, the Man within _side, and the %% Wo. without side, turn single, and Men turn by themselves, the Wo. %% doing the like at the same time. %% [CCDM1] %%endtext %%sep 1 1 300 %%begintext align %% First man take hands with the 1. and 2. wo. half round; wo. break hands, and cast off; turn the %% 1. wo. into the 2. wo. place, 1. man at the same time turn the 2. man into his place; than [sic] the 2. man %% take hands with the two women, and do as before; first cu. being in their own places, slip down, the %% we. within-side, and the man without side into the 2. cu place, they slip up at the same time; turn %% single all four, right and left into their own places, then slip down as before, the man within-side, and %% the wo. without-side, turn single, and men turn by themselves, and wo. doing the like at the same time. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Lady Mackentashes Reel N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.3:15 M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 ((3f/e/d/) | c2cG A2Af | ((3fed) ec A2AB | cBcG ABcd | ecdB G2G :| |: f |\ efge fddf | Te>fge A2Af | e>fge afdf | ecdB G2G :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z | c'2c2 f2d2 | B2c2 f2d2 | e2c2 fgab | c'2g2 G3 :||: b | c'2c2 g2b2 | c'2c2 f2d2 | c2e2 f2d2 | c2g2 G3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st & 2d Cu. right hands across quite round .| %% Left hands back again :| %% cross over one Cu. & turn .|. %% lead up to the top & cast off :|: %% foot it Corners & turn :|| %% lead outsides & turn :||: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Lady of pleasure P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.133 "N" Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - e/f/ |\ g2G B2c | dD2 F2G |\ ABc Bcd | A3 G2 |]\ G |\ Bd2 g2f | efg a2^c | def g>a g/f/ | e3 d2(e/f/) |\ (g/f/) (e<d) B2(A/B/) | (c/B/) (A<G) F2G |\ ABc Bcd | A3 G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First man and 2. wo. cross over into the 2. cu. place, then all four take hands and lead up a-breast, %% then 2. man cross over with the 2. wo. and 1. man in the 2 wo. place, then 1. man cross over with %% the 2. wo. and 1 wo. cross over with the 2. man, then set to each other and cast into the 2. cu. place, %% then 2. cu. go the Figure below the 3. cu. into the 2. cu. place, and each cu. turn their own. The %% rest do the like. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Lady Tersichens Rant T: Lady Terfichens Rant N: It's not clear whether that's an f or a short s; both spellings are used in various dance lists. %R: reel P: Longways for as many as will. B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.10 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 is reformatted as 4-bar lines/staffs. V: 1 |: EEGE A/A/A AB | EGGB c/c/c ce | dB gB A/A/A AB | EcBA G2D2 :| |: gdge agab | gadf g2d2 | gdge agab | gadf g2 (g/a/b) | gegB A/A/A AB | EGGB c/c/c ce | dBgB A/A/A AB | EcBA G2D2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff breaks. V: 2 clef=bass middle=d |: e2e2 a2a2 | e2e2 a2a2 | g2g2 d2d2 | e2e2 d4 :| g2G2 d2D2 | BcdD G4 | g2G2 d'2B2 | bc'd'd g2G2 | g2G2 d2D2 | e2E2 a2A2 | g2G2 d2D2 | e2e2 d4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Foot it cross - ways, first Cu. cross over two Cu. lead up to the top and foot a little, case off %% one Cu. foot it and Back to Back, and right hands and left with the uppermost Cu. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Lambeth Ferry %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (127) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - c2 |\ A2c2 f2a2 | g4 g2ba | g2G2 G2c2 | A4 A2c2 |\ f3e defd | g2 e4 fg | agfe fedc | c6 :| |: e2 |\ f3g a2d2 | ^c2 A4 e2 | f2A2 f2ed | d4 d2cB |\ A2c2 f2d2 | g2 e4 fg | a2f2 c2e2 | f6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Man setts to the 2d Wo. then turn her with his %% right Hand then your Partner with your left Hand then %% your Partner does the same :| Then cross over and Figure %% in and right and left quite round then the single Figure %% at the Top and right Hands and left quite round with the %% 3d Cu. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Lambeth Wells P: Longways for as many as will %R: march, reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.226 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - BA "^:S:"|\ B2d2 c2e2 | A2c2 B2d2 | ed cB cd e2 | d2 cB AG ^F2 |\ G2AB A2c2 | B2 GA Bc de | d2cB AB c^F | G2D2 B,2G,2 | g2f/g/ a3g/a/ | b2a/g/ a3B/A/ | B3A/B/ c3B/A/ | B3A/G/ ^F2D2 |\ B,2D2 G2GB | dB df d2 B2 | g2d2 edcB | (cA) B^F G2G,2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man clap hands with his Partner and cast off, then lead through the 3. cu. and cast up in the 2. %% cu. place .| Clap hands and cast off below the 3. cu. and lead through between the 3. and 2. cu. into %% your own places :| %% The 1. man cross over with the 2. wo. and 1. wo. with the 2. man, then all four hands quite round .| %% Right and left with yur Partners quite round, till the 1. cu. come into the 2. cu. place. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Lane's Mggot T: Mr. Lane's Maggot T: Richmond Ball P: Longways for as many as will %R: reel, march B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.45 #84 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.211 "T 4" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain is to be play'd twice over" instruction. N: DMDfD has the "Mr." printed in the title, with handwritten "Richmond Ball or" above and "1728" to the right of the title. M: C| L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ a4 g4 | f2 gf e2 A2 | de fg e2 A2 | de fg e2 A2 |\ a2 ba g2 ag | f2 gf e2 A2 | de fg e2 ^c2 | d8 :| |:\ F2 A2 F2 A2 | F2 A2 F2 A2 | A2 GA F2 A2 | A2 GA F2 A2 |\ FG AG FG AG | FG AG FG Af | e2 d2 e2 ^c2 | d8 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain is to be play'd twice over. %%begintext align %% The 1st Cu. cast off and lead thro' the 3d Cu. then cast off %% and lead up thro' both Cu. and cast off into the 2d Cu. Place; %% the 1st Man being in the 2d Man's Place, turn the 1st Wo. %% with the right Hand, and fall into their own Places, the 1st %% Wo. being in the 2d Wo. Place turn the 1st Man, and so fall in %% to their own Places, then all four lead up and cast off into %% the 2d Cu. Place. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. cast off and lead through the 3. cu. then cast off and lead up through both cu. and cast off %% into the 2. cu. place: The 1. man being in the 2. man's place, turn the 1. wo. with the right-hand, and %% fall into their own places, the 1. wo. being in the 2. wo. place turn the 1. man, and so fall into their %% own places, then all four lead up and cast off into the 2. cu. place. %% [DMDfD] %%endtext %%sep 1 1 300 %%text Note: Each Strain is to be play'd twice over. %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Larry Grogan P: Longways for as many as will %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.47 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Should the parts be repeated? M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 c |\ BGB BGB | AFA AFA | (B/c/d)B AFD | GGG G2 |]\ =f3 edc | Bcd dBG | =f3 efg | AcA AcA |\ =f3 edc | Bcd dBG | (B/c/d)B AFD | GGG G3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ g3 G3 | d3 f3 | g3 d3 | G3 zz |]\ A2B c3 | G3 g2B | A2B cde | f3 d3 |\ A2B c2e | g3 B3 | G3 d3 | G3 zzz |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man take his own Wo. and the 2d Wo by their hands and to round 'till %% they come into their own Places, the 2d Man standing still, then the 1st Man & %% Wo with the 2d Man do the same the 2d Wo standing still, then fall back and turn %% then the two Men back to back, and the two We. back to back at the same time, %% then the 1st Cu. clap hands and cast off, the two Men clap hands on their side %% and the two We. clap hands on the other side; and so on to the next. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Lass of Perth %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #17 (9) Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ B2AG D2G2 | A2(GF) A2c2 | B2(AG) D2G2 | B3A B2d2 |\ c2e2 B2g2 | ABAG F2A2 | B2d2 (f3e/f/) | g2G2B2d2 :| |:\ g2(g/a/b) d2g2 | abag f2a2 | g2(g/a/b) B2g2 | B2(AG) B2d2 |\ c2e2 B2g2 | ABAG F2A2 | Bcd2 (f3e/f/) | gdBG B2d2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% The 1st Cu. cast off behind 2d Cu. and turn then 3d Cu. %% and draw in and out with the 2d and 3d Cu. till you come %% to your own Places .| the 1st Man change Place with the %% 2d Wo. the 1st Wo. do the same with the 2d Man :| then %% The 1st and 2d Cu. take hands half round and swing .| %% then Right and Left quite round into the 2d Cu. Place :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Last New Vagaries P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.311 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The rhythms aren't right at the strain boundaries. M: 6/4 L: 1/4 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ A2a e2c | e3 f3 | edc BA | B3 E3 |\ FGA GAB | ABc Bcd | cde e2^d | e3-e3 |] B |\ G3B F2B | E3 B3 | edc d2e | f3-f2g |\ a2c f2B | e2A G2B | edc B2A | A3 A2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man casts off and goes to the third wo. and kiss her, and return to his Place .| The 3. man cast %% up and goes to the 1. wo. and kiss her, and cast off to his own place :| The 1. cu. lead down the middle %% and fall in between the 2. and 3. cu. and lead the 2. and 3. cu. to the wall .| Then cast up and cross %% over and meet and set in the 2. cu. place and turn :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Laundry T: Hot Pot N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.1:2 M: 2/4 L: 1/16 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ GABc d4 | g2g2 e4 | d2z2 B2z2 | AGAB G4 :|\ |:\ g2g2Te2d2 | g2g2TA2G2 | g2g2f2f2 | egfe d4 |\ GABc d4 | g2g2 e4 | d2z2 B2z2 | AGAB G4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: g4 g4 | b2g2 c'4 | b2z2 g2z2 | f2d2 g4 :| |: b4 c'2b2 | b4 f2g2 | b2g2d'2f2 | g2a2 defd | g4 g4 | b2g2 c'4 | b2z2 g2z2 | f2d2 g4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The First Cu. cast off one Cu. and turn .| %% Cast off another Cu. and turn :| %% Lead up to the top foot it and cast off .|. %% Hands round four with the Third Cu. Right and left at top :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Leister House N: Pub: J. Walsh, London, 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.84 #344 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:84 #344 Z: 2012 John Chambers <jc:trillian.mit.edu> N: The 2nd part has a begin-repeat but no end-repeat. N: Bar 3 had 4 quarter notes; changed to eighth notes. M: 2/4 L: 1/16 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ (gfed) c2a2 | (gfed) c2g2 | {f}e2dc B2c2 | d4 G4 |\ (gfed) c2a2 | (gfed) c2e2 | A3c BcdB | c4 C4 :| |:\ (GFEF) G2c2 | (GFEF) G2c2 | A2c2 ^F4 | G4 G,4 |\ a2^f2 g4- | g2e2 f4 | e2dc BcdB | c4 C4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ c4 c4 | c4 c4 | c2a2 g2^f2 | g4 g4 |\ c4 c4 | c4 e4 | f2d2 g2G2 | c8 :| |:\ c4 e4 | c4 e4 | f4 d4 | g4 G4 |\ d4 z2e2 | c4 z2d2 | e2f2 g2G2 | c8 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. foot it and cast off one Cu. and turn the 2d Cu. do the same = cast %% off and lead up a Breast with the 2d Cu. and cast off into the 2d Cu.s Place %% and Right hand and Left al round. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Leith Wynd N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.2:7 M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 g |\ (dB)(AG) (TED)(EG) | d2dB d3e | (dB)(AG) (TED)(EG) | e2ed e3 :|\ |: g |\ dega b2Ta>g | d2dB d3e | dega b2Ta>g | e2ed e3g |\ dega b2Ta>g | ded>B d2(e/f/g) | TdBAG EDEd | e2ed e3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ g2G2 c4 | B2G2 B2d2 | g2G2 c3d | e4 E3 :| |: e |\ g4 G4 | g4 b3c' | b4 g4 | c4 c'4 | b4g4 | G4 B2c2 | B4 c3d | e4 E3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First and 2d Cu. foot it, and Right hands and Left half round .| %% the same back again :| %% cross over two Cu. lead up to the top, foot it and case off .|. %% hands round four with the 3d Cu. Right hand & Left as top :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Let's shak her Weall P: Longways for as many as will N: A variant of "The Wood of Fyvie" %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.26 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd part has initial repeat but no final repeat. N: Fixed incorrect length of V:2's final low Gs in both parts. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 g |\ dG BG ABce | dG BG dG BG |\ dG BG ABce | dB ge d2 G :| |: e/f/ |\ g/f/e/d/ B/c/d/B/ ABce | g/f/e/d/ B/c/d/B/ g/f/e/d/ B/c/d/B/ |\ cg Bg ABce | dB ge d2 "G"G :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z | g2G2 A2a2 | g2G2 g2G2 | g2G2 A2a2 | g2c2 d2G :| |: z | g2G2 A2a2 | g2G2 g2G2 | a2g2 d2c2 | B2c2 d2G :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man turn his Partner half round and foot it. then hold both hands and pull %% round the 2d Wo. into the 2d Cu Place. the 2d Cu do the same .| The 1st and 2d Cu. %% take their Partners by both hands. then one slip up and the other down. and back %% again, then fall back and surn S. the 2d Cu slip up the middle, and the 1st Cu. %% down. the 1st Cu slip up the middle, and the 2d Cu. down. then the 1st Cu cast off into %% the 2d Cu. Place, and the 2d Cu. lead up. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Lewis Castle P: Longways for as many as will %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.87 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (67) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. N: CCDM2 has a high g rather than B for the 4th note in bar 11; the tunes are otherwise identical. N: The dance descriptions differ only in capitalization, and CCDM2 spelling "across" as "a Cross". M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ GAG Bcd | g3 b3 | bag fga | d3 c3 |\ BAG Bcd |^c2d efg | fed Ad^c | d3- d3 :| |:\ DFA dcB | c3 B3 | edc BAG | FGA D2B/c/ |\ (dB)g (dB)g | BcB ABc | BAG DGF | G3- G3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ G3 z2z | gdB GBd | f3 d3 | fed e2f |\ g3 G3 | A2B ^c3 | d2g a2A | d2c BAG :| |:\ d3 f2g | agf g2G | c3 G3 | d3 c3 |\ G3 z2z | G3 d3 | G2c d3 | G2A BAG :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% The 1st & 2d Cu. hands round, the 1st Cu. casts off & hands round with 3d Cu. %% then lead up between the 2d Cu. & cast off. Foot it all four, the 1st Man to %% the 2d Wo. and the 2d Man to the 1st Wo. hands all four across quite round, %% then clap with your Partner 4 times & lead thro' the 3d Cu. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Lilli Burlero P: Longways for as many as will %R: jig B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.19 #38 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.156 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> N: The time signature is 3/4, but that doesn't agree with the bar lines. M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ G>AG B2B | A>BA c3 | BdG c2B | AGF G3 |] g2f g2d | =f2=f e2d | e^fg g2d | edB A3 | (ed)c (Bc)d | (edc) (Bc)d | edB c2B | AGF G3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man lead his Partner down thro' the 2d Cu. %% and cast up to his own Place, and then the 2d Cu. lead %% up thro' the 1st Cu. and cast off into their own Places %% then 1st Man cross over with the 2d Wo. and the 1st %% Wo. with the 2d Man, then fall back and meet and %% turn S. then cross over, and the Men Back to Back, %% the We. at the same Time doing the like; then the %% two Men right and left, the We. at the same Time doing %% the like, 'till the 1st Cu comes into the 2d Cu. %% Place. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Lincoln's Inn T: Lincolns-Inn P: Longways for as many as will %R: reel, march B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.67 #97 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.297 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain play'd twice" instructions. M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - f |\ f4 A3B | cBAG F2f2 | g2a2 b2g2 | a2f2 f2a2 |\ g>f e>f g>a g2 | f>e d>e f>g f2 | e>d c>d d3 c | c6 z :| |: g |\ g2e2 a3a | e>f e>d ^c2 (BA) | d2e2 (fg)(ae) | e4 d2z2 |\ g2d2 e2z2 | f2c2 d2z2 | b2g2 c'2fg | g4 f3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain is to be play'd twice over. %%begintext align %% The two 1st Cu. take Hands and go all four quite round, then %% the 1st Man go Back to Back with the 2d Wo. then all four hands %% quite round Back again, and the 1st Wo. and 2d Man go back to %% Back :| The 1st Cu. take Hands and go half round and back %% again, then right and left, then lead down the 3d Cu. and thro' %% the 1st Cu. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First take all four hands quite round, then the first man goes back to back with the second woman, %% then all four hands quite back again, the first woman and second man goes back to back. The first cu. %% takes both hands and half round and back again, then right-hands and left, then lead down the third cu. %% and then through the first cu. Each Strain play'd twice. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Lincoln T: Bolton P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.23 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. N: The rhythms aren't quite right at the strain changes. Should the last note of the first strain be C? M: 6/4 L: 1/4 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ c>Bc g2e | f>ga (ge)c | B3 GAB |\ c2E e>Bc | d>ed (BG)B | c3 D3 :|\ |: G |\ E2G (GE)G | A2c (cA)d | B3 G3 |\ E2G (GE)G | A/B/cA B/c/dB | c3 C2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%text First man on the wo. side %%sep 1 1 300 %%begintext align %% First cu. cast off, 2. cu. lead up into their places, set to your own, and turn S. all four; 2. cu cast %% off, 1. cu. lead up as before, set and turn S. 1. Man go within-side, round about the 2. wo. and the %% 1. wo. go without-side round the 2. man at the same time; then the 2. wo. go within-side round the %% 1. man, and the 2. man without-side round the 1. wo. as before, right-hands with your own, then %% left-hands with the contrary. %%endtext %%sep 1 1 300 %%text Note: Each Strain is to be play'd twice over. %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:48 T: Liverpool Jigg M:6/4 L:1/4 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:D a/g/ | f>ga b>ag | g>fg efg | a>ga Bed | c2AA2a/g/ | f>ga b>ab | g>fg e>fg | a>gf eca | f2dd2 || e/d/ | c>def/g/af | ecaB2c | d>cdBed | c2AA2B/c/ | d>cdBcd | g>fe/d/c>de | a>gfed/c/B/A/ | d2DD2 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Londons Glory %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (128) Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - e2 |\ f3e d2e2 | A2d2 d2e2 | f2g2 a2gf | (gf) (ed) ^c2e2 |\ f3e d2e2 | A2d2 d2f2 | a2(gf) e3d | d6 |] AB |\ (cd) (cA) (cd) (cA) | c2F2 F2(Bc) | (dB) (dB) (dB) (dB) | d2G2 G2ef |\ (gf) (ef) (gf) (ef) | (gf) (ef) ^c2a2 | f2ed e2^c2 | d6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. cross over and turn then cross over and %% Figure at the Bottom and turn then right and left at the %% Top then turn it out with your Partner. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: London's Loyalty P: Longways for as many as will %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.148 #196 (296) S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.33 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Irregular beaming fixed to show 3/2 rhythm more clearly. N: DMDfD lacks the accidentals in the last measure (but has the C sharp in the 2nd measure). M: 3/2 L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ D4 dcdA G2F2 | E3F GFED ^C4 | D4 dcdA G2E2 | F2ED EDEC D4 |] c4 e2c2 efg2 | e2 g4 c2 g4 | defg a2d2 fga2 | d2 a4 d2 a4 | gfed c2g2 ABcA | GFED C2c2 E4 | F2EF G2FG A3A | =B^cd2 d3^c d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first Cu. lead up, and the 2d Cu. lead down, then the %% Men lead out, the Wo. do the same, then sett all four %% and turn single .| Then Hands half round and foot it, %% and back again; then lead thro' the 2d Cu. cast up, and %% cross over; then half figure, and lead thro' the 3d Cu. %% and cast up and turn :| %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% The first couple lead up, and the second couple lead down, then the men lead out, the women do %% the same, Then set all four and turn single .| Then hands half round and Foot it, and back again, %% and lead through the second couple, and cast up and cross over, then half Figure and lead through %% the third couple and cast up and turn .:| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: London Scotch Measure %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #13 (7) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - ED |\ C3E G3c | GECE GAcE | F3c GEcE | D2 d4 ed |\ AGEG cBAc | GABc e2(dc) | efga gedc | A2 c4 :| |: ef |\ gfga gfed | fefg a2gf | e2dc efge | f2 d4 AB |\ cBAG AGFE | FDdc B2AG | AcGc EGDG | E2C2 C2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% The 1st and 2d Cu. Hands across quite round and turn all %% single then hands across back and turn .| then 1st Man %% and 1st Wo. back to back and lead thro the 3d Cu. and %% thro the 2d Cu. and right and Left quite round with the %% 2d Cu. and turn your Partner :| The 2d Cu. being at top %% Lead down to the Bottom and foot it . then both dance up %% again back to back and turn :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Lord Byron's Delignt P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.76 #110 (152) Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - A |\ (af) (fc) f2 (ba) | g2 (fe) c3 a | (af) (ge) (fa) (gb) | a2 (gf) f3 |] f |\ (ge) (fg) a2 (gf) | (ge) (fd) ^c3 a | (bg) (af) (ge) (fd) | d3 ^c d2 zb | (ba) (ag) (gc) za | (af) (fd) (dB) zg | (ge) (ec) (cA) (Bc) | A2 (GF) F3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%center NOTE: Only about half the dance description is legible; the following includes some guesses: %%begintext align %% The 1st Man turn the 2d Wo. with his right Hand, and %% ??? Partner with his left .| The 1st Wo. do the same %% :| The 1st Cu. take Hands and lead through the 2d Cu ?? %% ?? again, then cast off into the 2d Cu. Place, and ??? %% and left with ?? Partners quite round, then the Figure %% of 8 quite round .| Then right and left with your Partners %% again, which brings the 1st Cu. into the 2d Cu. Place. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Lord Byron's Maggot T: My Lord Byron's Maggot P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.78 #117 (155) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.245 "Y 3" Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A |\ AFA AFA | AFA A2d | dAd dAd | dAd d2d |\ fga efg | fga efg | fga a2^g | a3- a3 |]\ a |\ fdd gee | fdd gee | fdd g>a (g/f/) | e3- e2f/g/ |\ a2z g2z | f2z e2z | f2z g2z | f2z e2a |\ f/g/ad eAa | f/g/ad eAa | f>ed ee2 | d3- d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man beckons the 2d Wo. to him, and she beckons %% him back again and turn .| The other do the same :| The %% two Men lead thro' the We. and clap Hands all four and %% cast off. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man beckons the 2. wo. to him, and she beckons him back again and turn .| The other do the %% same :| The two men lead through the women, and clap hands all four and cast off. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Lord Carnarvan's Jigg P: Longways for eight N: The page has "Iigg", but the ToC has "Jigg", the more modern spelling. %R: march, reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.74 #104 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.26 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats symbols added to both parts to match the alternate endings. N: The dance directions are formatted in two columns; ## is used to indicate the column separation. M: C| L: 1/8 K: Gmix % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ B2G2 Bcd2 | c2A2 AB cd | B2G2 G2G2 |g4 [1 d4 :|[2 d2 \ |: ef |\ gfed g3B | A2A2 c2dc | B2G2 b2a2 | g4 [1 d2 :|[2 d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up all a D. forward and back .| That again :| ## %% Each Man and Wo. go about each other, not turning your Faces .| That again :| %%endtext %%sep 1 1 300 %%begintext align %% First Cu. cross over and fall into the 2d Place on the outside the 2d Cu. the %% Men on the outside of the We. and the We. on the Men's Side .| Cross over %% again, and fall into the 3d Place :| ## %% Take Hands with your Wo. and leading %% her down between the last Cu. cast off all and meet above, the first Cu. in %% the first Place, the last Cu. in the 2d Place, and the 3d Cu. in the last Place .| %% Arms all :| %%endtext %%sep 1 1 300 %%begintext align %% Lead down forward and back .| That again :| ## Go about each other as before .| %% That again :| %%endtext %%sep 1 1 300 %%begintext align %% The lowest Cu. cross over as before :| ## Cast off as before. %%endtext %%sep 1 1 300 %%begintext align %% Lead up all a D. and back .| That again :| ## Go about each other as before .| %% That again :| %%endtext %%sep 1 1 300 %%begintext align %% The Uppermost Cu. cross over as before :| ## Cast off as before. %%endtext %%sep 1 1 300 %%begintext align %% Lead down forward and back :| That again :| ## Go about each other as before .| %% That again :| %%endtext %%sep 1 1 300 %%begintext align %% The lowest Cu. cross over as before :| Cast off as before. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Lord Hereford's Delight %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (188) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A |\ F>ED F>GA/B/ | A>GF/E/ D>EF | ECA, A,2F | ECA, A,2A |\ F>ED F>GA/B/ | A>GF/E/ D>EF/G/ | ECA, A,2C | D3- D2 :| |: f |\ e>d c/d/ e2a | e>f e/d/ c2c | d>cB B2A | A3- A2a |\ a/g/f/e/d dfa | Bcd cde | AGF Edc | d3 D2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% First Cu. clap hands and cast off then lead thro the 3d %% Cu. and cast up into the 2d Cu. Place then clap Hands %% and cast up and turn :| 1st Cu. slip down the Middle and fall %% back then the 1st Man take Hands with the 2d and 3d Men %% the 1st Wo. the same with the 2d and 3d Wo. then all %% change Places and then sett and change to your proper %% places :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Lord Mayor's Delight P: Longways for as many as will %R: B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.221 "U 3" Z: 2013 John Chambers <jc:trillian.mit.edu> N: The actual time signature is "3i". Both strains should probably be repeated. M: 3/4 L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ a2 g2 f2 | c2 f2 e2 | d2 b2 a2 | gf ga g2 |\ a2 g2 f2 | cd e2 c2 | fe dg e2 | f6 |] [|\ c2 B2 A2 | c2 B2 A2 | c2 g2 a2 | b4 g2 |\ ag fa gf | gf ed ec | d2 g2 e2 | f6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man cast off below the 2. man, then back to back with the 2. wo. and stand in the 2. man's %% place .| The 1. wo. cast off below the 2. wo. and go back to back with the 2. man, being in the 1. man's %% place, and stand in the 2. wo. place :| %% All four hands half round, then fall back and turn S .| Cross over with your own Partners, then the %% 1. cu. set to their own Partners and cast off :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Lord Phopington T: The New Lord Phopington N: See "The Pilgrim" for the first Lord Phopington (or Fopington) dance and tune. P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.273 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - G2 |\ E3D C2G2 | c6 d2 | e2(de) (fe) (dc) | d2 D4 G2 |\ E3D C2G2 | c6 d2 | e2(de) (fe) (dc) | e2 g4 |] d2 |\ B3A G2g2 | e6 dc | B3A G2G2 | f2 d4 G2 |\ (EF)G2 A2c2 | (Bc)d2 G2f2 | (ef)g2 d2f2 | e2 c4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. lead down through the 2. cu. and cast up, then go the half Figure .| The 2. cu. do the %% same :| The 1. man changes places with the 2. wo. and the 1. wo. with the 2. man, then all four %% hands quite round, which makes the 1. cu. in the 2. cu. place. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Lord what's come to my Mother %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (131) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ G2A BAG | d3 B2e | d>cB eEA | F3 D3 |\ G2A BAG | e3 d2g | fed e^c2 | d3- d3 :| |:\ A2B c>dc | B2e ^d2f | g>fe f^d2 | e3- e2B/c/ |\ dde dGA | Bc/B/ A/G/ ADf | gde d(c/B/) (A/G/) | G3- G3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Man turns the 2d Wo. then he and the 2d Man leads %% thro the 1st and 2d Wo. and so come in their own Places %% again .| Then the 1st Wo. begins and does the same :| then %% both cast off and clap twice and cast up to the Top then %% right and left quite round then cast off and double %% figure between the 3d Cu. and so turn it out. %% [CCDM2] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Love for Love: Danc'd in the Play P: Longways for as many as will %R: march, reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.212 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the dance instruction. The first strain has 7 bars; the second strain has 10 bars. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - d2 |\ g2G2 Bcd2 | d3e =f2A2 | ABc2 c3d | efge d3c | BcdB A3G | FGAB (AF) (ED) | D6 :: A2 | ABD2 F2A2 | BcE2 G2B2 | e2fg B2e2 | e6 fg | a2A2 A3B | cBcd e3=f | e2E2 E3F | GFGA B2d2 | g2G2 (Bc)d2 | g6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man put his wo. from him, and the 2. man pull his wo. to him and set, then the 1. man and 2 wo. back to %% back and go round their Partners both on the left-hand at the same time, then the 2. man and 1. wo. turn right-hands %% round, to the Figure of a Diamond. This to the first Strain played once. The 1. man turn the 2. wo. and right-hands %% round, then each to their own Partners and left-hands round till they come to the Diamond again. This to the first Strain %% played twice. Each man cross over with his own wo. with their left-hands one to the other; then back again to the left %% till they come all on a row longways, then clap both hands against each other; the 1. man cast off to the left-hand and %% his wo. follow him, the 2 wo. cast off to the left-hand and her man follow her, then each cross over with his own Partner, %% the 1. cu. being in the 2. rank. This to the second Strain played once. Then move to the left-hand to each others places %% and clap hands, the same back again, then right and left twice, each beginning with his own Partner; then hands %% half-round to the left. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Love in a Mask %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (166) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to match the dance directions M: 3/4 L: 1/8 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ f2edcB | A2B2c2 | F4E2 |\ DEF2B2 | e2d4 | c6 :|\ |:\ c2dcBA | G2g2f2 | e4d2 | cdedcB | A2B2c2 | F6 |\ f2edcB | A2B2c2 | F4E2 |\ DEF2B2 | e2c4 | B6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Note The 1st strain is to be play'd twice and the last but once %%begintext align %% The 1st Man and 2d Wo. do the Minuet Step and turn %% each other proper .| The 2d Man and 1st Wo do the %% same :| The 1st Cu. go the Figure thro the 3d Cu. %% and turn each other in the 2d Cu. Place :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Love lies a bleeding P: Longways for as many as will %R: hornpipe, rant B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.40 #74 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.109 "L" Z: 2013 John Chambers <jc:trillian.mit.edu> N: There's an extra 1/8 note between the two strains. The strains should probably be repeated, but neither dance says this. M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - [| G>A B>c d2 G2 | g2 ^f>g a2 d2 | b2 a>g f>e d2 | c>d B>c A2 G2 |]\ A | B2 G>B c2 F>c | B2 G>d c2 B2 | f2 f>e d>c B>B | c>d B>c A2 G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to the Presence, then to your We. Lead up %% all forward and back, that again. %%endtext %%sep 1 1 300 %%begintext align %% The 1st Man and Wo. cast off into the 2d Cu. Place and %% meet, then go round each other Back to Back, and cast %% off into your Places, then do the same-over again .| %%endtext %%sep 1 1 300 %%begintext align %% Then the two Men clap Hands with each other, and the %% two We. with each other, and then with your Wo. then %% the 1st Cu. cast off into the 2d Cu. Places, and clap %% Hands as before, then turn your own Wo. once round, %% and so to the End :| %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to the Presence, then to your We. Lead up all forward and back, that again. %%endtext %%sep 1 1 300 %%begintext align %% The 1st man and wo. cast off into the 2d cu. place and meet, then go round each other back to back, and %% cast off into your places, then do the same-over again. This to the first Strain of the Tune. %%endtext %%sep 1 1 300 %%begintext align %% Then the two men clap hands with each other, and the two we. with each other, and then with your %% wo. then the 1st cu. cast off into the 2d cu. places, and clap hands as before, then turn your own wo. once %% round, and so to the end. This to the second Strain. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Lucky Dick N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> N: The 2nd part has a begin-repeat but no end-repeat. S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.69 #329 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:69 #329 M: 6/8 L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ A2a g2f | edc B3 | c2d ecA | G2A BGE |\ A2a g2f | edc B3 | c2d edc | BAG A3 :| |:\ E2G B2e | d2c B3 | ecA e2a | g2f e3 |\ fdB df2 | ecA ce2 | dBG AdB | {c}TB3 A3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ A3 e3 | c2A e3 | a3 a3 | e3 e3 |\ A3 e3 | a2A e3 | a3 a3 | d2e A3 :| |:\ e3 g3 | b2a g2e | a3 c'3 | e'2d' c'2a | d'3 b3 | c'3 a3 | b3 c2d | e3 A3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Man Hey with the 1st and 2d Wo. then the 1st Wo. Hey with the 1st and 2d Man || %% Cross over two Cu. lead up to the top and cast off || %% [CCD2] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Lumps of Pudding N: "a Scots air" handwritten after title in DMDfD. P: Longways for as many as will %R: B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.23 #43 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.251 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to match the dance instructions. M: 6/4 L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - A2 |\ B4 G2 B3g f2 | d2c2 d2 G4 AB | A4 F2 A3f d2 | c3B AG F4 fg |\ a2g2f2 d2g2f2 | d3c B2 f4 d2 | (cd)(cA) (G^F) G3A Bc | d4 B2 G4 :| |: A/B/c |\ d2 (Bc)(dB) d2 (Bc)(dB) | d2 (Bc)(dB) G4 AB | c2 (AB)(cA) c2 (AB)(cA) | c2 (AB)(cA) F3A Bc |\ d2 (Bc)(dB) d2 (Bc)(dB) | d2 BcdB f4 d2 | (cd)(cA) (G^F) G3A Bc | d4B2 G4 :| |: dc |\ B2d2 g2 B2d2 g2 | B2d2 g2 G4 AB | A2c2 f2 A2c2 f2 | A2c2 f2 F4 dc |\ B2d2 g2 B2d2 g2 | B2d2 g2 f4 d2 | (cd)(cA) (G^F) G3A Bc | d4B2 G4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. lead through the 2d Cu. and turn single, to the first Strain once. The %% 2c Cu. do the same, to the first Strain twice. The 1st Cu. go the whole Figure of %% Eight, to the second Strain once. The 2d Cu. do the same, to the second Strain twice. %% All four clap Hands with your Partners, to the third Strain once. Then clap Sides %% lead through, and cast off, to the third Strain twice. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. lead through the 2. cu. and turn single .| The 2. cu. do the same :| The 1. cu. go the whole Figure of Eight .| %% The 2. cu. do the same :| All four clap Hands with your Partners. The third Strain once. Then clap sides and lead %% thorow and cast off. To the third Strain played twice. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Luxborough P: Longways for as many as will %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.98 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: C| L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 A2 |\ defe d2A2 | F6 E2 | FGFE DEFG | AGAB A2A2 |\ defe d2A2 | F6 E2 | FGFE DEFG | A6 :| |: c2 |\ fgag f2c2 | A6 d2 | bagf e2d2 | c6 A2 |\ agfe fed^c | d^cBA BAGF | GFED A2A,2 | D6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z2 |\ B4 z2^c2 | defe d2A2 | D4 B4 | A8 |\ z4 z2A2 | defe d2A2 | d4 B4 | A6 :| |: z2 |\ z4 z2c2 | fgag f2d2 | G4 A2B2 | A2ab agfe |\ f4 a4 | d4 G4 | g2ab a4 | d6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% The 1st & 2d Cu. set across & Jigg it all 4 round single .| %% then set again & Jigg it round & turn to your own Places :| %% then cross below 2d Cu. & turn & up again to your own Places .| %% then the 1st Man change Places with the 2d Wo. & the 1st Wo. with the 2d Man, then Hands half round and cast off :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Luxenburgh P: Longways for as many as will %R: jig B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.9 #21 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> N: 2nd part has initial repeat but no final repeat. M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - D |\ G>AG G2A | B>cB B2c | d>ed c2B | A3- A2g |\ c>dc c2g | B>cB B2d | A>BG FDF | G3- G2 :| |: d |\ d>ed g2d | d>ed e2d | efg fga | f3 f>ga |\ ABc EA^G | A3- A2B | cBA A2^G | A3- A2A | A>BA AEA | F3 D2A | d2e dcB | A3- A2B |\ GFE cBA | FED BAG | FDG TG2F | G3 G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man cast off and turns the Wo. and casts up again into his %% own Place .| First Wo. does the same with the 3d Man :| The 1st %% Man turns his Partner with his Right Hand half round, and back %% again with his Left, then both cast off and lead through the 3d Cu. %% and cast up to the Top .| First Cu. cross over and half figure at %% Top, 1st and 2d Cu. Right and Left quite round. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Maclod's Rant N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.68 #328 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:68 #328 N: The 2nd part has a begin-repeat but no end-repeat. N: "Last Strain once" over second part; repeats adjusted accordingly. M: 2/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: B2 AG | G/G/G GA | B2 AG | A/A/A Ad | B2 AG | G/G/G GB | E/E/E EF | G/G/G G2 :| d>edg | d2Bc | d/d/d dg | d2Bc | d/d/d gd | c/c/c gc | B/B/B gB | A/A/A A2 | G>A Bd | E2 DB, | G/G/G Bd | E2 DB, | CDEF | Ge d2 | B2 AG | G/G/G G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: G4 | e4 | g2G2 | d4 | G4 | e4 | c2d2 | G4 :| g2g2 | g2G2 | g2g2 | g2G2 | b4 | a4 | g2G2 | d4 | z4 | zcBG | e2g2 | zcBG | c2c'2 | zc'bf | g2f2 | G4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. foot it and turn the 2d Cu. to the Top, then foot it and turn the 2d Cu, into their Places | %% Dance inside below the 3d Cu. cast up into the 2d Cu.s Place, take hands sideways, foot it and turn | %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Mac Donald's Rant %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (181) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The title has an apostrophe in the index but not on the tune page. Both have the space after "Mac". N: Each strain should probably be repeated to make the dance work to once thru the tune. M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [| FA2f/g/ afed | gfed BdBA | FA2f/g/ afed | (e/f/g) (f/g/a) e2e2 |] [| FA3 F>GAB | G/G/GG2 G>ABG | FA2B ABAF | GAFd TE2D2 |] [| FA2f/g/ afed | gfed BdBA | FA2f/g/ afed | (e/f/g) (f/g/a) Te2d2 |] [| fa3 f>gaf | g/g/gg2 g>abg | fa2b abaf | gafg e2d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. foots it and casts off .| Then foot it again and the %% Man casts off and the Wo. casts up :| figure contrary %% sides :| figure on your own sides :| foot it corners and %% turn .:| foot it the other corners and turn .:| Hey %% contrary sides :#: foot it to your Partner and turn. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Mac Foset's Farewell P: Longways for as many as will %R: strathspey B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.25 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/16 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 C2 |\ F3GF3A GGG2 G2A2 | F3GF3A D4C4 |\ F3GF3A GGG2 G2A2 | F2EF GFED C6 :| |: c2 |\ FFF2 c2A2 d2G2G2A2 | FFF2 c2F2 D4 C2c2 |\ FFF2 c2A2 d2G2G2A2 | F2EF GFED C6 :| |: c2 |\ A2F2B2G2 c2A2d2B2 | F2D2 B2E2 E3DC3c |\ A2F2B2G2 c2A2d2B2 | F2EF GFED C6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z2 |\ a4f4 c'4c4 | a4f4 g4c4 |\ a4f4 c'4c4 | d4g4 c6 :|\ |: z2 | f4F4 B4G4 | F4f4 g4c4 | f4F4 B4G4 | d4g4 c6 :|\ |: z2 |\ f4g4 a4b4 | d4g4 c8 | f4g4 a4b4 | d4g4 c6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up all. 1st Man change Places with the 2d Man and lead out. then lead in. %% the 1st Wo. doing the same ..| the Men and We. fall back, then meet and foot it. the %% 2d Cu being in the 1st Place, cast off, fall back, and foot it as before. and cast off %% do this to the last. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Madam Betty %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (148) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - e2 |\ cBA2 cdef | e2E2 E2c2 | B2A2 G2A2 | BABc B2ed |\ cBA2 cdef | e2E2 E2c2 | B2A2 GABG | A6 :| |: e2 |\ cde2 fefg | a2e2 e2fe | d2c2 B2A2 | e6 e2 |\ fgf2 efe2 | ded2 cdc2 | B2A2 eag2 | a2A2 A2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. go the whole Figure thro the 2d Cu. %% then cast off and lead with inside of the 3d Cu. and cast %% up into the 2d Cu. Place :| Then lead up thro the 2d %% Cu. and cast off then right and left Hands round and %% sett to your Partner and cast off :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Madge on a Tree P: Round for eight %R: waltz B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.14 #29 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.6 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> N: The actual time signature is "3I" N: The next-to-last bar has e sharp, but Walsh regularly uses sharps for naturals. N: The key is a big ambiguous between Bb and G minor/dorian. N: DMDfD lacks the flat signs in bars 1 and 9. M: 3/4 L: 1/4 K: _B % - - - - - - - - - - - - - - - - - - - - - - - - - G |\ B>c d/_e/ | fdB | cAF | c2A |\ B>cd | d>_ed | B>AG | d2G | B>c d/_e/ | fdB | cAF | c2A |\ Bcd | e^fg | ^f>=e^f | g2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Hands and meet a D. back again, sett and turn single .| That %% again :| Men meet in the midst, turn Back to Back, come to your %% Places, and turn to the co. We. .:| We. meet, turn Back to Back, %% come to your Places, and turn to your own :|.:| %%endtext %%sep 1 1 300 %%begintext align %% Sides all, sett and turn S .| That again :| Men go towards the %% left Hand before the co. We. and behind the next We. Meet and %% turn S :| That again to your Places :|:| Then the We. as much .:|.:| %%endtext %%sep 1 1 300 %%begintext align %% Arms all, sett and turn S .| That again :| Turn all the co. We. %% turn all the next We. .:| Turn all the next, turn all your own :|:| %% [CCDM1] %%endtext %%sep 1 8 500 %% - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Hands and meet a D. back again, set and turn S. .| That again :| Men meet in the midst, turn %% back to back, come to your places and turn to the cu. we. .:| We. meet, turn back to back, come %% to your places, and turn to your own :|.:| %%endtext %%sep 1 1 300 %%begintext align %% Sides all, set and turn S. .| That again :| Men go towards the left hand before the co. We. and behind %% the next We. meet and turn S. :| That again to your places :|:| Then the We. as much .:|.:| %%endtext %%sep 1 1 300 %%begintext align %% Arms all, set and turn S. .| That again :| Turn all the co. We. turn all the next We. .:| Turn all the %% next, turn all your own :|:| %% [DMDfD] %%endtext %%sep 1 5 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Mad Moll P: Longways for as many as will %R: slip-jig, triple hornpipe B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.112 #160 (224) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.234 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 9/4 L: 1/4 K: Am % - - - - - - - - - - - - - - - - - - - - - - - - - A | c>de (cA)A (cA)A | c>de (cA)A B2G | c>de (cA)A (cA)A | B>cd d>ed B2G |] [| c>de (ge)e (ge)e | c>de (ge)e f2d | c>de (ge)e (ge)e | B>cd d>ed B2G |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. take Hands and draw into the 2d Cu. Place, the 2d Cu. at %% the same Time Hands to the 1st Cu. Place; then each Cu. Back to %% Back with their Partners .| The 2d Cu. do the same, which brings %% the 1st and 2d Cu. as they begun .| All four right Hands across %% half round, then left Hands across back again to the same .| Then the %% 1st Cu. cross over above the 2d Cu. to the 2d Cu. Place, then go the %% whole Figure, which brings the 1st Cu. to the 2d proper. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% The 1. cu. take hands and draw into the 2. cu. place, the 2. cu. at the same time hands to the 1. cu. %% place; then each cu. back to back with their Partners :| The 2. cu. does the same, which brings 1. and %% 2. cu. as they began :| All four right-hands a-cross half round, then left-hands a-cross back again to the %% same :| Then the 1. cu. cross over above the 2. cu. to the 2. cu. place, then go the whole Figure of %% Eight, which brings the 1. cu. to the 2. proper. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Mad Robin P: Longways for as many as will %R: march, reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.185 "R 3" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Both strains should probably be repeated. M: C| L: 1/8 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ f3e d2g2 | f2B2- B2c2 | d2(ed) c2B2 | (cB) (AG) F2c2 |\ f3e d2g2 | f2B2- B2c2 | d2(ed) c2B2 | B4- B2 |][| f2 | b3a g2^f2 | g2d2- d2=e2 | ^f2g2 g3^f | g6 f2 |\ f2e2- e2d2 | g2d2 c2B2 | A2G2 c3B | B4- B2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man turn the 2. wo. with his right-hand, and his own Partner with his left, and cast off below the %% 2. man .| The 1. wo. turn her Partner with her right hand, and the 2. man with her left, and cast off %% below the 2. wo :| The 1. wo. cast up above the 2. man and slip down the middle, the 1. man go up %% between, and then cast off below and turn hands .| The 1. wo. go up the middle and cast off below the %% 2. wo. the 1. man cast up above the 2. man, and slip down the middle and turn his Partner :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Maids Delight P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.144 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Both parts should probably be repeated. M: 6/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - D |\ G2g (fg)d | c2B A2g |\ (fe)d (cB) A | A2G G2 |]\ A//B//c/ |\ d2c (Bc)d | (eg)f (fe)d |\ (ba)g (fe)d | c2B B2a |\ b2a (gf)=e | (=ea)g ^f2g |\ (dc)B (ed)c | A2G G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man go back to back with the 2. wo. and the 1. wo. go back to back with the 2. man, then 1. %% cu. cross over below the 2. cu. and go back to back with their own Partners, then cast up and cross %% over into the 2. place, and then clap hands and turn their own Partners. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Maid's last Wish P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.175 "Q 4" Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - g |\ e2d c2B | (cG)_B A2a | g2f (ec)e | g3 G2g |\ e2d c2B | (cG)_B A2f | e2d d2c | c3- c2 |] G |\ E2F G2c | (AF)c f2e | dcB A2d | B3- B2g |\ ec2 c'1g | _b3 a2g | fed d2c | c3- c2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man cross over with the 2. wo. and turn S. the 1. wo. cross over with the 2. man and turn S. the two %% men back to back, sides, the we. doing the same at the same time :| Then back to back with their Partners, %% and right and left with your Partner till the 1. cu. come into the 2. cu. place, then lead up through the %% 1. cu. and cast off into the 2. cu. place. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Maids Morris P: Longways for as many as will %R: reel, march B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.145 "O" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Both parts should probably be repeated. M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - G2 |\ c2c2 ABc2 | B2 d4 cB | c2A2 A2^f2 | g6 |]\ g2 |\ a2 f4 f2 | g2 e4 e2 | f2A2 A2d2 | B2G2 G2g2 |\ agf2 f2ef | gfed c2d2 | B2G2 g2e2 | c6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The two men take hands and fall back, then meet their Partners and turn S. the two we. doing the %% like afterwards. %%endtext %%sep 1 1 300 %%begintext align %% All four take hands and go half round and turn S. then half round and back again, then the double %% Figure, and the 1. cu. lead down the middle. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Maid in the Mill P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.32 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - A |\ d2e fcA | GAF c2A | def efd | a3- a2 |][| a | bag a2e | fed g2a |\ f>ef g/f/ed | ^c3- c2A | AGF E2D | D2d ^c2d | eAf e2d | d3- d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu cast off below the 2. cu. lead up all four hands a Breast; then all four hands half round, %% then right and left with your Partners till the 1. cu. come into the 2. cu. place. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Major P: Longways for as many as will %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.55 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: B2G GBG | dBG ABc | B2G GBG | cAF ABc :| |: B2d ded | efg gfg | B2d de=f | e2A ABc :| |: BAG g3 | dBG ABc | BAG =fe=f | cAF ABc :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: G3 z2z | G3 d3 | g3 B3 | A3 d3 :| |: G3 B3 | c3 B3 | G3 B3 | c3 d3 :| |: g3 BAG | g3 f3 | g3 B3 | A3 d3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% The 1st Cu. lead thro' cast up and cast off .| %% Then lead thro' the 3d Cu. and cast up and cast off :| %% Then the 1st Cu. lead thro' the Top .| %% Turn your Partner in the 2d Cu. Place :| %% then the 1st Man set to the 2d Wo. and turn single, then the 1st Wo. and 2d Man the same .| %% Back to Back and turn your Partner :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Manage the Miser %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (151) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. N: In bar 12, the f is ambiguous, and could be a 2nd e. M: 3/2 L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ f4 c4 d4 | c2 A4 c2 G2F2 | f4 d4 g4 | a2f2 d2g2 e2c2 |\ f4 c4 d4 | c2 A4 d2 =B2d2 | G2g2 agfe fedc | =Bcd2 G2=B2 c4 :| |:\ g4 e4 g4 | c2 f4 g2 a4 | bagf efg2 ^cde2 | A2a2 efga e2c2 |\ b4 d4 e4 | agfe defg e2c2 | f2c2 cd_e2 d=ef2 | efg2 c2e2 f4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Man cast off the 2d Wo. cast up the [sic] go the Figure %% of eight thro the other two .| The 2d Man cast off the %% 1st Wo. cast up and go the Figure as before :| Then all %% four Hands across and back again then right and left .| %% Then lead thro the 3d Cu. and thro the 2d Cu. and turn %% your Partner :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:23 T: Manchester Hornpipe M:3/2 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:FDor A2F4f2f2ed | e2B4A2G2FE | A2F4f2a2gf | f2c4B2A2GF || A2F2B2G2c2A2 | e2B4A2G2FE | A2F2B2G2c2A2 | f2c4B2A2GF || fgaf g2a2b2ag | a2gfg2a2=e2dc | fgafg2a2b2ag | f2c4B2A2GF || FGAF A2c2A2c2 | EFGEG2B2G2B2 | FGAF ABcA cd=ec | f2c4B2A2GF || f2F4fga2gf | g2E4gab2ag | a2F4Bc _d2cB | c2e4B2A2GF || c2f4g2a2gf | B2f4g2a2gf | A2f4g2a2gf | c2f4B2A2GF || fgaf gabg fgaf | g2e4B2G2FE | fgaf gaba fgaf | f2c4B2A2GF || ABc2Bc_d2c=de2 | B2G4A2G2FE | ABc2Bc_d2c=d=e2 | f2c4B2A2GF || %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Mansel P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.69 #105 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.3-8 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/16 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ G4 B4 d6 d2 | (g2d2) (c2B2) A6 B2 |\ c6 d2 (B2d2) (g2d2) | B4 A2G2 G8 |]\ B4 d4 g6 f2 | e4 ab (ag) f6 g2 | fgeg fgeg fgfg a3e | f4 (e2d2) d6 g2 |\ e2g2 d2g2 c2g2 B2g2 | e2g2 d2g2 c2g2 B2g2 |\ e4 d3c B3c (Bc) (dA) | B4 (A2G2) G8 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man sett and turn single, then turn the 2d Wo. .| %% First Wo. do the same :| Then 1st Cu. lead up and 2d Cu. %% lead down, then right and left quite round, clap and cast %% off, and double figure at the Bottom, then clap, lead up, %% and cast off. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man set and turn single, then turn the 2. wo .| The 1. wo. does the same :| Then the 1. cu. %% leads up and the 2. cu. leads down, then right and left quite round, clap and cast off, and double Figure %% at the bottom, clap and lead up and cast off. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Man-Tiger P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.327 "F f 2" Z: 2013 John Chambers <jc:trillian.mit.edu> N: The key signature has both high and low F-sharp, but only a high g-sharp without a low G-sharp. N: Some bagpipes have a similar high sharp 7th and a flat low 7th, so this may be significant. Or maybe not. M: C| L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - fg |\ a2 A4 e2 | c2 A4 fg | a2f2 b2a2 | g6 fg |\ a2 A4 e2 | c3d e2ba | g2e2 f2^d2 | e6 |] Bc |\ d2d2 d2fg | e2 c4 Bc | (dc) (BA) (Bc)d2 | G6 fg |\ a2 A4 e2 | f3e fga2 | G2A2 B2G2 | A6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man sets to the 2. wo. and turn single, and turns her .| The 2. man does the same :| Then %% cross over below the 2. cu. and go the Figure .| Then lead through the 3. cu. and turn your %% Partner :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Man was for Woman made P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.193 "S" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to satisfy the "first Strain twice" instruction. N: The rhythms aren't right between the strains, due to only the 2nd having a pickup note. (Not fixed.) M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ c4 e4 | d6 e2 | (fe) (dc) (dc) (BA) | G6 (gf) | (ef)g2 (GA)B2 | c6 :| GF | E2c2 G2E2 | G6 GF | E2c2 G2E2 | G6 GF | E2c2 G2E2 | G6 GF | E2c2 G2E2 | G6 G2 | c4 e4 | d6 e2 | (fe) (dc) (dc) (BA) | G6 (gf) | (ef)g2 (GA)B2 | c8 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The two men go to the two we. and bring them back into the middle of the Room, then all turn %% round S. into their places: then the two we. go to the two men and bring them back into the middle %% of the Room, then all turn round S. into their places. This to the first Strain played twice. %% Turn your Partners half round, and cast off to each others Partner and clap hands, then turn again %% each others Partners half round, then cast off and clap hands, then all cross over, the 1. cu. leading up, %% and the 2. cu. leading down; then the 1. cu. cast off, and the 2. cu. lead up. This to the second Strain %% played once. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Marble Hall N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.60 #320 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:60 #320 N: The 2nd part has a begin-repeat but no end-repeat. M: 9/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ G3 AcA BdB | G3 dBG gfg | A3 afa gfe | dcB ABG FED |\ G3 AcA BdB | G3 dBG gfg | A3 afa gfe | dcB AGF G3 :| |:\ b3 d2b afd | gfg efg fed | bgb afa geg | fdf e^ce d3 |\ G3 AcA BdB | G3 dBG gfg | A3 afa gfe | dcB AGF G3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ g3 g3 g3 | g3 g3 g3 | d3 d3 d3 | d3 d3 d3 |\ g3 g3 g3 | g3 g3 g3 | d3 d3 d3 | d3 d3 g3 :| |:\ g3 g3 f3 | e3 e3 d3 | g3 f3 e3 | d3 a3 d3 |\ g3 g3 g3 | g3 g3 g3 | d3 d3 d3 | d3 d3 g3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First and 2d Cu. half Right and Left .| %% the same back again :| %% Cross over and turn Proper .| %% Lead thro' the 3d Cu. foot it and turn out :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Marlborough P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.345 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The time signature is actually just "2", then just "3". N: The next-to-last bar is missing an 8th-note, fixed by interpreting the (fuzzy) e grace note as an initial e. N: Repeats not added, due to the ambiguities in doing so correctly. M: 2/2 L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ g2ef g2ef | gfga g2c2 | g2ef g2fe | dcde d4 |\ f2fg a2f2 | a2gf e3f | g2g2 g2fe | decd B2G2 | c3d (d3c/d/) | e3f (f3e/f/) | g2(cd) d3c | c8 |[M:3/4][L:1/8] g2 |\ e2 c2 g2 | e2 c2 g2 | a2 e2 (fe/f/) | g6 ][ d2 |\ e2 fedc | d2 G2 d2 | e2 fedc | d4 d2 | g2 d2 e2 | B3 c d2 | cB A3 G | G4 g2 |\ e2 c2 g2 | e2 c2 g2 | a2 e2 (fe/f/) | g4 g2 |\ agfedc | B2 G2 e2 | ed d3 c | c6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%text Note: Each Strain twice over. %%begintext align %% The 1. man and 2. wo. Set to each other, and then Figure the whole Figure round their own partners %% .| The other two do the same :| Then 1. man turns the 2. wo. cross with the Minuet Step, the other %% two the same; Then hands quite round; Then turn hands sides half round and back again; the 1. couple %% being at the top, both cast off and turn. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Marquiss of Carmarthen's Birth Day %R: reel B: John Walsh "Caledonian Country Dances" S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/5/50/IMSLP98359-PMLP202128-walsh_caledonian_country_dance_vol2.1.pdf p.29 #289 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:29 #289 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd part has initial repeat but no final repeat. M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ D2F2 F4 | F2A2 A4 | d2 f4 ed | edcB A4 |\ D2F2 F4 | F2 A4 A2 | {d}c2BA B2^G2 | A4 A,4 :| |:\ a2 A4 a2 | g2 A4 g2 | f2gf e2d2 | Tc2Bc A4 |\ d2 D4 B2 | A2 D4 f2 | {f}e2d2 e2c2 | d4 D4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ d4 d4 | d4 d4 | d4 d4 | A4 agfe |\ d4 d4 | d4 d4 | e4 E4 | A4 a4 :| |:\ a4 A4 | a4 A4 | d4 g4 | a6 g2 |\ f4 g4 | f4 d4 | a4 A4 | d4 D4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First and 2d Cu. Set all four, and Hands round all four, Set all four %% and Hands round back again. 2d Part. The 1st Man and 1st Wo. figure %% down, and turn your Partners, then Right and Left. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Marriage-Hater P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.183 "R 2" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to satisfy the dance instructions. M: 6/4 L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - D2 |\ G3AB2 (cA3)B2 | A4G2 ^F6 | (GA)B2G2 (AB)c2B2 | (AD3)^F2 G4 :|\ |: A2 |\ B3cd2 (dB3)d2 | (cA3)c2 B4A2 | (Bc)d2B2 (de)f2d2 | B4A2 B6 | def2d2 f3ed2 | (cA3)c2 B4A2 | (BG3)B2 A4G2 | ^F2G2A2 D6 |\ D=EF2F2 GAB2B2 | A4G2 f6 | d3cB2 (cA3)B2 | A4G2 g6 |\ f3ed2 (gd3)(cB) | A4G2 G4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man set to his Partner, then the two men turn asides, the two we. doing the like at the same %% time :| The 1. cu. cross over into the 2. cu. place, and all four turn S. then all four hands half round, %% then 1. cu. set to his Partner, and cast off into the 2. cu. place .| %% [DMDfD] %%endtext %%sep 1 1 300 %%text Note: The first Strain is to be played twice, and the second but once. %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Marybone Assembly N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.1:5 M: 12/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 c | BGB ADA BGB ADA | Bcd edc Tc3 B2c | BGB ADA BGB ADA | Bcd cBA G3 G,2 :| |: gab agf efg dcB | Bcd efg TB3 A3 | gab agf efg dcB | Bcd efg TB2A G3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z | g3 f3 g3 f3 | gab c'ba a3 g2d | g3 f3 g3 f3 | g2B c2d g3 G2 :| |: g3 d'3 c'3 g3 | g3 G3 d3 D3 | g3 d'3 c'3 g3 | g3 G3 d2D G3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. hey contrary sides .| %% then on your own sides :| %% lead down one Cu. up again and cast off .|. %% hands round Six :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Mask P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.148 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ cde2c2 d2B2G2 | ABc2E2 D4C2 | EFG2E2 G4G2 | cde2c2 d6 |\ cde2c2 d2B2G2 | ABc2E2 D4C2 | EFG2G2 ABc2c2 | efg2e2 c6 |] [|\ efg2e2 g2e2c2 | fga2f2 a4a2 | efg2e2 g2e2c2 | d2G2d2 d6 |\ efg2e2 g2e2c2 | fga2f2 a3gf2 | efg2e2 d2B2G2 | ABc2E2 C6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man go above the 1. wo. into the 2. wo. place, the 2. wo. into the 2. man's place, and the 2. man %% into the 1. man's place, then all four turn S. %%endtext %%sep 1 1 300 %%begintext align %% The 1. wo. go above the 2. man into the 2. place, the 2. man into the 1. wo. place, and the 2. wo. %% into the 2. man's place, then all four turn S. %%endtext %%sep 1 1 300 %%begintext align %% All four hands a-cross half round, then fall back and hands a-cross half round, then back again, then the %% two men and two we. lead to the wall at the same time, the other do the like, then all four meet, jump, %% and clap hands, then take hands half round, and so cast off, then lead down the other lead up, then all %% four meet and jump, and clap hands all together, then turn their own Partners. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Masquerade Royal %R: reel, march B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (47) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - G2A2 |\ B2G2 B2c2 | d4 d2cB | A2B2 c2d2 | B2G2 G2A2 |\ B2G2 B2c2 | d4 d2cB | A2G2 A2^F2 | G4 :| |: d2e2 |\ f2e2 f2g2 | f4 f2ed | c2d2 e2d2 | c4 dcde |\ d4 c4 | B4 G2A2 | B2G2 B2c2 | d4 d2cB | A2B2 c2d2 | B2G2 G2A2 | B2G2 B2c2 | d4 d2cB |\ A2G2 A2^F2 | G4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st four Hands half round and foot it then the other %% half round and foot it lead to the Wall and back again %% then all four turn single then lead up and back again %% the 1st Cu. slipping down into the 2d Cu. Place and turn %% Hands round. OR THUS The 1st Cu. turns %% single then lead down thro the 2d Cu. and cast up %% again .| The 2d Cu. do the same :| The ??? Cu. go %% the Hey .| Then the 1st Cu. cast off and ??? ??? :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: McFarland's Reel N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.2:5 M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 e |\ fA A/A/A (Te>dB)e | fA A/A/A Te2de | fA A/A/A e>dBg | {g}aefd Te2d :||: e | fdfd Te>dBe | fdfd Te2(de) | fdfd Te>dBg | aefd Te2d :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d A |\ d'2d2 g2G2 | d'2d2 a2d2 | d'2d2 g2G2 | f2g2 a2d :||: a | d'2d2 g2G2 | d'2d2 a2d2 | d'2d2 g2G2 | f2g2 a2d :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First and 2d Cu. foot it all four and Right hands across quite round .| %% foot it and Left hands back again :| %% Gallop down one Cu. up again and cast off .|. %% hands round Six :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Mermaid P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.108 #155 (215) B: "The Dancing-Master: Containind Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.105 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Illegible words on left edge deciphered using http://deriv.nls.uk/dcn30/8975/89752483.30.jpg N: The dance descriptions in DMDfD and CCDM1 are identical except for minor spelling and punctuation differences. M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - G/A/ |\ B>cd e>dc | BG2- G2A/B/ | c2E E>FG | F3- F2F/G/ |\ A>Bc B>cd | eE2 E>FG | F>GA A>GF | G3- G2 |] F/G/ |\ A2B AFG | A2A A>Bc | dBe e2^d | e3 g3 |\ dBG E>FG | AD2- D>dB | eA/B/c A2G | G3- G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to the Presence, then to your We. lead up forward %% and back, that again. %%endtext %%sep 1 1 300 %%begintext align %% The 1st Cu. give right Hands to one another, then their Left to the %% 2d Cu. and fall back, then Face to Face, then Back to Back with your %% own We., then the two We. cast off into their own Men's Places, and %% the Men follow them, making no Stop till they come into their own %% Places; then the two Men Back to Back, and the two We. Back to %% Back; the two Men put their right Hands across and turn the We. 'till %% you come into their own Places, and turn S. then the 1st Cu. cast off %% into the 2d Cu. Places, then into their own, and go the Figure of 8; %% then the Men take right Hands, and We. right Hands at the same %% Time, and turn round into the 2d Cu. Place, then turn your own %% with your left Hand, and so on 'till you come into your own Places. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Merry Christmas N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> N: The 3rd part has a begin-repeat but no end-repeat. S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/5/50/IMSLP98359-PMLP202128-walsh_caledonian_country_dance_vol2.1.pdf p.45 #305 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:45 #305 M: C| L: 1/8 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: c2 ((3cde) d2B2 | ABcA B2F2 | c2 ((3cde) d2B2 | ABcA B4 :| |: B,2B,2 C2C2 | FGFE D2B,2 | c2 ((3cde) d2B2 | ABcA B4 :| |: bagf edcB | ABcA B2F2 | c2 ((3cde) d2B2 | ABcA B4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: z4 b4 | f4 d4 | e4 g4 | f4 B4 :| |: B2B2 c2c2 | dedc B4 | z4 b4 | f4 B4 :| |: d4 e4 | f4 d'4 | a4 b4 | f4 B4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Man turns the 2d Wo. with his Right hand .| %% Their Partner does the same :| %% First Cu. cast off and turn .| %% First Cu. leads thro' the 3d Cu. and foot it :| %% First and 2d Cu. Right and Left quite round. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Merry Harry N: Pub: J. Walsh, London, 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.80 #340 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:80 #340 Z: 2012 John Chambers <jc:trillian.mit.edu> N: The 2nd part has a begin-repeat but no end-repeat. M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ G2d TB>AB | GBd gdB | G2d TB>AG | FAd AFD |\ G2d TB>AB | GBd gdB | (e/f/g)e (f/g/a)g | f3 g3 :| |:\ G2b afd | F2a ge^c | dfa bge | Te3 d3 |\ c2B cfa | B2A Bdg |Tfef gdB | TA3 G3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ g3 G3 | g3 G3 | g3 G3 | d3- d3 |\ g3 G3 | g3 B3 | c3 A3 | d2D G3 :| |:\ e3 d3- | d3 e3 | f3 g3 | a2A d3 |\ e2^g a2f | d2f g2e | d2c B2G | d2D G3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First and 2d Cu. Set to the Partners and Hands across half round the same %% again which brings each into their Places = Cast off and lead thro' the 3d Cu. %% and cast up into the 2d Cu.s Place, cast up to the Top and Right hand and %% Left half round which brings them into the 2d Cu.s Place. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Merry Milk-maids P: Longways for as eight %R: jig B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.16 #27 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.27 N: The dance is formatted in two columns; ## is used to indicate the column boundary. Z: 2012-2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - c |\ c>dc G2g | e3- e2c | c>dc G2_B | A3- A2F |\ F>G A/B/ c2A | d>c B/A/ G2g | e>fg d2c | c3- c2 |] c |\ e>fg g>ag | e>fg g>fe | f2g a2b | c'3- c'2g |\ c'2g e>fg | a2f d>ef | g2e c>de | d2B G>AB |\ c3 A>Bc | d3 B>AG | c>de d2c | c3- c2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up a D. forward and back, Set and turn S .| That again :| ## %% First and third Cu. meet your own, slip between the other, take %% Hands across and go round each four .| The other four as much :| %%endtext %%sep 1 1 300 %%begintext align %% Sides all, sett and turn S .| That again :| ## %% First Man cast off, go to the lower End and stay, the rest following, %% the We. as much, sett and turn S .| All that back again :| %%endtext %%sep 1 1 300 %%begintext align %% Arms all, Sett and turn S.| That again :| ## %% Men back, and go the S. Hey .| We. as much :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Mile End Assembly B: John Walsh "A Composite Music Volume" 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/5/50/IMSLP98359-PMLP202128-walsh_caledonian_country_dance_vol2.1.pdf p.43 #303 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:43 #303 Z: 2012 John Chambers <jc:trillian.mit.edu> N: The 2nd part has a begin-repeat but no end-repeat. M: 6/8 L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 f/e/ |\ f2c A2G | FAG F2f/g/ | a>ba Tg2f | efg c2f/g/ |\ afd gec | fdc =B2g/f/ | e>fg G>c=B | c2C C2 :| |: g/f/ |\ e2g c2a/g/ | f2a d2b | agf ed^c | d2d d2f/e/ |\ dfb cea | Bdg A2f/e/ | def c>fe | f2f f2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ a3 c'3 | d'3 z3 | f3 b3 | c'3 z3 |\ f2z e2z | d2z G2=B | c2e g2G | c3- c2 :| |: z |\ z2c'/b/ a3 | z2d'/c'/ b2g | a3 A3 | d3 z3 |\ b2e a2f | g2e f2d | B3 c3 | F3- F2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. cast off, 1st Man hands round with the 3d Cu. %% 1st Wo at the same time hands round with the 2d Cu. .| %% First Man Heys with the 3d Cu. 1st Wo. %% at the same time Heys with the 2d Cu. :| %% Six hands quite round .| %% First and 2d Cu. Right and Left quite round. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:27 T: Millers dance on the Windmill M:6/8 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 N:3/8 printe B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:D d3DFA | d3DFA | d3def | ecA aec | ecA aec | ecA aec | ecA EA^G | AECA,3 || a3 Ace | a3 Ace | a3efg | fda fda | fda fda | fda fda | fdf Adc | dAFD3 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Miller's Jigg P: Longways for as many as will %R: slip-jig, triple hornpipe B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.126 #190 (252) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.117 Z: 2013 John Chambers <jc:trillian.mit.edu> N: DMDfD is missing a dot on the last note of each strain. N: The dances are identical in CCDM1 and DMDfD except for minor differences in capitalisation, spelling and punctuation. M: 9/4 L: 1/4 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ c2G (EG)E (EG)E | c2G E/F/F>E D2_B |\ A2G (EG)E (EG)A/B/ | c>BA GE2 C3 |]\ e2c (e/f/)ge d/e/fd | e2d (c/d/)ef (ge)c |\ d2A B/c/de (dB)G | c2G E/F/F>E D2_B |\ A2G (EG)E (EG)A/B/ | c>BA GE2 C3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. take Hands and 2d Cu. take Hands, then 1st Cu. change into the 2d %% Cu. Place, and 2d Cu. into the 1st Cu. Place, then Back to Back with your own, %% and come to your Places the rest do the same. This to the first Strain of the %% Tune once over. %%endtext %%sep 1 1 300 %%begintext align %% The 1st and 2d Cu. take right Hands across and go half round, then left %% Hands across and go half round, and so Back to Back into their own Places, %% then 1st Cu. cast off into the 2d Cu. Place, then all four take Hands and go %% half round, then each Man cross over with his own Wo. and so into their %% own Places again, the rest do the same. This to the Second Strain. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First cu. take hands, and 2. cu. take hands, then 1. cu. change into the 2. cu. place, and 2. cu. into the %% 1. cu. place, then back to back with your own, and come to your places; The rest do the same. This %% to the first Strain of the Tune once over. %%endtext %%sep 1 1 300 %%begintext align %% The 1. and 2. cu. take right-hands a-cross and go half round, then take left-hands a-cross and go half %% round, and so back to back into their own places, then 1. cu. cast off into the 2. cu. place, then all four %% take hands and go half round, then each man cross over with his own wo. and so into their own places %% again; The other cu. do the same. This to the second Strain of the Tune. %% [CCDM1] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Miller of Mansfield %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #21 (11) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd Strain has 10 bars. M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - D |\ G>AG B>AG | dBG A2D | G>AG B>AG | dBG A2F/G/ |\ AFG AFG | AFG A2d/^c/ | d^cB AGF | GEA D2 :| |: D |\ F>GA AFD | ABc B2B | edc BAG | AFB E2E |\ ^GBE AcA | FDF G2G/A/ | BAG dBG | dBG D2G/F/ |\ GFE DcB | AGF G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% The 1st Cu. foot it twice and cross over and half figure up %% .| foot it again and half figure with the 3d Cu. :| The 1st %% Man foots it to the 3d Wo. and his Partner at the same %% Time to the 2d Man then the 1st Man swings with the 2d %% Wo. and his Partner with the 3d Man at the same TIme .| %% then clap Hands twice and foot it twice and lead thro %% the 3d Cu. and cast up :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Miss Ash's Delight N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.55 #315 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:55 #315 M: 2/4 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 !segno!|:\ d2d>d | Tc2B2 | TA>GA>F | G>AB>c |\ d2d>d | Tc2B2 | TA>GA>F | G2Hz2 :| d2e>f | g2g2 | a>gTf>e | d2D2 |\ d2e>f | g>a Tf>g | a>gTf>e | d2z2 !segno!|] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ G2G2 | G2G2 | G2G2 | G2G2 | G2G2 | G2G2 | G2G2 | G2Hz2 :| G2G2 | G2G2 | G2G2 | G2G2 | G2G2 | G2G2 | G2G2 | G2 z2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. turn Right hands single and cast off .| %% turn Left hands single and cast up :| %% First Cu. gallop down the middle, cast off and turn .| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Miss in her own Hair %R: reel B: John Walsh "Caledonian Country Dances" S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/5/50/IMSLP98359-PMLP202128-walsh_caledonian_country_dance_vol2.1.pdf p.5 #265 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:5 #265 Z: 2013 John Chambers <jc:trillian.mit.edu> N: There seems to be a missing phrase mark between the 1st and 2nd phrases of the dance description. M: C| L: 1/16 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 [|\ ((3A2B2c2) (TB4 (3A2B2c2) TB4 | A2 a4 g2 Tf4 e4 |\ (fede) f2a2 (edcd) e2a2 | d2b2c2a2 Tc4B4 | ((3A2B2c2) (TB4 (3A2B2c2) TB4 | A2 a4 g2 Tf4 e4 |\ (fede) f2a2 (edcd) e2a2 | f2d2B2e2 {d}c4B2A2 |] |:\ B2e2e2d2 Tc4B4 & E4z4 E4E4 | B2e2e2d2 Tc4B4 & E4z4 E4E4 |\ (3c2B2A2 (3c2d2e2 (3f2e2d2 (3f2g2a2 | (3g2f2e2 (3g2a2b2 a4A4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d [|\ a4e4 a4e4 | a4a4 a4a4 | d4d4 c4c4 | B4A4 e4e4 | a4e4 a4e4 | a4a4 a4a4 | d4d4 c4A4 | d4e4 A4a4 |] |:\ g4e4 a4e4 | e4e4 e4e4 | a4a4 d4d4 | e4e4 A4A4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. turns the 2d Wo. the 2d Man lead down the middle, up again, foot it and cast off :| %% Foot it corners and turn .| %% Hands round all Six :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Mock Hoby-horse P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.22 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - a |\ f>ef Bcd | e2e e2a/g/ |\ f>ef ABc | d2d d2 :|\ |: d/=c/ |\ B2B B>AG | G2g g>fe | fga a2^g | a2a a>gf |\ eg2 f>ed | Be2 c>BA |\ afg e>dc | d2d d2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First man turn the 2. wo. then the 2. man turn the 1. wo men lead between the women, and cast %% into their own places; take double hands, and turn till the 1. man be in the second's place; the we. %% doing so, and change places at the same time, then the we. lead through the men as before, and %% turn their own. %% [DMDfD] %%endtext %%sep 1 1 300 %%text Note: Each strain is to be play'd twice over. %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Mock Match P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.231 "X 2" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. [The second "change" is spelled "chonge"; fixed.] M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - fe |\ f2F2 A2c2 | d6 c2 | defd efgf | e3d c2fe |\ f2F2 A2c2 | d6 c2 | defd | efge | f6 :| |: ag |\ a2f2 g2a2 | b6 a2 | bagf efef | gfed c2ag |\ a2f2 g2a2 | b6 a2 | gfed c2e2 | f6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center East strain twice. %%begintext align %% First, Figure single, and right-hands and left, then Figure single with the next cu. and right-hand and %% left, then cast up 1. cu and change the man into the wo. place, then cast up a top and change again .| %% Then you will be in your own places, then right-hand and left till you come below, then lead through %% the first cu. then you will come right %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Moderation %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (120) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to match the dance description. M: 3/2 L: 1/8 K: Cm % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ e2d2 c2=B2 c4 | def2 e2d2 e2c2 |\ e2f2 g2ag f2d2 | B2g2 f2d2 e4 :|\ e2f2 g2ag f3e | d2d2 fedc =B4 | c2 d4 cB =A2G2 | D2 G4 ^F2 G4 |:\ "^:S:"d2 g4 b4 B2 | d2 f4 g2 a4 |\ =B2 d4 e2 (fd)(gd) | e2dc d2=B2 "^:S:"c4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Note The 1st strain is to be play'd twice and the 2d once and so far as the Repeat again %%begintext align %% The 1st Man cast off below the 2d Man and go above the 2d %% Wo. into the 2d Man's place then the 1st Wo. cast off %% below the 2d Cu. and go above the 2d Man into the 2d Wo. %% Place then cast up and go Back to Back with your Partners %% then right and left with your Partner then lead %% thro the 2d Cu. and back again and so cast off. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Moll Peatly the new Way P: Longways for as many as will %R: jig B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.21 #46 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.247 "Y 4" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Adjusted long notes to get correct rhythm at phrase boundaries. (Also added initial rest.) N: The final A in bar 12 is high (a) in DMDfD and low (A) in CCDM1. N: The title dance description differ trivially in spelling and punctuation. M: 6/4 L: 1/4 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - z |\ d3 f3 | A2B c>BA |\ d2e f>gf | e2d d2 |] d/e/ |\ f>gf cAF | f3- f2e/f/ |\ g>ag gec | g3- g2f/e/ |\ d2e f2g | a2A ^c2[aA] |\ a2A ^c2A | a2A ^c2A |\ agf e2d | d3- d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man begins on the We. Side, the 1st Cu. Sides to %% the 2d Cu. of one Side, then on the other Side; then hit %% your right Elbows together, and then your Left, and turn %% your left Hands behind, and your right Hands before, and %% turn twice round; then your left Elbows together and turn %% as before, and so to the next. %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man begins on the womens side, the 1. cu. sides to the 2. cu. of one side, and then on the other %% side; then hit your right Elbows together, and then your left, and turn with your left-hands behind, %% and your right-hands before, and turn twice round; and then your left elbows together and turn as %% before, and so to the next. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Montague House %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (129) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/4 L: 1/4 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - f/e/ |\ f2F F>GA | B2G G>AB |\ c2C C>DE | F2F F2 :|\ |: A/B/ |\ c2c c>dc | d2d d>ef | g2g g>ag/f/ | e3 c2a |\ b>ag f>ed | e>fg c>BA |\ B>cd dfc | A3 F2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. setts and casts off then sett and Cast up again %% then cross over and Figure in the single and then turn %% your Partner then lead your Partner thro the 3d Cu. and %% cast up and turn it out %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The More the merrier P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.198 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to satisfy the "first Strain played twice" instruction. M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - GA |\ B2AG ^F2D2 | ^F2(A2 A2)AB |\ c2A2 d2^F2 | G6 :|\ A2 |\ B3c dcde | c2 A4 F2 |\ B3c dcde | f2 d4 cd |\ e2d2 c2B2 | ABAG ^F2D2 |\ G2AB A2G2 | G6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. take hands and turn down between the 2. cu. and then cast up at the same time; the 2. %% cu. do the like. This ends the first Strain played twice. %% The 1. cu. cross over below the 2. cu. and go the Figure through, then all four meet and lead up, then %% hands a-breast, then lead through and cast off. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Moselle %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (182) Z: 2013 John Chambers <jc:trillian.mit.edu> N: There's a double repeat sign between the strains, but none at the start or end. M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - d |\ BcB B2d | ABA A2D | GFG AGA | B3- B2A |\ BAB ^cBc | d^cd efg | fed Ad^c | d3- d2 :| |: d |\ dBc d2e | cAB c2d | BAG dcB | A3- A2D |\ GFG AGA | B3- B2A | BAB cBc | d3- d2c |\ BcB ABA | G3- G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Cross over down one Cu. and turn hands then down the %% next Cu. the same way and turn hands the Wo. turns the %% upper Man with one hand her Partner with the other the %% Man does the like at the same time only at the last %% Dancers turn with both hands. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Mosette %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #6 (20) Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: Em % - - - - - - - - - - - - - - - - - - - - - - - - - |: B2G F2E | (GBe) (BGE) | B2G F2E | B2E ^D3 :|\ |: {B}B(e/f/)g TA2G | F^d/e/f G2F | EA/B/c B2A | GAF HE2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Foot it all four all four hands round %% 1st Cu. lead thro' the 2d round the out %% side of the 3d up thro' the Middle %% Cast off at Top to begin again. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Mothers Best Boys %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (84) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - d |\ g>ag ^f>=ef | g3 ^f3 | g3 ^f3 | g3 d2e |\ d>cB A2G | G3- G2 :: A | B>AB c>Bc | d3- d2A | B>AB c>Bc | d3- d2d | g>ag ^f>=ef | g3 ^f3 |\ g3 ^f3 | g3 d2e | d>cB A2G | G3 G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Man cast off and turn the 3d Wo. by the left %% Hand and fall into the 2d Mans Place .| The 1st Wo. cast %% off and turn the 3d Man and fall into the 2d Wo. Place :| %% Then the 1st Cu. lead through the 3d Cu. cast up and %% turn Hand .| Then lead through the 2d Cu. and cast off %% and turn Hands :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Mother Brown's Catt P: Longways for as many as will %R: march, reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.300 Z: 2013 John Chambers <jc:trillian.mit.edu> N: There is actually no time signature. M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ d2 A4 f2 | e4 A4 | B2 G4 =c2 | A4 F4 |\ G2 E4 A2 | F2 d4 c2 | B2 e4 c2 | d4 f4 |][|\ e2 g4 b2 | g4 b4 | f2 d4 e2 | f4 a4 |\ e2 c4 A2 | d4 f4 | e2B2 (Bcd2) | c2 A4 E2 | (AB) (AB) (AB) c2 | B2 d4 c2 | (Bc) (Bc) (Bc) d2 | c2 e4 d2 |\ (cd) (cd) (cd) e2 | (de)(de) (fg)a2 | (ba)(gf) (gf) (ed) | d4 A4 |\ F2 A2 (GF)(ED) | D8 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. and 2. cu. go Arms quite round, and the 1. cu. cast off, then the 1. cu. are in the 2. cu. %% place, then the 1. cu. lead down and the 2. up, then the 1. cu. lead through the 2. cu. and cast off into %% the 2. cu. place :| The 2. cu. goes right and left with the 1. cu. half round, and the 1. cu. are in their %% own places; the 1. man change places with the 2 wo. and the 1. wo. with the 2. man, then the 1. cu. %% are in the 2. cu. place, then the 1. cu. slip up and down and up again and cast off and turn, the 2. man %% and wo. change places at the same time, and so to the end. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Mount Hills P: Longways for as many as will %R: march, reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.256 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ d2a2 f2f2 | efed c2A2 | d2a2 f2f2 | a2(gf) e4 |\ d2a2 f2f2 | efed c2A2 | d2(cB) g2(fe) | c4 d4 |] [|\ c3d e2f2 | g2f2 e2(dc) | d2B2 g2a2 | f4 e4 |\ abag f2f2 | d2d2 B3f | g2(fe) (dc) (de) | e4 d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First cu. cross over and go the half Figure .| The 2. cu. do the same :| The 1. man change with the %% 2. wo. 2. man change with the 1. wo. Hands all four half round .| Go back to back with your Partner, %% then right and left into the 2. cu. place :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Mouse Trap %R: reel B: John Walsh "Caledonian Country Dances" S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/5/50/IMSLP98359-PMLP202128-walsh_caledonian_country_dance_vol2.1.pdf p.28 #288 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:28 #287 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 1st part has a missing 1/8 note in the last bar; fixed with an initial rest. N: The 2nd part has initial repeat but no final repeat. M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 z |\ D/D/D FA d>ed>f | edef e>fef |\ D/D/D FA d>edf | edef d>e d :| |: f/g/ |\ afd(e/f/) gece | afdf e>f (ef/g/) |\ af-f(e/f/) g(e e)(f/g/) | afge d/d/d d :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z | d2d2 d2d2 | a2a2 a2a2 | d2d2 d2d2 | a2A2 d2D :| |: z | d'2d2 a2A2 | d'2d2 a2A2 | d'2d2 a2A2 | d'2a2 d3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. foot it and turn single, all four hands with the 2d Cu. and back %% again, cross over, figure in, lead up and then down, and then lead thro' the %% 2d Cu. at Top. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Mrs Savage's Whim %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (144) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to match the dance instructions M: 3/2 L: 1/4 K: Bm % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ fB2f g2 | ec2d/e/ fB |fB2f g2 | ed/e/cf dB |\ fB2f g2 | gf/g/ed eA | fd2a bB | cdec d2 :| fd2f/g/ a2 | ec2e/f/ g2 | dB2d/e/ fA | Bc/d/ e/d/c/B/ ^AF |\ fB2f g2 | ec2d/e/ fF | dB2d cF | FBc^A B2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Note. The 1st strain is to be play'd twice and the last but once over. %%begintext align %% The 1st Man sett to the 2d Wo. then turn the 2d Man and %% go Back to Back with his own Partner .| The 2d Wo. do %% the same :| Then the 1st Cu. cross over and go Back to Back %% with your Partner then go the Figure above into the 2d Cu. %% Place .| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Mr. Beveridge's Maggot P: Longways for as many as will %R: minuet B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.180 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to match the dance instructions. M: 3/2 L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ g4 (^f3=e/f/) g4 | d2(cB) (AB)c2 B2G2 |\ g4 (a3g/a/) b4 | f2(ed) cde2 d2B2 :|\ d2 f4 f2 f4 | c2 e4 e2 e4 | B2 d4 d2 d2(cB) | (AB)c2 B2(AG) ^F2D2 |\ d2 a4 a2 a2d2 | b2a2 g2^f2 g4 |\ def2 Bcd2 ABc2 | B2G2 G3^F G4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man cross over and go back to back with the 2. wo. then the 1. wo. cross over and go back to %% back with the 2. man at the same time :| Then meet and turn S. then 1. man turn the 2. wo. with %% his right-hand, and 1. wo. turn the 2. man with her right-hand at the same time, then 1. cu. take %% left-hands and turn into their own places :| The 1. cu. cross over into the 2. cu. place, and go back to %% back with their Partner, then all four lead up hands a-breast, then gothe Figure through, and cast off %% into the 2. cu. place .| %% [DMDfD] %%endtext %%sep 1 1 300 %%text Note: The first Strain is ti be play'd twice, and the second but once. %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Mr. Eaglefield's New Hornpipe P: Longways for as many as will %R: triple hornpipe, minuet B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.209 "T 3" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to satisfy the "first Strain played twice" instruction. M: 3/2 L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ a4 e2(dc) f4 | (cd)e2 (Bc)d2 c2A2 | a2(ag) f2(ed) (cd)e2 | (fg)a2 (FG)A2 G2E2 :| (GA)B2 e2B2 c4 | (cd)e2 =g2B2 G2B2 | (cd)e2 (fg) (^g^f/^g/) a4 | e2dc (Bc)d2 c2A2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man turn his partner half round and foot it, then hold both hands and pull her round the 2. wo. %% into the 2. cu. place; the 2. cu. do the same. This to the first Strain played twice. %% The 1. and 2. cu. take their Partners by both hands, then one slip up and the other slip down, and back %% again, then fall back and turn S. The 2. cu. slip up the middle, and the 1. cu. down; the 1. cu. slip up %% the middle, and the 2. cu. down; then the 1. cu. cast off into the 2. cu. place, and the 2. cu. lead up. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Mr Isaac's Maggot P: Longways for as many as will %R: minuet B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.190 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: 3/2 L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ g4 e4 d4 | cde2 d2c2 d2G2 | G2 c4 B2 A4 | A2 d4 A2 B2G2 |\ g4 e4 d4 | cde2 d2c2 d2G2 | G2 c4 B2 A2(fe) | d2c2 d2B2 | c4 :| |: E2 G4 A2 G4 | E2 G4 AB c2G2 | E2 G4 A2 G4 | E2 G4 AB c2G2 | (g3f/g/) (a3g/f/) (g3f/g/) | agfe fedc d2G2 | (g3f/g/) (a3g/f/) (g3f/g/) | agfe defg e2c2 | e4 (f3e/f/) g4 | cde2 d2c2 d2G2 | e4 (f3e/f/) g4 | G2c2 (cd)e2 dc :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man turn the 2. wo. with his right-hand, and cast off below the 2. man, the 1. wo. turn the 2. %% man with her right-hand, and cast off below the 2. wo. :| The two men take hands and fall back, the %% two we. doing the same at the same time, all four meet and turn S. then go the whole Figure through, %% then all four hands a-breast, then lead through and cast off :| %% [DMDfD] %%endtext %%text Note: Each Strain is to be play'd twice over. %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Mr Lane's Minuet P: Longways for as many as will %R: minuet B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.174 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The actual time signature is "3i". N: Repeat added to satisfy "Each Strain twice" instruction. M: 3/4 L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ d3 e ^c2 | d2 A2 f2 | e2 f2 d2 | edcB A2 |\ d3 e ^c2 | d2 A2 f2 | e2 f2 d2 | e6 :| |:\ f2 c2 c2 | AB c2 c2 | d2 G2 G2 | EF G2 G2 |\ GA B2 A2 | =Bc d2 ^c2 | de f2 (ed) | d6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man set to the 2. wo. and fall back, and both turn S. then the 1. wo. set to the 2. man, and fall %% back and turn S .| The 1. cu. cross over and go the Figure through till they come into the 2. cu. place, %% then lead through the 3. cu. and cast up into the 2. cu. place :| %% [DMDfD] %%endtext %%text Note: Each Strain is to be play'd twice. %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Mr. Lane's Trumpet-Minuet T: To be Danc'd with the Minuet Step. P: Longways for as many as will %R: minuet B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.194 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The actual time signature is "3i". N: Repeats added to satisfy the dance instruction, including the ":S:" for an extra repeat of the final 8 bars. M: 3/4 L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ E2 G2 G2 | c2 e2 c2 | e2 c2 fe | dc BA G2 |\ E2 G2 G2 | c2 e2 c2 | e2 c2 fe | d6 :|\ |:\ d2 g2 B2 | A4 G2 | c2 c2 Bc | d2 d2 cd | edcdef | g6 "^:S:"|\ GFGA G2 | G2 E2 G2 | c2 GA G2 | G2 E2 G2 |\ e6 | dcde d2 | c2 cdcd | c6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man set to the 2. wo. then fall back and turn S. the 1. wo. set to the 2. man, then fall back %% and turn S. This to the first Strain played twice. %% The 1. man take the 2. man by the right-hand, and turn round till them come into their own places %% again, then all four take hands quite round till they come into their own places again; then 1. wo. take %% right-hands with the 2. wo. and turn her till she comes into her own place, and all four hands round %% back again till them come into their own places; then 1. man take his Partner and lead her into the 2. %% cu. place. This to the second Strain played twice, and so far back as from the Repeat. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Mr Staggin's Jigg P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.100 #135 (199) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.91 "I 4" Z: 2013 John Chambers <jc:trillian.mit.edu> N: The only tune differences are that DMDfD lacks the fg notes in bar 3, and the the B in bar 8 has no accidental. N: The dances are the same except that DMDfD has the Honour+forward&back intro. M: 6/4 L: 1/4 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - f/g/ |\ (a<f)a (g<e)g | f>ed ^c2d | e3 A2f/g/ |\ (a<f)a (g<e)g | f>ed ^c>=B^c | d3 D2 |] E |\ F>GA GEC | F>GA GA=B | c3 E3 |\ F>GA =B>^cd | ^c>de e>d^c | d3 D2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man cast off into the 2d Place, and then the 3d Man once round, %% then stand still in the 2d Place 'till his Wo. do the like on her Side, %% then cast off into the 1st Place, the 1st and 2d Men go round each other %% Back to Back, their two We. doing the same, then Back to Back with %% your own Wo. and cast off into the 2d Place. do this to the last. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% Honour to the Presence, then to your wo. Lead up forward and back, that again. %%endtext %%sep 1 1 300 %%begintext align %% The 1. man cast off into the man's place, and turn the 3. man once round, then stand still in the 2. %% place till his wo. do the like on her side, then cast off into the 1. place, the 1. and 2. man go round %% each other back to back, their two we. doing the same, then back to back with your own wo. and cast %% off into the 2. place. Do this over to the end. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Mr. Young's Delight P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.44 #79 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.205 "T" Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - c2 |\ A2 F2 F2 G2 | A4 d4 | c3 d (cd) (cA) | B2 G4 B2 |\ A2 F4 G2 | A4 d4 | f3 g (fg) (ag) | f2 c4 f2 | d3 c (de) (fd) | (cd) (cB) (Ac) (fc) | (de) (fd) (cd) (cA) | B2 G2 G2 B2 |\ A2 F4 G2 | A4 d4 | c3 d (cd) (cA) | B2 G4 |] (ag) |\ (fg) (af) (ga) (bg) | (ab) (ga) (fg) (ef) | (de) (fd) (ge) (ec) | G2 c4 B>A |\ (Bd) (fd) (Ac) (fc) | (Bd) (fd) (Ac) (fc) | (dc) (BA) (GA) (GF) | F6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% All four Hands half round, fall back and turn round from each other %% single; then the 1st Man cross over with the 2d Wo. and the 1st Wo. %% with the 2d Man .| Fall all back, then meet and turn Back to Back, then %% take all Hands and turn half round; then the 1st Cu. lead down and %% back again, and the 2d Cu. lead up back again, and then turn your %% Partners in their proper Places. %% [CCDM1] %%endtext %%sep 1 8 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% All four hands half round, then fall back and turn round from each another S. then the 1. man cross over with the 2. %% wo. and the 1. wo. with the 2. man. This to the first Strain played once. %% Fall all back, then meet and turn back to back, and then take all hands and turn half round; then the 1. cu. lead down %% and back again, and the 2. cu. lead up and back again, then turn your partners in their proper places. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Mug House P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.20 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - d |\ B>cd (ec)e | (dB)g B>AG | (AF)A A2c |\ B>cd (ec)e | (fd)f g2d | (BG)G G2 :| |: B |\ (AF)A (AF)A | (AF)d (AF)B | (GE)E E2A |\ (FD)d (Be)d | (ge)a (df)b | (ga)f g2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%text First man on his wo. side. %%sep 1 1 300 %%begintext align %% First wo. cross over with the 2. wo. turn S. all four; 2. wo. cross over with the 1. man, and turn S. %% 1. wo. being in the 2. wo. place, cast up round her, and turn the 2. man; 1. man being in his own %% place, cast down at the same time, and turn the 2. wo. men standing on their own side, lead through %% round; 2. wo. cast up, 1. man turn his own wo. 1. cu. being in the 2. place, run the Figure through, %% and so turn your own. %%endtext %%sep 1 1 300 %%text Note: Each strain is to be play'd twice over. %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Muirland Willie P: Longways for as many as will %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.95 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 G |\ G2A B2c | d2e f2d | B2B f2d | (cA)c F2F |\ G2A B2c | ded b2a | gfe d=e^f | g3- g2 :| |: g |\ g2a b2g | f2d f2d | BcB g2d | cAc F2G/F/ |\ G>AG B2c | e>ed b2a | gfe d=e^f | g3- g2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ b2a g3 | f2e d2B | d3 B3 | f3 F3 |\ e3 d2c | B2A G2d | edc d2D | G2d g2 :| |: z |\ b2a g2e | d3 g3 | d3 e2z | d2z F2z |\ e3 d2c | B2A G2d | edc d2D | G2d g2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man goes round his own Wo. the 2d Wo. follows him & fall into their own Places. %% 1st Wo & 2d Man do as much :| %% 1st Man & 2d Wo. cross over & turn S. then take all Hands go a quarter round & turn S. %% then the other Cu. cross over & turn S. then take all Hands & go round till %% you come to your own Places. then cast off to the 2d Place. do this to the last :| %% 1st Cu lead up. 2d Cu. lead down back again: that again. %% the two Men go between their own We. & go round them into their own Places. %% then take all Hands go half round & turn all S. the We. do as much round the Men %% then take hands & go half round then the 1st Cu. cast off, do this to the last :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Mulbery Garden P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.87 #130 (174) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.80 Z: 2013 John Chambers <jc:trillian.mit.edu> N: CCDM1 and DMDfD have identical dance descriptions, except for the capitalization. M: 6/4 L: 1/4 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - A |\ d2e fcA | GAF c2A |\ def efd | a3- a2 |][| a |\ bag a2e | gd2 g2a |\ efg fed | ^c3- c2B |\ AG2 F2E | Dd2 ^c2d |\ eAf e2d | d3- d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up all back, that again :| Fall all back, meet fall back again, %% then every Man turn his own Wo. %%endtext %%sep 1 1 300 %%begintext align %% Go Back to Back with your own Wo. the 2d Cu. doing the same. %% then the two Men and two We. go Back to Back :| Take all Hands %% and go half round, then change with your own Wo. the 2d Cu. being %% in the 1st Place, foot it, and cast off, the other leading up, then %% foot it and cast off .| Do this to the last. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Musselborough, or T: Jenny bang the Weaver P: Longways for as many as will %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.46 Z: 2013 John Chambers <jc:trillian.mit.edu> N: "Each Strain twice." Repeats changed to match this instruction. M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 g2 |: fA A/A/A A/A/A Ag | fA A/A/A f2ed | fB B/B/B B/B/B Bd | ABde f2ed :| |: d>ef>d e>fg>e | d>ef>a e2dB | d>ef>d e>fg>e | f/g/a Af f2ed :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z2 |: d2z2 A2c2 | d2c2 d2z2 | B2z2 G2B2 | cBA2 d2z2 :| |: d2z2 A2Bc | d2z2 c2B2 | z2d2 A2Bc | d2z2 D2z2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% The 1st Man and 2d Wo. take Hands and swing .| %% Then the 2d Cu. being at top they do the same :| %% then 1st Cu. lead down to the bottom and cast up to the top and turn .| %% then Right and Left. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: My ain kind Deary P: Longways for as many as will %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCD1: http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.28 S: 6: CCDM: http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.8 #18 Z: 2013 John Chambers <jc:trillian.mit.edu> N: CCDM has "Play this Part once over" for the 2nd strain; CCD1 has initial repeat but no final repeat. Both have the same dance. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 is formatted for 4-bar staff lines: V: 1 A |\ GEDE G2AB | G/A/B TA>G AEEA |\ GEDE G2Gg | e2d>B dGG :| g |\ e/e/e Td>B dGGB | A/A/A B>G AEEA |\ GEDE G2Gg | e/e/e Td>B dGG |] g |\ e/e/e gd eBgB | A/A/A B>G AEEA |\ GEDE G2Gg | e/e/e Td>B dGG |] % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff breaks: V: 2 clef=bass middle=d z |\ g2c'2 b2a2 | g2c2 d2c2 | B2c2 Gg/a/ bg | c'2b>a gGG :|\ z | c'2b2 bb/a/ bg | fdgG d2c2 | B2c2 Gg/a/ bg | c'2b2 bb/a/ b |] g |\ c'2b2 c'2ze | fd gG d2c2 |\ B2c2 Gg/a/ bg | c'2ba gGG |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. foots it and cast off .| %% 1st Cu. foots it in the 2d Cu. Place and lead through the 3d Cu. :| %% 1st Man foots it with the 3d Wo. and turns her, his Partner doing the same at the same time with the 2d Man .| %% The 1st Cu. does the same at the other Corners :#: %% First and 2d Cu. hands across quite round with their Right Hands and foot it .| %% then do the same back again with your left hands :| %% First Cu. foots it and turns .| %% 1st and 2d Cu. Right and Left quite round. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: My Lady Foster's Delight P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.321 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F % and Dm % - - - - - - - - - - - - - - - - - - - - - - - - - AG |\ F2 A2 E2 A2 | D2 A2 d2 de | f2 (ed) gfge | ^c6 AB |\ c2 cd B2 Bc | A2 (d/c/) (B/A/) G2 AB | c2 (BA) G>F E>G | F6 |] cB |\ A2 c2 G2 c2 | F2 c2 E2 c2 | D2 B2 ^C2 ^G2 | A6 ag |\ fa fa fa fa | eg eg eg eg | f2 (ed) Ad ^c>e | d6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. cast off into the 2. cu. place, the Men take hands and turn a whole round, the we. the same %% at the same time; the 2. cu. lead down the middle and cast up to the top, and back to back with %% your Partners, The 1. man being in the 2. man's place, cast up into the 1. wo. place, the 1. wo. and 2. %% man do the same, the 1. cu. lead up, the 2. cu. lead down at the same time, then Right and Left, side till %% you come into your own places. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: My Lord Byron's Delight P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.239 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - a | (af) (fc) f2 (ba) | g2 (fe) c3 a | (af) (ge) (fa) (gb) | a2 (gf) f3 |][| g | (ge) (fg) a2 (gf) | (ge) (fd) ^c3 a | (bg) (af) (ge) (fd) | d3 ^c d2 zb | (ba) (ag) (gc) za | (af) (fd) (dB) zg | (ge) (ec) (cA) (Bc) | A2 (GF) F3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man turns the 2. woman with his right-hand, and his own Partner with his left .| %% The 1. woman does the same :| %%endtext %%sep 1 1 300 %%begintext align %% The 1. cu. take hands and lead through the 2. cu. and back again, then cast off into the 2. cu. place; %% Right and left with your Partners quite round, then the Figure of Eight quite round again .| %% Right and left with your Partners again, which brings the 1. cu. into the 2. cu. place. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Namure %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (199) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ DED F2A | d3 f3 | g2a bBe | c3 A3 |\ FAd GBe | Acf Bdg | fga eAc | d3- d3 :| |:\ fdf g2a | bag g3 | B2g eBe | c3 A3 |\ FAd dBG | GBe ecA | fdf eAc | d3- d3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. Joyn left hands, then right hands across, %% turning twice round and lead thro' 3d Cu. and cast up in %% 2d Cu. place .| then lead thro the Top Cu. and cast %% down and turn partners :| then all four Hands round with %% the Top Cu. and turn Partners .| then all four Hands round %% with the bottom Cu. and turn partners :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Nassau P: Longways for as many as will %R: slip-jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.70 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd part has initial repeat but no final repeat. M: 9/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 A |\ AFA DEF GFB | BAd e/f/gf e2A |\ AFA DEF GFB | BAd e/f/ge d2 :| |: e |\ e>dc/B/ A2B G2F | B>AG/F/ E2D E3 |\ EFG GFB BAd | dcd e/f/ge d2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ d3 f3 e2g | f2d a2d A3 |\ d3 f3 e2g | f2d g2a d2 :| |: A |\ a3 f2g e2f | g2B c2d A2B |\ c3 e2g f2d | g2f g2a d2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First sides with your own Wo. then on the other side; then both clap hands & make %% a Pass at each other, then turn your own Wo. once & a half & so on to the next till %% you come to your own Places. then the 1st Man take his own Wo. by the Right Hand %% holding it up till the 2d Wo. passes under; then face about while the 2d Wo %% goes back again, then they 3 clap hands & make a Pass altogether & all 3 %% turn single, then take Hands & do the same to the 2d Man & to to the End. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:3 T: The Nassau P: Longways for as many as will %R: B: John Walsh "Caledonian Country Dances" S: 3: CCD3 http://javanese.imslp.info/files/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.12 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd phrase has a begin repeat but no end repeat. M: 9/4 L: 1/4 K: Am % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: AEA B2A B^GE | AEc B2A GEC | AEc B2A B^GE | Bcd dcB cBA :| |: A3 (^g2f/g/) aec | A2g f2e dBG | A3 ^g2a b^ge | agf edc B2A |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: a3 g2f e3 | a3 g3 c3 | a3 g2f e3 | ^g3 e3 a3 :| |: a3 e3 A3 | a2z b2c' g3 | f3 e3 E3 | A2B c2d e2A |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Hands across and back again. %% First Cu. foot it and cast off, the 2d Cu. do the same, %% first Cu. change corners with the 2d Wo. and 2d Man, %% and lead thro' the bottom, then cast up to the top and foot it, %% and Right and left half way, %% turn corners with your left hand, and figure in, %% then with your right hand and figure in, %% Hey on your own sides, and Right and Left quite round, and turn. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Neat Mr John %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (187) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ e4 fga2 | g2 e4 dc | B4 A4 | (G2 B6) |\ e4 fga2 | g2 e4 dc | B4 A4 | (E2 A6) :| |:\ c3B c2d2 | efed cBcA | d2c2 d2e2 | fgfe dcdB |\ c2B2 c2d2 | efed cBcA | aedc B2A2 | (G2 B6) | c3B c2d2 | efed dBdA | d2c2 d2e2 | fgfe dcdB |\ e4 fga2 | g2 e4 dc | B4 A4 | (E2 A6) :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. change Places set and cast off below the 2d %% Cu. .| Then change as before cast off below the 3d Cu. :| %% The 1st Cu. go the whole Figure contrary sides set and %% cast up above the 3d Cu. and turn in the 2d Cu. Place %% proper .| The 1st Man go the Hey with the 3d Cu. the 1st %% Wo. at the same Time go the Hey with the 2d Cu. the %% 1st Cu. lead up abreast with the 2d Cu. then slip up to %% the Top and cast off :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Neptune %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (164) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/8 L: 1/8 K: Cm % - - - - - - - - - - - - - - - - - - - - - - - - - c |\ cGE C2C | CEG c2B | AGF EFG | C3- C3 :|\ |: g |\ gcc c2g | a>ba/g/ f2f | fBB B2f |\ f>gf/e/ d2d | efg Gc=B | c3- c2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. cast off and turn single .| The %% same back again :| Then the whole figure thro %% the 2d Cu. .| Cross over and turn your %% partner proper :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Never love thee more P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.41 #77 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.110 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The dances differ only trivially, in spelling and punctuation. M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ D>ED G2A | B>cB A2G | dB2 A2G | E3- E2E |\ D>ED G2A | B>cB A2G | dB2 c2d | e3- e2e | dB2 A2G | c2d e>dc | dBc A2G | E3- E2E |\ D>ED G2A | Bcd e>dc | dBc A2G | G3- G3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to the Presence, then to your We. Lead up all %% forward and back, that again. %%endtext %%sep 1 1 300 %%begintext align %% The 1st Man Back to Back on the right Hand of his Wo. and %% Back to Back on the left Hand of his Wo. to their own Places, %% then cross over the 2d Cu. and the Hey thro' the 2d Cu. %%endtext %%sep 1 1 300 %%begintext align %% Then Hands half round and fall back all four, then side over %% to one another's Places, then right Hands being across, go half %% round, then left Hands being across, go half round. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Newmarket P: Longways for as many as will %R: reel,march B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.33 #59 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.88 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The slur in bar 14 is in DMDfD but not in CCDM1. The dances are identical except for capitalization and minor spelling differences. M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ g4 e2dc | c4 G3F | EFG2 c2G2 | A4 zefg |\ a4 (ga) (ge) | d4 G4 | (cB) (cd) d3c | c6 zf | e3d e2a2 | g3f e2(fe) | d2c2 d2e2 | A4 c4 |\ (G2E2) (D2C2) | (F2A2) A2Bc | (de) (dB) A2G2 | f6 g2 | e2(dc) B2A2 | d4 F2E2 | (cB) (cd) d3c | c8 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to the Presence, lead up all forward and back .| %% That again :| First Man and Wo. change Places, then 1st %% and 2d Cu. lead and meet each other, then the 1st Man %% take the 2d Wo. and the 2d Man take the 1st Wo. and lead %% to the Wall, meet again, then fall back from each other, %% then round in a Ring just half Way, then right Hands %% with your own, and left to the other Wo. go right Hand %% and left twice over, so to the Bottom .| %% [CCDM1] %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Newmarket (second Part) P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.33 #60 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.89 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ e3 g3 | c>Bc dBG | A>BA c2F | E2F G2e |\ f3 e3 | d>cd ecA | B2c c2B | c3- c2 |] A/B/ |\ c>dc GA_B | A>GA F>ED | f3 A>Bc | B3- B2G |\ (EG)c AF>E | (FA)d BGd | ec2 c2B | c3- c2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. change Places, then the 1st Man take the 2d %% Wo. by both Hands, and the 2d Man the 1st Wo. and turn %% them 'till one Cu. comes up the Room, and the other %% quite down; Then fall back, meet altogether, then fall %% back and clap, then all four once round in a Ring, and %% so to the Bottom. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% First cu. change places, then the 1. man take the 2. wo. by both hands, and 2. man the 1. wo. and turn %% them till one place [sic] comes up the Room and the other down, fall back, meet all together, then fall and %% clap, then all four once round in a ring, and so to the bottom. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: News from Tripoly P: Longways for as many as will %R: triple hornpipe, minuet B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.334 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 3/2 L: 1/8 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ Bcd2 B2f2 d2B2 | def2 d2g2 f4 | f2 b4 d2 c2B2 | e2G2 cdcB A2F2 |\ Bcd2 B2f2 d2B2 | def2 d2g2 f4 | f2 b4 a2 bagf | =e2f2 g2=e2 f4 |] [|\ fga2 f2a2 g2f2 | fg_a2 f2_a2 g4 | efg2 e2g2 f2(ed) | c2(cd) edcB c2F2 |\ ABc2 cAF2 e4 | def2 fdB2 g4 | fga2 af ga bagf | edcB AB cA B4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man cast off, the 2. wo. cast up, then go the Figure of 8 through the other two .| The 2. man %% cast off, the 1. wo. cast up and go the Figure as before :| All four hands a-cross and back again, then %% Right and Left .| Then lead through the 3. cu. and through the 2. cu. and turn your Partner :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: New any thing %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (174) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - FG |\ A2d2 A2d2 | A3G F2d2 | ABAG Fd cB | AGFE D2FG |\ A2d2 A2d2 | A3G F2d2 | AdcB AGFE | D6 :| |: cd |\ e2c2 A2cd | efed c2A2 | a2f2 d2fg | abag f2ed |\ cdef gB cd | efed c2A2 | af df e2c2 | d6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Man and 2d Wo. clap hands with each other %% and turn single then right and left half round .| %% The other Cu. do the same :| then cross over and %% half Figure .| Then lead thro the Bottom and thro %% the Top and cast off and turn :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: New Bath P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.120 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - G |\ c2G c2d | e>fe d>ef | (e/f/)gc d2G | ce2- e2 |] a/b/ | c'ga g2e | a>b a/g/ f>ed | (e/f/)gc B2A | BG2- G2c | (GE)c B2c | ded/c/ B>AG | (e/f/)gc d2G | ce2- e2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First man take the 2. man by the right-hand, and turn round into their places again, then 1. wo. take the %% 2. wo. by the right-hand, and turn round into their places again. This to the first Strain of the tune. %%endtext %%sep 1 1 300 %%begintext align %% The 1. man cross over into the 2. wo. place, and 2. man into the 1. wo. place, then all four meet and %% clap hands, and turn quite round, then 1. wo. cross over into the 2. man's place, and 2. wo. into the 1. %% man's place, and meet, then all four clap hands and turn quite round; The other cu. do the same over %% again. This to the second Strain. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: New Bore P: Longways for as many as will %R: march, reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.253 "Z" Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - F2 |\ c2c2 B2A2 | d6 c2 | B2B2 A2G2 | F6 F2 | c2c2 B2A2 | d6 c2 | (de)f2 (ef)g2 | f6 |][| g2 a2f2 a2b2 | c'6 f2 | e2(dc) d2=B2 | c6 f2 | d2B2 b2(a/g/f) | e2c2 c'2c2 | A2(GF) f2(ag) | f6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man put his Partner in between the next, and the man goes between 2. cu. and set one to %% the other, and the man cast up between the 1. and 2. cu. and turn, then lead down between the 2. cu. %% and turn, then the half Figure with the 2. cu. and then the man turns the uppermost wo. and his %% Partner turns the uppermost man. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The New Coblers Jigg %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (69) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The note lengths at the end of the strains don't add up correctly. N: What lyrics should the dancers sing for this dance? M: C L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ d4 d3e | ^c3=B Acde | f4 f3g | e3d c2f2 | efef gfge | f4- f4 |] fg |\ a2aa aaaa | abag f2ef | g2g2 g2g2 | gagf e4 |\ f3e dfed | ^c3B A2fg | a3e e3d | d4 d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First and 2d Cu. sides and at the same time together and %% turn .| Then both Cu. take Hands Jigg it and turn :| Then %% the 1st and 2d Cu. fall on their Knees with Faces outwards %% working like Coblers and sing, then up and fall on your %% Knees as before, Faces inwards, sing with the Musick to the %% end of the Tune, 1st Cu. cast off. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The New Fagary P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.62 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - F | BB cc d>e fd | ed c>B B3 F | BB cc d>e fd | gf =e>f f4 |]\ ff ga b2 ab | gg ag ^f2 de/f/ | gg gf =e2 cd/e/ | fd c>B B4 |] M:6/4 L:1/4 dfd c>BA | B2F B2c | dfd c>BA | B3 d3 |]\ dfd f>ed | cec e2f | g>ab fde | c3 B3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up all back .| That again, the 1. man moves to the 2. wo. Salute her and turn her about and %% fall into their own places, the 1. wo. and 2. man do the same :| The 1. man and 2. wo. go back to %% back, and fall into their own places, the 1. wo. and 2. man do as much :| The two men clap hands %% and the 2. wo. then turn all round single, then clap hands with your own and cast off into the 2. %% place :| Do this to the last. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: New Hessian Camp N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.2:1 N: The original lacked the final repeat symbol. Maybe it's a 24-bar dance? M: 2/4 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: d2e2 | fdde | f2g2 | affg | afba | geag | fdgf | Tf2e2 :||: fdfa | ecea | fdfa | Tf2e2 | d/e/f/g/ aa | d/e/f/g/ aa | bgfe | d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: d2a2 | d'2za | d'2e'a | d'2ze | fagf | egfe | dfed | a2A2 :||: [a2f2d2]z2 | [a2e2c2]z2 | [a2f2d2]z2 | a2A2 | d2z2 | D2z2 | g2a2 | d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The two 1st Cu. foot it and change sides, back again, cross over two %% Cu. lead up to the top, foot it corners, and lead out at the sides. %% [ACMV] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The New Invention P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.270 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The somewhat odd 1st/2nd-ending syntax is here translated to ABC form. M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ d2g f>ed | e2g d>cB | c2B ABG | AF>E D3 |\ a2a g/a/bB | g2g f/g/aB | c2B ABG |[1 AF2 G3 :|[2 AF2 G2 |] g/a/ |\ bag agf | gfe dcB | e2e e2(e//f//g/) | f2e e3 |\ ddd dcB | BAG FED | a2e fdg |[1 ef2 g2 :|[2 ef2 g3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man turns the 2. wo. with his right-hand, and his Partner with the left .| The 2. cu. do the ame :| %% All four hands quite round, then right and left half round .| The 1. cu. being in the 2. cu. place, %% hands quite round and lead through the 3. cu. and turn your Partners. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: New Man Tiger %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (88) Z: 2013 John Chambers <jc:trillian.mit.edu> M: 3/2 L: 1/8 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ B3c Bcd2 c2B2 | d2 f4 d2 c4 | G2 B4 d2 g2d2 | c2G2 GAB2 A4 |\ g3f gaba f2d2 | e2c2 baga f4 | _a3g fg_a2 c2f2 | f6 =e2 f2 |] [|\ c3B ABc2 f2c2 | d2b2 abag ^f4 | gag2 aba2 g2ba | g6 ^f2 g4 |\ b2 f4 d2 c2B2 | g2d2 cdcB A2F2 | B3c def2 gfed | c6 B2 B4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man setts to the 2d Wo. then single and cast %% off, then turn the 2d Wo. and stand below .| Then the 1st %% Wo. do the same :| Then both cross over the 3d Cu. %% and single figure, then right Hand and left to the Top, %% then cross up to the Top and single figure, then right %% and left to the Bottom. %% [CCDM2] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: New Margery %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (198) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ AGFE D2F2 | E2D2 D2F2 | E2D2 EDEF | E2A,2 A,2E2 |\ AGFE D2F2 | E2D2 GAB2 | A2d2 cdec | d2D2 D4 :| |:\ e2e2 efed | c2A2 A2c2 | d2f2 efge | f6 fg |\ afdf gece | fdBd ecAc | dfef gfed | d8 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st two Men sett to their Partners and turn single %% then turn half round then all four sett and go half %% round again which brings the 1st Cu. into the 2d %% Couple's Place :| The 1st Couple cast off and turn then %% the 1st Man change Places with the 2d Woman and the %% 1st Woman with the 2d Man and turn Partners :| %% [CCDM2] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: New Minuet %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (178) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. N: The actual time signature is just "3". M: 3/4 L: 1/8 K: Am % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ a2 efed | c2 A2 B2 | c2AB cd | edefge |\ a2 efef | g2 dede | f2 c2 d2 | e6 :| |:\ B2 BcBc | d2 cBAG | c2 cdcd | e2 dcBA |\ d2 dede | f2 edcB | cd B3 A | A6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Note Each strain is to be play'd twice over. %%begintext align %% This dance must be done with the Minuet Step. %% The two 1st Men take Hands and the two 1st We. %% and lead backward the 1st Cu. cast off and the 2d %% Cu. lead up :| The 1st and 2d Cu. take Hands and meet %% each other the 2d Cu. cast off and the 1st Cu. lead %% up :| The 1st Cu. cross over and turn Hands .| Then %% lead up all abreast and the 1st Cu. cast off :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: New Pierot P: Longways for &c. %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.96 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The time signature is just "2". N: Some phrase boundaries have incorrect rhythm; adjust final notes appropriately. N: The unusual use of Segno means to repeat the last 4 bars of the last phrase, within the repeat of the phrase. M: 2/2 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 has staff breaks at phrase boundaries. V: 1 A2Bc |\ d2d2 c2B2 | A4 (Bc)d2 | (cd)e2 A2c2 | d4 :|\ |: f2A2 |\ TA4 g2A2 | TA4 f2A2 | TA4 a2A2 | TA4 cde2 | Bcd2 GAB2 | TA4 E2A2 | TA4 E2G2 | TG4 F2E2 | DBcd e2c2 | d4 :|\ |: fg |\ a2gf efge | f2ef d2fg | a2gf efge | Tf6 :| |: ef |\ g2g2 g2g2 | Tg2f2 f2f2 | Tf2e2 e2f2 | e2dc B2e2 |\ c2B2 A2!segno!dc | B2ed c2fe | d2gf e2ag | fede A2c2 | d6 !segno! :| % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff breaks. V: 2 clef=bass middle=d d'2c'2 | b2b2 a2g2 | f2d2 g4 | a2g2 a2A2 d2D2 :|\ |: d'4 | c'4 b4 | c'4 d'4 | c'4 b4 | a4 A4 | d4 e4 | A4 a4 | b4 b4 | a4 a2g2 | f4 g2a2 | d4 :|\ |: d'2 | f2g2 a2A2 | d6 d'2 | f2g2 a2A2 | d6 :|\ |: A2 | B4 c4 | d4 d'4 | g4 g4 | ^g2f2 ^g2f2 |\ a6 !segno!f2 | g4 a4 | b4 c'4 | d'2g2 a2A2 | d6 !segno!:| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Set and cast off & cast up again, then set across and turn single. 2d Cu. do the %% same. then all four Hands round & back again the Two Men and two We. fall %% back meet and turn Hands with their Partners then fall back again as %% before, then Right Hand and Left. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: New Roger T: Don Boin %R: slip-jig, triple hornpipe B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (156) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 9/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - |: F>GA BAB d3 | e2E E2F GFE | F>GA BAA B3 | AFD DEF E2D :| |: d>ef/e/ d>ef/d/ e3 | gBB Bcd ecA | dAF F/G/AF B3 | AFD DEF E2D :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. lead thro the 2d Cu. and cast up then cast off %% and lead thro the 3d Cu. and cast up again then the 1st Man %% turn the 3d Wo. and the 1st Wo. turn the 2d Man then turn %% Partners then the whole Figure of Eight at the Top and %% the whole Figure of Eight at the Bottom which brings you %% in the 2d Cu. Place then cross over and the Wo. go %% between the Top Cu. and the Man at the Bottom then sett %% and turn your Partner. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: New Royal-Exchange P: Longways for as many as will %R: reel, march B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.38 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The tune actually starts in Dm, but is mostly in F major. M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ agfe f2^c2 | defg e2ag | fed2 d3^c | d6 A2 |\ d2e2 f3f | g2a2 b3b | agf2 e3f | f8 |] [|\ c2de f3A | Bcd2 c3c | def2 e3f | g6 a2 |\ b2a2 g3f | e3d c3c | def2 e3f | f8 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up all and fall back, that again :|:| Set to all your own and fall back, then arms all with your own .:| %%endtext %%sep 1 1 300 %%begintext align %% The two first men take hands, and the two first we. take hands, and fall back from your own, then meet them and change %% places and turn round S. the 1. man and 2. wo. turn back to back, and then the 1. wo. and 2. man turn back to back, %% then all four take hands behind them and go half round :| Do this to all :| %%endtext %%sep 1 1 300 %%begintext align %% The 1. and 2. men, and the 1. and 2. we. take hands and fall back, then meet, and the 2. man take the 1. wo. with his %% right-hand and walk half round, till the 1. man go into the 2. wo. place; then the 1. man and the 2. wo. change places, and %% give their right-hands to their own and go half round, till the 1. cu. comes into the 2. place, and the 2. cu. into the 1. %% cu. place. Do this to all the rest following .:| %%endtext %%sep 1 1 300 %%begintext align %% The 1. and 2. men, and the 1. and 2. we. fall back from your own, then meet, the 2. man and 2. wo. turn back to back, %% then the 1. man and wo. change places, and the 1. man take the 2. wo. by both hands and change places, then the 1. %% and 2. men being in each other's place, and the two first we. in their own places, then the 1. and 2. we. cross over to their %% own, and arms with them. Do this to all the rest following :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: New Tambourine N: Pub: J. Walsh, London, 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.74 #334 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:74 #334 Z: 2012 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 G | A/B/c cB A2 G2 | AGAB c/B/c/d/ cG | A/B/c cB A2 G2 | AGAB c3 :| |: c | e/f/g gf e2 d2 | g2 g/a/g/f/ e2 d2 | e/f/g gf e2 d/e/f | ecGB c3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z | f2 ec fF ec | fefd c2 ec | f2 ec fF ec | fefd c3 :| |: z | c'2 bg c'c bg | ec zg c'c bg | c'2 bg c'c bg | c'agG c3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% All four fall back and forward again and turn single, Men change Places with the Wo. .| %% 1st Man change with 2d Wo. 2d Man with the 1st Wo. :| %% 1st Cu. being in 2d Cu. Place Jigg it up. All four Lead to the Wall, back again .| %% 1st Cu. go the half figure thro' 2d Cu. turn hands with your Partner, and jump and cast off :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: New Way of Wooing P: Longways for as many as will %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.18 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 is in 4/8-bar staff lines: V: 1 |:\ F2 A4 de | f4 e2d2 | B4 A2F2 | E4- E4 |\ F2 A4 de | f4 e2d2 | Bcd2 A2F2 | D8 :| |:\ F2A2 BcdB | F2A2 BcdB | F2A2 BcdB | e2E2 E2E2 |\ F2A2 BcdB | F2A2 BcdB | F2A2 BcdB | d2D2 D4 | F2A2 BcdB | F2A2 BcdB | F2A2 BcdB | e2E2 E2fg |\ a2gf g2fe | f2ed c2BA | Bcd2 A2F2 | D4- D4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff breaks: V: 2 clef=bass middle=d |: d'2d2 f2a2 | d'4 a2f2 | g2e2 f2d2 | A8 |\ d'2d2 f2a2 | d'4 a2f2 | e2g2 a2A2 | d8 :|\ |: d2f2 g2G2 | d2f2 g2G2 | d2f2 g2G2 | e2d2 c2A2 |\ d2f2 g2G2 | d2f2 g2G2 | d2f2 g2G2 | d8 |\ d2f2 g2G2 | d2f2 g2G2 | d2f2 g2G2 | e2d2 c2A2 |\ d2f2 e2A2 | d2g2 a2f2 | g2fg a2A2 | d8 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. cast off and lead through the 3d .| %% 1st Cu. cast off again and lead up to the top :| %% the 1st and 2d Cu. foots it. then clap hands. %% foot it again. clap as before. 1st Cu. cast off. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: The new way of Wooing P: Longways for as many as will %R: reel B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.1 #1 Z: 2013 John Chambers <jc:trillian.mit.edu> N: 2nd part has initial repeat but no final repeat. M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A2 |\ F2 A4 de | f4 e2d2 | B4 A2F2 | E6 A2 |\ F2 A4 de | f4 e2d2 | A2B2 A2F2 | D6 :| |: A2 |\ F2A2 (Bc)(dB) | F2A2 (Bc)(dB) | F2A2 (Bc)(dB) | e2 E4 A2 |\ F2A2 (Bc)(dB) | F2A2 (Bc)(dB) | (Bc)(dB) BcdB | d2D2 D2A2 | F2A2 (Bc)(dB) | F2A2 (Bc)(dB) | F2A2 (Bc)(dB) | e2E2 E2fg |\ (a2f2) (g2e2) | (f2d2) (e3f) | (d2B2) (A3F) | D6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. cast off and lead through the 3d .| %% First Cu. cast off again and lead up to the Top :| %% the 1st and 2d Cu. foots it; then clap Hands, %% foot it again, clap as before, 1st Cu. cast off. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: New Whitehall P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.249 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - A |\ B2G d2A | B2G (A/B/c)A |\ B>ed B>AG | G3- G2 |]\ g |\ ^f2d (=e/^f/)gd | e2c (d/e/f)c | d>gf d>cB | B3- B2 |]\ F |\ (=E/F/G)D =E2G | (A/B/c)A d2B |\ (c/d/e)d B>AG | G3- G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. go the Figure through the 2. cu. .| The 2. cu. do the same :| The 1. man goes round the %% 2. man till he comes into his own place, then the 2. wo. does the same round the 1. wo. at the same %% time, the 1. cu. goes the Figure through the 2. cu. .:| And hands half round and go the single Figure %% through the 2. cu. .| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:47 T: New White Hart Hornpipe M:3/2 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:D d2Bc dB AG FGAF | G2E2efedc2A2 | BcdB ABAG FGAG | F2D2D2c2d4 || d2de fdfg fgad | c2a2B2^g2a2ed | cdec d2cB ABAG | FGAFD2c2d4 || dAF2BGE2AFD2 | cdefe2E2FGAF | d2A2B2G2A2F2 | gfed cdecd4 || %%sep 1 1 500 %%sep 1 1 500 X:50 T: New wild Morris M:12/8 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:D d | def Bcd cde ABc | dcB AGF Edcd2D | def Bcd cde ABc | dcB EA^G A3A2 || a | agf fed gfe edc | fed dcB cde ^A2f | gfe dcB(B3B2)c | dDd dcB efe edc | fFf fed cde Aag | fed Adc (d3d2) || %%sep 1 1 500 %%sep 1 1 500 X:1 T: New Year's Eve P: Longways for as many as will %R: jig,waltz B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.34 #62 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.9 "B 4" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. N: "Tune the Bass String to a 4th." This implies "scordatura" violin tuning, with notes below C sounding a step higher. N: DMDfD has a sharp before the low C sharp in bar 2 (written as B sharp); CCDM1 lacks this sharp. N: The last note in bar 2 is A, in CCDM1, and G, in CCDM1. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - D |\ (FA)A A>AB | (AF)E ^B,2G, |\ (B,E)E E2D | (B,E)E d>f e/d/ |\ c(B/A/)G FdF | fdc d2 :| |: F/G/ |\ A (G/F/) (E/D/) G>AB | A (G/F/) (E/D/) G>AB |\ ef2 d2c | dB2 A>Bc |\ d>cB A2 (G/F/) (E/D/) | E(G,B,) D2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Note, Each Strain is to be play'd twice over. %%begintext align %% First Man take the second Woman by the right Hand, and lead %% between the second Man and first Woman; cast off into their Places, %% and turn; the first Couple run the Figure between the second, %% turn your own, first Man standing in his own Place; first %% Man and second woman cross and go round. The first Man round %% his Woman into his own Place, and second Woman round her %% Man into her Place; Hands half round; the second Couple cast %% off; first Man cross over with the second Woman, the second %% Man cross over with the first Woman then turn your own. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% First man take the 2. wo. by the right hand, and lead between the 2. man and 1. wo. cast off into their %% places, and turn, 1. cu. run the Figure between the 2. turn your own, 1. man standing in his own place; %% 1. man and 2. wo. cross and go round : the 1. man round his wo. into his own place, and 2. wo. %% round her man into her place, hands half round; 2. cu. cast off; 1. man cross over with the 2. wo. %% 2. man cross over with the 1. wo. turn your own. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:42 T: New York the new way M:3/2 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:GMin EGFE DFED C3B | ABcd c3C DEFD | EGFE DEFD C3c | FBAc B3B, DEFD || E2G2_AGFE DEFD | CcBd c3C DEFD | E2G2_AGFE DEFD | B,BAc B3B, DEFD || B2d2 edcB ABcA | GcBd c3C DEFD | E2d2edcB ABcA | FBAcB3B, DEFD || BGEG FDB,D C3c | ABcdc3C DEFD | BGEG FDB,D C3e | d2B2B3B, DEFD || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Next Oars %: the Sheep Shearers %R: slip-jig, triple hornpipe B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (134) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 9/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - |: dA=c BGB AFA | =c3 d>ed B2A |\ dA=c BGB AFA | d3 d>ed c2A :|\ |: dAG F2G A3 | =c3 c>dc B2A | dAG F2G A3 | d3 d>ed c2A :|\ |: F2A E2A D2A | =c3 c>dc B2A |\ F2A E2A D2A | d3 d>ed c2A :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. cast off and cast up .| Then Hands across %% with the 2d Cu. quite round :| Then lead thro and back %% to back with your Partner .| Then cross over the 2d %% Cu. and cross over the 3d Cu. to the Bottom, the 1st %% Man hey on the Men's side, and the Wo. on her own %% Side, then the 1st Cu. lead thro the Top and turn :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Nineteenth of May T: The 19th of May N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.10 N: The title is given in both forms to improve the chance of successful lookups. M: 2/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: GBAc | dBge | dBAG | FAD2 | GBAc | dBge | dBAG | AFG2 :| |: BdBG | FAFD | Bdgf | ecBA | BdBG | FAFD | gdec | dBG2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: g2fd | g2bc' | b2c'2 | d'2d2 | g2fd | g2bc' | b2g2 | d2g2 :| |: g2G2 | d'2d2 | g2b2 | c'2d'2 | g2G2 | d'2d2 | b2c'2 | g2G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The First and Second Cu. foot it Right and Left half round .| %% The same Back again :| %% Lead down one Cu. up again and cast off one Cu. .|. %% Hands round all Six :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Nobe's Maggot P: Longways for as many as will %R: slip-jig, triple hornpipe B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.68 #101 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p. 302 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 9/4 L: 1/4 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ c>dc e2f g3 | B2c d2e dBG |\ c>BA GEc D2z | c2z C2D E>DC |] [|\ F>GF A>Bc E3 | F>ED D>ED E>FE |\ F>GF A>Bc E2z | c2z C2D E>DC |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. sett each right Elbows to one another, %% and then their left Elbows, and cast off, then lead %% thro' the 3d Cu. cast up, and clap Hands; then the %% 1st Man Hey with the 2d Cu. and 1st Wo. with the %% 3d Cu. at the same Time, then right and left %% with the 2d Cu. quite round. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. set each right Elbow to one another, and then with their left Elbows, and cast off, then %% the first cu. lead through the third cu. and cast up and clap hands, then the first man Hey with the %% second cu. and the first wo. with the third cu. at the same time, then right and left with the 2. cu. %% quite round. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Nobody's Jigg T: No-body's Jigg P: Longways for as many as will %R: reel, march B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.37 #63 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.93 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The dances are identical, with the usual spelling and punctuation differences, but the formatting is very different. N: Repeats added to match the dance instructions in DMDfD. (CCDM1 doesn't mention the repeats.) M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - g2 |\ f2d2- d2ef | g2G2- G2g2 | f2d2 de fd | g6 ag |\ f2d2- d2ef | g2d2- d2c2 | B4 A4 | G6 :| |: g2 |\ f2 a4 gf | g2 b4 ag | f2 a4 gf | g2 b4 ag |\ fga2 d2ef | g2 d4 c2 | B4 A4 | G6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to the Presence, then to your We. lead up all forward %% and back, that again .| Then the two 1st Cu. fall back, and all four %% meet and turn Hands backward half round, fall back again, meet %% and turn as before :| The 1st Cu. cross over and meet below the %% 2d Cu. while the 2d Cu. leads up in the Middle, then the 1st Cu %% cross over and meet above in their own Places, while the 2d Cu. %% leads down into theirs; then the 1st Cu. lead down below the %% 2d Cu. while the 2d Cu. cast up into the 1st Cu. Place .| The 2d %% Cu. being now foremost, they cross over and meet below the %% 1st Cu. while the 1st Cu. leads up, the 2d Cu. cross over and meet %% above while the 1st Cu. leads down, then each Cu. sett to one another :| %%[CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% Honour to the presence, then to your we. Lead up all forward and back, that again. %%endtext %%sep 1 1 300 %%begintext align %% Then the two 1. cu. fall back, and all four meet and turn hands backward half round, fall back again, and meet and %% turn as before. This ends the first Strain of the Tune played twice over. %%endtext %%sep 1 1 300 %%begintext align %% The 1. cu. cross over and meet below the 2. cu. while the 2. cu. leads up in the middle, then the 1. cu. cross over and meet %% above in their own places, while the 2. cu. leads down into their; the 1. cu. lead down below the 2. cu. while the 2. cu. %% cast up in the 1. cu. place. This ends the second Strain played once. %%endtext %%sep 1 1 300 %%begintext align %% The 2. cu. being now foremost, they cross over and meet below the 1. cu. while the 1. cu. leads up, the 2. cu. cross over %% and meet above while the 1. cu. leads down, then each cu. set to one another. This ends the second Strain played twice. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Noint the Teazer %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (99) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. N: Fixed incorrectly-placed flag in bar 2 to agree with bar 15 and other similar bars. M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - G |\ G2d d2e | d3 B>AB | c>dB A>GF | G3- G2G |\ A2B cAd/c/ | B3 A2f | g>af e>d^c | d3- d2 :| |: (d/e//f//) |\ g>fg e2f | g3 B>AB | c>Bc B>cd | e3 d2e/f/ |\ g>fg B>cd | G2G A2B | c>dB A>GF | G3- G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The two 1st Cu. fall back and forward again then single %% then the Men change Places with The We. .| The 1st Men %% change Place with the 2d Wo. and the 2d Man with %% the 1st Wo. :| The 1st Cu. being in the 2d Cu. Place %% cast up then all four lead to the Wall and back again .| %% The 1st Cu. go the half figure thro the 2d Cu. then %% turn Hands with your Partners half round and cast off :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: None such P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.223 "U 4" Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - f |\ f2c A2B | c3 F2c | f>gf g>ab | a3 f2a |\ c'a2 bg2 | af2 ge2 | dec c2=B | c3- c2 |] c |\ (dB)B (Bc)d | c2B A2A | (Bc)d (d_e)d | g2f e2g |\ (ab)d (eg)c | (df)A G2B | (AF)f f2e | f3- f2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% All four hands half round and fall back, the 1. man being in the 2. wo. place, cross over with the %% wo. into the 1. man's place .| All four hands half round again, and the 1. wo. change places with the 2. %% man :| %% The 1. man being in the 2. wo. place, go back to back with the 2. wo. into the 1. man's place, the %% other two do the like .| The 1. cu. being in the 2. cu. place, go the half Figure above till they come %% into the 2. cu. place, the other do the like at the same time :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:49 T: Northern Frisk M:3/2 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:Amin A2e4A2ecBA | GABcd2G2B2AG | A2e4A2ecBA | E2A4c2B2A2 || edcB ABcd ecBA | GABc dcBA BcdB | AecA ceac BA^G^F | E2A4c2B2A2 || e2a2d2g2c2f2 | BcdB GABG BcdB | ea^gb edcB ABcA | E2A4c2B2A2 || e2e2e2e2e4 | dcBA G2d2BcdB | eaec AcBA ^GAB^G | E2A4c2B2A2 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Northern Nancy P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.110 #162 (220) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.83 Z: 2013 John Chambers <jc:trillian.mit.edu> N: "Scots Air" handwritten after title in DMDfD. M: 6/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - D | G>AG ^F2G | A2B cBA | B>cd ^F2B | A3 G2 |][|\ d | f>ed c>BA | B2c d2A | B>cd ^F2B | A3 G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up all forward and back; the 1st Man and 2d Wo. go %% Back to Back, and fall into their own Places, the 1st Wo. and 2d %% Man do as much :| The 2d Man take Hands and turn once and %% an half, and the 2d Wo. as much at the same Time, then turn %% your own. Do this to the last. %%endtext %%sep 1 1 300 %%begintext align %% The 1st Man and Wo. cross over into the 2d Place, then cross %% over into the 3d Place :| Lead up the Middle to the Top, and cast %% off into the 2d Place, then take Hands and turn round. Do this %% Change to the last. [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% Lead up all forward and back, the 1. man and 2. wo. go back to back and fall into their own places, %% the 1. wo. and 2. man do as much :| The 2. man take hands and turn once and a half, and the 2. %% wo. as much at the same time, then turn your own. Do this to the last. %%endtext %%sep 1 1 300 %%begintext align %% The 1. man and wo. cross over into the 2. place, then cross over into the 3. place. :| Then lead up %% the middle to the top and cast off into the second place, then take hands and turn round. Do this %% Change to the last. [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Nottingham Castle P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.265 "A a" Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - d |\ (gd)g (dB)G | (FG)A A2B | c>de efg | f>ga f2f |\ (gd)g (dB)G | (FG)A A2B | c>de dcB | A2G G2 |] d |\ d>ed c2B | c2B A2e | e>=fe eAd | d2^c d2a |\ f>ef gfe | d>cB cBA | F2G A2B | c>dc B2z |\ A2z G2z | G2F G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man turns the 2. wo. round with his right-hand, and then his own Partner with the left, the 2. man turn the 1. wo. %% with his right-hand, and then his own Partner with his left, all four men and we. fall back and turn single all round. %% The first Strain played once. %%endtext %%sep 1 1 300 %%begintext align %% The 1. man and 1. wo. go the Hey half round with the 2. cu. to their places, the 1. man and 1. wo. lead down, the 2 cu. %% cast up and meet, lead about on the next cu. into their places. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Nowill Hills T: Love Neglected P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.340 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain play'd twice" instruction. M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ D2F2 A2d2 | A4 F4 | G3A (BA)(GF) | E6 E2 |\ D2F2 A2d2 | A4 f4 | (ef)(ec) (dc)(BA) | A8 :| |:\ A2c2 e2a2 | e4 c4 | d3e (fe)(dc) | B6 B2 |\ A2d2 A2F2 | A4 B4 | (AB) (AF) (GF)(ED) | D8 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first man runs the Heys with the second couple, the first woman do the same; the first man and %% woman runs round their own Partners, the first woman and second man do the same, the two men take %% both hands and fall back, the women do the same at the same time, then Right-hands and Left. Each %% Strain play'd twice. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Now or never N: Pub: J. Walsh, London, 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.83 #343 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:83 #343 Z: 2012 John Chambers <jc:trillian.mit.edu> N: The 2nd part has a begin-repeat but no end-repeat. M: 6/8 L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: c2c BAG | ABc dBG | cdc BAG | AG^F G3 :: c2c e2g | f2e d2c | c2c e2f | g2f g3 | c2c e2g | f2e d2c | cac BgB | ABc dBG | cdc BAG | A2B c3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: c2z g2z | f2z g2z | a2z g2z | d2D G3 :: e2z c2z | d2c g2z | e2z c2z | A2z G2z | e2z c2z | d2c g2z | a2z g2z | f2z g2z | a2z g2z | f2g c3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. foot and cast off .| %% load thro' 3d Cu. and cast up :| %% First Man turn 3d Wo. while 1st Wo. turns 2d Man, foot it to your Partners and turn .| %% 1st Man turn 2d Wo. while 1st Wo. turns 3d Man, foot to your Partner and turn proper %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: No Excise %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (62) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ FAc2 Acf2 | c>dcA G/G/G F2 |\ FAc2 Aca2 | g>age d/d/d c2 :|\ |:\ cea2 def2 | efed ^cAA2 | =ceag fedc | (d/e/f) A^c d4 |\ FAc2 Acf2 | cdcA GFF2 |\ FAc2 ABdf | cAG2 F4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st and 2d Men go Back to Back with their Partners %% and turn each around and a half .| Then Back to Back. %% sides and turn as before :| The Men being improper the %% 1st Cu. go right Hands and left with the 2d Cu. half %% round. all dance and turn single .| The 1st Cu. lead thro' %% the 3d Cu. then cast up and turn Partners quite round :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: No sure %R: jig B: John Walsh "Caledonian Country Dances" S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/5/50/IMSLP98359-PMLP202128-walsh_caledonian_country_dance_vol2.1.pdf p.6-7 #266 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:6-7 #266 Z: 2013 John Chambers <jc:trillian.mit.edu> N: 2nd part has 14 bars. M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 is reformatted by phrase boundaries. V: 1 |:\ Bdb {d}Tc2B | Aca TB2A | BDG BdD | BDG BdD |\ Bdb Tc2B | Aca TB2A | Bdg Ad^c | dAF D3 :| |:\ ADd TB3 | ADc TB3 | efg Be^d | eBG E3 |\ ADc TB3 | dBb Tc3 | (B/c/dG) (A/B/cG) | FAF D3 | (B/c/dG) (A/B/cG) | FAF DAc | Bdb dcB | Aca cBA | BGE DGF | GDB, G,3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff breaks. V: 2 clef=bass middle=d |: g3 zzg | f3 zzf | g3 G3 | g3 G3 | g3 a3 | f2d g2d | g3 a3 | d6 :||: f3 g3 | f3 g3 | c3 B3 | E2e g2e | f3 gdB | G2g afd | g3 c3 | d3 fdf | g3 c3 | d3 f3 | g3 G3 | A3 f3 | g2c d2D | G6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man Sets to the 2d Wo. and turn her .| %% the 1st Wo. does the same :| %% Cross over two Cu. lead up to the top, foot it and cast off .|. %% Hands round four with the 3d Cu. Right hand and Left with the 2d Cu. :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Of noble Race was Shinkin P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.36 #70 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.168 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - e2 |\ f2 (dc) (^cd) (e^c) | d2 D4 e2 |\ f2 (ed) (^cd) (e^c) | d6 |]\ e2 |\ f2 f2 c2 c2 | f2 f6 |\ F4 E4 | D4 ^C2 e2 |\ f2 f2 e3 e | d2 d2 ^c3 A |\ B2 G2 A2 ^c2 | d2 d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man sett to the 2d Wo. and fall back and turn S. Then %% 1st Wo. sett to the 2d Man, and fall back and turn S. the 1st Man %% change Places with the 2d. Wo. then 1st Wo. change Places with %% the 2d Man, then all four meet and turn S. then the 1st Cu. being %% in the 2d Cu. Place, lead thro' and cast off. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man set to the 2. wo. and fall back and turn S. Then 1. wo. set to the 2. man, and fall back and %% turn S. the 1. man change places with the 2. wo. then 1. wo. change places with the 2. man, then all %% four meet and turn S. Then 1. cu. being in the 2. cu. place, lead through and cast off. %% [DMDfD] %%endtext %%sep 1 5 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Old Abigal's Delight P: Longways for as many as will %R: B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.335 Z: 2013 John Chambers <jc:trillian.mit.edu> N: An incorrect time signature 2/2 is given. M: 3/2 L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ f4 F2G2 A2F2 | c2A2 def2 e2c2 |\ f4 F2G2 A2dc | =B2c2 d2=B2 c4 |\ e4 efg2 c2e2 | f2ed c2B2 A2c2 |\ d3c deg2 F2G2 | G6 F2 F4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man cast off and turn the 2. wo. The 1. wo. cast off and turn the 2. man :| Hands half round %% and turn single .| Then cross over and turn your Partner :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Old Age and Young %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (186) Z: 2013 John Chambers <jc:trillian.mit.edu> M: 3/2 L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - |: G4 B2c2 d2cB | A2GF F2c2 ABcA | G4 B2c2 d2cB | A2G2 g2G2 (BA)(G^F) :| |: DG^FA G2G,2 B,4 | C2F2 F2B2 TA2GF | DG^FA G2G,2 B,4 | D2G2 G2B2 A2G^F :| |: GABG ABcA BcdB | A2GF F2c2 (BA)(GF) | GABG ABcA BcdB | A2G2 g2G2 A2G^F :| |: Gg^fa g2G2 A4 | F2f2- f2F2 ATBcA | Gg^fa g2G2 A4 | G2g2- g2G2 A2G^F :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead thro' the 2d Cu. and on the outside of the 3d Cu. %% meet and turn .| The same up :| turn Corners :| Foot :| %% and turn :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Old Batchelor P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.55 #85 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.165 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The dance descriptions are identical except for trivial spelling and punctuation differences. M: 6/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - d |\ g>ag f>ed | e3 def | B>cd e>dc | A3- A2A |\ d>ed c>BA | B>cd G2e | ed2 d>ec | d3- d2 |]\ a |\ ^f>=ed a2d | g3- g2a | b>ag f2e | d3- d>de |\ f>gf (dB)G | c>dc (AF)c |\ f>gf d>cB | B2f b2d |\ e2g a>ba | ^f>=ed g2d | e>dc B>AG | G3- G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. cross over below the 2d Cu. then all four lead up Hands %% abreast, the 1st Man side with the 2d Wo. and the 1st Wo. side with the 2d %% Man at the same Time, then the 1st Man turn his own Partner with both %% Hands round 'till he come to the lower Side, then the 1st Cu. take the %% 2d Wo. and all three Hands half round, then the 2d Man take Hands %% between the two We. and go Hands half round, then all four turn S. then %% right and left with their Partners, 'till the 1st Cu. comes into the 2d Cu. %% Place. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Old Harry %R: march, reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (147) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The actual time signature is just "2". N: Repeats added to satisfy the "Each strain twice" instruction. M: 2/2 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ BG dA | BA/G/ ^FA |\ GB Ac | Bd g2 :|\ |:\ g>a ba | ba/g/ ^fd |\ gd ed | c2 B2 |\ BdBd | ec =eg |\ ^fa dg | g>^f g2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The first Couple clap Hands and cast off .| Then the %% second Couple do the same :| Then cast off and turn your %% Partner with inside below the third Couple then cast %% up above the third Couple and Hands round with the %% second Couple :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Old Hob %: the Mouse Trap %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (48) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - D |\ D2E F2G | A2B c>BA | Bcd ecA | Ad2- d2D |\ D2E F2G | A2B c>BA | Bcd ecA | Ad2- d2 :| |: (c/d/) |\ ecA d>ef | B3 g3 | (fe)d e>de | A3- A2f |\ g2f e2d | c>de A2A | B>cd ecA | Ad2- d2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Man turn the 2d Wo. then cast off with his Partner %% .| The 2d Man do the same with the 1st Wo :| Then %% the 1st Man change Places with the 2d Wo. and the %% 2d Man with the 1st Wo Hands half round then the 1st %% Cu. cast off .| The 1st Cu. lead down the Middle and cast %% up behind the 3d Cu. into the 2. Cu. Place and turn %% Hands :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: An Old Man a Bed full of Bones P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.115 #170 (230) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.41 "E 3" Z: 2013 John Chambers <jc:trillian.mit.edu> N: In DMDfD, the dance is in 3 sections with 2 columns; ## used to mark the column separation. M: 6/4 L: 1/4 K: Ddor % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ eee e2e | e^cA ^c2^c | ddd d2^c | d2e fed |\ eee e2e | e^cA ^c>BA | f>ef g>af | e2d d3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up all a D. forward and back, sett and turn S .| That again :| %% First Man lead down his Wo. between the rest a D. forward and back, %% then lead her to the lower End, and turn her and leave her .| %% Bring up the last Wo. in the same Manner :| Then the last man do the %% like, and fetch his own. %%endtext %%sep 1 1 300 %%begintext align %% Sides all sett and turn S. .| That again :| %% This as before, only crossing both Hands in the middle :|:| %%endtext %%sep 1 1 300 %%begintext align %% Arms all, sett and turn S .| That again :| %% This as before, holding your Wo. by one Hand, and let her turn %% under your Arm, and kiss her :|:| %% [CCDM1] %%endtext %%sep 1 8 500 %%begintext align %% Lead up all a D. forward and back, set and turn S. .| That again :| %% ## %% First man lead down his Wo. between the rest a D. %% forward and back, then lead her to the lower end %% and turn her and leave her .| Bring up the last wo. %% in the same manner :| Then the last man do the %% like, and fetch his own. %%endtext %%sep 1 1 300 %%begintext align %% Sides all, set and turn S. .| That again :| %% ## %% This as before, only crossing both hands in the middle :|:| %%endtext %%sep 1 1 300 %%begintext align %% Arms all, set and turn S. .| %% ## %% This as before, holding your wo. by one hand, and %% let her turn under your arm, and kiss her :|:| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Old Noll's Jigg P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.319 "E e 4" Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - E |\ FED D2E | FED D2d | ^c2d A2d | ^c2d A2E |\ FED D2E | FED D2e | fed c>=BA | A3- A2 :|\ c |\ ABc F2c | ABc F2f | def B2d | Bcd G2g | efg c2e | fga B2a | bag g3 | f3- f2a |\ fga def | efg ^cde | def efd | ^c3 A2a |\ bag aAa | bag aAa | bag f>ed | d3- d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man turn single into the 1. wo. place, the 1. wo. does the same at the same time, and set to %% their Partners, and cast off .| The other cu. do the same :| Then right-hands a-cross, and left-hands back %% again; Then Figure through the 2. cu. and make two hops, and cast off, and turn to their own sides. %% [DMDfD] %%endtext %%sep 1 1 300 %%text Note: The Last Strain is to be play'd but once. %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Old Simon the King P: Longways for as many as will %R: slip-jig, triple hornpipe B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.36 #69 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.112 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 9/4 L: 1/8 K: Gmix % - - - - - - - - - - - - - - - - - - - - - - - - - G2 |\ A3Bc2 c3dc2 c4G2 | A3Bc2 c3de2 f4f2 |\ A2F2F2 F4G2 A3Bc2 | d4c2 B4A2 G4 |]\ a2 |\ g4f2 e4d2 c4a2 | g3a fg d3f de c2d2e2 | f2F2F2 AB cB AG A4F2 | g2G2G2 Bc dc BA B4G2 |\ ABc2E2 (c2G2)E2 c4G2 | ABc2E2 (c2G2)E2 c4G2 |\ ABc2G2 (c2A2)F2 A4F2 | Bcd2G2 efg2d2 B4G2 |]\ e3f ga g2e2d2 c3d ec | e3f ga g2e2 c2 f3g ag |\ a2b2c'2 c2A2F2 A2B2c2 | d3e fd B3AB2 G3A BG |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to the Presence, then to your We. Lead up forward and %% back, that again. %%endtext %%sep 1 1 300 %%begintext align %% First Man being on his We. Side, lead the 2d Wo. sideway, then the %% 1st Wo. with the 2d Man lead to the other Side at the same Time, %% then all face, then 1st Cu. cast off, and 2d Cu. fall into the first Cu. %% Place; then 1st Cu. lead downward, the 2d Cu. lead to the Presence %% at the same Time; then 1st Cu. fall into their own Places, %% and 2d Cu cast off to their own Places at the same Time; then %% 1st Man Back to Back with the 2d Wo. and the 1st Wo. and 2d Man %% Back to Back at the same Time; then 1st Man give right Hand to %% the 2d Wo. and Left to his own; then 1st Wo. give right Hand %% to the 2d Man, and Left to her own, then the Hey thro' the 2d Cu. %% which brings him on his Wo. Side again. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to the Presence, then to your we. Lead up forward and back, that again. %%endtext %%sep 1 1 300 %%begintext align %% First man being on his wo. side lead the 2. wo. side-way, then the 1. wo. with the 2. man lead to the other side at the same %% time, then all face, then 1. cu. cast off, and 2. cu. fall into the 1. cu. places; then 1. cu. lead downward, the 2. cu. lead %% to the Presence at the same time; then 1. cu. fall into their own places, and 2. cu. cast off to their own places at the same time, %% then 1. man back to back with the 2. wo. and the 1. wo. and 2. man back to back at the same time; then 1. man give right-hand %% to the 2. wo. and left to his own; then 1. wo. give right-hand to the 2. man, and left with her own, then the %% Hey through the 2. cu. which brings him on his wo. side again. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Open the Door to Three P: Round for as many as will %R: triple hornpipe, slip-jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.13 "C" Z: 2013 John Chambers <jc:trillian.mit.edu> N: The time signature is actually 6/4, but that's clearly wrong. M: 9/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - D |\ G2G B>cB A2D | G2G B>cB c2d | e>fe d>cB AFD | G>AG BcA G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Hands and two D. round, and set and turn S. .| Meet again :| Met meet, back again, go all to the %% left-hand on the out-side of the co. we. .:| Meet all again, back again, and go all on the out-side of the %% next we. :|:| Do all this till you come to your own places; then the we. as much. %%endtext %%sep 1 5 300 %%begintext align %% Sides all, set and turn S .| That again :| As before, we. beginning. %%endtext %%sep 1 5 300 %%begintext align %% Arms all, set and turn S .| That again :| As at the first. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Opera T: The Ape's Dance P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.87 "I 2" Z: 2013 John Chambers <jc:trillian.mit.edu> N: It's not obvious why the B in bar 12 has a flat sign. Perhaps to prevent musicians playing a B natural, since it looks like a cadence on C minor. M: 6/4 L: 1/4 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - B | B3 cF2 | B3- B2d/c/ | B2e/d/ cF2 | B3- B2f | d2g f2b | af2 b2a | gaf gc2 | f3- f2 |] f | f2d f2B | fdB f2d | gfd eGc | _B3 c2f | dBb a2g | fdg f2d | (e/d/)cA fd2 | c3 B2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to the Presence, Lead up all forward and back .| That again :| %%endtext %%sep 1 1 300 %%begintext align %% First man and 2. wo. change places, then 1. man and 2. wo. and 1 wo. and 2. man, take hands and %% walk round till you have just changed places, then fall back, then all four cross over in each other's %% places, then take hands and do the same thing again, and at the second crossing, the men take hands %% with your own and put back, then right-hands to your own, and left to the other wo. then 1 man go %% down behind the 2. wo. and the 1. wo. in the middle, the man up in the middle, and the wo. up %% behind the man, then set to each other and cast off: So to the bottom. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Over the Hills and far away %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (116) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - G2 |\ c2ed cded | c2 A4 G2 | c2ed cdec | f2 d4 G2 |\ c2ed cded | c2A2 f3A | A2GF G2e2 | f2 d4 :| |: ef |\ g3f e2d2 | c2 A4 ef | g3f e2dc | f2 d4 ef |\ g3f e2d2 | c2A2 f3A | A2GF G2e2 | f2 d4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Man and his Partner cross over the 2d Cu. and %% turn .| Then cross over the 3d Cu. and turn :| Then %% lead up to the Top and cast off and then right Hand and left %% quite round .| Then lead thro the 3d Cu. and cast up %% and turn your partner :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: O Mother Roger P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.32 #56 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The dances are identical except for trivial spelling and punctuation differences. M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - G |\ c2 c2 d2 e2 | f2 g2 e2 (dc) | f2 f2 d2 g2 | e2 (dc) g4 |\ e2 ee a2 a2 | d2 d2 g2 g2 | c2 (BA) d2 (cB) | (cB) (AG) G4 |] d2 d2 B2 (AG) | f2 f2 "1."[e4d4] | (fe) (dc) (cd) e2 | (dc) (BA) A4 |\ f2 f2 (fg) a2 | (gf) (ed) ^c4 | a2 f2 (fg) a2 | (gf) (ed) d3 e | f2 e2 d2 e2 | (dc) (BA) B3 c | A2 B2 c2 d2 | e2 d>c c3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%text 1. CCDM1 has e; DMDfD has d; both sound OK (but imply different chords, C vs. G7). %%begintext align %% The two Men take Hands and lead thro' between the two %% We. and come into their own Places and turn, the two %% We. doing the same; then the 1st Cu. clap Hands, and %% then clap Sides, the We. clapping Hands at the same Time. %% then cast off, and go the Figure through, 'till they come %% into the 2d Cu. Place. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Painted Chamber N: "The Country Farmers Daughter" handwritten above the title. N: "???? 1728" handwritten to right of title. P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.134 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - G |\ A>Bc B2c | d2d d>ef |\ eAd BGB | c2c c2 |]\ g |\ e>fg a>bc' | g2g g>fe |\ a3 gec | d2d d2e |\ f>ga egG | cAe f2g |\ e>dc dGB | c2c c2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man stand on the 1. wo. side, and cast off on the out-side into the 2. cu. place, and then into the 3. %% cu. place, then all four take hands and lead down a-breast, then go the Figure through the 3. cu. into the %% 2. cu. place, and turn their own, then the 1. and 2. cu. lead up all four hands a-breast, then the half Figure %% into the 2. cu. place, and turn their own, the rest doing the like. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Pall mall T: Pell-mell P: Longways for as many as will %R: march, reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.89 #127 (177) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.125 "M 3" Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Gdor % - - - - - - - - - - - - - - - - - - - - - - - - - F2 |\ G2G2 B2g2 | B4 G2AB | c2F2 f2c2 | A4 F4 |\ G2G2 B2g2 | B3A G2(AB) | cB AG F2A2 | G2 d4 |] Bc |\ d2 (ef) (gf) (ed) | B2g2 G2(AB) | c2 de (fe) (dc) | A2f2 F2(Bc) |\ d2(ef) (gf) (ed) | (ef)g2 d2(cB) | (cB) (AG) ^F2A2 | G2 d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% [The CCDM1 dance description is mostly illegible; what little can be read seems the same as in DMDfD.] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First man cast off and come below the 2. man, while the 1. wo. slips down below the 2. man and come %% round into the middle, then all four turn S. and the 2. man and 2. wo. go back to back, then 1. man %% take the 1. wo. by the right-hand and turn once round, while the 1. wo. takes the 2. man by the %% right-hand and turns once round; then the other cu. do the same. %%endtext %%sep 1 1 300 %%begintext align %% The 1. man take the 1. wo. by the right hand and turn once round into the 2. cu. place, then lead up %% between the 2. man and 2. wo. and go the half Figure into their own places again, the other cu. doing %% the same again. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Parham Place %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #5 (19) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat. N: The first note (e) in bars 7 and 17 seem to have a # drawn above, but this doesn't make much sense. M: C L: 1/16 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - d2 |\ g2b2 g2b2 g2fe d2d2 | (efg)e (fga)f g4 z2d2 |\ g2ba g2ba g2fe d2cB | cBcA d2D2 G6 :|\ |: e2 |\ d2 g4 d2 Tc3B c2dc | (Bcd2) c2A2 B2 A4 d2 | "^#"e3f e2f2 g2(fe) d4 | G(AB2) A2G2 F2 G4 d2 |\ (ef)g2 (fg)a2 g2 b4 g2 | f4 Te4 d4 z2B2 |\ (cde2) d2c2 (Bcd2) c2B2 | (cde2) d2c2 (Bcd2) c2B2 | Tc3d e2f2 g2fe d2c2 | B4 TA4 G4 z2d2 |\ g2 b4 d2e2 g4 B2 | e2e2 (fga)c B4 z2B2 |\ "^#"e3f e2fe d2g2- gfed | cBAG D2F2 G6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. cast off below the 2d Cu. and clap hands and turn sides .| %% The 2d Cu. do the same :| then the 1st Cu. go the whole figure and foot it %% then right hands and left and turn Partners then the 1st Cu. set their %% hands on their sides and foot it and cast off below the second Couple %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Parks of Kilburnie N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.2:6 M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 F | (A/B/c) (cf) (a/g/f/e/) fd | cAdA BGGB | (A/B/c) (cf) (a/g/f/e/) fd | cABG F/F/F F :| |: c | (A/B/c) (Fc) dBfd | (TcA) (ae) fddf | (A/B/c) (Fc) dBfd | cABG F/F/F F :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z | f2F2 f2ab | a2f2 g2c2 | f2F2 f2ab | c'2c2 f2F :| |: f | f2fa b2B2 | a2f2 b2B2 | f2F2 b2g2 | c'2c2 f2F :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Man turns his Partner with his Right hand and cast off one Cu. .| %% turn with your Left hands, the Man fall in between the 3d Cu. and the Wo. between the 2d Cu. :| %% Foot it three at top and bottom and turn .|. %% lead up to the top, foot it and cast off :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Parson upon Dorothy P: Longways for as many as will %R: march, reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.37 #64 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.94 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The tunes are identical; the dance is somewhat rephrased (in addition to the usual spelling and punctuation differences). M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - D2 | G2G2 A2F2 | B3c B2d2 | c3B (AB) (cA) | B6 |] d2 | c3B (AB) (cA) | B2B2 B2d2 | c3B (AB) (cA) | B6 |] AB | c2c2 c2(Bc) | d2d2 d2(cB) | A2G2 A2^F2 | G6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to the Presence, then to your own. Lead up %% forward and back, that again. %%endtext %%sep 1 1 300 %%begintext align %% The 1st Man Sides with his own Wo. then on the Outside, %% 1st Cu. turn S. half round and back again, turn half round %% as before, and back again; then take your own Wo. by the %% right Hand and turn her once round, then by the left Hand %% and turn her once round again; then the 1st Man goes to %% the 2d Wo. and the 1st Wo. to the 2d. Man, and so go on %% 'till you come to your own Places again. Do this to the %% last. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% Honour to the Presence, then to your own. Lead up forward and back, that again. %%endtext %%sep 1 1 300 %%begintext align %% The 1. man sides with his own wo. then on the out-side, 1. man and wo. and turn S. half round and %% back again, turn half round as before, and back again, then take your own wo. by the right-hand %% and turn her once round, then by the left-hand and turn her once round again; then the 1. man %% goes to the 2. wo. and the 1. wo. to the 2. man, and so go on till you come to your own places again. %% Do this to the end. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: A Paspe P: Longways for as many as will %R: B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.151 "O 4" Z: 2013 John Chambers <jc:trillian.mit.edu> N: The beaming is a bit odd, but it has been reproduced exactly. M: 3/2 L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - G2c2 cde2 | d3c d2e2 f2g2 |\ e2c2 cd ef defg | a2 gfed efgfef |\ d2B2 Bc dB ed cB | A2f2 f2e2 fedc |\ B3c d2G2 A2^F2 | G4 |] B3A GA Bc | d2G2 G2AB cB cd |\ e2c2 c2 de fe fg | a2f2 fga2 g2f2 |\ e4 f4 d3c | B4 e4 c3B |\ A2dc Bc de d2B2 | c4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First cu. cross over to the second improper, then the Figure through the 2. cu. to the second proper, then cross over to %% the third improper, then the 1. cu. cast up to the second improper, and cross over below the 2. cu. to the first improper, %% then the 1. and 2. we. change places, and the 1. and 2. man the like, then the 1. and 2. cu. all hands half round, and the 1. %% cu. cast off to the 2. improper, then the 1. wo. cross over below the 3. wo. and come between the 3. cu. (the 1. man at the %% same time cross over and go above the 2. man, and so come between the 2. cu.) then the 1. wo. in the middle of the 3. cu. %% hands all three a-breast, (the 1. man the same with the 2. cu. at the same time,) then meet and set, then the 1. man hand %% his own and and turn to the second proper. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Patty's Delight P: Longways for as many as will %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.76 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the dance instruction. M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 c |\ B/c/dB G2g | f/g/af d2c | B/c/dB A/B/cA | G/A/BG D2c |\ B/c/dB G2g | f/g/af a2g | fed Ad^c | d2D D2 :| c |\ c/d/ec edc | B/c/dB dcB | A/B/cA BAG | F/G/AF D2c |\ B/c/dB G2g | f/g/af g2c | BAG DGF | G2G, G,2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ g3 B2c | d3 fed | g3 d2f | g2c def |\ g3 b3 | d'3 ^c'ac' | d'2g a2A | d3- d2 :| z |\ c3 a3 | B3 g3 | A2f g2c | d3- def |\ g3 B2c | d3 e2f | g2c d2D | G3- G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%center The first strain to be play'd twice & the second but once. %%begintext align %% The 1st Man & 1st & 2d We. take hands, go quite round to their Places .| %% then 1st Man & 2d Wo. & 2d Man to the same :| %% then the 1st Cu. cross over into the 1st & 2d Cu Place & lead up all 4 %% a Breast & back again then 1st Cu cross over & go the half figure of 8 %% into the 2d Cu. Place, then Right and Left till you come into your own %% Places. the 1st Cu. lead down between the 2d Cu. & cast up to the Top %% and all 4 clap hands then the 1st Cu. cast off into the 2d Cu. Place. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Paul's Alley %R: B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (189) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The two strains should probably have repeat signs. M: 3/2 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [| a>b af ed | e>f ec BA | d>e dB AF | E3 A FD |]\ [| F A2 d BG | F A2 d ED | F A2 d BG | A F2 f ed |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. take both Hand [sic] and turn down the Middle %% into the 2d Cu. Place While the 2d Cu. cast up slow %% and meet above .| The same again that is the 2d Cu. %% turn down the Middle and the 1st Cu. cast up :| The two %% Men lead to the Wall quick then change Hands and lead %% in again then both turn round single and floor it or %% foot it twice the We. doing the same at the same Time .| %% Then beginning with your Partners go right Hands %% and left half round .| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Paxton's Humour N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.47 #307 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:47 #307 N: The 2nd part has a begin-repeat but no end-repeat. M: 12/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ G3 Bcd efg dcB | A3 agf gfe fga |\ G3 Bcd efg dcB | edc BcA G3 G,3 :| |:\ {a}Tg>fg dgb- bgd bgd | {g}Tf>ef dfa- afd afd |\ {a}Tg>fg dgb- bgd bgd | {g}Tf>ef agf gdB G3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ g3 g3 g3 g3 | d3 d3 d3 d3 | g3 g3 g3 g3 | c'3 d'3 g3 G3 :| g3 g3 g3 g3 | d3 d3 d3 d3 | g3 g3 g3 g3 | d'3 d3 g3 G3 |] %%begintext align %% First Man turn his Partner, then both cast off and take hands round .| %% the 2d do the same :| %% then the 1st Cu. cross over and go the figure of 8 between the 2d Cu into the 2d Cu. Place .| %% then right and left with the 2d Cu. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Peace and Plenty %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #19 (33) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has an initial repeat but no final repeat. M: 2/4 L: 1/16 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ d4 (defd) | (e2A2) A4 | B4 (BcdB) | (F2D2) D4 |\ (F2D2)(A2D2) | (F2D2)(d2D2) | (F2D2) (GAB2) | (F2D2) D4 :| |:\ d4 f2(ed) | (fg)a2 a4 | d4 f2(ed) | (e2A2) A4 |\ (DEFD) A2A2 | (DEFD) f2f2 | (DEFD) d2d2 | (DEFD) (a2a2) | ega2- a2gf | efg2- g2fe | (fgaf) (efge) | f2d2 d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st and 2d Cu. clap 4 times and foot it twice and %% cast off one Cu. |: the same down another Cu. :| whole %% figure at the Top and foot it :||: The 1st Man casts %% behind the 3d Man and his Partner behind the 2d. Wo. %% and foot it and then the 1st Man casts behind the 3d %% Wo. and his Partner behind the 2d Man and turn :||: %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Peacock %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (81) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: 6/4 L: 1/4 K: Emix % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ E3 G2A | BGE e2B | c/d/ec B(A/G/)(F/E/) | F3 B,3 |\ E3 G2A | BGE e2^d | c/^d/cf dBd | e3 E3 :| |:\ g3 e(d/c/)B | e3- e2B | c/d/cg BA/G/F/E/ | F3 B,2f/g/ |\ a3 g3 | f/g/ a/g/f/e/ ^d2B | c/^d/ec fdB | e3 E3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% First Cu. cast off and turn hands round all 4 and back %% again with 3d Cu. in 2d Cu. Places | the 2d Cu. do the %% same :| 1st Cu. being at top cast off and turn hands %% Sides half round and back again into 2d Cu. Place .| %% the other two do the same which brings them into the %% 2d Cu. place the 1st Cu. cast of [sic] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:37 T: Peacock Jigg M:6/4 L:1/4 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:E E3G2A | BGEe2B | c/d/ecBA/G/F/E/ | F3B,3 | E3G2A | BGEe2d | c/d/ecfeB | e3E3 || g3ed/c/B | (e3e2)B | c/d/ecBA/G/F/E/ | F3B,2f/g/ | a3g3 | f/g/ a/g/f/e/d2B | c/d/ecf dB | e3E3 || %%sep 1 1 500 %%sep 1 1 500 X:36 T: Peckets Hornpipe M:3/2 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:E agfe defd e2E2 | GABGF2f2d4 | cBAc BAGBe2G2 | AGFDB,2^D2E4 || GBGE GBGE^D2F2 | AcAF AcAFG2B2 | fafd egec dfdB | agfe Bedfe4 || %%sep 1 1 500 %%sep 1 1 500 X:46 T: Peg Huglestones Hornpipe M:4/4 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:C GF | E2A4GA | c4dcBA | c2e2dcBA | d2B4GF | E2A4GA | c4cBcA | c2e2dcBA | G2E4 || gf | e2g2fedc | d2g2edcB | c2e2dcBA | d2B6 | e3f gefg | fefga4 | agfe dcBA | G2E4 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Penelope %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (197) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - A2 |\ BABc dcBA | G2D2 D2B2 | A2G2 ^F2B2 | ABGA ^F2A2 |\ BABc dcBA | GAB2 cde2 | d2cB A3G | G6 :| |: A2 |\ Bcde fgfe | d2B2 B2d2 | e2d2 cBAG | ^F6 GA |\ B2AG ^F2G2 | B2AG ^F2GA | B2Bc d2g^f | g2 G4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. cast off and lead thro the 3d Cu. and cast up %% to the 2d Cu. Place then cross up to the Top and figure %% in the 2d Couple :| The 1st Man casts off and his Partner %% slips down the Middle and casts up and he slips up at the %% same Time then the 1st Wo. casts off and the 1st Man slips %% down the Middle and casts up then the 1st Man takes his %% Woman by her right Hand and leads her round the 2d Man %% then up the Middle and cast off :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Petticoat Loose T: Curickle N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.51 #311 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:51 #311 M: 6/8 L: 1/8 K: Am % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 B |\ c2A BGE | c2A BGE | GAG G2d | GAG G2B |\ c2A BGE | c2A BGE | ABA A2e | ABA A2 :| |: B |\ cde def | edc BAG | g>ag gdB | g>ag gdB |\ cde def | edc dcB | ABA A2e | ABA A2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ e3 e3 | e3 e3 | g3 g3 | g3 g3 |\ e3 e3 | e3 e3 | a3 a3 | a3 a2 :||: g | c'3 b3 | c'3 g3 | g3 g3 | g3 g3 |\ c'3 b3 | c'3 g3 | a3 a3 | a3 a2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Two first Cu. fall back and cross over, and so back again to their Places :| %% cross over and figure in .| %% Lead thro' the 3d Cu. cast up and turn hands. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Petticoat tight %R: jig B: John Walsh "Caledonian Country Dances" S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/5/50/IMSLP98359-PMLP202128-walsh_caledonian_country_dance_vol2.1.pdf p.98 #358 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:98 #358 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd part has initial repeat but no final repeat. M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 D |\ FGA FGA | Bcd d2A | Bcd d2A | BGE E2D |\ FGA FGA | Bcd d2A | Bcd d2A | AFD D2 :| |: e |\ f2d ecA | faf ecA | Bcd d2A | BGE E2A |\ BGB AFA | GEG F2A | BGB cAc | dAF D2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ d'3 c'3 | b3 f3 | g3 f3 | g3 a3 |\ d'3 c'3 | b3 f3 | g3 a3 | d3 d2 :| |: a |\ d3 a3 | d3 a2f | g3 f3 | g3 a2f |\ g2e f2d | e2c d2f | g2e a2A | d3 D2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. Set 3 with the 2d Wo. and turn .| %% the same to the Man :| %% cast off and turn .| %% Lead thro' the 3d Cu. cast up and turn :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Piccadilly P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.61 "G" Z: 2013 John Chambers <jc:trillian.mit.edu> N: It's not obvious why a G major time signature wasn't used, since all the f notes have sharps. M: 6/4 L: 1/4 K: Gmix % - - - - - - - - - - - - - - - - - - - - - - - - - e/^f/ |\ g3 e3 | d>ed B>cd | cdB A>G A/B/ | G3- G3 |][| B |\ c>de e>dc | dB2 G2B | c>de e>dc | dB2 G2e/^f/ | g3- g2^f/g/ | a3- a2e/^f/ | g3- g2^f/g/ | a3- a2g/a/ |\ b3- b2e | ^f>ed B>cd | c>dB A2G | G3- G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up all a D. forward and back .| That again :| %% ## %% We. go all to the wall and stand, men go up to yor own we. and peep four times on %% each side behind them, fall all to your places and turn S .| Then men to to the wall and %% stand we. go up to your backs and peep four times, then fall to your places and turn S :| %%endtext %%sep 1 1 300 %%begintext align %% Sides all .| That again :| %% ## %% As before, the men going first. %%endtext %%sep 1 1 300 %%begintext align %% Arms all .| That again :| %% ## %% As at the first. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Pig in the Parlour %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #14 (8) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - F2 |\ AFEF AFEF | c2 c4 BA | B2A2 G2F2 | EF G4 F2 |\ AFEF AFEF | de f4 ed | e2dc G2=B2 | cGEG C2 :| |: c2 |\ ecBc ecBc | b2 a4 gf | e2d2 c2B2 | AG F4 c2 |\ ecBc gcBc | ga b4 ag | afef gece | f2c2 A2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% The 1st Man turn 2d Wo. and jump round S. the 2d Man do %% the same, with the 1st Wo. .| the 1st man change Places with the %% 2d Wo. and the 2d man do the same, with the 1st Wo. then hands %% all four half round and right and left quite round, then foot it %% and jump .| then change places with contrary Partners and go %% all four round and cast off and turn your Partner .| then take %% your Partner by both hands and draw her round the 3d Cu. and %% above the 2d Cu. and cast off below the 2d Cu. & turn yr partner :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Pilgrim T: The Ld Foppington T: The Lord Phopington P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.102 #144 (204) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.272 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The actual time signature is 6/4, but the notes are half that value. N: The lord's name is spelled differently in various printings of this tune/dance. N: Partly-legible text verified by comparison with http://deriv.nls.uk/dcn30/8975/89754487.30.jpg M: 6/8 L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - A |\ FAF D2F | A2d d2e | fgf fga | e3 A2A |\ FAF D2F | A2d d2e | fgf fge | d3- d2 |] e |\ eAe eae | eAe eae | ^fga a2^g | a3- a2a |\ aff fdd | dAA AFA | def f>ed | d3- d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man turn the 2d Wo. and Hands half round, then turn single .| %% The 1st Wo. does the same :| The 1st Cu. do the half figure between %% the 2d Cu. and the 2d Cu. do the same .| Then lead through the 2d %% Cu. and right and left Sides .| %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man turns the Second wo. and hands half round, then turn Single .| The 1. wo. does the same :| %% The 1. cu. does the half Figure between the 2. cu. and the 2. cu. does the same .| Then lead through the %% 2. cu. and right and left sides :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: A Pint of Derby %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (143) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. N: Corrected missing dot at the of 1st strain. M: 6/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ g2a bag | a2d d2g | fdB ced | cAB ^F>ED |\ G2A BAG | c2d edc | dgB A2G | G3- G3 :| |:\ A2B c>dc | d2=e f2g |fd2 c2B | B3- B2d |\ Bf2 dg2 | =ea2 ^f2d | cB2 A2G | G3- G3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Man take his Partner by the left Hand and cast off %% and lead her thro the 2d Cu. then the 2d Wo. and fall into %% the 2d Cu. Place | Then the 2d Cu. do the same :| Then the %% 1st Man and 2d Wo. sett and turn single the 2d Man and 1st %% Wo. turn Hands at the same Time then the two Men and %% two We. Back to Back Then all four lead down abreast %% then up again then the 1st Cu. cast off and turn Hands :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Pipers Round %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (80) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - GA |\ B2G2 B2G2 | c6 e2 | d2cB cBAG | A6 GA |\ B2G2 B2G2 | c6 e2 | d2cB cBAG | G6 :| |: ef |\ gfed efg2 | c6 ef | gfed fga2 | A6 ef |\ gfed efg2 | c6 e2 | d2cB cBAB | G6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. go with inside the 2d Cu. then on the out %% side of 3d Cu. and lead up to the top and cross over and %% cast off. the 2d Cu. do the same .| the 1st and 2d Man sett %% to their Partners and take hands to go quite round, lead %% between the 2d Cu. and cast up. then right and left hands half %% round :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:55 T: Plimouth Hornpipe M:3/2 L:1/4 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:A Aceag>f | gB2ed/c/B/A/ | Aceag>b | EA2B/c/ d/c/B/A/ || a/g/f/e/ d/e/f/d/ e/f/g/e/ | gB2ed/c/B/A/ | d/c/B/A/ G/A/B/G/ A/B/c/A/ | EA2B/c/ d/c/B/A/ || %%sep 1 1 500 %%sep 1 1 500 X:38 T: Plimouth Jigg M:6/4 L:1/4 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 N:printed last note is dotted minim-here correcte B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:D d | faAdfd | B2ge2d | Be2a2f | dBgecA | FAdAaf | d2AD2 || A | d>cBA/G/FA | d/c/Bge2d | a3A2d/e/ | fd/e/fge/f/g | af/g/aAdc | d3D2 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Plod N: Pub: J. Walsh, London, 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.88 #348 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:88 #348 Z: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ (defg) ad3 | (ec3) d4 |\ (AF3) d4 | (AF3) E4 |\ DEFG A2A2 | (dA3) f4 |\ (ec3) dB3 | A6 z2 :|\ |:\ (ABcd) (eA3) | (dA3) (fa3) | (FA3) D=c3 | BG3 G4 |\ GABc d2ef | g2fe f2ed |\ (ec3) (Ac3) | dD3 D4 |\ (BG3) (Fd3) | (BG3) A4 |\ df3 AF3 | d2D2 D4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ d4d4 | d4d4 | d4d4 | a4A4 |\ d4d4 | d4d4 | e4E4 | A6 z2 :| |:\ a4a4 | f4d4 | d4f4 | g4G4 |\ g4g4 | g4g4 | a4A4 | d4d4 |\ d4d4 | d4d4 | a4A4 | d4d4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man foot it to the 2d Wo. and cast off .|. %% the 1st Wo. foot it to the 2d Man and cast off .||. %% Hands Six round, then lead thro' the 2d Cu. .|. %% Right and Left at top and foot it to your Partner :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Pool's Hole P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.154 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The time signature is just "2". N: The ":S:" is an early segno, meaning to repeat the last 4 measures. M: 2/2 L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - d2e2 | f2ef gf ed | e2A2 d2e2 | f2ef gf ed | e4 |][| f2g2 | a2ga ba gf | g2c2 f2g2 | a2ga bagf | g2fe f4 "^:S:"| e4 d2e2 | ^c2BA f4 | e2a2 d2^c2 | d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First cu. cast off to the second proper, and then the Figure to the second improper, then the men change %% places, and the two we. the like, then all hands quite round, S|: and right and left (with your own first) %% to the second proper. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Pope Joan P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.188 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - A2 |\ B4 (G2AB) | A4 ^F2A2 | c3c d2e2 | B3B A2(Bc) |\ B3A (G2AB) | A4 (G^F)A2 | (Bc)d2 d2=e^f | g6 |] [| ga |\ b2(ag) f2(ed) | c2B2 A2g2 | (gf) (fd) (cd) (cB) | (AB) (AG) ^F2 (ga) |\ b2(ag) f2(ed) | c3B (AB) (cd) | B2(AG) A2^F2 | G6 |] [| A2 |\ B3A B2c2 | d2e2 c2A2 | B3A B2c2 | d2e2 c2A2 |\ B3A B2c2 | d2e2 c2(BA) | B2(AG) A2^F2 | G6 |] [| A2 |\ B2(AG) A2^F2 | G2B2 A2c2 | B2(AG) A2^F2 | G2B2 A2(A/B/c) |\ B2(AG) A2^F2 | G2B2 A2c2 | B2(AG) A2^F2 | G6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The two men take hands and lead through the two we. and come into their own places, the two men turn sides once into their %% own places .| The two we. do the like :| The two men go the Figure through the two we. till they come into their own places .| %% The two we. do the like :| Then the 1. cu. cross over and turn his Partner till he come to his own side, the 2. cu. do the like :| %% The 1. cu. meet and set, the wo. slip down the middle, the man cast off and meet her in the 2. cu. place and turn her, %% the other cu. do the like, then 1. cu. cast off into the 2. cu. place :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Portsmouth P: Longways for as many as will O: Playford 11th ed.1701 %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.74 #103 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.243 "Y 2" Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - D2 |\ G3 A (BA) (GF) | E4 e4 | d2 B2 (cB) (AG) | A6 D2 |\ G3 A (BA) (GF) | E4 e4 | d2 B2 (cB) (AB) | G6 |] d2 |\ g3 a (ba) (gf) | g2 d2- d2 B2 | g2 B2 (cB) (AG) | A6 D2 |\ G3 A (BA) (GF) | E4 e4 | d2 B2 (cB) (AB) | G6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first Man Hey with the first and second %% Wo. the 1st Wo. do the same with the first and second %% Men; then the first Couple cross over and %% figure in; then right and left quite round. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first man Hey with the first and second woman, the first woman do the same with the first and %% second man; then the first couple cross over and Figure in; then right and left quite round. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Pot Stick T: The Shamboy N: Pub: J. Walsh, London, 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.75 #335 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:75 #335 Z: 2012 John Chambers <jc:trillian.mit.edu> N: The 2nd part has a begin-repeat but no end-repeat. M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ D2A AFA | B/c/dF E2D | D2A AFA | B3 d3 :|\ |:\ d/e/fd ecA | B/c/dF E2D | d/e/fd ecA | B3 d3 |\ d/e/fd ecA | B/c/dF E2D | DFA AFA | B3 d3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ d3 d3 | g2z a2d | d3 d3 | g3 d3 :| |:\ d3 a3 | g2z a2d | d2z a2z | g3 d3 | d2z a2z | g2z a2d | d2z d2z | g3 d3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu foot it 2 and cast off one Cu. .| %% then foot it and cast up then cross over, %% and half figure, and Right hands and Left. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Poyntins Maggot %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (57) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. N: The rhythm isn't correct between the two strains. M: 6/4 L: 1/4 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ A3 E3 | C>DE A,2A | D2B E2c | fdc B3 :|\ |: e |\ a3 e3 | c>de A2f | G2e F2d | EcA BGE |\ FAC B,BG | A3 A2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. take both hands the 2d Cu. do the same and %% go Round in each others places .| the same back again :| %% the 1st Man change Place with the 2d Wo. the 2d Man %% with the 1st Wo. and all four turn single .| hands across %% and turn quite round then 1st Cu. turn proper :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:45 T: Poyntins whim M:4/4 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:F cB | A2F4GA | Bcde fgab | e2g4fg | afge fdec | dBcA fdcB | A2F4 || fg | agaf bagf | efge fagf | e2g4fg | afge fdec | dBcA fdcB | A2F4 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Pray be civil N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.66 #326 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:66 #326 M: C L: 1/16 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ GGG2 B2d2 g2d2B2G2 | DDD2 F2A2 d2A2F2D2 |\ GGG2 B2d2 g2d2B2G2 | cBAG d2D2 G4 G,4 :|\ |:\ d2f2e2g2 f2a2g2b2 | d2f2e2g2 fga2 f2d2 | defg efga fgab gabg | defd efge fga2 f2d2 |\ gab2 g2e2 fga2 f2d2 | efg2 d2B2 A3GF2D2 |\ GGG2 B2d2 g2d2B2G2 | cBAG d2D2 G4 G,4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ G4z4 G4z4 | d4z4 d4z4 |\ G4z4 G4z4 | cBAG d2D2 G4 z4 :| |:\ d4z4 d4z4 | d4z4 d4z4 |\ d4A4 d4g4 | f4 e4 d4 z4 | g4e4 d4z4 | g4z4 f4z4 |\ g4z4 g4z4 | c'bag d'2d2 g4z4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. foot it and cast off, the same again .| %% Lead up to the top, foot it and cast off :| %% Six hands round .| %% First and 2d Cu. Right and Left quite round. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:31 T: Presbyterian Hornpipe M: 3/2 L: 1/4 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K: Gmin GB BG c/B/A/G/ | ^FA AF A2 | GB A/B/c/A/ B/c/d | DG GB AG || gb bg ba/g/ | fa af ag/f/ | ef gf ga | f3 e dc | Bd fB df | Ac fA cf | GB dG Bd | ^F3 E DC | B,D DB, DC/B,/ | A,C CA, CB,/A,/ | G,B, A,C B,D | CE D^F G2 || %%sep 1 1 500 %%sep 1 1 500 X:32 T: Presbyterian Jigg M: 4/4 L: 1/4 N: penultimate bar has 6 crotchets printed - here correcte B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K: Emin BG2B/c/ | dGdG | BG2B/c/ | d2B2 | cA2c/d/ | eAeA | eA2c/d/ | e2B2 || Gg2f/g/ | a/g/f/e/dc/B/ | Aa2g/a/ | b/a/g/f/ e/f/g/a/ | Gg2f/g/ |\ a/g/f/e/dg | f/g/a/f/ dg | f/g/a/f/dg | f/g/a/f/dg | f2e2 |] %%sep 1 1 500 %%sep 1 1 500 X:1 T: Pretty Miss P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.159 "P 2" Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - G2 |\ (cde2)c2 G4f2 | (efg2)e2 a4A2 |\ Bcd2B2 cde2c2 | A4G2 G4 |]\ z2 | g4g2 e4e2 | a2^g3a ^g6 |\ (^ga3)e2 f4(ed) | c4(BA) A6 |\ e4f2 e4(dc) | (ef)(^f3e/f/) g4e2 |\ a2A2B2 c2f2e2 | c4B2 c4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man slip down below the 2. man, and then come up into his own place again, then the 2. wo. %% cast up at the same time and come down unto her own place, then the 1. wo. and 2. man do the like. %% The two men set and sides, and the two we. do the like at the same time, then all turn S. then right and %% left with your Partners till the 1. cu. come into the 2. cu. place. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Pretty Nun %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (167) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. N: The rhythms don't add up at the strains' boundaries. M: 6/4 L: 1/4 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ A3 E3 | C>DE A,2A | D2B E2c | Fdc B3 :|\ |: e |\ a3 e3 | c>de A2f | G2e F2d | EcA BGE |\ FAC B,B^G | A3- A2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. take Hands the 2d Cu. do the same and go %% round into each others Places .| The same back again %% :| The 1st Man change Place with the 2d Wo then the %% 2d Man with the 1st Wo. and all four turn single .| %% Hand across and turn quite round then 1st Cu. turn %% proper :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Princess T: Princes N: DMDfD has the title with only one 's', but it's the same tune and dance as CCDM1's "Princess". P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.62 #92 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.281 "B b 3" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "[Each] Strain twice" instructions in DMDfD. M: 6/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - G |\ b2b b>ag | a2a a2d | g2g g>ba | ^f>ga d2d |\ f2f f>ed | e2e e>fg | c2c c>de | d>cB B2 :| |: f |\ d2d d>cB | f2f f2c | e2e e>dc | g2g g2G |\ B2B B>AG | d2D =E>^FG | ^F2d A>Bc | B>AG G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The two 1st Men and two 1st We. fall back, and meet, %% and turn all single; the 1st Cu. lead down the Middle and %% sett to their Partners, the 2d Cu. do the same :| The 1st %% Cu. take Hands and 2d Cu. take Hands and draw their Partners %% into each other's Place; the 1st Cu. lead thro the 2d %% Cu. and come into the 2d Cu Place; the right and left %% quite round, and turn their own Partners 'till the Tune %% is done :| %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The two first men and two first women fall back, and meet and turn all single, the 1st. couple lead %% down the Middle and set to their Partners, the second couple do the same. First Strain twice. %% The first man and woman take hands, and the second man and second woman take hands and draw %% their Partners into each others place, the 1st. man and 1st. woman lead through the second couple and %% come into the second couples place, then right and left quite round, and turn their own Partners till %% the Tune is done. The second Strain twice. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Princess's Court T: The Princesse's Court P: Longways for as many as will %R: march, reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.69 #106 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.313 "E e" Z: 2013 John Chambers <jc:trillian.mit.edu> N: The versions are identical except for minor spelling and punctuation differences in the title and dance description. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - G2 |\ G2d2 d2g2 | f3e d2e2 | d2g2 e2a2 | (f3e/f/) g2G2 |\ G2d2 d2g2 | f3g a2(gf) | e2(fg) e3d | d6 |] G2 |\ G2d2 dedc | B3A G2B2 | e3f g2(fe) | ^d6 f2 |\ g2f2 g2f2 | g2^d2 e3f | g2ag f3e | e6 |] ef |\ g2d2 d2e2 | d6 ed | cdcB ABAG | F3E D2de |\ d2G2 G2ef | e2d2 d2g2 | e2a2 (f3e/f/) | g6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. cast off and sett, and cast up again .| The 2d Cu. %% do the same :| Then the 1st Cu. cross over the 2d Cu. and %% clap Hands, then cast up the 3d Cu. and go the Figure %% through, then the 1st Cu. turn half round and lead to the %% Wall, then Hands half round, and right and left quite round. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. cast off, and set and cast up again .| The 2. cu. do the same :| Then the 1. cu. cross over %% the 2. cu. and clap hands, then cast up the third cu. and go the Figure through, then the first cu. turn %% half round and lead to the wall, then hands half round, and Right and Left quite round. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Princess Amelia P: Longways for as many as will N: AKA Holborn March. %R: march B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.23 #44 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ c4 c4 | c3 Bc | d2c2 B2A2 | G6 C |\ F2 A4 G2 | A2 c4 B2 | A4 G4 | F8 :| |:\ g4 g4 | g6 fg | a2g2 f2e2 | d6 G2 |\ c2 e4 d2 | e2 g4 f2 | e4 d4 | c8 | c4 c4 | c6 Bc | d2c2 B2A2 | G6 C2 |\ F2 A4 G2 | A2 c4 b2 | a2gf g2e2 | f8 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% The 1st Couple set, cast off and turn .| The %% 2d Couple do the same :| 1st and 2d Couple Hand %% across half round, the same back again .| then %% the 1st Couple cross over and Figure. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Princess Amelia's Birth Day P: Longways for &c. %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.65 p.65 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #22 (30) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. N: First bass note (b) is clearly wrong; rewritten as a. M: 6/8 L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ A2e e2f | c2d e3 | ABc Bcd | c2B cBA |\ A2e e2f | c2d e3 | ABc Bcd | c2B cBA :| |:\ d2c B2A | G2F E3 | A2E B2E | d2c B3 |\ d2c B2A | G2F E3 | A2E Bcd | cdB A3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ a3- a2d | A2B cBA | a3 g3 | a2e A3 |\ a3- a2d | A2c cBA | c3 d3 | e3 A3 :| |:\ b2a g2f | e2d c2B | A2a g2a | b2a g2a |\ b2a g2a | e2d c2B | A3 d3 | e3 A3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% The 1st Cu cross over and turn, then change over at Top and lead outsides .| %% and Back to Back sides & turn, the 1st Cu. being all at Bottom :| %% then Hands round at Top, then Right and Left quite round at Top .| %% Then the first Man heys at Top, and the Wo. at the Bottom, and turn it out :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Princess Royal P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.26 #54 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - D |\ G2G G>AB | A2A A>Bc | B2B B>cd | A2A A2D |\ G.G G>AB | A2A A>Bc | B>cd A>GF | G2G G2 :| |: B/c/ |\ d>ed d>gd | c>dc c>ac | B>cB B>cd | A2A A2B/c/ |\ d>ed d>gd | c>dc c>ac | B>cd A>GF | G2G G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% First figure single, and right Hands and left, then %% figure single with the next Cu. and right Hands and left, %% then cast up 1st Cu. and change the Man into the Wo. %% Place, then cast up at Top, and change again .| Then %% you will be in your own Places, then right Hand and %% left 'till you come below, then lead thro' the 1st Cu. %% then you'l come right. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Prince Frederick's Hornpipe P: Longways for as many as will %R: hornpipe, reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.9 S: 3: CCD3 http://javanese.imslp.info/files/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.9 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd part has initial repeat but no final repeat. M: C L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 c2 |\ A3G F2A2 | G2FE F2f2 | e2dc d2cB | A3G F2A2 |\ G2FE F2A2 | G2FE FGAB | c2 B4 A2 | G6 :| |: c2 |\ d2cB ABc2 | F2GA B4 | Bcd2 G2d2 | gab2 e4 | f2 e4 d2- | d2 c4 B2- | B2AB G2FE | F6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d c2 |\ f4 F4 | c4 A2F2 | c4 d2e2 | f4 F4 |\ c4 A2F2 | c4 d4 | e4 f4 | c2d2 e2 :| |: c2 |\ B4 f4 | a2f2 edc2 | d4 B2G2 | bag2 c'2c2 |\ f2c2 d4 | e4 c4 | e2f2 c2C2 | F2c2 f2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. Hey on the contrary sides, then on your own sides, %% and cast off and turn contrary Corners, %% First Cu. whole figure at the bottom, then at the top, %% lead thro' the Man's side and turn in the middle, %% then thro' the Wo. side and turn in the middle. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Prince George P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.41 #78 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.122 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The two versions are identical except for minor spelling and punctuation differences. M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - D2 |\ GAB2 A2d2 | B2AG ^F2ED |\ G2AB A2d2 | B4 G2 |]\ A2 |\ B2cd c2f2 | d2cB c2F2 | B2G2 e2(dc) | c4 B4 |\ A2AB c2A2 | d2G2 ^F3f |\ d2(cB) (AB)c2 | B4 G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Man sett to his own Wo. and then take Hands with %% the 2d Man and turn round into his Place, while the 1st and %% 2d Wo. does the like; then the 1st Cu. cross over into the %% 2d Cu. Place, then all four take Hands and lead up abreast, %% then the 1st Man cross over and go below the 2d Man, while %% the 1st Wo. goes below the 2d Wo. and clap Hands, then all %% four Hands and go quite round, the rest do the same. %% [CCDM1] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Prince of Wales's Birth Day %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #22 (12) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The last bar is missing an 8th note. The c in bar 7 should probably be sharp. M: 2/4 L: 1/16 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ g4 f2e2 | d2G2G2A2 | (Bcd2) c2B2 | A6 B2 |\ (cd e4) d2 | (fg a4) g2 | f2(ed) e2(dc) | d8 :| |:\ a4 f2d2 | gab2-b2 a2 | g2fe f2e^d | e4 (efg2) |\ d4 B2G2 | cde2 e4 | d2cB cBAG | FGAF D4 | EFGE FGAF | GABG ABcd | B2AG D2EF | G6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% First Cu. dance and Lead quite down the Middle and cast %% up again. to your Place .| then 1st Wo. and 2d Man do the %% same, and 1st Wo. cast off below the 2d Wo. :| 1st Cu. %% take Hands and go across quite round with the 3d Cu. then %% Lead up round the 2d Cu. into the 2d Cu. Place .| then %% Right and Left with the 2d Cu. and turn Partners :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Prince Rupert's March P: Longways for Eight %R: march B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.37 "E" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Both strains should probably be repeated. N: The dance is in 3 sections, with each section having two columns. "##" is used to mark the columns. M: C| L: 1/4 K: Ddor % - - - - - - - - - - - - - - - - - - - - - - - - - d |\ dA de | f>g ff | ed d^c | d3 |][| d | e>d e/f/g | c>d cc | ff g/a/ g/a/ | f3 f | f>d e/fg | c>d cf | ed d^c | d3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead all round to the right-hand, and come to your places again :| %% ## %% First man turn down to the right hand and stand before the last wo. %% 2. man before the 3. and the 3. before the 2. wo. your faces all to the %% left-hand and march toward the wall, and change places with the we. .| %% Do this again till you come to your places :| %%endtext %%sep 1 1 300 %%begintext align %% Lead all round to the left-hand and come to your places again :| %% ## %% The we. do as the men have done, only they must go down behind %% the men, and stand as the men did before them .| This again till you %% come to your places. %%endtext %%sep 1 1 300 %%begintext align %% Lead all round to the right-hand as at the first :| %% ## %% Men march all on the outside of the we. the we. marching down on %% the outside of the men, open all a D. and close again :| The we. %% march up to their places on the outside, and the men in the inside %% the we. open all and close again :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Prince William P: Longways for as many as will %R: reel B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.?? #6 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> N: 2nd part has initial repeat but no final repeat. M: C| L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ A4 c2BA | B4 E2d2 | c4 B4 | AGAB A2B2 |\ c2A2 E2c2 | B4 A2G2 | F2f2 B2^d2 | e4 :| |:\ e4 f2e2 | d3c B2e2 | d2c2 B2A2 | GAB2 E4 |\ A2GA B2AB | c2Bc d2e2 | c2BA E2G2 | A4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man Heys with the 2d and 3d Wo. his Partner at the same Time Heys with the 2d and 3d Men :| %% Then Hey on your own Sides .| %% The 1st Cu. cross over and turn .| %% 2d Cu. does the same :#: %% The 1st Man turns the 3d Wo. with his Right Hand, his Partner does the same with the 2d Man at the same Time and then turn your Partners .| %% Do the same at the other Corner :| %% First Cu. leads through the 2d and 3d Wo. and turn in the 2d Cu. Place .| %% Then lead through the 2d and 3d Men and turn again. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Princock N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> N: The 2nd part has a begin-repeat but no end-repeat. S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.52 #312 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:52 #312 M: 2/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: B2GB | cecA | B2AG | FAc2 | B2GB | c2Ac | BGAF | G2G,2 :| |: B2GB | dBg2 | c2Ac | eafd | Bdg2 | dBAG | c2ec | B2A2 | B2GB | cecA | B2AG | FAc2 | B2GB | c2Ac | BGAF | G2G,2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: z2g2 | g2f2 | g2c2 | d2z2 | gabg | a2f2 | g2d2 | G4 :| |: z2b2 | g2e2 | a2A2 | c2d2 | g4 | G4 | A2c2 | d2D2 | z2g2-| g2f2 | g2c2 | d2z2 | gabg | a2f2 | g2d2 | G4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. cast off and turn .| %% First Cu. leads thro' the 3d Cu. and foot it :| %% turn corners, 1st Man figures round the 3d Man, %% 1st Wo. at the same time figures round the 2d Wo. and foot it to her Partner in the 2d Cu.s Place .| %% turn the other corner, first Man figures round the 2d Man, %% 1st Wo. at the same time figures round the 3d Wo. and foot it to her Partner in the 2d Cu.s Place. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Puddings and Pies P: Longways for as many as will %R: jig B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.15 #33 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.29 N: Note the 3/6-bar phrase lengths. The two versions differ only in the last note of bar 8. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A | B>cd c>BA | B/c/dB AFA | E3- E2A | B>cd c>BA | B/c/dB AFA | D3- D2 |] A | BGB AFA | BGB AF[GD] | E3- E2A | BGB AFA | B/c/dB AGA | D3- D2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. cross over below the 2d Cu. and Back to Back .| %% Then cross over again below the 3d Cu. and Back to Back :| The %% 1st Man being in the 3d Man's Place, turns the 3d Wo. with his %% right Hand; The 1st Wo. being in the 3d Wo. Place, turns the %% 2d Man (being in the 1st Man's Place) with her right Hand, %% and her Partner with her left Hand in the 2d Cu. Place; the %% 1st Man being in the 2d Man's Place, turns the 2d Wo. (being %% in the 1st Wo. Place) with his right Hand, and his Partner %% with his left Hand, in the 2d Cu. Place. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% The 1. cu cross over below the 2. cu. and back to back .| Then cross over again below the 3. cu. %% and back to back :| The 1. man being in the third man's place turns the 3. wo. with the right hand; %% The 1. wo. being in the 3. wo. place turns the 2. man, being in the 1. man's place, with the right %% hand, and turns her partner with the left hand in the 2. cu. place, the 1. man being in the 2. man's %% place turns the 2. wo. being in the 1. wo. place, and turns his partner with the left-hand in the 2. %% cu. place. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Puff N: Pub: J. Walsh, London, 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.79 #339 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:79 #339 Z: 2012 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: aecA aecA | Bcdf ecBA | aecA aecA | BcdB A2A,2 :| |: E2Ac E2Bd | E2ce Tc2B2 | A2ce aecA | BdcB A2A,2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: A2z2 A2z2 | e2E2 A2z2 | a2z2 a2z2 | e2E2 A4 :| |: e2z2 E2z2 | e2z2 a2e2 | c2A2 a2z2 | e2E2 A4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu lead thro' the 2d and cast up .| %% Right and Left with the top Cu. :| %% Cross over two Cu. .| %% Lead to the top and cast off :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Pump Room P: Longways for as many as will %R: march, reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.21 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 c2 |\ F2F2 F2F2 | (c2A2) f4 | F2F2 A2GF | EFG2 G4 |\ F2F2 F2F2 | (c2A2) fedc | =Bcd2 G2=B2 | c6 :| |: g2 |\ c2c2 c2c2 | g2e2 b4 | cdef g2a2 | g2c2 c2f2 |\ d2c2 f2B2 | B2A2 d2F2 | EFG2 C2E2 | F6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z2 |\ f2F2 A2F2 | f4 a2f2 | a4 f4 | c2d2 e2c2 |\ f2F2 A2F2 | f4 a2f2 | g4 G4 | c6 :| |: z2 |\ c'2c2 e2c2 | c2c2 c2c2 | e2c2 e2f2 | e2g2 c'2a2 |\ b2a2 d'4 | d'2c'2 b2ab | c'4 c4 | f2c2 F2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. cast off one Cu. and then another Cu. lead up the middle and set and %% cast off into the 2d Cu. Place. lead your Partner down and then up and turn your %% Partner with both hands, then lead thro' the bottom and top and turn. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Punchanello's Hornpipe T: The Three Rusty Swords %R: minuet B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.73 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The time signature was 2/3, which doesn't make sense in modern notation; changed to 3/2. N: The 2nd part has initial repeat but no final repeat. M: 3/2 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: GABc d2G2 d2G2 | F2 A4 c2 B2A2 | GABc d2G2 B4 | D2 G4 B2 A2G2 :| |: g4 f4 e4 | f2 d4 f2 e2d2 | c4 B4 A4 | B2 G4 B2 A2G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: g4 z2G2 B2c2 | d4 f4 g2d2 | G4 g4 G4 | B4 G4 d2G2 :| |: z2G2 d2B2 c2A2 | d4 d'4 c'2b2 | a2A2 G2g2 f2e2 | g4 G4 d2G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first Man and 2d Wo. dance the Hornpipe step & turn .| %% then the 2d Man and first Wo. do the same :| %% Then cross over below the 2d Cu. then below the 3d Cu & lead thro' both Couples & cast off & turn .| %% Then Men fall back, and the We. follow them dancing, and turn single. %% the We. fall back & the Men follow them and turn single dancing. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Punk's Delight, [The New way.] P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.73 "H" Z: 2013 John Chambers <jc:trillian.mit.edu> N: The ":S:" symbols are an early form of a "segno", meaning to repeat those measures. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ AAAA A2F2 | (GA/B/) (c/B/) (A/G/) B c2 B |\ cc ec e g2 (G/A/) | (BA/B/) (c/B/) (A/G/) B d2 B "^S:"|\ AF D (f/g/) (a/g/) (f/e/) d(e/f/) | gB AG B d2 "^:S:"B |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up all a D. forward and back, that again. Set, that again .| %%endtext %%sep 1 1 300 %%begintext align %% First man cross over, and taking the 2. wo. by both hands, turn her half about with her back inward, then put her back %% into the 2. place, while your we. do the like with the 2. man into the 1. place, slip through each other, hands all four %% round, then the 1. cu. arms into the 2. cu. place, whilst the 2. cu. arms in the 1. place. %%endtext %%sep 1 1 300 %%begintext align %% First man going on the out-side, and his wo. on the in-side, the 2. wo. meet behind her, then the 1. man going on the %% in-side, and his wo. on the out-side, the 2. man meet behind him, then the 1. cu. and the 2. man right-hands a-cross and go %% round, then the 1. cu and 2. wo. right-hands a-cross and go round, the 1. cu. falling into the 2. place. %%endtext %%sep 1 1 300 %%begintext align %% First man go on the out-side the 1. wo. the 2. man following him, the 1. man go through between the 1. and 2. we. and %% march to the wall, the two we. take hands and follow him, the 2. man behind them, then facing back follow the other %% man to the other wall, then meet, cast off to the right, your own wo. following you, and stay the men in the we. places, and %% the we. in their men's by the right-hands, we. doing the like; each change his own by the left-hand :|:| %% [DMDfD] %%endtext %%sep 1 1 300 %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Purlongs N: "The" handwritten left of title. P: Longways for as many as will %R: minuet B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.210 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The "first Strain" may mean the first 4 bars, but the "Strains" in this tune aren't marked with the usual double bar lines. M: 3/2 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ d4 A2 (de) (fe) (dc) | B2 G4 A2 F2 A2 |\ F2 GA (BA) (GF) E2 D2 | (FG A2) A2 F2 A4 |\ B2 G4 B2 (Bc d2) | e4 E2 e2 (ef g2) | f3 e de fg a2 (gf) | e2 B2 ef (ed) c2 A2 |\ (AF) (AF) (BG) (BG) (cB) (cA) | (dB) (dB) (ef g2) (ga b2) |\ a4 A2 a2 A2 =c2 | B2 e2 A2 c2 d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man and 1. wo. cross over below the 2. cu. and take hands half round and foot it. This to %% the first Strain played twice. %% The 2. cu. do the same proper; then the men take hands and fall back, and the we. do the like: %% then men turn half round face to face, and the we. do the like; then three steps forward and three %% back, and then right and left three times till they come improper, with the 1. man's face to the 2. wo. %% and the 1. wo's. face to the 2. man's; then fall back as before and cast half round, and then meet %% as before and fall back; then right and left three times, and turn your own Partners will you come into %% the 2. cu. place. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Put in all %R: march, reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (142) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. N: The first strain has 7 bars. M: C| L: 1/4 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - A |\ Ad de | f2 gf | ec eg | f3 e | f^c de | f2 ed | A3 :| |: e |\ fg ab | c'2 ba | gf ed | ^c3 A |\ Ad de | f2 a^c | d2 d^c | d3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Man go to the 2d Wo. and take her by the left %% Hand with his right and turn her into his Place then cast %% off into hers .| The 2d Man do the like with the 1st Wo. %% and fall into her Place .| Then 1st Cu. cast up and turn %% Hands 'till they are in their own Places and the 2d Cu. %% slip down thro the 3d Cu. at the same Time and cast up %% and turn Hands 'till they are in their own Places .| Then %% all four right and left quite round and the 1st Cu. cast %% off :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Quadrille P: Longways for as many as will %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.90 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (54) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. N: Bass line starts with A, which is obviously wrong. The F# in bar 3 may be wrong, too. N: The tune and dance are identical in CCDTB and CCDM2. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 G2 | G,2G2 A2GA | B2AB c2BA | G2E2 C2D2 | G,6 :| |: de | f2ef g2fe | d2c2 B2AB | cdc2 BcB2 | FGAF D2gf | efg2 A3G | G6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d g2 | G2g2 a2ga | b2ab c'2ba | g2e2 c2f2 | G6 :| |: d2 | d'2c'2 b2a2 | b2a2 g2b2 | a4 g4 | d2c2 B2G2 | c2B2 c2d2 | G6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% First lead up all forwards & backwards. the 1st Cu. sett & turn Hands & cast off. %% (This must be done by every Couple) then the 1st Man & 2d Wo. change Places, & the %% 2d Man & 1st Wo. change Places, then hands half round & the 1st Cu. cast off. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Queen's Birth-day P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p._ Z: 2013 John Chambers <jc:trillian.mit.edu> N: The actual time signature is just "2". N: The rhythms at the strain boundaries are wrong. M: 2/2 L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ c2G2 E2G2 | c4 G4 | cdc2 ded2 | efe2 d4 |\ c2G2 E2G2 | c4 G2c2 | cdcd d3c | c8 |] ef |\ g2e2 c2g2 | a4 g4 | fgf2 efe2 | dedc B2ef |\ g2e2 c2g2 | a4 g4 | fgfe d2g2 | e3d c2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first man turn the second woman with the right hand, then turn the second man with his left, %% then to his own place .| The woman turn the second man with her right-hand, the second woman with %% her left, and then to her own place :| Cross over the second couple, then Figure through the first cu. %% and turn in the second couples place. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Queen's Delight T: The Rakes delight N: DMDfD has "The Rake's delight" and "1728" handwritten below the title. P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.44 #80 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.202 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The actual time signature is "3I". N: Repeats added to agree with the dance instructions in CCDM1. (DMDfD doesn't mention music phrasing.) M: 6/8 L: 1/4 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - c |\ f2f f>ga | f2f f>ed | c2c A>GF | A2A A2 :| |: B |\ G2G G>AB | c2c c>BA | (de)c f2d | (ga)f b2g | (ec)f f2e | f3- f2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first Cu. clap and cast off, This to the first %% Strain once. And lead through the 3d Cu. and cast %% off, This to the first Strain twice. Then right and %% left quite round, This to the second Strain once. %% And lead through the Top and cast off, This to the %% second Strain twice. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. clap and cast off .| and lead through the 3. cu. and cast off :| Then Right and left quite %% round, and lead up through the top and cast off. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Queen's Head P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.333 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the dance instructions. M: 6/4 L: 1/4 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - e |\ f>gf e>d^c | d2A D2a | g>af f>ed | d3 zz :|\ f |\ e/f/ge c2f | f/g/af d2f | g>ab a>gf | f2c F2e | f>gf e>d^c | d2A D2a | g>af f>ed | d3 zzA |\ AFA c>BA | BG2 e3 | d>ec c>=BA | A2E A,2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. Arms down the middle, and cast up into their places, the 2. cu. Arms up the middle, and %% cast off. This to the first Strain twice. Then the 1. man Arms round with the 2. wo. and the 2. man with %% the 1. wo. then the 1. cu. cast off, then Right and Left quite round. This to the last Strain once. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Queen's Jigg P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.260 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A |\ d2e (fd)f | g3 f2(f//g//a/) | (fg)f e2d | e3 A2A | d2e (fd)f | g3 f2(f//g//a/) | (fg)f e2d | d3- d2 |][| a | (ab)a g2f | g3 f2(f//g//a) | (fg)f e2d | e3 A2a | (ab)a g2f | g3 f2(f//g//a/) | (fg)f e2d | d3- d2 :] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First man side to the 2. wo. set and turn S. .| Second man do the same :| The 1. man change with %% the 2. wo. and the 2. man with the 1. wo. then change with your own Partners .| Hands a-cross all %% four quite round, and turn S :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Queen Caroline P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.26 #53 Z: 2013 John Chambers <jc:trillian.mit.edu> N: 2nd part has initial repeat but no final repeat. Corrected to agree with the dance instructions. M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - DE |\ F4 A4 | d6 DE | FGAB A2GF | E6 A2 |\ Bcd2 c2B2 | A4 G4 | FEDE TE3D | D6 :| f2 |\ e2d2 cde2 | A4 G4 | F2GF E2D2 | A6 e2 |\ BABc B2B2 | B4 Tc4 | d2cB TB3A | A6 G2 | FEFG F2E2 | G4 F4 | B2A2 G2F2 | TE6 A2 |\ Bcd2 c2B2 | A4 G4 | FEDE TE3D | D6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%text The first Strain twice, and the last but once. to be done with the Minuet Step. %%begintext align %% The 1st Cu. cast off behind the 2d Cu. and cross over %% into the 3d Cu. Places .| Then cast up again and cross over %% over the 2d Cu. into your own Places :| The 1st Wo. cast %% off and go quite round the 2d Cu. into your own Place, %% the 1st Man follow her, then he casts off, she following %% him, and lead through the 2d Cu. Place. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Ragg P: Longways for as many as will %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.94 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 g |\ f2A (Bc)A | (B/c/d)B G2g | f2A AcA | d3 g2g |\ f2A AcA | (B/c/d)B G2g | afd ge^c | d3 g2 :| |: g |\ f2g afd | efg ge^c | f2g afd | f3 g3 |\ fga afd | efg ge^c | (f/g/)af (e/f/)ge | d3 g2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ d'3 d3 | g3 G3 | d3 D3 | B3 G3 |\ d3 D3 | g3 G3 | f3 e3 | d3 G2 :|\ |: z |\ d3 D3 | e3 E3 | d3 D3 | d3 G3 |\ d'3 d3 | e'3 e3 | d3 c3 | B3 G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Cross over down one Cu. and turn Hands, then down the next Cu. the same %% Way & turn Hands. The Wo. turns the upper Man with one Hand, her %% Partner with the other, the Man does the like at the same time, Only at %% the last, Dancers turn with both Hands. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Rakes of Rochester N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.59 #319 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:59 #319 M: 2/4 L: 1/16 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 ed |\ c2 A4 E2 | F4 E2A2 | G2A2 d2c2 | BAGF E2ed |\ c2 A4 E2 | F4 E2A2 | G2A2 cBAG | {G}A6 :| |: B2 |\ c4 B2e2 | c4 B2d2 | c2BA G2A2 | BAGF E2B2 |\ c4 B2e2 | c4 B2d2 | c2BA B2AG | {G}A6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z2 |\ a4 c'4 | d'4 c'2a2 | b2a2 g2a2 | e4 z4 |\ a4 c'4 | d'4 c'4 | b2a2 e2E2 | A6 :| |: z2 |\ a4 g4 | a4 e4 | a4 e2f2 | e4 z4 |\ a4 g4 | a4 e4 | a4 e4 | A6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Man turns the 2d Wo. with his Right hand, %% and then his Partner with his Left hand .| %% First Wo. turns the 2d Man with her Right hand, %% and her Partner with her Left hand :| %% First Cu. gallop down, then gallop up again and cast off .| %% First and 2d Cu. Right and Left quite round. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Rakes of Tunbridge B: John Walsh "A Composite Music Volume" 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/5/50/IMSLP98359-PMLP202128-walsh_caledonian_country_dance_vol2.1.pdf p.42 #302 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:42 #302 Z: 2012 John Chambers <jc:trillian.mit.edu> N: The 2nd part has a begin-repeat but no end-repeat. M: 2/4 L: 1/16 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 E2 |\ A2cd e2fg | a2ga b2f2 | e2d2c2B2 | c2Bc A2e2 |\ fef=g fedc | BcdB edcB | A2Bc d2c2 | TB6 :| |: (ga) |\ bagf e2d2 | c2B2A2e2 | fedc B2A2 | G2F2E2E2 |\ AcBd cBAG | ABcd e2a2 | {d}c2BA {c}B2AG | A6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z2 |\ a4 g4 | f4 d4 | e4 E4 | A4 z4 |\ d4 d'4- | d'4 c'4- | c'4 b2a2 | e6 :| |: z2 |\ e4 g4 | a4 c4 | d4 ^d4 | e4- ed'c'b |\ a2g2 a2e2 | f4 c2d2 | e4 E4 | A6 |] %%begintext align %% First Cu. Setts cast off and hands half round with the 3d Cu. .| %% First Cu. leads thro' the 3d Cu. Right and Left half round with the 3d Cu. .| %% First Cu. Double figures thro' the 2d Cu. .| %% First and 2d Cu Right and Left quite round. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Ranting Highland Man %R: reel P: Longways for as many as will B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.2 S: 3: CCD3 http://javanese.imslp.info/files/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.8 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #17 (27) Z: 2013 John Chambers <jc:trillian.mit.edu> N: There's an extra beat at the end of each phrase. M: C L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 d2 | G/G/G dG BAGB | A/A/A =FA =fAAd | G/G/G dG BAGB | A/A/A (fe/f/) gG G2 :| |: ef | gd ec BcdB | A/A/A =FA =fA Ae/^f/ | gdec BcdB | A/A/A (Tfe/f/) gG G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z2 | g2b2 g2G2 | d'4 d4 | g2b2g2G2 | d2d2 G2g2 :| |: z2 | g2c'2 g2G2 | d'2d2 d3c | B2c2 g2G2 | d2d2 G2g2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man foots it and casts off, and turns the 3d Wo. and stands in the 2d Man's Place .| %% The 1st Wo. does the same with the 3d Man :| %% Foot it corners and turn :| %% Foot it the other Corners and turn :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Ranting Roaring Willey %R: triple hornpipe, slip-jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (113) Z: 2013 John Chambers <jc:trillian.mit.edu> N: There's no time signature given. N: Repeats added to satisfy the "Each strain twice" instruction. M: 9/8 L: 1/8 K: Dmix % - - - - - - - - - - - - - - - - - - - - - - - - - B |\ AFD D>ED FAB | c>dc GEF G2B | AFD D>ED FAA | d>ed F2G A2A | d>ed F2G A2A | c>dc E2F G2B/c/ | d2A B2B B/c/dB | AGF E2D D2 :| |: A |\ d>ef f>ef d2A | c>de ede c2A | d>ef f>ef f>ef | d>ef f>ef d2A | d>ef f>ef d2A | c>de e>de c2B/c/ | d2A B2A B/c/dB | AGF E2D D2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. cast off and clap Hands then they being in the %% 2d Cu. Place the 2d Cu. cast off and do the same :| then %% they draw the 1st Cu. into the 2d and the 2d into the 1st %% Cu. Places then right and left then the 1st Cu. Cast off %% and turn it out :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Rape P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.27 #58 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: 6/4 L: 1/4 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - B |\ AcF G2B | AcE F2c | dfd cfc | BfB A2G |\ AcF G2B | AcE F2a | gfe dc=B | c2C C2 :| |: g |\ ecg a2f | eae f2a | bgb agf | ea^c d2f |\ cFc cef | cFc d2f | cBA Gee | f2F F2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% First Cu. clap Hands, cast off, and lead thro' the 3d Cu. %% cast up in the 2d Cu. Place, the 2d Cu. do the same, 1st %% Man change Places with the 2d Wo. the Wo. do the same, %% clap round 'till they come in their Places, then right %% and left, then Hand with the 2d and 3d Cu. 'till done. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:34 T: Ratcliffe Cross M:3/2 L:1/8 C:Ravenscroft S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:F f2c4BcA2F2 | D2Bd GB DFE2C2 | EGBA GFEDC2c2 | AFEF CFEGF4 || cfaf bagf e2c2 | Bdgd gfedc2B2 | Acfc fedcB2c2 | AFEF CFEGF4 || f2c2_egfe dBAB | g2d2fagf =ecBc | a2e2fagf edcB | AFEF CFEGF4 || afcf Acfad2B2 | bgdg Bdgbe2c2 | dBGB DFBdE2c2 | AFEF CFEGF4 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Ratcliff Cross P: Longways for as many as will %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.25 #49 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: 3/2 L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - |: f2 c4 Bc A2F2 | d2Bd GB DF E2C2 | EG BA GFED C2c2 | A(FEF) CF (EG) F4 :| |: (cf) af (ba)(gf) e2c2 | (Bd) gd (gf)(ed) c2B2 | (Ac) fc fedc B2c2 | A(FEF) CFEG F4 :| |: f2c2 _egf_e d(B AB) | g2d2 fagf e(c =Bc) | a2e2 fagf edcB | A(FEF) CFEG F4 :| |: afcf Ac fa d2B2 | bg dg Bd gb e2c2 | dB GB DF Bd E2c2 | A(FEF) C(FEG) F4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% First Man turns the 2d Wo. with his Right-hand, and his Partner with his Left .| First %% Wo. turns the 2d Man with her Right-hand, and her Partner with her Left .| First Cu. cross %% over and half Figure at top with the 2d Cu. .| Then whole Figure at bottom with the 3d %% Cu. :| First Man turns the 3d Wo. and his Partner the 2d Man, then they turn one another .| %% The 1st Wo. turns the 3d Man with her Right-hand, and her Partner turns the 2d %% Wo. and then turns his Partner :| Then the 1st Man crosses over on the outSide of the 3d Wo. %% and the 1st Wo. cross over on the outSide of the 2d Man, and both cast quite round into the 2d %% Cu. Place .| Then the 1st Man cross on the outSide of the 2d Wo. and the 1st Wo. cross over %% on the outSide the 3d Man, and then both cast quite round into the 2d Cu. Place, & turns his Partner :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Ravenscroft's fancy M:3/2 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:Cm EGBe dcBAG4 | cBAG AFGA D4 | B,DFA GFED EcBA | GEDE B,EDFE4 || gfed cBAGA4 | fedc BAGFE4 | edcB AGFE DcBA | GEDE B,EDFE4 || EDCB, CA,G,A, CA,G,A, | FEDC DB,=A,B, DB,=A,B, | GFED EGFE DcBA | GEDE B,EDFE4 || Bdfb fdBd fagf | edcB AGFE D4 | B,DFA GFED EcBA | GEDE B,EDFE4 || B3A GFED EGEC | c3B AGFE FAFD | d3c BAGF EcBA | GEDE B,EDFE4 || bgaf gefd f2d2 | BGAF GEFC D4 | EGFA GBAc Bedc | BAGF GEFDE4 || %%sep 1 1 500 %%sep 1 1 500 X:35 T: Ravenscrofts Maggot M:3/2 L:1/8 C:Ravenscroft S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 N:unnessecary accidentals as printed. penultimate bar as printed. B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:E E4G2B2egbg | edcB AGFE^D2B,2 | E4G2B2egbg | egfg Bedfe4 || egbg edcB=c2A2 | =ceag fed^cB2G2 | Bdgf edef gabg | gfeg fedfe4 || B2E2c2^D2B2E2 | cBAG FGEF^D2B,2 | EGFA GBAB cBAG | FGEFB,2^D2E4 || e2E2=F2E2c2E2 | bfge fdeB =c2B2 | e2E2=F2E2=c2F2 | cBcA GEGBe4 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Recruiting Officer %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #6/4 (1/4) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to match the "Each strain twice" instruction. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A |\ d>ef ecA | d3 A2F | G>AB AFD | E3 A,2A |\ d>ef gec | dfB A2G | FdF Edc | d3 D2 :| |: e |\ f>ga ecA | g3 f3 | B>cd efd | c3 A2a/g/ |\ fdc BgB | AfB A2G | FdF Edc | d3 D2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Man cast off and turn the 2d Wo. quite round the %% 1st Wo. at the same Time follows him below the 2d Man %% and turns him quite round .| Then figure thro the 3d Cu. %% and cast up to the Top :| The 1st Cu. cast off and take with %% the 3d Cu. and go half round .| All set and turn single %% then Hands back again which brings the 1st Cu. into the %% 2d Cu. Place proper :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Red Bull P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.28 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ B3 c2d | B>AB A3 | G3 F2B :|\ |:\ B3 AB2 :|\ |:\ d2=e f>gf | gab a>gf | g3 d=ef | f2=e f2c |\ A2B c>dc | fed e3 |\ d3 c2B | B2A B3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First man take his wo. by both hands, and turn till his wo. be uppermost, 1. man fall back between %% the 2. cu. a Diamond; 1. man cast up above the 2. man, his wo. cast down below the 2. wo. %% the men turn the contrary wo. twice; 1. man and 1. wo. cast down; 1. man turn both we. %% till the first man comes into the second's place; 2. man turn the we. till he comes into the 1. wo. %% place. %%endtext %%sep 1 1 300 %%text Note: Each strain is to be play'd twice over. %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Red-House. P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.177 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The rhythms at the strain boundaries don't quite add up right, because the first strain has no pickup note(s). M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ G2 g4 (fe) | d4 B4 | A2 f4 ed | c2 (dc) (dc) (BA) |\ G2 g4 (fe) | d4 B4 | (cB) (AG) (^FG) A2 | B2G2 G4 |] [| (Bc) |\ (dc) (BA) (GA) (Bc) | d4 B4 | (cB) (AG) (FG) (AB) | c4 A4 |\ (dc) (BA) (GA) (Bc) | d4 B4 | (cB) (AG) (^FG) A2 | B2G2 G2 |] [| (Bc) |\ d2d2 d2(Bc) | d2d2 d2AB | c2c2 c2AB | c2c2 c2Bc |\ d2d2 d2(Bc) | d2d2 d2AB | (cB) (AG) (^FG) A2 | B2G2 G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. meet and set, and cast off into the 2. cu. place .| Then meet and set again, and cast off into their own places :| %% The 1. man cast off below the 2. man, and go above the 2. wo. into the 2. man's place, his wo. following him at the same %% time .| Then the 2. wo. cast up above the 1. wo. and go below the 1. man into her own place, the 1. man following her %% at the same time :| Then the 1. cu. and 2. man go the Hey till they come into their own places .| Then the 1. cu. and 2. %% wo. go the Hey on the other side, and so cast off into the 2. cu. place :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:14 T: Red Joak M:4/4 L:1/4 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:G b/a/ | g>agB | d/B/d/e/db/a/ | g>agB | A2Ab/a/ | g>agB | d/B/d/e/ db/a/ | gedB | G2G || e | dGB/c/d/B/ | dBg>e | dGB/c/d/B/ | A2Ae | dGB/c/d/B/ | dGg>a | b/a/g/e/ g/e/d/B/ | G2G || D | G/A/B/G/ B/c/d/B/ | G/A/B/G/ B/c/d/e/ | dBc/B/A/G/ | A2AD | G/A/B/G/ B/c/d/B/ | G/A/B/G/ B/c/d/e/ | dB d/B/A/G/ | G2G || %%sep 1 1 500 %%sep 1 1 500 X:43 T: Red Lyon Hornpipe M:3/2 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:GMin BdBd DEFDE2C2 | BdBd FBAcB2B,2 | BdBd DEFDE2gf | edcB FBAcB2B,2 || Bdfd BdcBA2F2 | DFBF GFGED2B,2 | Bdfd BdcB A2F2 | DFBF DBAcB4 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Reel of Glames P: Longways for as many as will %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.45 S: 3: CCD3 http://javanese.imslp.info/files/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.100 Z: 2013 John Chambers <jc:trillian.mit.edu> N: "Each Strain twice." Repeats changed to match this instruction. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: GdBd A/A/A ce | GdBd GdBd | c>dB>c A/A/A ce | dcBA GABd :| |: G/G/G gG AB c>e | G/G/G gG G/G/G gG | G/G/G gG ABce | dcBA GABd :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: g2G2 d2c2 | g2G2 g2G2 | a2g2 d2c2 | G2d2 G4 :| |: g2G2 d2c2 | B2G2 g2G2 | g2e2 d2c2 | G2d2 G4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% The 1st Man turns the 2d Wo. and fall back and turn S. then 1st Wo. sett to %% the 2d Man and fall back and turn S. the 1st Man change Places with the 2d Wo %% then 1st Wo. change Places with the 2d Man. then all four meet and turn S. %% then the 1st Cu. being in the 2d Cu. Place, lead thro' and cast off :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Reeve's Maggot N: "a Scots air" handwritten after title, "Lochaber no more" handwritten above last staff. P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.263 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - D |\ G>AB B>AB | gAA A>GA |\ B>AG E>BA | G2G G2 |][| G |\ B/c/de dBG | G>gf g2G | B/c/de dBG | G>gf g>d e/f/ |\ g>a g/f/ efg | acc c>GA |\ BAG E>BA | G2G G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First cu. cast off and cross over the 3. cu. then cast back and Figure through the 3. cu. and then Figure %% through the 2. cu. then fall back and hands half round, then right and left till the 1. cu. comes into %% the 2. cu. place. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Resolution %: Quakers Grace P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.344 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the dance instructions. M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - dc |\ d2A2 B2dc | d2D2 E2dc | d2A2 (Bc) (dE) | (GF)(ED) D2 :| FG |\ A2A2 A2Bc | d2d2 d2cd | B2B2 B2ce | efed c2de |\ d2A2 B2dc | d2D2 E2dc | d2A2 (Bc) (dE) | (GF)(ED) D2de |\ f2dc B2cd | e2cB ^A2fe | d2ef (gf)(ed) | c4 B2cd |\ d2A2 B2dc | d2D2 E2dc | d2A2 (Bc) (dE) | (GF)(ED) D2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%text Note: The first Strain twice, and the last but once. %%begintext align %% The 1. cu. cast off and half Figure with the 2. cu. then the man being in the wo. place, and the wo. %% in the mans; then they take hands, three on the one side, and three on the other, and lead back and turn %% single, then first Hey on the mens side, and then on the wo. side. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:3 T: Restauration Spring Garden Hornpipe M:3/2 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:Gm gab2a2g^fg2d2 | cde2d2cBc2A2 | Bcd2c2BAB2AB | G2ed cBAG^F4 | gab2a2g^fg2d2 | cde2d2cBc2A2 | Bcd2c2BAB2AG | D2G2^FGAFG4 || def2f2ede2c2 | CDE2D2C=B,C4 | cde2e2dcd2B2 | B,CD2C2B,A,B,4 | b2aba2g^fg2d2 | e2dc d2c=Bc4 | bagf edcB AGFE | DCB,A, B,GA,^F G4 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Richard Snary %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (42) Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ B3 (dcB) | g2e Td2c | B3 (dcB) | c2F c2F |\ B3 (dcB) | g2e Td2c | (def) c2f | d3 B3 :| |:\ B3 dcB | b2B b2B | d3 (dcB) | c2F c2F |\ B3 (dcB) | g2e def | (bfe) (dcB) | Tc3 B3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. cross over figure in and Right %% hand and Left then foot it cast down and %% turn hands foot it cast up and turn hands %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Ridotta P: Longways for as many as will %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.79 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd part has initial repeat but no final repeat. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ G2G2 G2FE | DCB,A, G,A,FG | A2A2 A2Bc | dBAF E3F |\ G2G2 G2FE | DCB,A, G,A,B,C | dBcA BGAF | GEDB, G,4 :| |:\ d2d2 d2ef | gfgd e4 | d2cB cBAG | ABcE F2ED |\ G2e2 F2d2 | E2c2 D2EF | G2FE DCB,A, | B,GA,F G4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ g2g2 g2fe | dcBA G2z2 | a2a2 a2GA | B2cd edef |\ g2g2 g2fe | dcBA G2z2 | b2a2 g2d2 | g2z2 G4 :| |:\ d'2d'2 d'2c'2 | b2g2 c'2c2 | B2G2 c2e2 | d4 z2=f2 |\ e2c2 B2G2 | c2A2 B2c2 | Bgfe dcBA | G2d2 G4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. figure thro' the 2d Cu. & cast up and foot it at the Top .| %% the 2d Cu. do the same :| %% then all four take hands, the 1st Cu. lead up and 2d Cu lead down at the same time .| %% then the 1st and 2d Cu Minuet step and 1st Cu. cast off :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Rigadoon P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.108 #156 (216) Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - c |\ e2 (fe/f/) g3 g | aa ag/f/ gg gf/g/ |\ aa ag/f/ ga gf | e2 d2 c3 |]\ c |\ d2 e2 d3 c | de fe de dc |\ B2 A2 G3 c | d2 e2 d3 c | defd gfed | c>d d2 c3 |]\ g |\ ed ec d/c/d/e/ dg | edec d3 |]\ d |\ BG cd e/d/e/f/ ea | ^fg a^f g3 g |\ fedc d/c/B/A/ Gg | cd d2 c3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The two We. fall back, and the two Men fall back at the same Time, then %% all four meet and Hands across half round, and fall back again, then all %% four meet, and Hands across, and go half round into their Places. %%endtext %%sep 1 1 300 %%begintext align %% The 1st and 2d Man sett, the We. do the like, then the 2d Man cast off in %% to the 2d Wo. Place, and the 1st Man cast off into the 1st Wo. Place, then %% the two We. sett and do the like; then both Cu. turn their own Partners, %% the 1st Cu. cast off, sett to the Partners, and turn their own %% Partners again, then the 1st Man sett to the 2d Man, and the 1st %% Wo. to the 2d Wo. then all four meet and clap Hands, and Hands %% quite round. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Rigadoon P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.150 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The bar lines are oddly placed in the first Strain of this version. M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - z2 zc e2 (f3/e//f//) | g3 g aa a3/g//f// | gg gf/g/ aa ag/f/ | ga gf e2 d2 | c3 c |] d2 e2 d3 c | de fe de dc | B2 A2 G3 c | d2 e2 d3 c | de fd gfed | c>d d2 c3 |] g | ed ec d/c/d/e/ dg | edec d3 |] d | BG cd e/d/e/f/ ea | ^fg a^f g3 g | fedc d/c/B/A/ Gg | cd d2 c3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The two We. fall back, and the two Men fall back at the same Time, then %% all four meet and Hands across half round, and fall back again, then all %% four meet, and Hands across, and go half round into their Places. %%endtext %%sep 1 1 300 %%begintext align %% The 1st and 2d Man sett, the We. do the like, then the 2d Man cast off in %% to the 2d Wo. Place, and the 1st Man cast off into the 1st Wo. Place, then %% the two We. sett and do the like; then both Cu. turn their own Partners, %% the 1st Cu. cast off, sett to the Partners, and turn their own %% Partners again, then the 1st Man sett to the 2d Man, and the 1st %% Wo. to the 2d Wo. then all four meet and clap Hands, and Hands %% quite round. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Rigadoon P: Longways for as many as will %R: B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.158 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to satisfy "First Strain Twice over" instruction. M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - |: c4 B2A2 | G6 G2 | A2A2 (B3A/B/) | c3d c2G2 | c4 B2A2 | G6 G2 | A2A2 B2AB | c4- c4 :| [| efg2 efg2 | f2e2 d2G2 | c4 d2e2 | e4 d4 | efg2 efg2 | f2e2 d2G2 | A4 B4 | c4- c4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%center First Strain Twice over. %%begintext align %% The first man turn his own partner round by the right-hand, and then turn the 2. man with the left %% till he comes to his own place, then the 1. man turn his own Partner again by the right-hand, and %% then the 1. wo. the 2. by the left. The 1. cu. cross over below the 2. cu. and go the Figure, then %% take hands and lead through below the 3. cu. and cast up into the 2. cu. place, and then turn your %% Partner. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Rigadoon N: "The Last" and "[N]ew" handwritten above and left of the title, "1703" handwritten right of title. P: Longways for as many as will %R: B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.187 "R 4" N: Repeats added to satisfy the "Each Strain twice" instruction. Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/16 K: G |: g4 f3e d4 B4 | c2e2 d2cB | AGFE | Edef | g4 f3e d4 d2=f2 | (ed) (cB) A3G G4 :| |: A3G A2B2 c4 (c2de) | (d2cB) c2d2 B4 A2f2 | g3f g3B c2A2 d2F2 | (G2FE) (B2cB) A4 G4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. cross below the 2. cu. and go the Figure through the 3. cu. and come into the 2. cu. place .| %% The 1. cu. being in the 2. cu. place, cast off below the 3. cu. and then lead up through the 3. cu. then %% go the Figure above the 2. cu. and slip down between the 2. cu. :| The man being improper, all three %% take hands and fall back, then meet .| The man cast off below the 3. cu. the wo. cast up above the %% 2. cu. so take hands all three and fall back and meet, the 1. wo. cast off into the 2. wo. place, and the %% 1. man cast up into the 2. man's place at the same time :| %% [DMDfD] %%endtext %%text Note: Each Strain is to be played twice over. %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Right Scotch Contention T: The Duke of Athol's Rant %R: strathspey B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.100 S: http://www.kantoreiarchiv.de/archiv/folk/caldonian_country_dances/0100.pdf Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 1st 2 beats of bar 5 are mostly illegible; copied from bar 7. N: The bass line has A rather than B in the last bar, clearly a typo (also fixed in kantoreiarchiv.de). N: Repeats added to satisfy the "Each Strain twice" instruction. M: C| L: 1/16 K: Em V: 1 |: E3EE3E G3AB3G | c2A2B2G2 c2A2B2G2 | E3EE3E G3AB3G | c2A2B2G2 E4e4 :| |: g3ag3e dcBA G2B2 | cBcA e2A2 cBcA e2A2 | g3ag3e dcBA G2B2 | c2A2B2G2 E4e4 :| V: 2 clef=bass middle=d |: e8 e2f2g2e2 | a4g4 a4e4 | z4e4 z2f2 g2e2 | A2c2B4 e8 :| |: z4e4 f4g4 | a4z4 a4z4 | z4e4 f4g2G2 | A2c2B4 e8 :| %%center Each Strain twice. %%begintext align %% First Man sets to 2d Wo. foot it & turn .| %% the 1st Wo. & 2d Man does the same :| %% cross over two Cu .| %% and lead thro' two Cu. & foot it & cast off :| %% First Man sets to 3d Wo. and the 1st Wo sets to 2d Man at the same time, and %% turn the 1st Man, Wo. sets to the 2d Wo. and her Partner sets to the 3d %% Wo. and turns, then lead out to the Man's side & turn. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Riseing Sun P: Longways for as many as will %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.91 Z: 2013 John Chambers <jc:trillian.mit.edu> N: 2nd part has initial repeat but no final repeat. N: 3/6-bar phrases. M: 6/4 L: 1/4 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 f/g/ | a>gf gec | f>ed cAF | E2G G2A | B>cd/e/ fdB | cAF GEC | CFF F2 :| |: G/F/ | E/F/GE cGB | AFf e/f/gG | EGG G2A | (Bd)B (dB)d | g>ag/f/ e>fg | a2f f2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z | f3 c3 | d3 A2B | c3 c2f | d2c B3 | A2B c3 | f3 F2 :| |: z | c3 e3 | f3 c'3 | c3 ecf | d3 B3 | B2G c2C | F2F F2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first Man setts to the 2d Wo. and turns her .| %% 1st Wo. & 2d Man do the same :| %% cross over & half figure .| %% then Right & Left quite round :#: %% 1st Man turns 3d Wo. & 1st Wo. 2d Man at the same time & turn Partners .| %% first Man turns the 2d Wo. & 1st Wo 3d Man at the same time, then Partners :| %% cross Corners .| %% Right & Left with the 2d Cu. quite round. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Roaring Seas %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (200) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/8 L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - d |\ (dc)B (BAG) | (DC)D zzG | ABc BAG | d3 zzd |\ (e/f/g)f (e/d/c)B | (FE)F zz(c//d//e/) | (dc)B (cF)A | B3- B2 :| |: B |\ f2F (BA)G | (cBA) zzd | (ed)e (cB)c | A3 zzg |\ (gf)(g e)de | (c=B)c- c2(c//d//e/) | (dc)(B BA)G | G3 zz :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% First Wo. figure thro 3d Cu. then outside the 2d Wo. to %% her place the 2d Man go the whole figure thro the 3d Cu. at %% the same time .| 1st Man and 2d Wo. do the same :| 1st Man %% take his Partner by both hands and lead her on the outside %% below the 2d Man, set to the 3d Wo. then to the 3d Man and %% turn sides quite round .| 1st Wo. cast up and go to her %% Partners Place he follows her at the same time, they go %% round each other proper and turn down the Middle :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Roast Beef and Brown Beer %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #4 (16) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to match the instruction to play the tune twice for once through the dance. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A |\ d>ed c2d/e/ | fed e2d/c/ | d>ed c>dc | BE^G A2A |\ BGB d2c/B/ | AFD B3 | e>fg c>BA | d3 A2F |\ G>AB A>dc | d3- d2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Tune to be play'd quite through. First Cu turn and %% swing then cross over and figure and turn behind 2d %% Cu. This to the Tune play'd once through %% Then right and left 1st and 2d Cu. and all 4 take %% hand and swing round 1st Cu cast off and turn %% This to the tune play'd the second time over. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Robin and Kate %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (73) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: 6/4 L: 1/4 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - A |\ cAc BeG | A2F F2d | c>BA GEG | A2A, A,2 :| |: E/D/ |\ CA,E EAE | F2D D2F/E/ | DB,F FBF | G2E E2d | c>BA GEG | A2A, A,2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% First Man take his Partner by the right Hand and lead %% her round into his own Place quick, then take Hands with %% the 2d Man and go Hands round all three to the Right, %% the 1st Cu. falling into their own Places .| The 1st Wo. do %% the same with the 1st Man only turning all three to the %% Left :| The 1st Man take his Partner by the right Hand %% leading her round the 2d Man thro the 2d Cu. and round %% the 2d Wo. into the 2d Cu. Place .| Then cast up and %% down again and turn your Partner :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Rob shear in Harvest %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (185) Z: 2013 John Chambers <jc:trillian.mit.edu> N: There’s a double repeat sign between the strains, but no repeats at the beginning or end. N: The first strain is missing its final 1/8 note; fixed. M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - [| (A/B/c) FA c4 | (A/B/c) FA f2c2 | (A/B/c) FA c4 | G2Bc {Bc}d4 :| |: f2-f2 Ac d/c/B/A/ | f>gfd fga2 | f2-f2 Ac d/c/B/A/ | BGdG Bcd2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. foots it cast off and turn .| 1st Cu. foots it %% again cast up and turn :| the 1st and 2d Cu. hands across %% quite round with their Right hands .| Back again with %% their Left hands 1st Man foots it with the 2d Wo. and %% turn her .| their Partners do the same :| the 1st Cu. %% cross over and half figure at top .| 1st and 2d Cu. %% Right and Left quite round. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Rockingham Castle P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.181 "R" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to satisfy the "Each Strain twice" instruction. M: 6/4 L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - A/B/c |\ (dA3)d2 (^dA3)f2 | (ge3)f2 (e^c3)e2 |\ (d=B3)d2 (^cA3)f2 | e6- e4 :| e/f/g |\ a6 g6 | f3gf2 (e^c3)e2 |\ (d=B3)d2 ^c4d2 | e2^c3=B A3e fg |\ (ae3)f2 e4d2 | d6- d4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. go the Figure through the 2. cu. till they come into their own places :| The 1. man set to the %% 2. wo. and fall into their own places, and the 1. wo. turn the 2. man .| The 1. wo. set to the 2. man, %% then the 1. man turn the 2. wo. and the 1. cu. cast off into the 2. cu. place :| %% [DMDfD] %%endtext %%sep 1 1 300 %%text Note: Each Strain is to be played twice over. %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Roger's Wish %R: reel+minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (109) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to match the dance directions. M: C| L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ D2d2 d2cB | AGFE D3E | FGAB c3d | cBAG F4 :: F2f2 f2ed | ^c2de A3A | B2^G2 ABcd | e2E2 A4 | A2BA GBAG | F2D2 ^c3e | f2^c2 d2GB | AGFE D4 :|[K:D][M:3/4] |:\ fed2A2 | TF4E2 | D2g2f2 | e>de4 | fdecdB | ^G2B2d2 | c2TB4 | A4 :| |: A2e2g2 | A2d2f2 | A2g2f2 | (f2e2)A2 | G2F2=c2 | B2c2d2 | g2Te4 | d6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Note Each Strain is to be play'd twice over %%begintext align %% The 1st Cu. back to back with 2d Cu. and turn .| The 2d Cu. do the %% same with the 1st Cu :| The 1st Cu. cross over and half Figure thro %% the 2d Cu. and turn .| Lead thro the 3d Cu. and cast up in the 2d %% Cu. Place and turn :| The 1st Man and 2d Wo. Dance the Minuet %% Step .| 1st Wo. and 2d Man do the same :| The 1st and 2d Cu. Hands %% round into their Places .| The 1st Man lead his Partner round into %% the 2d Cu. Place %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Roger of Coverly P: Longways for as many as will %R: slip-jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.55 #86 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.167 Z: 2013 John Chambers <jc:trillian.mit.edu> N: DMDfD lacks the natural sign on the c in bar 6. N: The dance descriptions differ only in spelling and punctuation. M: 9/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A, |\ (B,/C/)DD D2B AFD | E3 EB,D C2A, |\ (B,/C/)DD D2B AFA | d2D D>ED C2A, |] AFA BGB AFA | =c2E E>FD C2A, |\ AFA BGB AEA | d2D D>ED C2A, |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first Man go below the 2d Wo. then round her, %% and so below the 2d Man into his own Place; then the %% 1st Wo. go below the 2d Man, then round him, and so %% below the 2d Wo. into her own Place :| The 1st C. %% cross over below the 2d Cu. and take Hands and turn %% twice, then lead up thro', and cast off into the 2d Cu. Place. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man go below the 2. wo. then round her, and so below the 2. man into his own place; then %% 1. wo. go below the 2. man, then round him, and so below the 2. wo. into her own place :| The 1 cu. %% cross over below the 2. cu. and take hands and turn round twice, then lead up through and cast off %% into the 2. cu. place. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Rosemary_Lane.abc P: Longways for as many as will %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.62 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The first "strain" should apparently be played twice, which fits the dance. M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 eg |\ f2 c4 Bc | A2 F4 AB | G2F2 EFGE | E2 C4 eg |\ f2 c4 Bc | A2 F4 c2 | defd efge | f2 F4 :| e2 |\ fcAc F2f2 | ga b4 f2 | agfe defd | efde c2A2 |\ BcdB GABG | ABcA FGAF | EFGE CFEG | F6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d c2 |\ f4 d2e2 | f4 A2F2 | B4 G4 | c4 c4 |\ f4 d2e2 |f4 A4 | B4 c4 | f4 F2 |] c2 |\ f4 A2F2 | c4 d2e2 | f4 =B4 | c2d2 e2f2 |\ g4 e4 | f4 d4 | c4 c4 | f6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%center The last Strain but once. %%begintext align %% The 1st Cu. cross over below the 2d Cu. and lead thro' the 3d Cu. %% and Hands half round with the 2d Cu. and cast off .| %% The 2d Cu. do the same :| %% Then 1st Wo. change Places with the 2d Man, and 1st Man with the 2d Wo. %% then Hands half round & cast off & turn your Partner, %% the 2d Cu. turns about at the same Time. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Rosey Doll N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.1:3 M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: G>AB B2g | dcB A2B | G>AB B2g | DCB, TA,2G, :|\ |: g>ab d2B | g>ab c2A | g>ab e>fg | DCB, TA,2G, :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: g3 G3 | g3 d3 | g3 G3 | g3 d2G :| |: g3 G3 | g3 d3 | g3 c3 | d3 D2G :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The First and 2d. Cu. foot it and turn round Singls .| %% The same back again :| %% Right hands across .|. %% Left hands across :|: %% The 1st Cu. foot it to the 2d Wo. But not turn .|| %% The same to the 2d Man :|| %% Cross over one Cu. .||. %% Right and left :||: %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Ross Meor P: Longways for as many as will %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.33 Z: 2013 John Chambers <jc:trillian.mit.edu> N: "Each Strain twice." Repeats corrected to match this instruction. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 arranges the tune as 4/8/12-line lines/staffs. V: 1 |:\ G4 B4 | G2d2 B2AG | F4 A4 | F2c2 A2GF |\ G4 B4 | A2d2 B2AG | B2AG A2F2 | G8 :| |:\ B3A GABc | Td6 g2 | Td6 g2 | Td6 gf |\ g2d2 d2ef | g2d2 d2ef | g2d2 edcB | A6 D2 |\ FGA2 F2D2 | FGA2 F2ED | B2AG A2F2 | G8 :| % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff breaks. V: 2 clef=bass middle=d |:\ g4 G4 | g4 G4 | d4 D4 | d4 D4 |\ g4 G4 | g4 G4 | g2c'2 d'2d2 | g2d2 B2G2 :|\ |:\ g4 G4 | g2d2 B2G2 | g2d2 B2G2 | g2d2 B2d2 |\ g4 b2c'2 | g4 b2c'2 | b2g2 c'4 | d'2a2 f2d2 |\ d4 z4 | d4 z4 | g2c2 d2D2 | g2d2 B2G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% The 1st and 2d Men lead thro' the two We. the We. lead thro' the Men. and all turn S. .| %% the 1st Cu. whole figure thro' the 2d Cu. and sett and cast off :| %% cross over round 3d Cu. Lead thro' the 3d Cu. and thro' the 2d Cu. right and left with the 3d Cu :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Round P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.282 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "[each] Strain twice" instructions. M: 6/4 L: 1/4 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - G |\ A/B/cc c>dc | cGc c2A | B/c/dd d>ed | dAd d2B |\ A/B/cc c>dc | cGc c2A | B>cB AGg | e3 c2 :| |: c |\ e/f/gg g>ag | gcg g2e | f/g/aa a>_ba | ada a2f |\ e/f/gg g>ag | gcg g2e | a>gf edg | e3 c2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st. man and woman turn both hands down between the 2d. couple, the 2. man and woman %% turn down below the first couple, the 1st. and 2. man slide up, the 1st. and 2d. woman down and %% come in their own places, then Arms round with their own Partners. The first Strain twice. %% The 1st. and 2d. man fall back and meet up, the 1st. and 2d. woman do the same, at the same time, %% and all 4. turn Single, the 1st. couple slide down the middle, and 2d. couple up at the same time, then %% right and left a whole round, and Arms round till done. The second Strain twice. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Round Ear'd Cap %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (91) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/8 L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - G |\ cdc cdc | c3- c2c | efe efe | e3- e2e |\ gag gag | g3- g2f | f3 e3 | d3- d2 :| |: g |\ gfe efg | A3- A2f | fed def | G3- G2e |\ edc cde | F3- F2f | e3 d3 | c3- c2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% First and 2d Cu. clap hands and Back to Back and turn .| %% Then all four lead up forward and back and sett and turn %% single :| then all four Jigg it and take both right and %% left hands go round in your places .| then 1st Man turns %% the 3d Wo. and the 1st Wo. turns the 2d Man then both %% half figure with the 1st Cu. they turn with their right and %% left quite round :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Row well, ye Mariners P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.65 "G 2" Z: 2013 John Chambers <jc:trillian.mit.edu> N: The rhythms at the ends of the strains don't match. N: The dance description is odd, with two sections, the first having four columns, the second being full width. N: ## is used to mark the columns of the first section. N: All four (short) sections of the tune are probably repeated. M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - G | F2E F2G | A3- A2B | cdc BAB | A2G G2 |][| d | ded A2B | cdB A2 |] G | GAG F2G | AFD G2 |][| d3 A3 | d3 A3 | d2e d2c | B2A G3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up a D. forwards and back .| That again. %% ## %% First man two slips cross the room one way, the woman the other .| Back again to your places :| %% ## %% Fall back both .| Meet again :| %% ## %% Clap both your own hands, then clap each other's right-hands against one-anothers; clap both your own hands again, then clap %% left-hands, then clap both hands again, then clap your breasts, then meet both your hands against one-another .| The same %% again, only clap left-hands first :| %%endtext %%sep 1 1 300 %%begintext align %% First man sides with the next wo. and his wo. with the next man, doing the like till you come to %% your own places, the rest following and doing the same. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Royal Choice %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (114) Z: 2013 John Chambers <jc:trillian.mit.edu> N: No time signature was given. N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ d2f agf | e2f gfe | fed edc | dBG AFD |\ d2f agf | e2f gfe | fed edc | d3- d3 :| |:\ f2d cBA | B2A FED | DFD EGE | FAF FED |\ GBG AcA | Bed c>BA | dfd edc | d3- d2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Man cast off and turn the 3d Wo .| the 1st Wo. cast %% off and turn the 3d Man :| the 1st Cu. figure through %% the 2d Cu. lead through the 3d Cu. and cast up .| the %% 1st and 2d Cu. meet two steps the 1st Cu. cast up to the %% Top and turn down the Middle into the 2d Cu. place :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Royal Navy P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.309 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - A |\ (Ac) (dc) A2 (GF) | (fg)(af) g3 c | (Ac) (dc) A2 (GF) | a2 f2 A2 d2 |\ (Ac) (fc) (Bd) (fd) | (Ac) fA G3 B | (Ac) (df) (eg) (ca) | g2 f2 f3 :| |: a |\ (ac') (c'a) (fa) (af) | (eg) (ge) c3 c | d>c d>e f>d e>f | g2 e2 e3 c |\ (dB/c/) dc ec/d/ ec | fd/e/ fA G3 B | (Ac) (df) (eg) (ca) | g2 f2 f3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first man and second woman set and fall back, then back to back, then right-hands with the %% second woman and left with his Partner; The first woman and second woman do the same, the first cu. %% takes both hands with their Partner, the second cu. do the same at the same time, and turn half round, %% then fall back, then cross over, then turn backs and clap, then turn and clap again, then right-hands and %% left. Each Strain twice. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Rub her down with Straw P: Longways for as many as will %R: reel, march B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.84 #120 (168) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.307 "D d 4" Z: 2013 John Chambers <jc:trillian.mit.edu> N: DMDfD has e natural (with a sharp sign) as the pickup to the 2nd strain. M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - BA |\ G2A2 B2c2 | B2 G4 A2 | B2c2 dcde | f2 d4 |]\ e2 |\ f2g2 a2ga | ^f2 d4 A2 | B2(AG) A2(GF) | G6 |] de |\ f2c2 e2d2 | f2 B4 e2 | f2d2 gfga | f2 b4 a2 |\ f2d2 edcB | A2 f4 A2 | B2AG A2G^F | D2 G6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st and 2d Cu. sett striking their Feet to the Ground, %% and cross over; the same again; Then the 1st Man change %% with the 2d Wo. and the 1st Wo. do the same with the 2d %% Man and turn all four half round; then right and left %% quite round and turn. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. and 2. cu. set striking their feet to the ground, and cross over, the same again, Then the 1. man %% change with the 1. wo. and the 1. wo. do the same with the 2. man and turn all four half round, and %% right-hands and left quite round and turn. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Rugged and Tuff %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (82) Z: 2013 John Chambers <jc:trillian.mit.edu> N: No repeat instructions, but it looks like each strain should be played twice. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ GABc d2g2 | GABc d2g2 | f2g2 a2b2 | agfe d2B2 |\ GABc d2g2 | GABc d2g2 | f2g2 a2b2 | d6 |] [| d2 |\ gfga gfed | e6 d2 | edcB cBAG | F6 d2 |\ e2A2 d2G2 | F2G2 ABcd | edcB A3G | G6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. fall back four steps down the middle in 2d Cu. %% Place Improper, then cross over below 3d Cu. .| Then %% fall round each other as before. up the Middle above %% 3d Cu. and cross up to the top :| 1t Cu. go the Hey. %% sides with 2d and 3d Cu. .| 1st Man change Place with %% 2d Wo. 1st and 2d Man do the same Then take Hands and %% go half round, the 1st Cu. cast off :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Rummer P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.100 #136 (200) N: Compared with http://archive.org/stream/dancingmasterord00play p.116 to veryify the illegible parts. Z: 2013 John Chambers <jc:trillian.mit.edu> N: The first f in bar 3 looks somewhat like a g in CCDM1, but DMDfD has a clear f that makes better sense musically. N: The dances are identical, with differences in capitalisation, spelling and punctuation. M: 6/4 L: 1/4 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - c |\ A>GF A/B/dA | (B/c/)dB c2c |\ f>ed (e/f/)ge | fFF F2 |]\ f |\ f>ga gab | a>gf e>fg | f>ef dgf | ecc c2c |\ def c2f | B2f A2f |\ G>gf e>de | fFF F2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. cast off and go down below the 3d Cu. then lead up again %% in the Middle and slip into the 2d Cu. Place, while the 2d Cu. slips %% into the 1st Cu. Place. %%endtext %%sep 1 1 300 %%begintext align %% First and 2d Cu. go Back to Back with their own, and take right and %% left Hands all four with their own and go round, 'till the 1st Cu come %% in the 2d Cu. Place and the 2d Cu. in the 1st Cu. Place, then 1st and 2d %% Cu. go Back to Back with their own, and then take right and left %% Hands with their own, and go quite round 'till they come into the 2d %% Cu. Place, the rest do the like. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. cast off and go down below the 3. Cu. then lead up again in the middle and slip into the 2. %% cu. place, while the 2. cu. slips into the 1. cu. place. %%endtext %%sep 1 1 300 %%begintext align %% Then 1. and 2. cu. go back to back with their own, and take right and left-hands all four with their own %% and go round, 'till the 1. cu come in the 2. cu. place and the 2. cu. in the 1. cu. place, then 1. and 2. cu. %% go back to back with their own, and then take right and left-hands with their own, and go quite round %% 'till they come into the 2. cu. place. The rest do the like. %% [CCDM1] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:26 T: Runing Footmans Jigg M:6/4 L:1/4 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:D A | d>cBA>GF | E>FGF>ED | DFADFA | DFAA2A | dAddAd | dAdc3 | d>cBA>GF | Eecd2 || cdeefe | edcB2A | AceAce | EA^GA3 | d>cBA>GF | E>edc>BA | dfaefd | eAcd3 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Running Footman P: Longways for as many as will %R: jig B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.6 #11 N: 2nd part has initial repeat but no final repeat. Z: 2012-2013 John Chambers <jc:trillian.mit.edu> N: Added rest to fix the missing pickup note to 2nd phrase. M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - g/f/ |\ g>fe dcB | ABc BAG | GBd FAd | GBd FAd |\ gdg gdg | gdg fe/f/d | g>fe d>cB | Agf g2 :| |: z |\ fga aba | agf ed^c | (d/f/a)f (d/f/a)f | Ad^c dgf |\ (g/=c/B)c (g/=c/B)c | (g/=c/B)c f>ed | g>fe d>cB | Agf g2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man Heys with the 2d and 3d Wo. his Partner at %% the same Time Heys with the 2d and 3d Men .| Then Hey %% on your own Sides :| First Cu. cross over below the 2d Cu. %% and then below the 3d .| First Cu. leads up the Middle to %% the Top, foot it and cast off. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:40 T: The Running Morris M:6/8 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:A f/g/ | aga Bcd | cBc ABc | dcd BcA | GABE2f/g/ | aga Bcd | cde ^def | efg Be^d | (e3e2) || g/a/ | bab fga | gfg efg | aga Bcd | cBc ABc | dcd Bcd | ede cde | fcd Bag | a3a3 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Russel P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.342 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice over" instruction. M: 6/8 L: 1/8 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - f |\ b2f d>cB | c>dc A>GF | f>gf g>de | d>cB B2f |\ b2f d>cB | c>dc A>GF | f>gf =ecf | f2=e f2 :| |: c |\ A>Bc F>fe | d>ef B>ba | g>ag ^fdg | g2^f g2a |\ bfd gec | fdB ecA | dBG cAf | d>cB B2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%text Note: Each Strain twice over. %%begintext align %% The first cu. cast off, then the 2. cu. and then the 3. cu. then lead up to the top and cast off, and %% right and left with the 3. cu. then first Hey on the mens side, and then on the we. side. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Sage Leaf P: Round for as many as will %R: jig B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.11 #19 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.1 "B" N: The first page of DMDfD is obscured by the Blen Collection label over part of the tune and the first line of the dance. N: The 3/4 of the tune that is visible in DMDfD is identical to the tune in CCDM1. Z: 2012-2013 John Chambers <jc:trillian.mit.edu> N: Fixed a missing 1/4 count at the end. M: 6/4 L: 1/4 K: Gmix % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ dgf ecf | d>c B/A/ BG2 ][ B2c d2B | e2d cdB | A2G ^F>E^F | G3- G3 |] d2c B>AG | de^f g3 | d2c B>AG | de^f g3 | d2c B>cd | e2d c>dB | A2G ^F>E^F | G3- G2 |] G | ^F>GA A^FD | G>AB B>AG | ^F>GA A^FD | G3- G2 ][ G | B2c d2B | e2d c>dB | A2G ^F>E^F | G3- G2z |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Take all Hands and go round, back again .| All the Men go in and meet in %% the Middle, and back again; then We. do as much; then the first Cu. lead %% into the Middle, and back again; then give your right Hand to your Wo. and %% turn her round; the next Cu. do the same, and so to the last, the Musick %% playing the same Strain 'till they have led in :|:| Then every Man gives %% his right Hand to his own Wo. and turns her once and a Half, and then goes %% on to the next, and so 'till he comes to his own :|.:| So do all again, but %% leave out the first Strain, 'till every Couple has begun to lead in. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% Take all hands and go round, back again .| All the men go in and meet in the middle, and back %% again; then we. do as much; then the first cu. lead into the middle, and back again; then give %% your right hand to your wo. and turn her round, so the next cu. do the same, and so to the last, the %% Music playing the same Strain 'till they have led in :|:| Then every man gives his right hand to his %% own wo. and turns her once and a half, and then goes on to the next, and so 'till he comes to his own :|.:| %% So do all again, but leave out the first Strain 'till every couple has begun to lead in. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Sailor's Delight T: The Sailer's Delight P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.39 #72 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p._ N: DMDfD spells it "Sailer's". Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the DMDfD's dance instructions. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A |\ FAF AFA | d3 A2G/F/ | G>AG F2E | E3- E2G/F/ |\ GFG EFG | d3 e2a/g/ | f>g a/g/ e2d | d3- d2 :| |: g/f/ |\ g>fg eag | fa2- a2g/f/ | g>a g/f/ ef^d | e3- e2(c/B//c//) |\ d>cB A>GF | G>AB E2d/c/ | dFd E2D | D3- D2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. Back to Back with the 2d Cu. and Back to Back %% with their own Partners .| The 1st Cu. turn the 2d Cu. and %% turn their own :| Meet and sett all four and turn single, then %% clap Hands and go quite round .| The 1st Cu. go the Figure %% thro' the 2d Cu. and cross over and turn their Partners :| %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. back to back with the 2. cu. and back to back with their own Partners. This to the first %% Strain played once. The 1. cu. turn the 2. cu. and turn their own. this to the first Strain played twice. %% Meet and set all four, turn S. and clap hands all four, go quite round. This to the second Strain played %% once. The 1. cu. go the Figure thro' the 2. cu. and cross over and turn their Partners. This %% to the second Strain played twice. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Saintis Hussars N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.2:4 M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ G2g f2e | d3 GGG | A2A A2B | A2d AFD |\ E2G G,2G | E2G G,2b | a2g def | g3- g3 :| |:\ d2D dcB | A3 DDD | G2A B2G | cdB ABc |\ d2D d2D | d2D d2g | dcB AGF | G3- G3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ g2e d2c | B3 B3 | c3 A3 | d3 D3 |\ c3 G3 | c3 B3 | c3 d3 | g3 G3 :| |:\ d3 bag | f3 d3 | e2f g2e | abg fdc |\ B3 G3 | B3 c3 | d3 D3 | G3- G3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Man turns the 2d Wo. with his Right hand, then turns his own Partner with his Left hand .| %% their Partners does the same :| %% 1st Cu. Gallops down the middle, Gallop up again and cast off .| %% 1st and 2d Cu. Right & Left quite round. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Sally's Fancy %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (150) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/8 L: 1/8 K: Am % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ cBA ceB | cBA ^GBE | ABc B2A | B2^G E3 |\ edc def | edc BdG | cde dcB | c2c c3 :| |:\ GFE CGC | GFE CGC | ABc B2A | B2^G E3 |\ cec BdB | cec BdB | ceA ^GEG | A2A A3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The two 1st Men whole figure round their Partners then %% the 1st Man lead his Partner thro the 2d Cu. .| The two %% first We. figure round the Men and the 1st Wo. lead her %% Partner thro :| The 1st Man set to the 2d Wo. and turn %% single the 1st Wo. set to the 2d Man then 1st Cu. cast %% off .| The 1st Man takes his Partner by both Hands and %% draws her quite round the 3d Cu. and round the 2d Cu. :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Sally in our Alley %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (165) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 3/4 L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - |: zg/f/ ef |\ (e2 d)(e/d/ c)d | c2- c(c/B/) AG | FEDC Cc- | c2 :|\ |: ze/f/ ge | agfe fd | gfed ec | fedc BG- | G2 zg/f/ ef |\ (e2d)(e/d/ c)d | (c2 B)e/f/ gd |\ fedc Gc- | c2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Man cast off and the 2d Wo. cast up and half %% figure .| The 2d Man cast up and the 1st Wo. cast off %% and half figure :| Then the Men being in the We. %% Places and the We. in the Men's fall back all four and %% cross over into your own places right Hands and %% left quite round .| The 1st Man change Places with %% the 2d Wo and the 2d Man with the 1st Wo. and go %% quite round cast off and turn Partners :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:9 T: Salt Fish and Dumplins M:4/4 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:A cB | A3B ABcd | fgaf ecBA | d3f ecBA | G2B4Bc | d3e fgaf | ecBAG3B | Ac Bd ce Bd | c2A4 || af | ecAc e3f | efde cdec | dcde fgab | g2e4dc | dcde fgac | dcBA GBeB | ceac Bcdec2A4 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Sancho Pancho P: Longways for as many as will %R: B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.162 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The end-points for slurs are a bit vague, and are quite likely to be transcribed incorrectly. N: All the tune phrases have odd lengths. The staff lengths have been left as in the book. M: 3/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - z4 G2 |\ G2 A2 B2 | B2 c2 d2 | d2 e2 d2 | (A2 B2) c2 |\ (Bc d2 e/)(f/g) | (g d3) B2 | c3 e d2 | B2 G4 |\ z4 A2 | B2 c2 d2 | d2 c2 B2 | c2 d2 e2 |\ e2 f2 g2 | (fg) a2 (ad) | (d2 e2 f2) | e3 f g2 | f2 d4 | z4 d2 |\ e2 f2 g2 | d2 c2 B2 | c2 d2 e2 | e2 d2 c2 |\ B2 A2 G2 | G2 A2 G2 | B2 c2 d2 | d2 c2 B2 |\ A2 B2 c2 | c2 d2 e2 | e2 d2 c2 | B2 d2 g2 |\ (g d3) (dB) | (B G3) D2 | GA B2 c2 | d4 (e/f/g) | (g d3) B2 |\ (Bc d2) G2 | Bc d2 g2 | f4 A2 | G2 B2 d2 |\ B2 d2 g2 | cB cd ef | g2 f2 e2 | d2 B2 g2 |\ d3 c B2 | A2 G4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man go round the 2. wo. and turn the 2. man till the 1. man comes into his own place, the 1. wo. %% go round the 2. man, and turn the 2. wo. till the 1. wo. comes into her own place; the 1. cu. cross over %% and go the Figure through till they come into the 2. cu. place, then lead through the 3. cu. and cast up, %% and go the Figure through the 1. cu. and so cast off. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Sandy Laddy P: Longways for as many as will %R: reel, march B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.22 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 d2 |\ B2AG A2B2 | c6 e2 | d4 B4 | c2 A4 dc |\ B2AG A2B2 | c4 c2de | g4 f4 | e2 c4 :| |: ef |\ g4 f4 | e2c2 c2e2 | d4 B4 | c2 A4 dc |\ B2AG A2B2 | c3d e2c2 | {ef}g4 f4 | e2 c4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z2 |\ g4 f4 | e4 c4 | g4 G4 | d4 D4 |\ g4 f4 | e4 c4 | g4 G4 | c6 :| |: z2 |\ g4 G4 | c8 | g4 G4 | d8 |\ g4 f4 | e4 c4 | g4 G4 | c6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man set to the 2d Wo. turn single .| %% the 1st Wo. and 2d Man do the same, hands round all four and turn single back to back and right hand and left .| %% half round :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Saturday Night and Sunday Morning P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.148 #195 (295) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.49 "F" Z: 2013 John Chambers <jc:trillian.mit.edu> N: The dance description is in four sections and two columns; ## is used here to indicate columns. N: DMDfD doesn't have the c naturals; CCDM1 does, but of course they're written as c flats. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - f | f>ed a2A | eee e2g | f>ed a2A | ddd d2 |]\ =c | B>AG F>ED | eee e2=c | B>AG F>ED | ddd d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up all a D. forward and back .| That again. %% ## %% Sett and turn S .| That again :| %%endtext %%sep 1 1 300 %%begintext align %% First and 2d Cu. go about your own, not turning yr %% faces .| Men the like about each other, and we. %% about each other :| %% ## %% First Man and 2d Wo. change across, 1st Wo %% and 2d Man as much .| Each change with his %% own, sett :| So forward, the rest following %%endtext %%sep 1 1 300 %%begintext align %% First man lead his Wo. with his left Hand downward %% under the 2d Cu. Arms, lead up again, 2d Cu. coming under %% your Arms .| First Man take the 2d Man by the left %% Hand with his right, cast off and come to your %% Places, We. do so at the same Time. %% ## %% Change Places with your own, Men change %% Places, We changing at the same Time .| %% Change each with his own, sett :| And so %% forward to the rest :| %%endtext %%sep 1 1 300 %%begintext align %% First and 2d Cu. meet, Men Hands, We. Hands, %% lead to the Wall .| Meet again, take your own %% We. and lead from each other. %% Change with your own, Men change and %% We change at the same Time .| Change %% again with your own, Sett .| And so to %% the rest :| %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% Lead up all a D. forward and back .| That again :| %% Set and turn S. .| That again :| %%endtext %%sep 1 1 300 %%begintext align %% First and 2. cu. go about your own, not turning your faces .| %% Men the like about each other, and we. about each other :| %% ## %% First man and 2. wo. change across. 1. wo. and %% 2. man as much .| Each change with his own, %% set :| so forward, the rest following in order. %%endtext %%sep 1 1 300 %%begintext align %% First man take his wo. in his left-hand and lead her downward under %% the 2. cu. arms, lead up again, the 2. cu. coming under your arms .| %% First man take the 2. man by the left-hand with his right, cast off and %% come to your places, we. doing the like at the same time, %% ## %% Change places with your own, men change places, %% we. changing at the same time .| Change each %% with his own, set :| and so forward to the rest :| %%endtext %%sep 1 1 300 %%begintext align %% First and second cu. meet, men hands, we. hands, lead to the wall .| %% Meet again, take your own we. and lead from each other. %% ## %% Change with your own, men change and we. change %% at the same time .| Change again with your own %% set :| and so on to the rest :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Sawney was tall P: Longways for as many as will %R: reel, march B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.140 #188 (280) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.96 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to match the DMDfD dance instructions. M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ c2 cd e2 dc | B3 A d3 G | c3 d (ef) (ed) | c2 g2 g2 G2 |\ c3 d e2 dc | B3 A d2 (cB) | A3 G (AB) (cA) | G2 c2 c4 :| |:\ c2 g2 ef g2 | B2 d2 d3 d | c2 g2 e3 d | (cd) (ef) g3 G |\ c2 g2 (ag) (fe) | (dc) (BA) B2 (AG) | A3 G (AB) (cA) | G2 c2 c4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to the Presence, then to yr Wo. lead up forward and back. %% The 1st Cu. change places and go back to back, then cross over %% and meet below the 2d Cu. and sett to one another :| The 1st %% Cu. go the Figure of 8 round the Cu. above them and sett %% to one another, then the Man turn both Hands with the %% Wo. next above him once round, and his Wo. do the like %% with the Man next below her .| Then the 1st Cu. go %% the Figure of 8 round the Cu. below them, then meet %% and turn both Hands once and an Half round :| %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% Honour to the Presence, then to your wo. Lead up forward and back. %%endtext %%sep 1 1 300 %%begintext align %% The 1. cu. change places and go back to back, then cross over and meet below the 2. cu. and set %% to one another. This ends the first Strain of the Tune played twice over. %%endtext %%sep 1 1 300 %%begintext align %% The 1. cu. go the Figure of 8. round the cu. above them and set to one another, then the man turn both %% hands with the wo. next above him once round, and his wo. do the like with the man next below hers. %% This ends the last Strain played once. %%endtext %%sep 1 1 300 %%begintext align %% Then the 1. cu. go the Figure of 8. round the cu. below them, then meet and turn both hands once %% and an half round. This ends the last Strain played twice. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Schwabe T: Hessian Dance N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.2:2 N: There are no repeat symbols, but the 2nd and 3rd parts have alternate endings. N: What phrasing does the dance require? M: 3/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 g2d2B2 | GFGAG2 | D2E2F2 | GFGAG2 | g2d2B2 | GFGAG2 | D2E2F2 | G6 |] d2e2f2 | g4e2 | fgagaf | gbagfe | d2e2f2 | g4c2 | B2AGAF |[1 G6 ||[2 G4 |] g2 |\ d4e2 | B4c2 | A2G2F2 | G2D2g2 | d4e2 | B4d2 | A2G2F2 |[1 G4 ||[2 G6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d G2B2d2 | g4z2 | B2c2d2 | G4z2 | G2B2d2 | g4z2 | B2c2d2 | G6 |] B2c2d2 | e4c2 | d4D2 | G4z2 | B2c2d2 | ede2f2 | g2d2D2 |[1 G6 ||[2 G4 |] z2 |\ z2z2g2 | d4e2 | c4d2 | B4z2 | z2z2g2 | d4B2 | c4d2 |[1 G4 ||[2 G6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First and 3d Cu. change Places, back again, cross over and half figure %% 2d Cu. do the same, cast off windmill sails with the 3d Cu. foot it %% with your Partner and turn Right and Left with the 1st Cu. foot it %% and turn. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Scornfull Nancy P: Longways for as many as will %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.40 Z: 2013 John Chambers <jc:trillian.mit.edu> N: 2nd part has initial repeat but no final repeat. M: C L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 G2 |\ G3A G2(FE) | (FE)(DC) A3c | G3A (GA)(GE) | G4 c2(cd) |\ (ed)(cA) (cA)(GE) | (FE)(DC) A3c | G3A (GA)(cE) | TG3A c2 :| |: GA |\ c2e2 e2(de) | (fe)(dc) A2(GA) | c3d (ed)(ec) | (f3g/)a/ g3a |\ (ga)(gf) e2(de) | (fe)(dc) A3g | (e/f/g) G2 (GA)(GE) | G4 c2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z2 |\ cdef e2c2 | d3e defd | e2f2 e2A2 | G2gf e2ed |\ c2a2 f2c2 | d3e fgaf | g4 G4 | c4 c2 :| |: z2 |\ c4 c'2b2 | a2f2 d2e2 | A2B2 c4 | d2e2 e2f2 |\ e2d2 c2Bc | d3e fedg | c2e2 g2G2 | c4 c2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First and 2d Men side to their Partners once. go Back to Back .| %% then 1st Man side to the 2d Man and the 1st Wo. to the 2d Wo. at the same time. and go back to back :| %% then turn sides, and turn your Partner in the 2d Place .| %% then go the whole figure with the 2d Cu. :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Scotch Ayre N: "Birks of Aberfeldy" handwritten at right of title. P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.347 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Gmix % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ F2 A4 c2 | f3g f2c2 | f3g f2c2 | f3g fga2 |\ F2 A4 c2 | f3g fgag | f2d2 c2A2 | G4 d4 |] [|\ F2 A4 c2 | dcBA c2F2 | dcBA c2F2 | dcBA d2G2 |\ F2 A4 c2 | dcBA f3g | agfd cdcA | G4 d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first man back to back with the 2d. woman, and turn single, the first woman and second man do %% the same; then all four hands across half round, and then back again: Cross over and Figure in and %% cast off into the second Couple's place. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Scotch Contention P: Longways for as many as will. C: %R: strathspey, hornpipe B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.35 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Rhythms corrected in the last bars of the bass voice; all were d4. N: A few long beams broken, to match modern beaming practice and improve readability. M: 2/4 L: 1/8 K: D V: 1 f | d>ef>g | d>BA>d | B>de>g | E/E/E E>g | d>ef>g | d>BA>d | B.e A>F | D/D/DD |] B | A>DA>F | A>DA>F | B>EB>G | c>EB>G | A>DA>F | (AB)(df) | (dB)(AF) | D/D/DD |] e | a>ba>f | a>ba>f | (ge)(be) | (ge)(be) | a>ba>f | a>ba>f | g>ea>f | d/d/dd |] V: 2 clef=bass middle=d z | d'2 d2 | g2 f2 | g2 e2 | e4 | f2 d2 | g2 f2 | g2 f>a | d3 |] z | d2 z2 | d2 z2 | g2 z2 | a2 g2 |f2 d2 | D4 | e2 ea | d3 |] z | f2 a2 | d'2 d2 | e2 g2 | e2 g2 | f2 a2 | d'2 d2 | e2 fa | d3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. lead thro' the 2d Cu. and cast up again then the 1st Wo. turn the 2d Man %% then cross over below the 2d Cu. then below the 3d Cu. and lead thro' both Cu. and %% cast off, then the We. fall back and the Men follow them and turn single then the %% Men fall back and the We. follow them and turn single. clap hands side then all %% four single, then clap hands, and turn round and cast off. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Scotch Union %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (172) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. N: The tune makes more sense in 9/4, with two 3-beat bars per measure. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - |: afd afd | g>fe afd | afd ecA :|\ |: d>ed f>ef | g>fe d>ed | f>ef ecA :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Man turns single then his %% Wo. half round his Wo. does the %% same | Then cross over below the %% 2d Cu. and foot it :| Then all four lead %% up and foot it then 1st Wo. cross %% over above the 2d Wo. and the 1st %% Man above the 2d Man .| and so to %% the End :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Scotland P: Longways for as many as will %R: triple hornpipe, slip-jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.19 "C 4" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 9/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ g2d (dB)d (ef)g | f2A A2B (cB)A |\ g2d (dB)d (ef)g | (GA)B A2G G3 :|\ |:\ B2d (dB)d (dB)G | c2e (ec)e (ec)A |\ B2d (dB)d (dB)G | (GA)B A2G G3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain is to be play'd twice over. %%begintext align %% First Man take the 2. man by the right hand, and turn a turn and a half, the 1. and 2. wo. do the %% same at the same time till they come into the 2. cu. place, back to back, with your own, then turn %% your own, and back to back, sides-men to without-side the we. and come between them a quarter %% Figure, turn S. we. do the like. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Scoulding Pair %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (59) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - d |\ BAG G2A | BGF GAB | cde dgd | dgd dgd |\ efe dcB | A>Bc/d/ edc | BAG F2E | D3- D2 :| |: d |\ dDD Ddc | dcB dcB | cCC CcB | cBA cBA |\ BB,B, B,BB | AA,A, A,AA | GB,A, G,GF | G3 G,2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice %%begintext align %% The 1st Man sides to the 2d Wo. and turns her with his %% right hand then your partner with your left hand then %% your Partner does the same :| Then cross over and figure %% in and right and left quite round then single figure at %% ?? Top and right and left quite round with the 3d Cu. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Set the Old Wife beyond the fire %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (49) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat. The times at the double bars are inconsistent. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - G | B2AG E/E/E cA | B2AG G/G/G gd | B2AG G/E/E cA | BdAB G2 :| |: Bcde decG | Bd de/^f/ g/f/e/d/ gd | Bdde dedG | BgAB G3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. turn and cast off .| Then turn again and %% cast off again :| Lead up to the Top foot it and cast %% off :| Lead thro the bottom foot it and cast up :|: %% Then foot it Corners and turn .|| Foot it the other %% Corners and turn :|| Lead out on the Wo.s side :|| %% Foot it to your Partner and turn her. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Sham Doctor P: Longways for as many as will %R: triple hornpipe, minuet B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.230 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain played twice" instruction. M: 3/2 L: 1/8 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - |: b2 f4 g2 f2(ed) | e3f gfed c2B2 | b2 f4 g2 f2(ed) | e3f gfed c4 :| |: B2 F4 B2 e4 | c2 A4 c2 f4 | "^:S:"g3a gab2 f2d2 | c6 B2 B4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain played twice. %%begintext align %% First, Figure single, and turn your wo. half round, then cast off, and the man goes with his Face to the %% 2. cu. and the wo. to the 1. cu. and turn them half round, and come between them and clap hands with %% your Partner, and lead through the one side, and meet and clap hands, and lead through the other cu. %% then all turn your Partners in their own places. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Shawbury Park %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (146) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ B3A GABG | A2D2 D2G2 | ^F2G2 D2B2 | AGAB ABcA |\ B3A GABG | A2D2 D2G2 | ^F2G2 GBAG | G8 :| |:\ F3F F=EFG | F2D2 D2D2 | G3G AGAF | B6 cd |\ edcB A2d2 | cBAG ^F2d2 | edcB cBAG | G8 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. go with inside of the 2d Cu. then on the %% outside of the 3d Cu. and lead up to the Top and cast %% off then the 2d Cu. do the same :| Then the 1st and %% 2d Men sett to their Partners and take Hands and %% quite round then lead between the 2d Cu. and cast %% up then right and left Hands half round :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Sherburn Castle %R: reel N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> B: John Walsh "Caledonian Country Dances" 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/5/50/IMSLP98359-PMLP202128-walsh_caledonian_country_dance_vol2.1.pdf p.37 #297 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:37 #297 M: 2/4 L: 1/16 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: d2 f4 e2 | d2 a4 g2 | f2 A4 G2 | F4 E4 | D2d2TF2E2 | D2d2TF2E2 | (DEF2) (FGA2) | TB4 A4 :| |: fede fedc | B2g2 g4 | edcd edcB | A2f2 f4 | G2e2c2A2 | F2dc BAGF | E2g2 A2d2 | d4 D4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: d4 d4 | d4 d4 | d4 d4 | d4 d4 | d4 d4 | d4 d4 | d4 d4 | d4 d4 :| |: d4 d4 | d4 d4 | d4 d4 | d4 d4 | d4 d4 | d4 d4 | d4 d4 | d4 d4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man turns his Partner with his Right hand and both cast off .| %% turn again with your Left hands and cast off again :| %% Lead up to the top, foot it and cast off .|. %% Hands round all Six :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Shoomaker Row %R: __ B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (124) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - d2 |\ d3c B3A | B3A G3g | ^f3g a3b | a3g g3d |\ d3c B3A | B3A G3g | ^f3g a3b | a6 :| |: f>g |\ f3b f3b | f3e d3g | f2e>d c3f | d3c B3f |\ d3g =e3a | ^f3g a3d | b2a>g d3b | a3g g2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Man set to the 2d Wo. and turn single and turn %% his Partner .| The 1st Wo. set to the 2d Man then turn %% single and turn her Partner :| The 1st Cu. whole Figure %% With the 2d Cu. and clap and cast off .| The 1st Man %% change Places with the 2d Wo. and the 1st Wo. with the %% 2d Man and Hands all four half round and turn single %% all four :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Shore's Trumpet Tune T: Roved O. P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.76 #109 (151) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.238 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [| F2 FA AFED | d2 df fe eA | F2 FA AFED | a2 f>e d4 |] [| e>f eA e2e2 | e>f eA e2 e2 | a>b aB a2a2 | a>b aB a2 a2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man turn the 2d Wo. with the right Hand, then %% turn his own Partner with the left; the 1st Wo. do the %% same :| The first Cu. take Hands, and turn between the 2d %% Cu. the 1st Man being in the 2d Wo. Place, fall back; the %% 1st Cu. being in the 2d Cu. Place, go the Figure of Eight %% through, which brings them in the 2d Cu. Place .| %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man turns the 2 woman with the right-hand, then turns his own Partner with the left; the %% 1. woman does the same :| %% The 1. cu. take hands, and turn between the 2. cu. the 1. man stands in the 2. womans place, then %% fall back; the 1. cu. being in the 2. cu. place, go the Figure of Eight thorow, which brings them in %% the 2. cu. place .| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Short's Garden P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.129 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to match the dance instructions. M: 6/4 L: 1/4 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - g |\ f>ed (ec)f | d2B B2d |\ c>BA (BG)c | A2F F2 :|\ |: c |\ c>BA Bcd | f>dc d=ef | g>ag =e>fg | af2- f2d |\ eg2- g2f/e/ | df2- f2=e/f/ |\ g>fg a>ga | b2b b2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First man stand on the wo. side, and the wo. on the man's, then the 1. man cast off and go on the out-side of the 2. wo. %% while the 1. wo. goes down the in-side of the 2. wo. and the 2. cu. slip up into the 1. cu. place, then the 1. wo. go up %% on the out-side of the 2. man, and the 1. man on the out-side of the 2. wo. into their own places. This to the first Strain %% played twice. %%endtext %%sep 1 1 300 %%begintext align %% The 1. man stand in the 1. wo. place, then the 1. man and 2. wo. cross and go the Figure between the 1. wo. and 2. %% man till they come to their places again, then the 1. man and wo. take hands and change into the 2. wo. place while the %% other two do over the same, then each cu. change over with his own, and the 1. man and 1. wo. cast off into the 2. cu. %% place, while the 2. man goes below the 1. man, and go the Figure between the 2. wo. and 1. man into their own places %% again, then the man set to the 1. wo. and jogg with his right elbow and foot, then with his left elbow and foot, and %% change places; the other cu. do the like Figure over. This to the second Strain played twice. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Shuffle and Cut P: Longways for as many as will %R: slip-jig, triple hornpipe B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.69 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #8 (14) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats modified to satisfy the "Each Strain but once" instruction. N: The natural in the base voice's bar 4 was missing, but it's obviously needed. N: CCDM2 says "Each Strain but once", but has repeat signs in the music. N: CCDM2's dance is missing the first "& turn", but is the same otherwise (except for capitalization). N: The tunes differ only in bar 3; the lower notes are from CCDM2. M: 9/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 [| dBG FAF E/F/GE | =cEE E2B AFD | dBG FAF F/G/AB & x3 x3 EGE | AFD D2B AFD |] [| f/g/af e/f/ge B/c/dB | =cEE E2B AFD | f/g/af e/f/ge B/c/dB | AFD D2B AFD |] [| G2e F2d E3 | =cEE E2B AFD | G2e F2d E2B | AFD D2B AFD |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d [| G3 d3 =c3 | A3 =c2G d3 | G3 d3 zzG | d2=c B2G d3|] [| d'3 =c'3 g3 | a3 =c2G d3 | d'3 =c'3 g3 | d2=c B2G d3 |] [| e3 d3 A3 | zzA =c2G d3 | e3 d3 A2G | d2=c B2G d3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain but once. %%begintext align %% The 1st Cu. dance thro' the 2d Cu. & cast off & turn .| %% then the 1st Cu. dance thro' the 3d Cu. & cast up again & turn :| %% then the first and 2d Cu jigg it round and cast off .:| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Siege of Buda P: Longways for as many as will %R: march, reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.147 "O 2" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat symbols added to match the multiple endings. M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ c2 G2 c2 d2 | e2 c2 c2 ef |\ g2 g2 fe fg |[1 e4 e4 :|[2 e6 \ |: cd |\ e2 e2 d2 d2 | cB cd B2B2 | cB cd ed cB | A2 A2 A2 Bc |\ d2 d2 d2 e2 | dc BA G2 gf |\ e2 fe dc de |[1 c6 :|[2 c8 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. back to back, and the 2. cu. at the same time do the like, then 1. and 2. man back to back, %% the we. doing the like at the same time. %%endtext %%sep 1 1 300 %%begintext align %% The 1. and 2. man take hands, the we. doing the like, and change over, then fall back and cross over %% with their Partners, then all four take hands and go quite round, and the 1. cu. to their Partners, and %% so cast off. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Siege of Limerick T: Seige of Limerick N: DMDfD mispells the word "Siege" in the title, but English spelling wasn't yet standardized in 1709. P: Longways for as many as will %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.57 #94 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.173 "Q 3" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to match the dance instructions. M: 3/2 L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - |: d3e f2d2 a4 | e3f g2^c2 f4 | =B3d ^c2e2 def2 | A2 d4 ^c2 d4 :| | c3d cBA2 ABc2 | d3e def2 efg2 | a2 f4 c2 d2(cB) | (AB) c4 e2 f4 | |: a3b a2f2 d4 | g3a g2e2 ^c4 | f3g f2d2 =B2e2 | ^c2 A4 ^c2 d4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center The first Strain is to be play'd twice over; and the second once and so far as from the Repeat over again. %%begintext align %% The 1st Man cast off below the 2d Man, and go above the 2d %% Wo. into the 2d Man's Place, the 1st Wo. cast off below the 2d %% Wo. and go above the 2d Man into the 2d Wo. Place, then cast %% up, and Back to Back with your Partners, then right and left %% with your Partners, then lead thro' the 2d Cu. and back %% again, and so cast off. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man cast off below the 2. man, and go above the 2. wo. into the 2. man's place, the 1. wo. cast %% off below the 2. wo. and go above the 2. man into the 2. wo. place, then cast up, and back to back %% with your Partners, then right and left with your Partners, then lead through the 2. cu. and back %% again and so cast off. %% [DMDfD] %%endtext %%sep 1 1 300 %%text Note: The first Strain is to be played twice over; and the second Strain once through, and so far as from the Repeat over the Note again. %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:56 T: Sigr. Geminianis minuet with his Graces M:3/8 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 N:Trills placed as printed. Where they occur over demi-semi=quavers they N:may be intended to indicate a trill ending with the demi-semi-quaver N:pair. A slur mark occurs over the note group and thus restricts the N:position of the trill mark B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:D |: d2c | d2c | de2 | f2e | g2f | e2d | cd2 | e3 :| |: ecA | fdA | gec | a3 | bge | cde | fe2 | d3 :| |: B2c | d2c | BAF | B2A | Ggf | e2d | cB2 | F3 :| |: A3 | B3 | c3 | dcB | e3 | fdc | BfF | B3 :| |: [L:1/16] d4Tc>Bc/ | d4c>Bc/ |\ de e3Td/e/ | egf2 e2 |\ g3a/g/ f2 | e3f/e/ d2 |\ cd Td3c/d/ | e6 :| |: e2TcBcA | f2TdcdA |\ g2Tfedc | a6 |\ b/a/g/f/ g/f/e/d/ e/d/c/B/ | c/A/B/c/ d/e/f/g/ a/g/ f/e/ |\ g/f/e/d/ e3Td/e/ | d6 :| |: dAdfec | dAdfec |\ dAabag | Tf4e2 |\ gabgaf | efgefd |\ cd d3Tc/d/ | e/a/^g/f/ e/d/c/B/ A2 :| |: ec/B/cA/B/cd/e/ | fd/c/dA/B/c/d/e/f/ |\ g/f/e/d/ c/A/B/c/ e/d/f/^g/ | a6 |\ b/a/g/f/ g/f/e/d/ e/d/c/B/ | c/A/B/c/ d/e/f/g/ a/c'/b/a/ | d'dTe3d | d6 :|\ |: d/A/B/c/ d/f/e/c/ | d/A/B/c/ dfec |\ d/A/B/c/ d/e/f/^g/ a=g | Tf4e2 | gE g/b/a/g/ fD | eC e/g/f/e/ fd |\ cdd3Tc/d/ | e/c/A/c/ e/c/A/c/a2 :|\ |: [L:1/32] efed cAa>g | fgfe dAb>a | gagf efed cef^g | agab agab a2=gf |\ gabg efge cdec | ABcA defd abc'a |\ d'2d2 e6d2 | d12 :| |: [L:1/16] (3dAd (3fAf (3eAe | (3dAd (3fAf (3eAe |\ (3dAd (3eAe (3aAa | Tf4e2 | (3gba (3bag (3agf | (3egf (3gfe (3fed |\ (3cBA (3dcd d>cd/ | (3ea^g (3aed (3cBA :|\ |: (3ede (3cBA (3cBA | (3fef (3dcd (3ABA | (3gfe (3edc (3cBA | a6 |\ (3bag (3gfe (3gfe | (3c'ba (3c'ba (3c'ba |\ (d'd e3d | d6 :| %%sep 1 1 500 %%sep 1 1 500 X:1 T: Silly old Man P: Longways for as many as will %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.34 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd part has initial repeat but no final repeat. M: 6/8 L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 C/D/ | F2F Ffd | cAF G2F | GAc d2g | FAF fed | cAF GAc | AGF D2 :| |: f | fcf f>gf | e>dc dcd | f>ga/b/ Tg2f | f>ga gaf | e>dc def | cAF TG2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z | f3 a2b | f3 e2f | c3 B3 | F3 B3 | d3 c3 | d3 D2 :| |: z | a3 g3 | c3 b3 | a2f c'2f | a2f e2d | c3 B3 | F3 c2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man and 2d Wo. clap hands with each other and turn single, then right and left half round .| %% the other Cu. do the same :| %% then cross over and half figure .| %% then lead thro' the Bottom and thro' the top, cast off and turn :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Singleton's Slip P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.81 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - F2 |\ B2 c2 d2 e2 | f2 (ed) c2 (ef) |\ (gf) (ed) c3 B | B6 ][ (ga) |\ (ba) (ga) (ba) (ga) | (ba) (gf) (ga) (bf) | (gf) (ed) (ed) (cB) | c6 (ef) |\ (gf) (ef) (gf) (ef) | (gf) (ed) c2 f2 |\ (gf) (ed) (cB) (cd) | B6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up all, the 1. man change places with the 2. man and lead out, then lead in, the 1. wo doing %% same :| Then the men and we. fall back, then meet and foot it, then the 2. cu. being in the 1. place %% cast off, then fall back and foot it as before, and cast off. Do this to the last. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Sion-House P: Longways for as many as will %R: minuet B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.114 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to match the dance instructions. N: The title has a barely-visible hyphen that might just be a stray speck of ink. N: There's a mysterious hyphen at "in- their" that doesn't make sense; the hyphen is at the end of a line. M: 3/2 L: 1/4 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ Fc A(G/F/) c2 | f>e dg e(d/c/) |\ fc d(c/B/) Ad | =Be d2 c2 \ |:\ g>a g(f/e/) de | f c2 d BA |\ B>A Bc dA | A3 G G2 |\ c A2 d cf | d g2 d e(d/c/) |\ f d2 b ag | g3 f f2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First man and first wo. and 2. man and 2. wo. take hands, and go half round and turn S. while the 1. %% wo. cross over with the 2. man, then all four take hands and go half round, and the 2. wo. cross over %% with the 1. man; The other cu. do the like. This to the first Strain. %%endtext %%sep 1 1 300 %%begintext align %% The two we. being now in the men's places, stand still while the two men lead between them round in- %% their own places, then each take hands with their own, and turn till the we. come into their own %% places again, then the two we. take hands and lead betwixt the two men, and go round into their own %% places again, then the 1. cu. being now in the 2. cu. place, go the half Figure, till they come into the %% 2. cu. place. This to the second Strain played twice. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Six and Sevens P: Longways for as many as will %R: minuet, waltz B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.59 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (46) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. N: The versions of the tune and dance in CCDTB and CCDM2 are identical, even the capitalization. N: The 1st phrase has 13 bars. M: 3/8 L: 1/16 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 preserves the original line breaks: V: 1 |:\ BdfdBd | cfAcFA | BdfdBd | c2F2f2 |\ geeccA | fddBBG | eccAAF | fcgcac |\ (fg)=e4 | f4z2 | fcgcac | (fg)=e4 | f6 :|\ |:\ cFAcfe | dfBdGB | EGcBAG | ^F4d2 |\ gddBBG | eccedc | (Bc)A4 | G6 | BddggB | AccffA | (GB)BeeB |\ AFBFcF | dFeFfF | BdfdBe | (dc) c3B | B6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original line breaks: V: 2 clef=bass middle=d |:\ b4z2 | a4z2 | b4z2 | a4b2 | e2f4 | d2B2z2 |\ A2f2z2 | d2B2z2 | A2f2z2 | d2B2z2 | d2e2z2 | f2e4 | f6 :|\ |: f4z2 | B4z2 | e2cde2 | d4^f2 | g2b2g2 | ^f2d2g2 | c2d2D2 | G4z2 |\ B4B2 | f4f2 | g2e2g2 | f2edc2 | B2A2B2 | b4z2 | B2f2F2 | B6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% The 1st Cu lead thro' the 2d Cu. and cast up to the Top and cast off .| %% the 2d Cu do the same :| %% then the 1st Cu cast off & go the half figure .| %% then Right & Left quite round and turn :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Slaughter-House P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.316 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The rhythms aren't correct at the ends of the strains. M: 6/4 L: 1/4 K: % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ G2c BdB | c/d/ec d2G | c>BA GEA | D3- D2G |\ C2c BdB | (c/d/)ec d2B | c/B/AG F/G/A^F | G3- G3 |] g |\ (e/f/)(f>e/f//) g2c | f2g a>gf | a>ba ge2 | d3- d2c |\ (Bg)f (ec)B | (Af)e (dB)G | A/B/cA B/c/dB | c3- c2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man, and 1. and 2. we. take hands, and go a whole round to their places .| Then 1. man and 2. wo. %% and 2. man do the same :| The 1. man and 1. wo. cross over into the 2. cu. places, then lead up all 4 %% a-breast, and back again; the 1. man and 1. wo. cross over, and go half the Figure of 8 into the 2. cu. place, %% and right and left till you come into your own places, the 1. man and 1. wo. lead down between the 2. %% cu. and cast up to the top, all 4 clap hands, the 1. man and 1. wo. cast off into the 2. cu. place. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Slip P: Longways for as many as will %R: march, reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.69 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/4 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ cG cd | e>f ge | ag f/g/e | d>e c2 |][| dd/c/ dG | d>c B/A/G |\ de fg/f/ | e>d d2 | e>f gc | fg aA | Gc Bc | d>c c2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to the presence .| Honour to your own :| %% ## %% The two first men hands, and two first we. hands, and fall back %% from each other, men and we. open, close again, and change %% places each with his own .| Fall back again, open, close, and %% places as before :| %%endtext %%sep 1 1 300 %%begintext align %% First man lead his wo. down half way, and honour to her. Lead her to the bottom and honour to her :| %% ## %% Then take hands with the last man, his wo. taking hands with %% the last wo. fall back from each other, open, close, and change %% places as before, the four uppermost doing the like at the same %% time .| That again as at the first :| %%endtext %%sep 1 1 300 %%begintext align %% Second man lead down his wo. as before :| %% ## %% That as before, the rest following in order. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Slip it in easy %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #9 (5) Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ cde f2f | fgf e2d | cAA A2G | cAA A2G |\ cde f2f | fgf e2d | cAF F2G | AF F3 :| |:\ FGA cAc | ded cAF | FAA A2G | FAA A2G |\ FGA cAc | ded cfc | AFF F2F | AFF F3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice %%begintext align %% The 1st Cu. go Forward and back again, then go thro' the 2d cu. and cast up into your own Places and cast down again .| %% the 1st Cu. lead down and up again, then leading thro' the 2d Cu. cast down and up again :| %% then 1st and 2d Men double figure on the We. side, the 1st Man casting down into the 2d Mans Place .| %% then the two We. do the same on the Mens side, then the 1st Wo. [casting] down :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Smart N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.48 #308 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:48 #308 N: The 2nd part has a begin-repeat but no end-repeat. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ d2g2 d2BA | G4 D4 | G2g2 d2cB | fga2 A3B |\ G2g2 d2cB | cBcd e2dc | B2AG FGAB | G4 D4 :| |:\ B2AG c2BA | G4 D4 | B2AG c2BA | fga2 A3c |\ B2AG c2BA | cBcd e2dc | B2AG FGAB | G4 D4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ G4 z4 | B2g2 f2ed | e2c2 B2g2 | d4 f2g2 |\ e4 b2g2 | a4 g2f2 | g4 d4 | G4 z4 :| |:\ z4 e2f2 | g2d2 B2G2 | z2g2 a2z2 | d2f2 a2d'2 |\ g2b2 a2f2 | d6 f2 | g2c2 d2D2 | G4- G4 |] %%begintext align %% First and 2d Man lead thro' sides and turn .| %% Their Partners does the same :| %% First Cu. double figure thro' the 2d Cu. .| %% First and 2d Cu. foots it Right and Left half round. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Smith's Rant P: Longways for as many as will %R: hornpipe, rant B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.40 #73 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ F2 A>B c2 A2 | B>c A>B G2 F2 | f2 e>f g2 e2 | f>g e>f d2 c2 |][|\ g2 a>b a3 (g/f/) | e>f d>e ^c2 de | f2 d>f g2 e>g | a>f b>a g2 f2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to the Presence, then to your We. lead up forward and back, that again. %%endtext %%sep 1 1 300 %%begintext align %% First Sides with your own Wo. then on the other Side, then both clap %% Hands and make a Pass at each other and turn single, then turn your %% own Wo. once and a Half, and so on to the next, 'till you come to %% your own Places. %%endtext %%sep 1 1 300 %%begintext align %% Then the 1st Man take his own Wo. by the right Hand, holding it up %% 'till the 2d Wo. passes under, then face about while the 2d Wo. goes %% back again, then they three clap Hands and make a Pass altogether, %% and all three turn single, then take Hands and do the same to the %% 2d Man, and so to the end. %% [CCDM1] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Smith's Rant P: Longways for as many as will %R: hornpipe, rant B: "The Dancing-Master: Containind Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.107 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ F2 A>B c2 A2 | B>c A>B G2 F2 | f2 e>f g2 e2 | f>g e>f d2 c2 |][|\ g2 a>b a3 (g/f/) | e>f d>e ^c2 de | e2 d>e f>g (a<f) | (b<a) g>f e2 f2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to the presence, then to your we. Lead up forward and back, that again. %%endtext %%sep 1 1 300 %%begintext align %% First, sides with your own wo. then on the other side, then both clap hands and make a pass at each %% other and turn S. then turn your own wo. once and an half, and so on to the next 'till you come to %% your own places. %%endtext %%sep 1 1 300 %%begintext align %% Then the 1. man take his own wo. by the right-hand, holding it up 'till the 2. wo. passeth under, then %% face about while the 2. wo. goes back again, then they three clap hands and make a pass all together, %% and all three turn S. then take hands and do the same to the 2. man, and so the end. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: A Soldier's Life. P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.48 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - d |\ f>ga f>ed | e2c A2e | f>ga d>ef | e3- e2e |\ f>ga f>ed | e2c A>GF | G>AB A>Bc | d3- d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up all a D. forward and back, set and turn S .| That again :| First man set to his own wo. %% then set to the 2. man, turn the 2. wo. .:| Set to the 2. wo. then to the 3. man, turn the 3. wo. :|:| %% Set to the 3. wo. then to the 4. man, turn the 4. wo. :|:| Do this to the last, your wo. following %% you in the same manner, every cu. do thus. %%endtext %%sep 1 1 300 %%begintext align %% First man lead down his wo. a D. then give his right-hand to the 2. wo. while his wo. does the like %% to the 2. man, turn them, and then your own with your left-hand; the same forward till you come %% to the bottom. %%endtext %%sep 1 1 300 %%begintext align %% First man go about the 2. wo. while his wo. do the like to the 2. man; they meet and go about %% one-another and turn, taking hands. The same again till they come to the bottom. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: A Soldier and a Sailor T: A Soldier and a Sailer P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.116 #174 (232) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.199 "S 4" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to match the dance instructions. M: 6/4 L: 1/4 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - D |\ (DF)B (Bc)d | B3 F2A | Bcd def | d3 B2c |\ def fed | g3 G2A | Bcd dcB | f3 F2G | ABc c2A | F3- F2G | ABc c2=e | f3- f2 ::\ c |\ c>dc c2d | e3- e2f | g>_ag f2e | d3- d2e | f>gf e2d | c3 def | gfe dcB | A3 F2f |\ gab a2b | b3- b2c | d>ef c2B | B3- B2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. lead between the 2d Cu. then cast up and go the Figure, then %% meet their own Partner a Change, Sides, and cast off into the 2d Cu. Place .| %% The 2d Cu. do the same :| The 1st Man turn the 1st Wo. with the right %% Hand and go into their own Places, the 2d Cu. do the same; then clap %% Hands with their Partners, and the 1st Cu. cast off .| Take Hands %% with your Partners, and draw aside Back to Back 'till you come into %% your own Places again; then lead thro' and cast off :| %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. lead between the 2. then cast up and go the Figure, then meet their own Partner a Change, sides and cast off %% into the 2. cu. place; the 2. cu. do the same. This so the first Strain twice. The 1. man turn the 2. wo. with the right-hand %% and go into their own places; the 2. cu. do the same, then clap hands with their Partners, and the 1. cu. cast off. This to %% the second Strain once. Take hands with your Partners, and draw aside back to back till you come into your own places again; %% then lead through, and cast off. This to the second Strain twice. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Soldier Ladie P: Longways for as many as will %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.41 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.?? #7 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Should the title be "Soldier Laddie"? M: 6/8 L: 1/16 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 gd |\ B3AG2 G2D2E2 | A3BA2 A2B2d2 | efg2G2 G2D2E2 | G3AG2 TB4G2 |\ c2dcBA B2cBAG | A3BA2 A2B2d2 | efg2G2 G2D2E2 | G3AG2 G4 :| |:ef |\ g3ag2 g2d2B2 | a3ba2 Ta4g2 | efg2g2 g2d2B2 | g2agfe g2d2B2 |\ cBcdef g3fg2 | a2A2A2 A2B2d2 | efg2G2 G2D2E2 | G3AG2 G4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z2 |\ g6 G6 | f6 d6 | c4B2 B4A2 | G6 g6 |\ a2f2d2 g2e2c2 | f6 d6 | c4B2 B4A2 | G6 G4 :| |: z2 |\ G4A2 B4g2 | f4e2 f4g2 | c4B2 B4g2 | g2c2d2 G4g2 |\ a4g2 b2a2g2 | f6 d6 | c4B2 B4A2 | G6 G4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man heys with the 3d Cu. his Partner at the same time heys with the 2d Cu. .| %% then the 1st Man heys with the 2d Cu 1st Wo. at the same time heys with the 3d Cu. :| %% 1st Cu leads thro' the 2d and 3d We. and turn in the 2d Cu. Place .| %% 1st Cu leads thro' the 2d and 3d Men and turns at top. :#: %% the 1st Cu. Back to Back and cast off and turn .| %% the 2d Cu. does the same :| %% 1st Man leads the 2d Wo. off & turns her .| %% 1st Wo. leads the 2d Man off and turns him, 1st Man cast off at the same Time. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Soulton Jigg %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #18 (28) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats adjusted to match the dance instruction. M: 6/8 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - :|\ g2g gdB | gdB A3 | B>cd efg | aeg f>e d/c/ |\ Bdg Bdg | Bdg f2g | a>ba/g/ fdg | g2f g3 :| BAG BAG | Bdd d2^d | eBe eg(f/e/) | ^d3- d2f |\ gfe bBe/f/ | gfe b^de | e>fg f2e | e3- e2e/f/ | g>fe dcB | ABG FAD | G>AB B>AG | d3- d2d |\ e>fg dcB | c>de e>f g/a/ | fga gaf | g3- g3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st strain is to be play'd twice and the last but once over. %% The 1st Cu. sett and cast off then clap Hands and turn Sides %% the 2d Cu. do the same :| 1st Man change Places with the 2d %% Wo. and the 1st Wo. with the 2d Man then all four sett and %% turn single then right hands and left half round then sett %% and cast off .| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Spanish Gypsie P: Longways for eight %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.35 #65 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.31 "D 4" Z: 2013 John Chambers <jc:trillian.mit.edu> N: The ":S:" is presumably an early form of "segno", meaning to repeat from that note. N: The three dance phrases are mostly the same, with small differences. N: The key signature in DMDfD is [K:^f^F], with the single c having a sharp. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - d |\ d>ef d>ef | d3- d2A | d>ef d>ef | d3- d2d | e>fe e2d |\ c3 B3 | A>BA A2G | F3- F2"^:S:"D | F2G A2F | B2A d2A | F>GA GAF | E2D D2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up forward and back .| That again :| Turn all Back to Back, %% Faces again, go all about your We. not turning your Faces, that again %% the other Way .| First and last Cu. meet a Double, back again, turn %% all Back to Back, Faces again, go about each other not turning your %% Faces, the other Way as much :| The other four as much .:| %%endtext %%sep 1 1 300 %%begintext align %% Sides all .| That again :| Turn Back to Back, Faces again, go about %% your own as before .| First and last Cu. meet and go back; turn %% Back to Back, Faces again; take Hands and go round, back again :| %% Then the other four as much .:| %%endtext %%sep 1 1 300 %%begintext align %% Arms all .| That again :| Turn Back to Back, Faces again, go about %% your own as before .| First and last Cu. meet and go back; turn %% Back to Back, Faces again; right Hands across and go round, then left %% round :| The other four as much .:| %% [CCDM1] %%endtext %%sep 1 8 500 %%begintext align %% Lead up forward and back .| That again :| Turn all back to back, faces again, go all about your %% we. not turning your faces, that again the other way .| First and last cu. meet a D. back again, turn %% all back to back, faces again, go about each other not turning your faces, the other way as much :| %% The other four as much .:| %%endtext %%sep 1 1 300 %%begintext align %% Sides all .| that again :| Turn back to back, faces again, go about your own as before .| First and %% last cu. meet and go back, turn back to back, faces again, take hands and go round, back again :| %% Then the other four as much .:| %%endtext %%sep 1 1 300 %%begintext align %% Arms all .| That again :| Turn back to back, faces again, go about your own as before :| First and %% last cu. meet, back again, turn back to back, faces again, right hands across and go round, then left %% round :| The other four as much :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Spanish Jigg P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.171 "Q 2" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to satisfy "Every Strain is to be play'd twice over" instruction. M: 6/4 L: 1/4 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - (e/f/) | g2g g>ag | f2f f>gf | e2e e>fe | d>cB c2 :|\ |: (e/f/) | g2e c>de | d2B G>AB | c2A F>fe | d>cB c2 :| |: (e/f/) | g2g g/f/ g/a/g | a2a a/g/ a/b/a | |g2g g>fe | d>cB c2 :|\ |: g | (ec)g (ec)g | (dB)g (dB)g | (cA)d (BG)c | c>dB c2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. set to their Partners and cast off, the 2. cu. set to their Partners and cast off :| The 1. man %% turn the 2. wo. and the 2. man the 1. wo :| The 1. cu. take hands and lead below the 3. cu. and back %% again, then cast off :| Go the whole Figure through :| %% [DMDfD] %%endtext %%text Note: Every Strain is to be play'd twice over. %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Spring Garden P: Longways for eight %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.149 #199 (297) S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.34 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The dance is formatted as two columns; ## used to indicate the second the column. M: 6/4 L: 1/4 K: Am % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ A2A c2c | e>ed a3 | A3 ^c3 | d>ed ^cA2 |][| f2f g>fe | fa2 g2e | f2f g>fe | fa2 g2c | fga g>fe | ded f>ga | A3 ^c3 | d>ed ^cA2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up forward and back .| that again :| %% ## %% Four to one End, and four to the other, Hands %% half round and fall back from one another, and %% change Places, Men in the Middle, and the Ends %% with their own .| This again :| Then all again. %%endtext %%sep 1 1 300 %%begintext align %% Men change Back to Back, and We. the like, %% change each with his own .| That again :| %% ## %% Cast off at both Ends, the 2d follow the 1st, and the %% 3d the 4d sett to them, then meet and change Places %% with them .| First and 2d lead down, the other up %% and change Places .| All this again. %%endtext %%sep 1 1 300 %%begintext align %% Lead to the Wall forward and back .| Turn %% off and change each with his own :| %% ## %% First and last Cu. mett, and the 2d and 3d fall %% back, the Men Arm in the Middle and the Ends %% with their own .| This again :| Then all again. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% Lead up forward and back .| That again :| %% ## %% Four to one end and four to the other, hands half round and fall %% back from one another, and change places, men in the middle, %% and the ends with their own .| This aain :| Then all again. %%endtext %%sep 1 1 300 %%begintext align %% Men change back to back, and wo. %% the like, change each with his own .| That again :| %% ## %% Cast off at both ends, the 2. follow the 1. and the 3. the 4. set %% to them you meet and change places with them .| 1. and 2. %% lead down, the other up, and change places :| All this again. %%endtext %%sep 1 1 300 %%begintext align %% Lead to the Wall forward and back .| %% Turn off, and change each with his own :| %% ## %% First and last cu. meet, and the 2. and 3. fall back, the men %% arm in the middle and the ends with their own .| This %% again :| Then all again. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Squire Fribble N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.70 #330 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:70 #330 N: The 2nd part has a begin-repeat but no end-repeat. M: 2/4 L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: (Ac)(Bd) | cefg | afed | ecBA | (Ac)(Bd) | cefg | aedc | B2E2 :| |: (eg)(fa) | gbge | ^dfB=d | cecA | BGEd | cAfd | cBAG | A2A,2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: a2 g2 | a2d2 | zdcB | A2z2 | a2g2 | a2d2 | zcBA | e2E2 :| |: e2^d2 | e2z2 | b2g2 | a2z2 | g2e2 | a2d2 | e2E2 | A4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Man turn the 2d Wo. with his Right hand Single and cast off .| %% his Partner the same with the 2d Man :| %% Hands 6 round .| %% Right and Left at top :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Star Light Night N: Pub: J. Walsh, London, 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.76 #336 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:76 #336 Z: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: a2fg a2fg | a2b2a2g2 | f3ed2c2 | d2A2A4 |\ a3g f2e2 | A3G F2E2 | a2ba g2f2 | {f}e4 z4 :| |: e4 fefg | a2g2f2e2 | e4 fefg | a2g2f2e2 |\ a4 gfge | fefg a4 | A4 GFGE | FEFG A4 |\ d'2de f2e2 | d4 Hz4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: d2d2d2d2 | d2d2d2d2 | d2d2d2d2 | d2d2d2d2 |\ d2d2d2d2 | d2d2d2d2 | d2d2d2d2 | A4 z4 :| |: a2a2a2a2 | a2a2a2a2 | a2a2a2a2 | a2a2a2a2 |\ d2d2 A2A2 | d2d2d2d2 | d2d2 A2A2 | d2d2d2d2 |\ f2g2a2A2 | d4 Hz4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Man turn the 2d Wo. with his Right hand Single and cast off .| %% his Partner the same with the 2d Man :| %% Hands 6 round .| %% Right and Left at top :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Steward's Rant P: Longways for as many as will %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.1 S: 3: CCD3 http://javanese.imslp.info/files/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.5 B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #14 (26) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd part has initial repeat but no final repeat. M: C L: 1/8 K: G V: 1 |: B/c/d e/f/g d2 B2 | cA=fA cA=fA | B/c/d e/f/g d2 B2 | cA (Tfe/f/) g2 G2 :| |: BG G/G/G BGBG | AD D/D/D ADAD | BG G/G/G BGBG | AD D/D/D d2 G2 :| V: 2 clef=bass middle=d |: g2c'2 g4 | d4 d4 | g2c2 G4 | c2d2 GBdg :| |: g2G2 g2G2 | d2D2 d2D2 | g2G2 g2G2 | d2D2 G4 :| %%begintext align %% The 1st Man foots it to the 2d Wo. and turns her .| %% The 1st Wo. does the same :| %% cross over two Cu. .|. %% Lead up to the top, foot it and cast off :|: %% Foot it Corners and turn .|: %% Foot it the other Corners and turn :|| %% Lead out thro' the Man's side and turn, Lead out thro' the Wo. side and turn it out. :||: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: St. Albans P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.78 #118 (156) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.259 "Z 4" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "first strain twice" instruction. (Should the 2nd strain also be repeated?) M: 6/4 L: 1/4 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ c2c f>ed | c2B A3 | cAF dBG | fcd A>GF |\ cAc f>ed | c2B A2c | dAc =BdG | gdf e>dc :| gec g2c | afd a2d | ge^c Aad | gef e2d |\ Acf Bdg | cea dfb | g>fg cAF | f>ga g2f |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man sett to the 2d Wo. and turn single, then %% sett to his Partner .| The 2d Man sett to the 1st Wo. and %% do the same :| Then cross over and figure, the 2d Man %% lead to the Wall and back again, the 2d Wo. do the same at %% the same Time, then all Hands quite round. %% [CCDM1] %%endtext %%sep 1 8 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man set to the 2. wo. and turn S. then sets to his Partner, the 2. man sets to the 1. wo. and does the %% same: The first part of the tune played twice. Cross over and Figure, the 2. man lead to the wall, and %% back again, the 2. wo. do the same at the same time, then all hands quite round. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: St. Brides %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (193) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - E2 |\ A2ed c2A2 | c2e2 e2fg | a2g2 f2e2 | dcBc dcBc |\ A2ed c2A2 | c2e2 e2fg | a2g2 f3e | e6 :| |: e2 |\ fefg agfe | fedc B2cd | e2fe dcBA | G6 E2 |\ A2cA F2dB | G2ec A2ag | fedc B3A | A6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. go the Hey with the 2d and 3d Cu. and cast %% off into the 2d Cu. Place then Hands quite round with %% the 3d Cu. and cast up to the Top :| The 1st Cu. cross %% the Inside of the 2d Cu. and below the 3d Cu. then %% cross up to the 2d Cu. Place then the 1st Man change %% Places with the 2d Wo. and 1st Wo. with the 2d Man %% then Hands :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: St. Catherine P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.288 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the dance instructions. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - de |\ d2G2 G2A2 | B6 AB | cdcB ABAG | FGA2 A2de |\ d2G2 G2A2 | B6 AB | cB AG FG AF | G6 :|\ AB |\ A2D2 D2E2 | F6 AB | A2D2 G2A2 | B6 Bc | B2B2 e2B2 | c6 cB | ABAG FG AG | G2 E4 Bc |\ B2B2 e2B2 | c6 cB | A2A2 d2A2 | B6 de |\ d2d2 g2d2 | edcB A2d2 | edcB (cB) (AG) | G6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first man and second wo. set and turn single, then he turns her with his right-hand quite %% round, the second man and first wo. do the same :| Fall back with your Partners and cross over, %% then cross over back again, right and left quite round, and lead through the second couple. The %% second Strain played once. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: St David's Day %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (195) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A, |\ D>ED E>FE | F>EF D2d | c2d eBd | c3 A2F |\ D>ED E>FE | F>GF D2d | BdB c/d/ec | d3 D2 :| |: f |\ f>ga agf | g>ab bfg | efg Bcd | c3 A2G |\ F>GA Bcd | F>GA Bcd | E>FG F>ED | D3- D2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The two 1st Men change Places with the two Woman the %% first Couple cast off and change Places again then the %% second Couple cast off :| Hands half round then clap %% Hands with your Partners and turn all four single %% then lead up abreast and cast off :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: St. James's Bason P: Longways for as many as will %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.32 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd part has initial repeat but no final repeat. N: In bar 13, the original has gfg, unlike bar 9 which has geg. M: 6/4 L: 1/4 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ C2C DEF | G2c B2A | A2A Bcd | e2a ^g2e |\ C2C DEF | G2c B2G | cBA GEG | A/B/cE TD2C :| |:\ cg2 geg | B2c dBG | cg2 gfg | c2a ^g2e |\ cg2 gfg | B2c dBG | A/B/cA GEG | A/B/cE TD2C :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ c3 g3 | b2a g3 | f3 d3 | c2A e3 |\ c3 e3 | b2a g3 | e2f e2c | f2d g2c :| |:\ e3 c3 | g3 G3 | e3 c3 | A3 e3 |\ e3 c3 | g3 G3 | f3 c3 | f2d g2c :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center A double Dance %%begintext align %% The 1st Cu. gallop down the middle and up to the Top and cast off .| %% the 2d Cu. do the same :| %% the 1st Man turn the 3d Wo. and 1st Wo. the 2d Man and turn Partners .| %% the 1st Man turn the 2d Wo. and 1st Wo. 3d Man and turn Partners :#: %% the 1st Man and 2d Wo. foot it and turn .| %% 1st Wo. and 2d Man do the same :| %% the 1st Cu. cross over and figure in .| %% then right and left. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: St. Martin's-Lane P: Longways for as many as will %R: march, reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.197 "S 3" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to satisfy the "first Strain played twice" instruction. M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - Bc |\ d2 d2 d2 d2 | e4 c4 | d2 (cB) A2 d2 | B2 G2 G2 Bc |\ d2 d2 d2 d2 | e4 c4 | d4 cB (AB) (AG) | G6 :| ef |\ g2 g2 g2 d2 | e4 c4 | f2 f2 fg fe | d6 ef |\ g2 G2 G2 g2 | f2 F2 F2 fe | d2 e2 c3 B | B6 de |\ f2 f2 f2 f2 | ^f2 f2 f2 f2 | g2 g2 (g3 f/g/) | a2 a2 a2 a2 |\ b2 b^f g2 a2 | ^f6 ga | b2 B2 B2 b2 | a2 A2 A2 a2 |\ g2 G2 G2 g2 | ^f2 g2 g3 ^f | g6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man cast off below the 2. man, then turn the 3. wo. and cast up into his own place; then the 1 wo. cast off %% below the 2. wo. then turn the 3. man and cast up into her own place. This to the first Strain played twice. %% Lead down the 2. cu. then all hands a-breast with the 3. cu. and go the Figure through, then cast up all four hands %% a-breast with the 2. cu. then lead up and go the Figure through the 2. cu. then meet in the 2. cu. place and turn; the %% others do the like. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Subligny's Dance %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (191) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The title has an apostrophe in the index, but not in the tune page. N: There's an odd empty "measure" at the end of the 2nd and 3rd strains, omitted here. M: 6/4 L: 1/4 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - e |\ aga e2e | fed cBA |\ cBA cBA | c2^d e2e |\ aga e2e | fed cBA | cBA def | B2A A2 |][| c |\ dcB cAc | dcB c2f |\ =gfe f^db | =g>fe e2 |][| c | fga gcd | B>cG AFc |\ fga g^ea | g>f^e f2a |\ fga bge | aga b2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Note Each Strain is to be play'd but once over. %%begintext align %% First all four Hands half round then back again into %% their own Places then the 1st Cu. cross over the 2d Cu. %% and so thro the 2d Cu. and cast off into the 2d Cu. %% Places .| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Sulters of Selkerke P: Longways for &c. %R: minuet, waltz B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.44 Z: 2013 John Chambers <jc:trillian.mit.edu> N: This tune has 3- and 6-bar phrases. M: 3/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ Bc d2 e2 | d2 B2 g2 | (ed)(cB)(AG) | Bc d2 e2 |\ d2 B2 g2 | Tf4 A2 | Bc d2 e2 | d2B2g2 |\ (ed)(cB)(AG) | c3 d e2 | d2 B2 g2 | Tf4 A2 :| |:\ g2 G2 B2 | g2 f2 e2 | d2 B2 G2 | g2 G2 B2 |\ {ef}g2 Tf2 e2 | Tf4 A2 | g2 G2 B2 | g2 f2 e2 |\ d2 g2 B2 | c3 e (c/d/)e | d2 B2 g2 | Tf4 A2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ ga b2 c'2 | b2 g2 b2 | c'2 e'2 c'2 | ga b2 c'2 |\ b2 g2 c'2 | d'2 defd | ga b2 c'2 | b2 g2 b2 |\ c'2 e'2 c'2 | a2 f2 d2 | g4 G2 | d6 :| |:\ G4 gf | e2 d2 c2 | B4 c2 | G4 gf |\ e2 d2 c2 | dedcBA | G4 gf | e2 d2 c2 |\ B4 g2 | a2 f2 d2 | g4 G2 | d6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. lead off behind the 2d Cu. and go the figure of 8 till they come to %% their own Places. then 2d Cu cast up, and go the figure till they come in their %% own Places. The two Men take hands and lead thro' and then go about their %% own Partners into their own Places. the 1st Cu. take Hands and lead thro' %% below the 2d Cu. and cast up again. the two We. lead thro between the two %% Men. then the 1st Cu cast below 2d Cu. lead thro' and cast off again. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:20 T: Sunderland Hornpipe M:3/2 L:1/8 C:Ravenscroft S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 N:'superfluous' accidentals are as printe B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:D DEFG ABcAd4 | fgaf e2dcB2A2 | BcdBA2GFG2B2 | egbg edcB AGFE | DEFG ABcAd4 | fgaf e2dcB2A2 | BcdB A2GFE2c2 | dBAG FdEcd4 || ABcd efgaf4 | bagf gefg c2A2 | DEFG AB^cdB4 | egba gfed c2A2 | afdB ^cedc B2A2 | bgec dfedc2A2 | afge fdec dBAG | F2d2E2c2d2 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Swab the Decks N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.3:19 M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: GB- B(d/c/) BdBA | GB- B(d/c/) Bdgd | GB- B(d/c/) BdBG | ecBA G2G,2 :| |: Bddg dgdc | Bddg faAc | Bddg dgdB | ecBA G2G,2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: g2G2 g2d2 | g2G2 g2d2 | g2G2 g2B2 | c2d2 g2G2 :| |: g4 G4 | g4 d2f2 | g4 G2B2 | c2d2 g2G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. foot it to the 2d Man & hands round 3 .| %% the same to the 2d Wo :| %% Gallop down one Cu. up again & cast off .|. %% Right & left at top :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Sweet Kate P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.?? #68 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.64 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ d>cB c>BA | ddd d2B/c/ | d>cB c>BA | BGG G3 |]\ AAA A3 | ccc c3 | ggg g2g | f2d d>ef |\ g>fe f>ed | e>dc d>cB | c>BA d2c | BGG G3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up all a D. forward and back .| That again :| ## %% Sett your right Foot to your Wo's, then your left, clap %% your Wo. on her right Hand, then on the left, wind your %% Hands and hold up your Finger, wind your Hands again and %% hold up another Finger of the other Hand, then turn S .| %% All this again :| %%endtext %%sep 1 1 300 %%begintext align %% Sides all .| That again :| ## As before :| %%endtext %%sep 1 1 300 %%begintext align %% Arms all .| That again :| ## As before :| %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% Lead up all a D. forward and back .| That again :| %% ## %% Set your right foot to your woman's, then your left, clap your wo. %% on her right-hand, then on the left, wind your hands and hold up %% your finger, wind your hands again and hold up another finger %% of the other hand, and then turn S .| All this again :| %%endtext %%sep 1 1 300 %%begintext align %% Sides all. That again :| %% ## %% As before :| %%endtext %%sep 1 1 300 %%begintext align %% Arms all .| That again :| %% ## %% As before :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Swines Tale to Georgia P: Longways &c. %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.97 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. N: The 1st dance phrase ends with an unusual symbol, 2 dot arranged vertically over a horizontal line. M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 has 4/8/12-bar staff lines. V: 1 |:\ A3B A2F2 | E2F2 G2E2 | D2A2 A2B2 | d3e f2d2 |\ e2c2 d2F2 | E2F2 G2E2 | D2A2 A2G2 | F4 D4 :|\ |:\ a3b a2f2 | e2f2 g2e2 | d/e/f/g/ a4 g2 | f2d2 a2f2 | g2ag f2gf | e2f2 g2e2 | d/e/f/g/ a4 g2 | f4 d4 :|\ |:\ DDD2 A2F2 | EEE2 G2E2 | DDD2 A3B | ddd2 f2d2 |\ e2c2 d2F2 | E3F G2E2 | D2A2 A2G2 | F4 D4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff breaks. V: 2 clef=bass middle=d |:\ d4 z2d2 | A4 B2c2 | d4 z2g2 | f2e2 c2A2 |\ c2A2 B2d2 | F2G2 A2F2 | d4 z2g2 | d'4 d4 :|\ |:\ d4 z2d2 | A4 B2c2 | d4 c4 | d4 z2d2 | e4 d4 | A4 B2c2 | d4 a4 | d'4 d4 :|\ |:\ d4 z2c2 | A4 B2c2 | d4 z2g2 | f4 c2B2 |\ c2A2 B2d2 | G2A2 B2G2 | d4 z2a2 | d'4 d4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% First Cu. cross over & hands all 4 round with 3d Cu. and cast up ..| %% Then 1st & 2d Cu. hands round & Back to Back & turn :| %% 1st Cu. cross over & half figure with 2d Cu. & turn .| %% 2d Cu. cross over & half figure with 1st Cu. and turn :| %% 1st Cu. Jigg it & cast up and Jigg it & cast off .| %% the Right & Left with the 2d Cu. quite round, & turn your Partner :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Take my Bitt %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #18 (10) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats adjusted to satisfy the "Each Strain twice" instruction. M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ DEFG A2F2 | B2E2 G2B2 | DEFG A2F2 | B2G2 A2F2 |\ G2B2 F2A2 | E2C2 C2E2 | fgaf efge | d2A2 F2A2 :| |:\ f2d2 fgaf | e2c2 efge | f2d2 fgaf | f2d2 fgaf |\ g2b2 f2a2 | e2c2 efge | fgaf efge | d2A2 F2A2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% The 1st Cu. Back to Back with the 2d Cu. and turn %% Partners .| the 1st Cu. turn the 2d Cu. and turn their own .| %% Meet set all four and turn single, and clap Hands all %% four round .| the 1st Cu. go the Figure thro the 2d Cu. %% and cast off, and turn their own Partners :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Take not a Woman's Anger ill, For if one won't, another will. P: Longways for as many as will %R: ree. B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.201 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to satisfy the "first Strain played twice" instruction. The rhythms aren't right at the ends of the straints. N: The time signature is just "2". But the beaming is for quarter-notes, not half-notes. N: The first strain has 7 bars. M: 2/2 L: 1/8 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ f2ed c2d2 | (ed) (cB) c2 (BA) | B2(BG) F2B2 | G2(FE) D2d2 |\ B2(AG) c4 | (F2GA) (BA) (GF) | F8 :| A2 | c2(BA) (Bcd2) | (GA)B2 G2z2 | e2z2 f2(ed) | (c=B)c2 (cde2) | c2cd e2dc | d2(cB) (AB)c2 |\ F2z2 (def2) | B2z2 (Bcd2) | G2A2 B2AG | F2B2 (Bcd2) | B6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man take hands with the 2. man and turn quite round, and meet the 2. wo. one step back, %% turn his own wo. round by the left-hand and fall back into his own place; then 1. man turn the 2. wo. %% quite round by the left-hand and meet the 2. man one step back, then turn her Partner by the right-hand %% into her own place. This ends the first Strain played twice. %% Then both cu. meet lead out, and turn S. then 1. cu. slip down the middle and up again, then hands %% round into the 2. cu. place; then both cu. meet, lead out, and turn S. then 2. cu. slip down and back %% again; then both hands round, and the 1. cu. set in the 2. cu. place. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Taylors Tripp P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.312 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - [| A2e2 f2ef | d2ef gfed | b2g2 a2ga | bagf e2fg | agfe d2c2 | =B2e2 ^c2de | e4 d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Arms round all four; the 1. cu. cast off, the 1. man sets to the 2. wo. and turn single .| The 2. man and %% 1. wo. the same :| The 2. we. lead between the 2. men, and cast off into their own places, the 1. cu. %% leads up, then the 2. cu. and cast off, then right and left half round, set and cast off. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Temple P: Longways for as many as will %R: march, reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.113 #163 (225) Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ d2 e2 | f>g fe | de f(e/d/) | eA AA |\ d2 e2 | f>g fe | d/e/d/e/ e>d | d4 |] [|\ f2 g2 | a>b af | fd dA | dA FD |\ f2 g2 | a>b ag | fd d(g/f/) | d4 |] [|\ d2 e2 | f>g fe | de f(e/d/) | eA AA |\ d2 e2 | f>g fe | d/e/d/e/ e>d | d4 |] [|\ AF/G/ Ad | AF/G/ Ad | AF/G/ Ad | c2- c2 |\ ec/d/ ea | ec/d/ ea | e(d/c/) B>A | A4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. figure thro' the 2d Cu. and turn Hands above .| The 2d Cu. %% do the same .| The 1st Man turn the 2d Wo. .| The 1st Wo. the 2d Man %% :| Then cross over and go the Figure thro' the 2d Cu. being in the 1st %% Cu. Place, meet and sett, and cast off ; then 1st Cu. cast off and begin again. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Temple P: Longways for as many as will %R: march, reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.274 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ d2 e2 | f>g fe | d>e e>d | eA FA |\ d2 e2 | f>g fe | d/e/d/e/ e>d | d4 |] [|\ f2 g2 | a>b af | fd dA | dA/G/ FD |\ f2 g2 | a>b ag | fd d(g/f/) | d4 |] [|\ d2 e2 | f>g fe | d>e e>d | eA FA |\ d2 e2 | f>g fe | d/e/d/e/ e>d | d4 |] [|\ AF/G/ Ad | AF/G/ Ad | AF/G/ Ad | c2- c2 |\ ec/d/ ea | ec/d/ ea | e(d/c/) B>A | A4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu Figure through the 2. cu. and turn hands above .| The 2. cu. does the same :| The 1. man %% turns the 2. wo. .| And the 1. wo. the 2. man. :| Then cross over and go the Figure through the 2. cu. %% the 2. cu. being in the 1. cu place, meet and set and cast off, then the 1. cu. cast off and begin again. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Temple Change P: Longways for as many as will %R: ? B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.101 #139 (201) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.232 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - F2 |\ A4f2 dc BAGF | E2G2G2 G4B2 | A2c2f2 d2g2e2 | d4c2 c4 |] g2 |\ agfedc fedcBA | BcdcBA G4B2 | A2c2f2 d2g2a2 | bagfed d4c2 |\ f2g2a2 g2a2b2 | a2bagf gfedc2 | f2edcB A2f2A2 | G2g2e2 f4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% All four Hands half round and turn single .| Then Hands half round %% again to the same :| The 1st Man and 2d Wo. change Places, the 1st Wo. %% and 2d Man do the same; then all four Hands half round, then the 1st %% Cu. cast off, the 2s proper. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% All four hands half round and turn single :| Then hands half round again to the same .| %% The 1. man and 2. woman change places, the 1. woman and 2 man do the same; then all four %% hands half round, then 1. couple cast off, the 2. proper. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Ten Pound Lass P: Longways for Eight thus. %R: march, reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.14 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/4 K: Gdor % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ AA d2 | ^F>G Ac | BG GA | Bc/B/ AG |][|\ AA f>f | ef gf/e/ | dd ga | bc'/b/ ag |\ ff f2 | ^F>G A>c | BG GA | Bc/B/ AG |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Back all a D. meet again .| %% Lead up forward and Back :| %% %% Go all to the left and cross the Room, then change all places with %% your own .| All that again, to your places :| %%endtext %%sep 1 1 300 %%begintext align %% Sides all ._ That again :| %% %% First and last cu. meet, take hands and go round while the other %% go back, the 2. cu. slip up and the 3. down, set and turn S.| All %% this again, to your places. %%endtext %%sep 1 1 300 %%begintext align %% Arms all .| That again :| %% %% Meet all and change places, then hands all on each side, hands and %% go half round .| All that again :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Three Sheep Skins P: Longways for as many as will %R: march B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.?? #16 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.47 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [| G2 B>c | d2 B2 | c2 A2 | d2 A2 ][ BG GB | AG GB | AG FE | F2 D2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first Couple take Hands and sett twice %% to the second Man, and then go the Hey 'till %% they come into their own Places again. The %% Tune twice over. %% The first Couple do the same to the second %% Woman; then all four Hands a-breast, go the %% Figure through in the second Couple's Place; %% the same as before. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% The 1. cu. take hands and set twice to the 2. man, and then go the Hey till they come into their %% own places again. The Tune thorow twice. %% The First Couple do the same to the second Woman, then all four hands a-breast, go the Figure %% thorow in the second couple Place, the same as before. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Tit for Tat P: Longways for as many as will %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.68 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #7 (13) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd phrase has a begin repeat but no end repeat. N: Repeats added to satisfy the "Each Strain twice" instruction. N: The D.C. at the end seems superfluous; the dance seems to be 32 bars long. N: Perhaps the tune was meant to be played AABA? Or maybe the dance should end in the middle? N: The tied notes are single 3-count notes in CCDTB, two notes in CCDM2. N: The first halves of the dances are different; the second halves are the same. M: 6/8 L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 c2c |\ G2G ABA | G3 c2-c | d2e f2e | d2c c2c |\ G2G ABA | G2-G c2c | ded e2d | Hc3 :| |: efg |\ g3 efg | g3 efg | a2g f2e | d2c efg |\ g3 efg | g3 efg | a2g f2e | d3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d c3 |\ e3 f3 | e2c zzc | g2e d2c | g2c zzc |\ e3 f3 | e2c e3 | f3 g3 | c3 :| |:\ zzc' |\ b2g zzc' | b2g zze | f2e d2c | g2c zzc' |\ b2g zzc' | b2g c2e | f2e d2c | g3 "^D.C.":| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice. %%begintext align %% The first Man sett to the 2d Wo. & clap Hands & turn, then foot it & knee it %% the 1st Man cast off below the 2d Cu. .| %% The 1st Wo. & 2d Man do the same, then first Wo. cast off below the 2d Wo :| %% the 1st Cu. go Hands across quite round with the 3d Cu. %% then lead up round the 2d Cu. into the 2d Cu. Place .| %% Then Right and Left with the 2d Cu. & turn Partners :| %% [CCDTB] %%endtext %%sep 1 1 500 %%begintext align %% First Cu dance through the 2d Cu and cast off .| %% 1st Wo. and 2d Man do the same then 1st Wo. cast off below the 2d Wo :| %% 1st Cu. go Hands across quite round with the 3d Cu. Then lead up round the 2d Cu. into the 2d Cu. Place .| %% Then Right and left with the 2d Cu. and turn Partners :| %% [CCDM2] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Tod's Assembly P: Longways for as many as will %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.83 Z: 2013 John Chambers <jc:trillian.mit.edu> N: 2nd part has initial repeat but no final repeat. M: 6/4 L: 1/4 K: Fdor % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 c |\ AFa g2=e | fcd c2B | (AG)F (dc)B | (AG)F =E2c |\ AFd B2G | ECc A2F | DB,B AGF | F3- F2 :| |: c |\ cB=A cec | dB=A B2B | BG_A BdB | cAG A2c |\ dcB AGF | =EGB dfa | cBA GF=E | F3- F2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ z3 zzc' | afb a2g | f2A Bcd | c2F c2z |\ f2B d2z | c2A d2z | B3 c3 | f3 F2 :| |: z |\ zzf =A3 | B2f dfd | e2f g3 | a2e cBA |\ B3 c2d | c3 z3 | AGF c3 | F3- F2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Man sett to the 2d Wo. & turn single, then turn her .| %% the 2d Man do the same :| %% cross over & figure thro' 1st Cu. Right & left quite round .| %% lead thro' 3d Cu. and thro' 2d Cu. then cast off & turn four Partners :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Tom jolly %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (75) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. N: What's a "jing boy"? M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ d2dd d2f2 | d4 A4 | f2ed e2e2 | f2ed e3e |\ f^gab ^g3a | a4 a4 :| |:\ g2gg g2b2 | g4 e4 | f3e defg | e4 A4 |\ d2cd e2de | f2ef g2fg | a3b agfg | e4 d4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% First Cu. clap their own Hands first, then shake right %% Hands with one another, the Man leading the Wo. round %% him into his own Place, then both cast off .| The 2d Cu. %% do the same :| Now all being improper right and left %% beginning sideways till they come proper then 1st Cu. %% cast off and turn single .| All four jing boys turn %% single lead thro the Top cast and turn Partners :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Touch and go P: Longways for as many as will %R: march, reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.277 "B b" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the dance instructions. M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ e4 d4 | c2 e4 f2 | g2fe d2c2 | B2 d4 e2 |\ c4 B4 | A2 d4 cB | A2G2 G3^F | G8 :|\ d4 c4 | B2 e4 dc | B2A2 A3^G | A2 a4 gf |\ e4 d4 | c2 c'4 g2 | a2(gf) e3d | d6 f2 |\ e3f g2c2 | f2 a4 d2 | e4 c2BA | B2 d4 g2 |\ e2(dc) d2B2 | c4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First man and 2d. man fall back and turn Single, and cross over into the women's places, and the we. %% do the same at the same time, then all do the same again .:| Then 1st. man turns the 2d. wo. with the %% right-hand once round, and goes round his own Partner and falls below the 2d. couple in the middle, %% the 1. wo. turns the 2d. man and falls above the 2d. couple in the middle, then the 1st. man and 1. %% wo. goes the whole Figure and falls below the 2d. couple; The last Strain but once. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:2 T: Tower Waits Hornpipe M:3/2 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:Gm g4bag^fg4 | edcB AGFE DCB,A, | B4GFEDE2G2 | cded cABc ^F2D2 | g4bag^fg4 | edcB AGFE DCB,A, | B,2G2A,2G2G,2^F2 | GEDC B,GA,^FG,4 || f4dBcA BFGE | E2C2E2G2c4 | g4ecdB cABG | ^F2D2F2A2d4 | d2b2BAGFE2C2 | c2a2AGFED2B,2 | G,2g2^fdec dAB^F | GEDC B,GA,^FG,4 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Tray Ace %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (60) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ A4 c4 | d4 f4 | e2d2 c2d2 | edcB c2B2 |\ A4 c4 | d4 b4 | agf2 gfe2 | d8 :| |:\ F2A2 d4 | F2A2 d4 | F2A2 E2A2 | F2A2 A,2A2 |\ F2A2 d4 | F2A2 d2B2 | F2F2 G2E2 | D8 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. whole figure round the 2d Cu .| then sett all %% four and turn single and back to back Partners :| The 1st %% Cu. clap hands 2d Cu. do the same at the same time %% then all four clap sides and 1st Cu. cast off .| Then right %% and left quite round with the 3d Cu. and turn your %% Partner the Tune out. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Trenchmore P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.149 #200 (298) S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.44 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - G |\ F2G A2B | A2G AFD | G>AB B>AB | B>AB B>AG |\ F2G A2B | A2G AFD | G>AB B>AB | B>cd B>AG |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lean up all a D. forward and back .:| Cast off, meet below %% and come up, do so .:| First Cu. go down under the 2d Cu. %% Arms, the 3d Cu. come up under the 1st. Do this forward %% and back :| or .:| %%endtext %%sep 1 1 300 %%begintext align %% First Man sett to the 2d Wo. then to his own, then to the 3d %% Wo. then to his own, then to the 4d Wo. then to his own, %% and so to all the We. and Men. then your Wo. do the same %% then arm then as you sett to them, arming your own, %% then your Wo. do the same. %%endtext %%sep 1 1 300 %%begintext align %% Lead up again, then turn your Wo. with your right %% Hand, and the 2d Wo. with your left your Wo. falling as you %% turn 'till you come to your Place; then your Wo. do the %% same, you following her, the rest doing these Changes. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% Lead up all a D. forward and back .:| Cast off, meet below and come up, do so .:| First cu. go down %% under the 2. cu. arms, the 3. cu. come up under the first. Do this forward and back :| or .:| %%endtext %%sep 1 1 300 %%begintext align %% First man set to the second wo. then to his own, then to the third wo. then to his own, then to the %% fourth wo. then to his own, and so all the women and men, then your wo. do the same; then %% arm them as you set to them, arming your own, then your wo. as much. %%endtext %%sep 1 1 300 %%begintext align %% Lead up again, then turn your woman with your right-hand, and the second woman with your left, %% your woman falling as you turn till you come to your place, then your woman do the same, you %% following her, the rest doing these Changes. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: A Trip to Bath P: Longways for as many as will %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.84 Z: 2013 John Chambers <jc:trillian.mit.edu> N: 2nd part has initial repeat but no final repeat. M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 G/A/ |\ B>cd gdc | B2G G2B | cde Aag | f2d d2f |\ gdB ecA | afd bag | fga dgf | g2G G2 :| |: B |\ ceg gec | Bdg gdB | cBc Aag | f2d d2c |\ Bdg cea | dfb bag | dcB Aaf | g2G G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d G |\ g2d B2A | G3 B3 | A3 ^c3 | d3 c3 |\ B3 c3 d3 G3 | d3 D3 | G3- G2 :| |: g |\ e3 c3 | g3 B3 | A3 ^c3 | d3 f3 |\ g3 a3 | b3 g3 | BAG d3 | G3- G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st and 2d Cu. clasp Hands, then loose and Back to Back & turn, .| %% then the Men hey on the We. side, and the We. after on the Mans side :| %% then the three 1st Cu. take hands and go round and turn S .| %% then Right and Left cast off and turn :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Trip to Birmingham N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.64 #324 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:64 #324 N: The 2nd part has a begin-repeat but no end-repeat. M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 B/c/ |\ d2A FED | BGB A2d | cde fed | e3 e2d/e/ |\ fdf ece | dBd cBA | ^GAB EA^G | A3 A2 :| |: A/B/ |\ cde ecA | Bdc dAF | BGB AFD | E3 E2F/G/ |\ AFA BGB | cAc dcB | Agf edc | d3 d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ d2e f2d | g3 f2d | a3 d'3 | a2b c'2a |\ d'3 a3 | b3 a2d | e3 E3 | a3 A2 :| |: z |\ a3 g3 | f3 d3 | g3 d3 | a2g f2e |\ d3 g3 | a2g f2g | a3 A3 | d3 D2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Hands round with the 1st Cu. cast off and hands round with the 3d Cu. %% gallop up, foot, cast off, lead down, foot, cast up and turn. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:4 T: A Trip to Bow fair, a Hornpipe M:3/2 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:Gm B,4CDEF GABc | d2B4FE D2B,2 | C4 DEFG ABcd | e2 c4GB A2F2 | B,4CDEF GABc | d2B4FE D2B,2 | Bgfe dcBd cBAG | FEDC B,CDA, B,4 || f3e defe dcBA | B2F2_AcBA GEDE | g3f efgf edc=B | c2G2_BdcB AF=EF | f3e defe dcBA | B2F2_AcBA GEDC | DFB2CEA2B,DGF | EDCB, A,B,CA, B,4 || Bdfb fdBd f_agf | g2e4cdA2F2 | BABc dcBA GFED | CB,CD EFGB,A,4 | Bdfb fdBd f_agf | g2e4cda2f2 | GBAc Bdfb fdBG | AFGD ECDA,B,4 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: A Trip to Bury P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.330 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the dance instructions. N: The 2nd bar has a half-beat missing; fixed by making it like several other versions that are identical except for that bar. N: The actual 2nd bar of this tune in DMDfD in abc is: | G2 C3 C c| M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - c |\ (AB) (cA) (dc) (AF) | G2 C2 C3 c |\ (AB) (cA) f3 c | A2 F2 F3 :|\ f/g/ |\ agfe fc fg | agab g3 f | ef gc de fA | Bc dG E3 C |\ FG AF BG cA | (d/e/f) (cA) G3 A |\ B2 (B/c/d) c3 B | A2 F2 F3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. cross over below the 2. cu. and go back to back .| The 2. cu. do the same L| The two men %% being in the we. places, take hands and fall back, the we. the same at the same time, then all four meet %% and turn backs, and half round, then right-hands a-cross half round, then left-hands a-cross, the other %% half round, then 1. cu. do the Figure of 8. then Right and Left till you come in your own places. The %% second Strain once. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: A Trip to Georgia %R: waltz B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (92) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to match the dance instructions. M: 3/4 L: 1/4 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - C |\ EGG | GcB | AFF | F2c |\ FcF | EcE | C_BA | G2c |\ AFF | Acc | ECE/F/ | G2c | FdF | ECc | ECC | C2 |]\ |: e |\ dag | ecc | Fde | f2g |\ cac | BGg | BGB | c2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st and 2d Cu. foots it then clap hands foot it again %% clap as before the 1st Cu. cast off .| the 1st Cu. cast up %% again then cast down to the Bottom and turn .| then cast %% up at top and cast in the 2d Cu. place and turn :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Trip to Hereford N: Pub: J. Walsh, London, 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.89 #349 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:89 #349 Z: 2012 John Chambers <jc:trillian.mit.edu> N: The 2nd part has a begin-repeat but no end-repeat. M: 2/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: cBAG | GFG2 | AGcB | A2G2 | cBAG | FAD2 | AGcB | A2G2 :|\ |: B/c/dd2 | edd2 | edgf | e2d2 | cBAG | FAD2 | AGcB | A2G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: g2g2 | g2g2 | g2g2 | g2g2 | g2g2 | d2d2 | d2d2 | d2g2 :| |: g2g2 | g2g2 | g2g2 | g2g2 | g2g2 | d2d2 | d2d2 | d2g2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Foot it 3 and turn .|. %% Foot it 3 to the Wo. and turn :|: %% Gallop down, up again, cast off .|. %% Right and Left :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: A Trip to Islington %R: march, reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (153) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - d2 |\ g2g2 g2d2 | e2dc B2d2 | B2A2 G2B2 | FGFE D2d2 |\ g2g2 g2d2 | e2dc B2A2 | B2d2 d3^c | d6 :|\ |: d2 |\ A2AB A2d2 | B3A G2d2 | e2f2 g2fe | ^d3^c B2a2 |\ b2(ag) f3e | e4 e2ef | g2g2 g2gf | e2e2 e2fg |\ a2a2 a2ag | f3e d2g2 | d2cB A3G | G6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Man cast off and the Wo. go thro the 2d Cu. and %% cast up and cross over the 1st Man going the half Figure %% at the same Time being in the 2d Cu. Place .| The 1st Wo. %% casts off going the half Figure the 1st Man casts up and cross %% over which brings them both into the 3d Cu. Place .| Then %% they both cast up into the 2d Cu Place and setting all six %% together then Hey on both sides .| then lead thro at the %% Top and thro at the Bottom and cast up and turn :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: A Trip to Jamaica N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.67 #327 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:67 #327 M: 12/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: dAA TFEF Gee Te3 | dcd efg faf Te3 | dAA TFEF Gee Te3 | dfd ege faf Td3 :| |: bgg fge bgg fge | fag fed ced cBA | bgg fge bgg fge | fad egc dAF D3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: d3 d3 A3 A3 | d3 A3 d3 A3 | d3 d3 A3 A3 | d3 A3 D3 D3 :| |: g3 a3 g3 a3 | d3 d3 A3 a3 | g3 a3 g3 a3 | d3 A3 d3 D3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Man turn his Partner, then both cast off and take hands round .| %% the 2d do the same :| %% Then the 1st Cu. cross over and go the figure of 8 between the 2d Cu. into the 2d Cu.s Place .| %% then Right and Left with the 2d Cu. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: A Trip to Kew N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.2:12 M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: G2G>B d>eg>d | e>dg>d Te>de>g | G2G>B d>eg>d | e/f/g dB TA>G E2 :| |: g>ab>g a>eg>d | B>d-d>e =f>ge>d | g>a (b/a/g) (a/g/e) g>d | e/f/g dB TA>G E2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: g2G2 g2B2 | c2B2 c2G2 | g2G2 g2B2 | c2d2 e2E2 :| |: g2G2 c2B2 | g2G2 d2G2 | g2G2 c2B2 | c2d2 e2E2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Cast off two Cu. .| %% cast up again, cross over two cu. .|. %% Lead up to the top foot it and cast off :|: %% Foot it corners and turn .|. %% Lead outsides and turn :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: A Trip to Killburn %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (123) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ d2g2 e2g2 | BAG2 F2ED | GBAc Bdce | dBcA B2G2 |\ d2g2 e2g2 | a2gf e2a2 | gfed ^ceA^c | dFE^c d2D2 :| |:\ dABc B3d | eg fe d3B | cABG FAGB | gfe^d e3e |\ dBcA BdGB | cEFG F2D2 | GECE AFDF | GB,A,F G2G,2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% First Cu. cast off and Hands round with the 3d Cu. %% and lead thro the 3d Cu. .| Hands round with the 2d %% Cu. and lead thro the 2d Cu :| Hands all six quite round %% and stand in the 2d Cu. Place .| Then right and left %% quite round with the 2d Cu. and turn your Partner :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: A Trip to Marrow-bone P: Longways for as many as will %R: slip-jig B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.7 #13 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> N: 2nd part has initial repeat but no final repeat. M: 9/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ A2B cBA BAG | ^FAA A2G ^FED | BAB cBc d2D | DGG G2A BAG :|\ |:\ f2f fgf =e2d | cAB A2G ^F>ED | g2g g>ag ^f2d | dgg g2a bag |\ f2f f>gf =e2d | cAB A2G ^F>ED | BAB cBc d2D | DGG G2A BAG :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. cast off, and leads through the 3d Cu. .| Then %% the 1st Cu. cast up, and lead through the 2d Cu. :| the 1st %% Cu. cross over and half figure through the 2d, and then %% dubble figure through the 3d Cu. .| The 1st Cu. Right and %% Left quite round with the 2d Cu. and turn in the 2d Cu. %% Place. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: A Trip to Nottingham %R: triple hornpipe, slip-jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #20 (34) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 9/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ g2a bag ag^f | gd2- d2b a2g | fed cBA Bcd | ^FD2- D2B A2G :| |: dcB cBA BAG | ^FA2 B2c def | gab fed c>BA | B>cd (^FD)B A2G :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% All four Hands half round the 1st Cu. turn sides with %% the 3d Cu. .| Then cast up to the Top and change Places %% with your Partners :| The 1st Cu. go in and out below %% the 3d Cu. .| Then lead up to the Top and cast off :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: A Trip to Rookby Park N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.3:16 M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: a>gf>e d/e/f/g/ a2 | AcBd ced2 | dfeg f^gab | eba^g a4 :| |: a>gf>e ^dfef | ge=dc defA | Bgfe dbag | fedc d2D2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: d'2a2 d2f2 | a2e2 A2d2 | d'2a2 d'2b2 | e'2e2 a2A2 :| |: f2a2 b2^d2 | e2g2 f2d2 | g2e2 f2g2 | a2A2 d4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st & 2d Cu. foot it all four Right & Left half round .| %% foot it to the same back again :| %% Gallop down one Cu. up again & cast off .|. %% Right hand and left :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: A Trip to Short's P: Longways for as many as will %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.58 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 D |\ G2A BAG | d2c Bcd | e2E d2D | cAD B2c |\ dcB edc | fed gfe | d^cd AGA | D3- D2 |] d |\ dcB cBA | e2E E2B | cde EFG | ABc F2A |\ d2c Bcd | efg f2e | gdg A2G | G3- G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z | G3 g3 | f3 g3 | c3 B2G | F3 G2A |\ B3 c3 | d3 e3 | a2b a2A | d3- d2 |] z |\ G3 A2B | c3 ^G3 | A3- A2B | c2A d2e |\ f3 g3 | c2A d2c | B2e d2D | G3- G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. gallop down the Middle and up to the top and cast off & turn .| %% then the 2d Cu. do the same :| %% then the 1st Cu. cross over and half figure & turn .| %% then Right Hands and Left. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: A Trip to the Jubile, as 'tis Danc'd at the Play-House P: Longways for as many as will %R: slip-jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.289 "C c" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to satisfy the dance instructions. M: 9/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - D |:\ FA2- A2B AFD | GB2- Bcd E2E |\ FA2- A2B AFd | GB2 =c2B AFD :|\ Ad2- d>e f/e/ d2D | FAB AdF E2d | ce2- e>f g/f/ e2E | G>A B/c/ d2e fed |\ BG2 B/c/de dBG | AF2 A>BA E>F G/A/ |\ B3 A3 d3 | F2G A2B AFD |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First cu. slip over and turn single, lead up side-ways; the 2. cu. cross over at the 2d. Barr of the Tune, %% and lead up sides and back again; then slip side ways and turn single, and turn your wo. in their places; %% then lead your Partner up, and the 1. cu. cast off, and then they lead up and cast off, and each take your %% wo. with both hands and turn them round, and slip back to back, the 1. cu. cast off. Last Strain once. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: A Trip to the Lawndry P: Longways for as many as will. %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.12 S: 3: "Caledonian Country Dances" printed by John Walsh for John Johnson, London p.20 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: A2c2 B2d2 | c2e2 B2d2 | (dc)(BA) G2B2 | d2 TB6 |\ A2c2 B2d2 | c2e2 B2d2 | dc``BA G2B2 | c2 TA6 :| |: e2a2 (ag)(fe) | (fe)(dc) (dc)(BA) | e2a2 Tg2f2 | gab2 e4 |\ e2a2 (ag)(fe) | (fe)(dc) (dc)(BA) | cecA BdBG | c2 TA6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: a4 e4 | a4 g4 | a4 e4 | e2ef g2e2 |\ a4 e4 | a4 g4 | a2d2 e2E2 | A8 :| |: c2A2 B2c2 | d2f2 a2d2 | c2A2 B2d2 | e6 d2 |\ c2A2 B2c2 | d2f2 a2d2 | e4 E4 | A8 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Right hands, sideways, half round, set and turn single .| %% First Cu. lead thro' the 3d Cu. and Right Hands again :| %% Hey on the contrary sides and turn Partners .| %% Hey on your own sides and cast off :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: A Trip to the Lawndry P: Longways for as many as will. %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.3 #9 Z: 2013 John Chambers <jc:trillian.mit.edu> N: 2nd part has initial repeat but no final repeat; fixed to match the dance. M: 2/4 L: 1/16 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: (A2c2) (B2d2) | (c2e2) (B2d2) | c2(BA) G2B2 | d2B2 B4 |\ (A2c2) (B2d2) | (c2e2) (B2d2) | c2`BA E2A2 | c2A2 A4 :| |: e2a2 agfe | fedc dcBA | e2a2 g2f2 | g2ab e4 |\ e2a2 agfe | fedc dcBA | cecA BdBG | c2A2 A4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man sets to the 2d Wo. and turns her .| First Wo. %% does the same with the 2d Man :| First Cu. cross over and %% half figure at Top .| First and 2d Cu. Right and Left quite %% round :#: The 1st Man turns the 3d Wo. his Partner turns %% the 2d Man at the same Time, then each other with your %% left Hands .| Then do the same at the other Corner :| The %% 1st Cu. leads through the 2d and 3d Wo. and turn in the 2d %% Cu. Place .| Then lead through the 2d and 3d Men and turn %% again. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: A Trip to the Nunr'y N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.3:13 M: C L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: Gedc TB3A | Ggfe d3d |\ ecBA dBAG | ecdB A4 :|\ |: AGFE DEFG | ABcA B4 | edcB AGAB | efga f4 |\ dgdB cecA BdBG A4 |\ GcBA Ggfe | dcBA G4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: g4 G2d2 | e2dc B2b2 | c'4 b4 | c'2g2 d2D2 :| |: d2D2 d2de | f2d2 g2G2 | c'bag d4 | c2A2 d2D2 | b2g2 a2f2 | g2G2 d4 | e2dc Bedc | d2D2 G4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First & 2d Cu. foot it & Right & Left half round .| %% the same back again :| %% cross over two Cu. lead up to the top & cast off .| %% hands round four with the 3d Cu. Right & Left at top :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: A Trip to Wimbleton %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (58) Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - fg |\ a2f2 c2f2 | f4 A4 | BcdB GABG | ABAG F2fg |\ a2f2 b2a2 | g4 f4 | efg2 G2=B2 | c6 :| |: cB |\ A2c2 f2c2 | d4 c4 | Bcd2 g2b2 | e4 c4 |\ a2 f4 d2 | b2 g4 f2 | efg2 c2e2 | f6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Man cast off below the 2d Man the 2d Wo. cast %% up at the same time and turn 2d Man .| then 1st Wo. %% and 2d Man do the same :| the 1st Man change place with %% the 2d Wo. and the 1st Wo. with the 2d Man and follow %% quite round and cast off .| then lead through 3d Cu. %% right and left quite round with the 3d Cu. and turn %% Partners :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Tumas I cannot T: Tom Trusty %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (135) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. N: The first strain has 4 bars, and the second has 10 bars. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - D |\ F2G A2F | BcA d2c/B/ |\ AGF E2D | Dd2- d2 :|\ |: d |\ c2d e2c | d>ec B2A | c2d e2E | G>AF E2D |\ c2d e2c | d>ec B2A |\ AGF E2D | DdD DdB |\ AGF E2D | Dd2 d2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. cast off .| Then cast up again :| Cross over %% and go the figure thro the 2d Cu. .| Then lead thro %% the 3d Cu. and cast up and turn Hands :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Tunbridge Beauties %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (117) Z: 2013 John Chambers <jc:trillian.mit.edu> N: There's a full beat (half note) missing at the end of the first strain. M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ g4 d3e | dcBA G2A2 | B3B c2d2 | e2dc d2=e^f |\ g4 d3e | dcBA G2A2 | B2 (B/c/d) (cB) (AG) | G4 |] [|\ b4 f3g | fedc B2d2 | f4 c3d | cB AG F2A2 |\ B2BG c2d2 | e2dc d2g^f | g2ga a3g | g8 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man setts to his own then crosses over with the 2d Wo. then %% the 1st Man and 2d We. sett and cross over and change Places then %% the 1st and 2d Men take Hands and lead between the 1st and 2d We. %% and come into their Places again then all four clap and take hands %% and go half round into their own Places again then the 1st and 2d %% We. take hands and lead between the 1st and 2d Men into their own %% Places again then all four clap and take hands and go half round %% into their own places again the rest doing the same. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Tunbridge Frisk P: Longways for as many as will %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.89 Z: 2013 John Chambers <jc:trillian.mit.edu> N: 2nd part has initial repeat but no final repeat. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 D2 |\ G4 G2B2 | AGAB A2c2 | B2g2 A2G2 | AGFE D2D2 |\ G4 G2B2 | AGAB A2g2 | f2ed e2^c2 | d6 :| |: A2 |\ d4 g2c2 | B4 g2B2 | A2c2 B2G2 | AGFE D2A2 |\ BABc B2B2 | cBcd c2g2 | B2AG D2F2 | G6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z2 |\ G4 b2g2 | f4 d4 | g4 f2e2 | d4 dcBA |\ B4 b2g2 | f2d2 ^c2a2 | d2g2 a2A2 | d6 :| |: z2 |\ b6 a2 | g6 g2 | f4 g4 | d8 |\ g2G2 z4 | a2A2 z4 | g2c2 d2D2 | d6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First & 2d Cu. foot it & turn, then 1st & 2d Man foot it & turn, the two %% We. do the same, then 1st Man cast off two Cu. & 1st Wo. cast off one %% Cu. & cast up again, then foot it & turn in the 2d Cu. Place. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Tunbridge Rocks %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 #6 (4) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: 6/8 L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ CFF FFF | FAA AAc | ccf faf | ecc c3 |\ dBB BdB | cAA AcA | BGG GBG | ECC C3 :| |:\ CEE EGG GBB B3 | Bee egb | acc c2_e |\ dBd B,2d | cBc A,2c | BGB AFc | AFF F3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain twice %%begintext align %% The 1st Cu. cast off and turn half round, then lead thro the 3d Cu. and cast up .| %% then cross up to the top and turn Single :| %% then 1st and 2d Cu. go the whole Hey, then 1st Cu. cast off and turn in the 2d Cu. Place .| %% then 1st Man go the whole Hey with the 3d Cu. the 1st Wo. do the same at the same time with the 2d Cu. %% then meet in the 2d Place and turn single proper :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Tunbridge Walks P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.82 #112 (106) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.343 "G g 4" Z: 2013 John Chambers <jc:trillian.mit.edu> N: The tune versions differ only in bar 10. The dances are identical, but the descriptions are worded somewhat differently. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A |\ FDB A2d | c3 ABc |\ dcB AFD | E3- E2A |\ FDB A2d | c3 ABc |\ dAd c/d/ec | d3 D2 |] E |\ CA,E A2G | "^*)"FDF B2c & FDB ^A2c |\ dcB B2^A | B3 c3 |\ dcB AGF | E/F/G/F/E/D/ C2A |\ FDB A2d | c3 ABc |\ dAd c/d/ec | d3 D2 |] %%text *) up-stems: DMDfD; down-stems: CCDM1 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The two first Cu. all four Hands half round and turn S. then %% back again to your own Places. Cast off and cross up to the Top %% and turn Hands; then 1st Man change with the 2d Wo. and 1st %% Wo. with the 2d Man; then Right and Left quite round, 'till %% the 1st Cu. comes into the 2d Cu. Place. %% [CCDM1] %%endtext %%sep 1 8 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% All four hands half round and turn single, and back again to your own places. Cast off and cross up %% to the top and turn hands: The first man change with the 2. woman, the first woman do the same with %% the 2. man; then right and left-hands quite round till the first Couple comes into the second Couple's %% place. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Tuneful Nightingale %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (126) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ f4 c4 | f2ed c2B2 | A2B2 c2dc | B2A2 G2C2 |\ f4 c4 | fedc dcBA | GA Bc Ad cB | AGFE F4 :| |:\ a4 g4 | a2f2 c2f2 | b4 g4 | bagf e2c2 |\ af af af af | bg bg bg bg | agfe dfef | f3e f4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% First Man and 2d Wo. go the whole Figure thro the %% 1st Wo. and 2d Man .| First Wo. and 2d Man do the %% same :| First Man lead his Partner below the 2d Man %% and figure thro the 2d Cu. .| Set sides then set to yr %% Partners fall back two steps the 1st Cu. cast off .| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Tuzzy muzzy N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.71 #331 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:71 #331 N: Added triplet notation to the triplet runs. M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: D2(3E/F/G/ A2B | ABG FED | D2(3E/F/G/ A2g | fdf ecA |\ D2(3E/F/G/ A2B | AFA EFG | FAd Bcd | FGE D3 :| |: d2(3e/f/g/ a2g | fdf ecA | Bcd AFd | GAF E2(3G/F/E/ |\ D2(3E/F/G/ A2g | afa gec | dfd Bcd | FGE D3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: d2e f2g | f2e d3 | d2e f2c | d3 a3 |\ d2e f2g | d3 A3 | d3 g2d | a2A d3 :| |: d2e f2e | d3 a3 | g2f d3 | e2d a3 |\ d2e f2c | d3 a3 | d3 g2d | a2A d3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Hey contray sides, then on your own :| %% First Cu cast off and turn, Right and Left with the 2d Cu. :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: 'Twas within a Furlong of Edinborough Town P: Longways for as many as will %R: reel B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.19 #37 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.213 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to satisfy the "first Strain played twice" instruction. M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - GA |\ B3c d2(cB) | (cA) (dB) G2 (GA) |\ B>c d>e f2 (ed) | c<B f<d B2 d=e |\ f>=e f>g f2 (_ed) | (ed) (cB) c2 (Bc) |\ (dB) (cA) (BG) (AG) | (^FD) (^FA) d2 :| de |\ f3g (gf) (ed) | (ed) (cB) c2 A2 |\ (BA) (Bc) d2 (cB) | AG ^F>G A2 (A/B/c) |\ (BA) (BG) c2 (de) | (fd) (g=e) ^f3 ^f |\ (g<d) (e<c) (d<B) (c<A) | (B<G) (D<^F) G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first Man go between the two We. and lead them to the Wall, then %% give a Nod to the right Hand, and then to the left, and fal back, then hold %% Hands and turn round, the Man into his Place, and the We. into theirs; %% then the 1st Wo. do the same to the rwo Men .| The 1st Man lead his Wo. %% down the Middle, then cast up and give a Peep, then cast off back again, %% then cross thro' the 2d Cu. and meet your Partner improper; the 2d Cu. %% lead down, then cast up and give a Peep, and then cast off back again; %% then all Hands half round, and then turn their Partners half round. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man go between the two we. and lead them to the wall, then give a nod to the right-hand, and then to the left, %% and fall back, then hold hands and turn round, the man into his place, and the we. into theirs; then the 1. wo. do the %% same to the two men. This to the first Strain played twice. %% The 1. man lead his wo. down the middle, then cast up and give a peep, and then cast off back again, then cross through %% the 2. cu. and meet your Partner improper; The 2. cu. lead down, then cast up and give a peep, and then cast off back %% again; then all hands half round, and then turn their Partners half round. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Tweedside P: Longways for as many as will %R: minuet B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.39 Z: 2013 John Chambers <jc:trillian.mit.edu> N: This tune has 3-bar phrases. M: 3/4 L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 cB |\ A2 E2 F2 | A3 B (A/B/)c | B4 cB |\ A2 E2 F2 | A3 B cB | A4 |] cd |\ e2 (dc)(BA) | e2 (fe)(dc) | B4 cd |\ e2 c2 A2 | AGABcd | e4 (f/g/a) | e2 (dc)(BA) | f2 (ed)(cd) | B4 AB |\ c2 (dc)(BA) | d2 B3 A | A4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d a2 |\ c4 d2 | c2 d2 A2 | e4 a2 |\ c4 d2 | c2 d2 e2 | A4 |] a2 |\ c2 e2 a2 | c2 d2 A2 | e4 a2 |\ c2 e2 a2 | d4 cB | A4 d2 |\ c2 e2 a2 | d2 A2 a2 | e2E2 cB |\ A2 a2 c2 | B2 e2 E2 | A4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Man dance the Minuet Step with the 2d Wo .| %% right and left with the 3d Cu. :| %% then the 1st Man turn the 3d Wo. and the 1st Wo. with the 2d Man and then his own Partner .| %% then the 1st Man turn the 2d Wo. and the 1st Wo. the 3d Man and turn Partners :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Twelfth Eve P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.326 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - FE |\ D2 G4 A2 | BA Bc Bcd2 | c2A2 c2f2 | A4 A2FE |\ D2 G4 A2 | BA Bc Bcd2 | gfed cB AG | G6 |] GA |\ B2B2 B2F2 | B2d2 d2f2 | f2d2 cdcB | A6 Bc |\ Bcd2 d2cB | cde2 e2dc | d2g2 ^fga^f | g6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man cast off below the 2. man, and goes within-side the 3. man, and stand below him, his Partner %% does the same after him .| Then cast up into the 2. cu. place, and set to your Partner: then cast %% up into your own place :| The 1. man turns the 2. wo. the 2. man turns the 1. wo. .| Then cross over %% below the 2. cu. and go the Figure :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Twenty-ninth of May T: The 29th. of May P: Longways for as many as will %R: reel, march B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.39 "E 2" Z: 2013 John Chambers <jc:trillian.mit.edu> N: The title is given in both forms to improve the chance of successful lookups. (Why "29th." has a period is unknown.) N: Repeat added to first strain to match the dance description. M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ a2f2 g2f2 | edcB A2f2 | g2B2 c3B/c/ | d2A2 F2(ED) :| F2 A4 (GF) | G2 B4 B2 | cde2 cde2 | c2Bc A2de | f2ef d2ef | g2fg e2fg | a2B2 c3B/c/ | d2A2 F2(ED) |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First cu. take hands, the 2. cu. doing the like at the same time; then the 1. man puts back his wo. and slips down behind %% the 2. wo. into the 2. cu. place, while the 2. man draws his wo. to him and slips into the 1. cu. place. Do this back again %% the same way; Which is the first Strain of the Tune play'd twice over. Then the 1. man change places with the 2. wo. and %% the 1. wo. with the 2. man; then hands round and back, and when the 1. cu. are at the top, they cast into the 2. cu. place. %% This ends the Tune. %%endtext %%sep 1 1 300 %%begintext align %% First man and 2. wo. fall back, then lead up to each other and turn back to back, then the 1. wo. and 2. man do the %% like. This is the first Strain played twice. Then take all hands and go round, till the men are in the we. place, and the %% we. in the men's, then men and we. change places. This ends the Tune. %%endtext %%sep 1 1 300 %%begintext align %% First man and wo. cross over, and 1. man go round behind the 2. wo. and 1. wo. round behind the 2. man, and slip between %% them; then take hands, and lead up all a-breast and back again. This to the First Strain played twice. Then honour %% to each other's wo. then to your own, then turn each other's wo. and then your own, the 1. cu. turning into the 2. %% cu. place. This ends the Tune. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Tyger P: Longways for as many as will %R: triple hornpipe, minuet B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.146 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to match the dance instructions. M: 3/2 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ FG A4 B2 A4 | EFGA B2G2 c2E2 | FG A4 d2 c4 | d2AG F2c2 d2D2 :| defg f2d2 f4 | (cd) e4 f2 e2c2 | (de) (fg) f2d2 (f/g/a3) | (cd)e2 ABc2 B2A2 | E2G2 B2d2 cB AG | F2B2 (cd)e2 (c3B/c/) | d3e f2B2 c2A2 | d6 f2 e2d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. leads through the 2. cu. and goes without-side of the 3. cu. and stand in the 3. cu. place, then %% cast up and turn your Partners, then Hands half round with the 1. cu. then turn your Partners into their %% own places; then right and left till the 1. cu. comes into the 2. cu. place. %% [DMDfD] %%endtext %%text Note: The 1. Strain must be played twice, and the 2. but once. %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Under and over P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.66 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The dance has 3 sections, each in 2 columns; ## and indentation used here to mark the 2nd columns. M: 6/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ G2g f2e | d3 c>BA | B>cd cdB | A3 ^F3 |\ G2g ^f2g | a3 d2d | e>^fg ga^f | g3- g3 |] [|\ f2f f>ed | c2c c>BA | B>cd cdB | A3 ^F3 |\ G2g ^f2g | a3 d2d | e>^fg ga^f | g3- g3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up all a D. forward and back, set and turn S :| That again :| %% ## %% First cu. meet and back, turn once and an half by both %% hands .| Set each to the 2. and go back, turn by both %% hands :| Do this to the last, the rest following. %%endtext %%sep 1 1 300 %%begintext align %% Sides all, set and turn S. That again :| %% ## %% The 1. and 2. on each side hands and go back, meet & %% cross over, take hands behind you, go half round into %% each others places .| Do thus to the last. %%endtext %%sep 1 1 300 %%begintext align %% Arms all, set and turn S. That again :| %% ## %% First cu. meet, fall back, and fall to the 2. place, cross %% over between the 2. cu. Do thus to the last, the rest %% following. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Under the Greenwood Tree P: Longways for as many as will %R: jig B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.12 #23 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.95 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> N: There's an extra count in bar 5, in both versions (fixed). DMDfD lacks both the sharps in the second half of the tune. N: DMDfD has bars 4 and 5 as first and second endings; appropriate repeat signs have been introduced. N: The dance descriptions are identical, except for minor spelling a punctuation differences. M: 6/4 L: 1/4 K: Dmix % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ a2a a2g | f2e d>ef | e2A B2^c |1 d3 d3- :|2 d3 d2 |]\ d |\ ^c2B c2d | e>fe A2f | e2d e2f | g3- g2a |\ f>ed e2A | f>ef g2f | e>d^c B2A | A3- A2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to the Presence, then to your We. Lead up all forward %% and back, that again. %%endtext %%sep 1 1 300 %%begintext align %% The 1st Man Sides with his own Wo. then with the co. and back %% again, the 1st Man and Wo. go round each other and Back to %% Back, then take your own Wo. by the right Hand and turn her %% once round, then by the left Hand and turn her again, and so %% on to the next Wo. while your own Wo. takes the next Man, and %% so turn round 'till you come to your own Places again. %% [CCDM1] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Ups and downs N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.11 M: 2/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: GBdg | f2e2 | dBAG | F/G/A/F/ D2 | GBdg | f2e2 | fdA^c | d4 :| |: GgTg2 | FfTf2 | egfd | ^c/d/e/c/ A/G/F/E/ | DGBd | gbdB | cAGF | G4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: g2b2 | d'2c'2 | b2g2 | d'dd'c' | b2g2 | d'2^c'a | d'2a2 | d'2d2 :| |: g2G2 | d2D2 | ^c2df | aA^cA | dBGB | g2G2 | c2d2 | g2G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Cast off two Cu. .| %% Lead up to the top and Cast off :| %% Hands round four with the Third Cu. .|. %% Right and Left at top :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Up and Warr a Willy %R: reel, strathspey B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (102) Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/16 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - E2 |\ AAA2 c2A d3dd2f2 | AAA2 Tc3A B3cB2e2 |\ AAA2 Tc3A d2e2f2a2 | e2d2Tc3B A4A2 |] [| fg |\ agfe fedc d3ed2fg | agfe fedc B3cB2fg |\ a2e2f2c2 d2e2f2a2 | e2d2c3B | A3BA2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st and 2d Cu. take hands and go round then %% back again into your own Places then cross over %% and turn below the 2d Cu. and then the Figure of %% eight then right hands and left so down to the %% Bottom. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Up with Aily P: Longways for as many as will %R: triple hornpipe, slip-ig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.140 #187 (279) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.16 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 9/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ D2d A2F A2F | D2d A2F GFE | D2d A2F GAB | =c3 GE=C GE=C |][|\ d>ef f>ef f>ef | d>ef f>ga ecA | d>ef f>ef f>ed | e3 E2F GFE |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Man take his own Partner with his left Hand, and the Man of %% the second Couple with his right Hand, so leads to the second %% Woman and falls back again, so cast off into the second Man's %% Place, the second Man turning up at the same time into his, and %% the two Women at the same time turning round single in their %% proper Places. The first Woman takes the second Man with her right %% Hand, and the second Woman with her left, so leads to her Partner %% being in the second Man's Place, and falls back again, then cast off %% into the second Woman's Place, the second Woman at the same time %% turning up into hers, and the two Men turning round Single :| %% The first Couple being in the second's Place, go Back to back, then %% cast up into their proper Places, the second Couple at the same %% Time turning down into theirs .| All four take Hands and go clear %% round, then each Couple being in their proper Places, first Couple %% cast off into the second's Place :| %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% First man takes his own partner with his left-hand, and the man of the 2. cu. with his right-hand, so %% leads to the 2. wo. and falls back again, so cast off into the 2. man's place, the 2. man turning up at the %% same time into his, and the two we. at the same time turning round single in their proper places, %% the 1. wo. takes the 2. man with her right-hand and the 2. wo. with her left, so leads to her Partner being %% in the 2. man's place, and falls back again, then casts off into the 2. wo's place, the 2. wo. at the same time %% turning up into hers, and the two men turning round single :| The 1. cu. being in the 2d's place, go back %% to back, then cast up into their proper places, the 2d. cu. at the same time turning down into theirs .| %% All 4 take hands and go clear round, then each cu. being in their proper places, first cu. cast off into %% the 2d's place :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Valentine's Day P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.124 #181 (247) B: "The Dancing-Master: Containind Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.99 "K 2" Z: 2013 John Chambers <jc:trillian.mit.edu> N: In CCDM1, bar 12 is a repeat of bar 11; DMDfD's bar 12 is used here. M: 6/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - B>c |\ d3ed2 B2G2B2 | c3dB2 A4Bc | d3ed2 B2G2B2 | A3GF2 G4 |]\ Bc | d3ed2 B2G2G2 | G6- G3def | g3ag2 e2c2c2 | c6- c3efg | a3ba2 e2a2g2 | f6 d3def |\ g2d2e2 d2B2G2 | g2d2e2 d2e2B2 | c3dB2 A4G2 | G6- G4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to the Presence, then to your We. lead up all forward and back; that again. %%endtext %%sep 1 1 300 %%begintext align %% First Cu. lead up and the 2d Cu. lead down, then change Hands and meet, then %% the two Men take Hands, and likewise the two We. and lead to theWall and %% back again, then the 1st Man and 2d Wo. change Places, and stand still 'till the %% 1st Wo. and 2d Man do the like; then the two Men take Hands, and also the two %% We. and fall back from each other, then meet and cross over with your own %% Wo. then 1st Man and 2d Wo. meet and turn Back to Back, and then stand still %% 'till the 1st Wo. and 2d Man do the same; then all four clap Hands and turn %% S. and take Hands in a Ring and go quite round. Do this to the last. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% Honour to the Presence, then to your we. Lead up all forward and back, that again. %%endtext %%sep 1 1 300 %%begintext align %% First cu. lead up, and the 2. cu. lead down, then change hands and meet, then the two men take hands, %% and likewise the two we. take hands, and lead to the wall and back again, then the 1. man and 2. wo. %% change places, and then stand still till the 1. wo. and 2. man do the like, then the two men take hands, %% and also the two we. take hands and fall back from each other, then meet and cross over with your %% own wo. then 1. man and 2. we. meet and turn back to back, and then stand still till the 1. wo. and %% 2. man do the same, then all four clap hands and turn S. and take hands in a ring and go quite round. %% Do the same over again to the last. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Valiant Jockey P: Longways for as many as will %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.125 #186 (250) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.172 Z: 2013 John Chambers <jc:trillian.mit.edu> N: In CCDM1, the d in bar 3 is e; the d in DMDfD seems to fit the tune's style better. M: 3/4 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ d2 A2 (dA) | B2 (AF) (ED) | d2 (fd) (af) | e2 (dc) A2 | (BG) (Bd) (ce) | f2 (ed) A2 | (FA) (BA) (dA) | F2 (ED) D2 |][| f2 fg/a/ (fd) | (ec) (c/d/e) (cA) | (dB) (^Ge) (AB) | B4 A2 | (B/c/)d (AF) (Ad) | (f/g/)a (B/c/d) c2 | (dA) (FD) d>e | e4 d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. cast off below the 2d Cu. and go the Figure of 8, 'till they come %% to their own Places, then 2d Cu. cast up and go the Figure 'till they come %% into their own Places, then the two Men take Hands and lead through, and %% then go about their own Partners into their own Places, then the 1st Cu. %% take Hands and lead through below the 2d Cu. and cast up again, then the %% two We. lead through between the two Men, then the 1st Cu. cast off below %% the 2d Cu. and lead up through, and cast off again. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% The 1. cu. cast off below the 2. cu. and go the Figure of 8. till they come to their own places, then 2. cu. %% cast up, and go the Figure till they come into their own places, then the two men take hands and lead %% through, and then go about their own Partners into their own places; Then the 1. cu. take hands and %% lead through below the 2. cu. and cast up again, then the two we. lead through between the two men, %% then the 1. cu. cast off below the 2. cu. and lead up through, and cast off again. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Vendosme's Retreat %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (179) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - ef |\ g4 g4 | g6 ef | g2fe a2gf | e3d c2d2 |\ e2dc fedc | d2G2 d4 | d3e e3d | d6 :| |: Bc |\ d4 d4 | d6 e2 | d2cB A2d2 | B3A G2AB |\ c2Bc d2cd | e2de f2ef | g2c2 c3B | c6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Man cast off behind the 2d Man and turn to %% his own Place again .| The 1st Wo. do the same :| %% Then go the whole figure of eight with the 2d Cu. .| %% Then being at the Top clap hands with your Partner %% and cast off and turn her :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Vicar of Taunton Dean %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (98) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The time signature is 6/8, but the tune is in 6/4 N: Repeat added to match dance instructions (whose 3rd phrase is a bit confused). M: 6/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ D |\ G2A BAG | A2B cBA | GAB B2A | Gd2 d2 :|\ d/e/ |\ f2e d2c | d2c B2A/G/ | ABc c2B | Ac2 c2c | d>ed c>BA | B>AG d3 | c>Bc c>BA | Bd2 A2G |\ ^FD2 BG2 | d3- d2d | c>Bc c>BA | Gd2 d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Note The 1st Strain is to be play'd twice and the last but once %%begintext align %% All four lead up abreast and turn single .| Lead down %% again and turn single :| The 1st Cu. lead down the Middle %% of the 2d Cu. and the 2d Cu. and the Outside of %% the 3d. Cu. lead up the Middle of the 3d Cu. and the %% Outside of the 2d Cu. and cast off .| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Vienna P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.42 #82 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.130 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ G2 G2 G2 g2 | f2 d2 B4 | f2 d2 f2 c2 | (AB) (cA) ^F4 |\ B2 b2 a2 g2 | (^fg) (af) g3 a | f2 d2 (de) f2 | (c3 B/c/) d4 |] d2 b2 a2d2 | (a3 g/a/) b4 | (ba) (gf) (ed) (cB) | (de) f2 A4 |\ A2 c4 d2 | (dc) (cB) f3 f | g2 d2 (ed) (cB) | A4 G4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man sett to his own, and cross over with the 2d %% Wo. then 1st and 2d We. sett and cross over, and change %% Places; then 1st and 2d Men take Hands and lead between %% the 1st and 2d. We. and come into their Places again; then %% all four clap, take Hands, and go half round into their %% own Places again; then the 1st and 2d We. take Hands %% and lead between the 1st and 2d Men into their own Places %% again; then all four clap, take Hands, and go half %% round into their Places again, the rest doing the same. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man sets to his own, and crosses over with the 2. wo. then 1. and 2. wo. set, and cross over %% and change places; then 1. and 2. man take hands and lead between the 1. and 2. wo. and come into %% their places again; then all four clap and take hands, and go half round into their own places again; %% then the 1. and 2. we. take hands and lead between the 1. and 2. men into their own places again; %% then all four clap and take hands, and go half round into their places again, the rest doing the same. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Vigo P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.328 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the dance instructions (including the missing instruction after the last dance phrase). M: 6/4 L: 1/4 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - B |\ f>gf d>cB | (eg)a b2g | (fd)B (EG)c | A3 F2c |\ f>gf dcB | (ef)g _a2g | fAc FBc | d3 B2 :| |: A/B/ |\ c>dB AdG | F2E D2f | gBd Gcd | d3 c2c |\ f>gf dcB | (ef)g _a2g | fAc FBc | d3 B2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. cast off, and the 2. cu. follow them; stand all abreast, Present and Fire: The 1. cu. cross %% over and come in the 2. cu's place; the 2. cu. do the same. The first Strain twice. Fall back to the wall, %% the men stand before the we. longways face to face, holding both hands and change places, holding both %% hands longways as you were before, turn single to your own places. Second Strain once. Right-hands %% a-cross half round and turn S. lead all to the wall and face about, then cross over to your own places. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Virgin Queen P: Longways for as many as will %R: slip-jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.315 "E e 2" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: 9/4 L: 1/4 K: Am % - - - - - - - - - - - - - - - - - - - - - - - - - |: (cB)A (AE)A (AE)A | (cB)A (BE)A (BG)B | (cB)A (AE)A (AE)A | B2G (GB)G (BG)B :| |: c>de dBA (AE)A | c>de c(d/c/) (B/A/) (BG)B | c>de cBA (AE)A | B>cd (B/c/) (d/c/) (B/A/) BGB :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first couple cross over the second couple, then lead up and cast off, then the Figure of Eight %% through the first couple, and the Figure of Eight through the third couple. %% [DMDfD] %%endtext %%center Each Strain twice %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Volverton Hall T: Wolverton Hall P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.106 #147 (211) N: Dance verified with version at http://deriv.nls.uk/dcn30/8975/89752795.30.jpg, where it's called "Wolverton Hall" B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.131 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - f |\ f2c A>GF | Bd2- d>cB | A>Bc A>GF | G2g e>dc |\ f2c A>GF | Bd2 Ac2 | B>AG G2F | F3- F2 |] f/g/ |\ a>ba g2c | f3 fcf | dBd c>BA | Gg2 g2a | b>ag a2d |\ g>a g/f/ e>dc | f2g g2f | f3- f2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu meet, then fall back and change Places, then the 2d Cu. lead up %% into the 1st Cu. Place, then fall back and change Places; the 1st Man being %% in the 2d Wo. Place, and the 1st Wo. in the 2d Man's Place, they all four %% take hands and turn round 'till each Cu. come into their own Places %% again; then 1st and 2d We. take Hands and lead between the two Men %% into their Places, and Hands half round, then cast off, the rest doing %% the same in like Manner %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man and 1. wo. neet, then fall back and change places, then the 2. man and 2. wo. lead up %% into the 1. cu. places, then fall back and change places; the 1. man then being in the 2. wo. place, %% and 1. wo. in the 2. man's place, they all four take hands and turn round till each cu. come into %% their own places again; then 1. and 2. we. take hands and lead between the two men into their %% places, and hands half round, then cast off, the rest doing the same in like manner. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:33 T: Wakefield Jigg M:6/8 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:Gmin d | g2a bag | ^fga dcB | ABc BAG | ^F2G AFD | g2a bag | ^fga dcB | ABc BAG | G2^FG2 || fg2fed | cde dcB | ABc def | c3B3 | bag ^f2g | a3ABG | bg2bg2 | dg^fg3 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: Walley Honey P: Longways for as many as will %R: slip-jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.36 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.1 #2 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Beginning and ending lengths adjusted to correct rhythms. M: 9/8 L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 z | cGG G2G cAA | cGG G2G c3 | cGG G2G cAA | B2c d/e/fd c2 :| |: e | de/f/g G2c AFe | de/f/g G2G f2e | de/f/g G2c AFc | B2c d/e/fd c2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z | c'3 g3 f3 | e2f g2G c3 | c'3 b3 a3 | g2a f2g c2 :| |: c' | b2g e2a f2c | B2g e2c d2c | B2g e2a f2e | d2c g2G c2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man sets to the 2d Wo. and turns her .| %% 1st Wo. does the same with the 2d Man :| %% the 1st and 2d Men lead out, 1st and 2d We. do the same at the same Time and then turn your Partner .| %% the 1st and 2d Cu. right and left half round. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Wallingford House P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.78 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - g |\ g>fe d>cB | cd/c/B A2G |\ B>cd ec2 | d2g ^f2g |\ a>gf =e2d | d3- d2 ][ d | de^f gab | c'af b2d |\ efg cAF | B3 Bcd |\ e>dc dg^f | g3 a3 |\ b>ag a^fd | g3- g2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first man goes round his own wo. the 2. wo. follows him, then fall into their own places, the 1. wo. %% and 2. man do as much :| The 1. man and 2. wo. cross over and turn S. then take all hands, go a quarter %% round and turn all S. then the other cu. cross over and turn S. then take all hands and go round till %% you come to your own places, and then cast off to the second place. Do this to the last :| %%endtext %%sep 1 1 300 %%begintext align %% The 1. cu. lead up, the 2. cu. lead down, back again :| That again. The two men go between their %% own we. and go round them into their own places, then take all hands, go half round, and turn all S. %% the we. do as much round the men, then take hands and go half round, then the 1. cu. cast off. %% Do this to the last :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Waltom Abby P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.88 #124 (176) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.233 "X 3" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Many illegible words, deciphered using image at http://deriv.nls.uk/dcn3/8975/89754019.3.jpg N: The two books have different beaming; this version combines them to get half-measure beaming when possible. M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ f2g2 a2ga | bagf e2c2 | d2B2 G2c2 | A2F2 c4 |\ f2g2 a2ga | bagf e2c2 | d2B2 G2c2 | A2 F6 |] [|\ G2E2 GEGE | c2G2 A2F2 | d2B2 dBdB | g2d2 e2c2 |\ a2gf g2fe | defg e2c2 | dcBA G2c2 | A2 F6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man cast off and his Partner follows him into the 2d %% Cu. place, and then go Back to Back with his Partner, the 1st %% Wo. being in the 2d Man's Place, cast up into her own Place, %% her Partnew follows her into his own Place, and go Back to %% Back the first :| The 1st Cu. cross over below the 2d Cu. and %% go the Figure through .| Then lead down through below, and %% then lead up through, and cast off into the 2d Cu. Place :| %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man cast off and his Partner follows him into the 2. cu. place, and then go back to back %% with his Partner, The 1. woman being in the 2. man's place, cast up into her own place, her Partner %% follows her into his own place and go back to back the first :| %%endtext %%sep 1 1 300 %%begintext align %% The 1. cu. cross over below the 2. cu. and go the Figure thorow :| Then lead down thorow below, %% and then lead up thorow above, and cast off into the 2. cu. place :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Wap at the Widow %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 3: CCD3 http://javanese.imslp.info/files/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.98 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: D V: 1 D |\ F>EF (D/E/)FD | EB,F TE2D | F>EF (DF)D | EFA d2e/d/ |\ c>BA B>AF | dAF TE2D | (FE)D DFD | TF3 A2 :| |: A |\ d>ef efd | eBf Te2d | d>ef (ef)d | c>BA d2e |\ Tc>BA F/G/AB | AFd TE2D | dcd AdD | TF3 A2 :| V: 2 clef=bass middle=d z |\ d3 d2f | a2d a2d | d3 d3 | c3 B3 |\ A3 G3 | F2D A2D | D3 d3 | dAF D2 :| |: z |\ d2d' a2b | c'2d' a2d' | d3 g3 | a2g f2g |\ a3 d2g | f2d a2d | d3 D3 | dAF D2 :| %%sep 1 1 500 %%sep 1 1 500 X:1 T: Ward's Drop P: Longways for as many as will %R: slip-jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.71 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd part has initial repeat but no final repeat. M: 9/8 L: 1/8 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 B, |\ D/E/FE BFE DCB | c/d/ec GAB A2e | d/e/fd bfg fed | cde FBA B2 :| |: d |\ B/c/dB gde dcB | Ag^f g/a/ba g2d | B/c/dG gd=e f=ed | cBA BAG F2F | D/E/FD BFE ECE | c/d/ec GAB A2f | d/e/fd bfg fed | cde FBA B2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d B |\ B3 d2c BAG | F2f =e3 f2A | B3 d2e dcB | edc f2F B2 :| |: B |\ d3 edc BAG | d3 D3 G2B | G3 =B2c dc_B | GFE F2c F3 | B3 d2c BAG | F2f =e3 f2A | B3 d2e dcB | edc f2F B2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man turns the 2d Wo. with his Right hand, and the 1st Man casts off, %% and the 2d Wo. casts up at the same Time .| %% the 1st Wo. does the same with the 2d Man :| %% Cross over and half figure, right and left quite round :| %% Foot it at Corners and turn, foot it at the other Corners and turn your Partners :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Ward's Pill P: Longways for as many as will %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.78 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd part has initial repeat but no final repeat. N: The bass A in bar 2 should probably be G or B. M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ G2d BGd | BGd BGd | F2A AEA | EAE TF2D |\ G2d BGd | BGd BGd | E/F/GE F/G/AF | G3 G,3 :| |:\ G/A/BG BGB | F/G/AF AFA | E/F/GE BGB | EAG F2D |\ G/A/BG E3 | F/G/AF D3 | E/F/GE F/G/AF | G3 G,3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ g3 z2z | A3 z2z | d3 A3 | ^c3 d2=c |\ B3 G3 | g3 G3 | c3 d3 | G3 z2z :| |:\ G3 z2z | B3 z2z | ^c3 z2z | A3 d2c |\ B3 cBA | d2c BAG | c3 d3 | G3 z2z :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. foot it and cast off one Cu. and turn .| %% Foot it and cast up again and turn, cross over and half figure with the 3d Cu. :|. %% Right and Left quite round with the 2d Cu. :|: %% Foot it at Corners and turn .|| %% Foot it at the other Corners and turn your Partner :|| %% The Man heys with the 3d Cu. and the Wo. hands round with the 2d Cu. at the same Time, and foot it to your Partner :|| %% The Man hands round with the 2d Cu. and the Wo. with the 3d and turn your Partners. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Watton Towns End N: The title has "Town's" in the index, but not in the tune/dance page. P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.85 #122 (170) N: DMDfD has the same dance but a different setting of the tune. Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - c | AFFF F2F2 | GABc dd2e | gfed d/e/f FF | GABA G2G |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up and fall back jump up all to your own, %% and turn S. That again. %%endtext %%sep 1 1 300 %%begintext align %% The two 1st Men and 1st We. fall back from your %% own and meet jump up thrice to your own and %% the 1st Cu. cast off into the 2d Cu. Place, while the %% 2d Cu. slip up into the 1st Cu. Place. Do this to %% all, the rest following :| %%endtext %%sep 1 1 300 %%begintext align %% The 1st Man and 2d Wo. change Places, then the 1st %% Wo. and 2d Man change Places and jump up thrice %% to their own, and then change Places with your %% own, the rest following :| %%endtext %%sep 1 1 300 %%begintext align %% The 1st and 2d Cu. take Hands and go half round %% and jump to your own, then change Places with %% your own. Do this to all the rest following :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Watton Town's end P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.51 "F 2" N: CCDM1 has the same dance but a different setting of the tune. Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/16 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - (cB) |\ A2F2 F2F2 A2 c4 (BA) | G2A2 B3c d6 e2 |\ f2(gf) e2(de) f2F2 F2F2 | G2G2 A3B G6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Lead up and fall back, jump up all to your own and turn round S. That again. %%endtext %%sep 1 1 300 %%begintext align %% The two first men and the first wo. fall back from your own and meet, jump up thrice to your %% own, and the 1. cu. cast off into the 2. cu. place, while the 2. cu. slip up into the 1. cu. place. %% Do this to all the rest following :| %%endtext %%sep 1 1 300 %%begintext align %% The first man and second wo. change places, then the first wo. and second man change places and %% jump up thrice to their own, and then change places with your own, the rest following :| %%endtext %%sep 1 1 300 %%begintext align %% The first and second cu. take hands and go half round and jump to your own, then change places %% with your own. Do this to all the rest following :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Weavers Hornpipe %R: triple hornpipe, minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (204) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 3/2 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - |: D2F2 A2d2 fga2 | g2 e4 B2 dcBA | dABG AFGE FDEF | A,2 D4 F2 E2D2 :| |: BdBF GBFE FAFD | C2 E4 B,2 C2E2 | fafc dfdA GFED | A,2 D4 GF E2D2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. lead forward and Back again, then lead through %% the 2d Cu. and cast up in your own places, then cast down %% again .| the 1st Cu. lead down and up again, then leading %% thro the 2d Cu. cast down and up again :| Then 1st and 2d %% Men double figure on the We. side the 1st Man casting %% down into the 2d Mans Place .| then the two We. do the %% same on the Mens side, then the 1st Wo. casting down :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Wedding Dance %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (132) Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - AG |\ (F2D2)A2 d4AG | (F2D2)A2 d4e2 | (f3e)f2 (f3e)f2 | (f3e)d2 e4f2 |\ g3ag2 b3ag2 | f3ed2 a4A2 | A2(FG)A2 A2(FG)A2 | A2(FG)A2 D4 |] a2 |\ a2(fg)a2 b2(ga)b2 | a2(fg)a2 g4f2 | e2d2c2 B2c2d2 | e2f2g2 B4A2 |\ A2(FG)A2 B2(dc)B2 | A2(FG)A2 B4f2 | g2(Bc)d2 a2(cd)e2 | e2(AB)c2 d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. lead thro between the 2d Cu. and cast up %% again then Arms .| The 2d Cu. do the same :| Then Back to %% Back all with your Partners then right and left the 1st %% Cu. being in the 2d Cu Place .| Then the 1st Cu half %% Figure then 1st Man and 2d Wo. and 2d Man and 1st %% Wo. Arms round then 1st Man and 1st Wo. [change places?]. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Wedding Supper %R: slip-jig, triple hornpipe B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (130) Z: 2013 John Chambers <jc:trillian.mit.edu> M: 9/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - D |\ G>AB A2G B2c | d>ed c>dc A2^F |\ GAB A2G B2c | d>ed c>BA B2 |] (g//a//b/) |\ f>ed d=e^f g2g | a^fd (c/d/c/)(B/A/G/) ^F2d |\ ecc dd/=e/^f g2g | b>ag a>g^f g2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st and 2d Cu. take Hands and go round then back %% again into your own Places then cross over and turn %% below the 2d Cu. and then the figure of eight then right %% Hands and left so down to the Bottom %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Welch Whim %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (145) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 6/4 L: 1/4 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ e2e e>fe | e>fe e>fe |\ f>ga e2d | c3 A3 :|\ |:\ cBA cBA | e3- e2e | cBA dBA | d3- d2e |\ fga gad | cac Bag |\ fba geg | a3 A3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The first Man setts to his Partner and casts off then sett %% across with the third Couple and all four single %% This to the first Strain play'd twice. Then the 1st %% Man change Places with the second Woman and the %% 1st Woman with the second Man then Hands all four %% half round and cast off below the third Couple and lead %% up to the Top and cast off again. This to the Last %% strain play'd twice. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Welcome to your fool again N: Pub: J. Walsh, London, 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.81 #341 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:81 #341 Z: 2012 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |: e>ae>d | c2B2 | A>GA>B | c>BA2 | B>cd>c | B>cd>c | B>AG>F | E2-E2 :| |: E>e E>F | E>e E>F | G>AB>c | Td2 c2 | f>e g>a | f>e g>a | c2 TB2 | A2- A2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: A2e2 | A2e>d | c2e2 | A3z/a/ | e3z/a/ | e3z/a/ | b2B2 | e>ag>f & e>dc>B :| |: e2z2 | .e2z2 | e>fg>a | bgaA | d>cB>A | d>cB>A | e2E2 | A>ag>f & A3z :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu. turn Right hands Single with his Partner and cast off .| %% Turn Left hands Single and cast up :| %% Cross over and half figure .| %% Lead thro' the 3d Cu. cast up and turn :| %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Welcom home old Rowley N: "Scots air" handwritten after title; "Hand a'wa' frae me Donald" handwritten below first staff. P: Longways for as many as will %R: march, reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.153 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ (FD3) F4 | (CA,3) C4 | (FD3) F3G | A4 G2F2 |][|\ A2c2 d2f2 | (cA) (GF) G3F | A2c2 d2f2 | A4 G2F2 |\ ABc2 def2 | ABc2 f3g | a2D2 F3G | A4 G2F2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First and second men go the Figure round the we. till the first is second improper, and the second is %% first improper, then the two we. do the same, then clap with your own and turn S. then clap sides, %% and change places to proper all, then back to back with your own, and right and left to the second %% proper. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Well-hall P: Longways for as many as will %R: minuet B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.98 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 3/2 L: 1/4 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ (Ac) (dc) (fA) | G2 E2 B2 | (Ac) (dc) fg | a4 g2 | (ag) (fc) (df) | d2 F2 A2 | (GA) (Bc) A2 | B3 c B2 |][| (BF) (GF) (GB) | D3 B D2 | (EG) (AG) (Ac) | E3 c B2 | (Ac) (dc) (fc) | d3 (e/f/) (gd) | (ec) (Aa) de | f3 g f2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to the Presence, then to your we. | Lead up all forward and back, that again. %%endtext %%sep 1 1 300 %%begintext align %% The 1. man turns his own wo. once and a half, then goes into the 2. place and cross over, and the %% 2. man and wo. being in the 1. place does the same, then the 1. man and 2. wo. change places, and %% the 1. wo. and 2. man do the same, then hands all together and go half round into your own places %% and turn S. then the 1. wo. and the 2. man cross ovar [sic], and the 1. man and 2. wo. do the same, then all %% take hands and go half round into their own places, then the 1. cu. cast off into the 2. place; and so %% on to the end. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Well's Humour P: Longways for as many as will %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.63 #95 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.262 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/16 K: Em % - - - - - - - - - - - - - - - - - - - - - - - - - ef |\ g2 e4 dc (B2cd) | e2 E4 FG (A2Bc) |\ (B2ed) (cB)(AG) (FG)(AF) | G2 E4 B2 e2 |]\ gf |\ e2 g4 fe (de)(dc) | B2 d4 de (dc)(BA) | (GB)d2 Bdg2 dgb2 | g2 d4 (ga) bagf |\ e2 g4 (fg) agfe | ^d2 f4 (gf) (e2dc) |\ (B2ed) (cB)(AG) FGAF | G2 E4 B2 e2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. cross over behind the 2d Cu. and lead through %% the 3d Cu. then cross again into their Places above, and turn %% single. Then first Man change places with the 2d Wo. and %% the 1st Wo. with the 2d Man, Hands half round, then right %% and left 'till you come into the 2d Cu. Place. %% [CCDM1] %%endtext %%sep 1 8 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. cross over behind the 2. cu. and lead through the 3. cu. then cross again into their places %% above and turn S. the 1. man change places with the 2. wo. the 1. wo. with the 2. man, hands half %% round, then right and left till you come into the 2. cu. place. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: We'll be merry in our Old Cloaths %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (66) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. N: The natural signs in bars 3 and 4 are placed above and before the c notes. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - B/c/ |\ d2(A B/c/d)A | d3 A2B | =c>dc cGE | =c3 E2B/c/ |\ d2A (B/c/d)A | d3 A2G | FDF ECE | D3- D2 :| |: F/G/ |\ A>BA FDF | A3 E2F | G>AG ECE | G3 E2F/G/ |\ A>BA FDF | A3 a2g | (f/g/a)f edc | d3- d2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Man setts to the 2d Wo. and casts off, the 1st Wo. %% setts to her Partner who is in the 2d Man's Place and cast %% off :| Then go the Figure in the 3d Cu. then figure at the %% Top then the 1st Man change Places with the 2d Wo. and %% the 1st Wo. with the 2d Man, then right and left quite %% round :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Well done Jack %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (149) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: C| L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - a2 |\ g2(fe) a2e2 | g2(fe) f4 | e2dc B2A2 | G2 B4 a2 |\ gfge a2e2 | g2(fe) f4 | e2dc B2A2 | E2 A4 :| |: ed |\ c2A2 c2e2 | a2c2 d4 | c2dc B2A2 | G2 B4 ed |\ c2e2 a2c2 | (d2a2) (c2a2) | c2dc B2A2 | E2 A4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st and 2d Men go Back to Back with their Partners %% and turn each a round and a half .| Then Back to %% Back sides and turn as before :| The Men being %% improper the 1st Cu. go right Hands and left with the %% 2d Cu. half round all dance and turn single .| The 1st %% Cu. lead thro the 3d Cu. then cast up and turn %% Partners quite round :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: We'r aw forsaken for want aw Siller %R: triple hornpipe, slip-jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (50) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. M: 9/8 L: 1/8 K: Am % - - - - - - - - - - - - - - - - - - - - - - - - - f | e2d (B/c/d)B (A/B/c)A | c2e (ecA) (Bdf) | e2d (B/c/d)B A/B/cA | Gge dBG Bd :| |: B | c2g B2g A2g | c2e (ecA) (BdB) | ccg BBg AAg | Gge dBG Bd :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. sett and cat off below the 2d Cu. .| Then %% sett and cast off below the 3d Cu. :| Then lead thro %% to the Top .| Then cast off and right and left quite %% round and turn :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Westminster-Hall P: Longways for as many as will %R: minuet B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.235 "X 4" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to match the dance instructions. M: 3/2 L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ d4 f4 A4 | d3f e2d2 ^c2e2 | A3B A2G2 F2d2 | E2c2 c2G2 GAB2 |\ F2d2 d2A2 ABc2 | G2e2 e2 =B2 Bcd2 | A2f2 f2^c2 d2gf | ef df e2^c2 d4 :| [| f4 a4 c4 | f3a g2f2 e2g2 | c3d c2B2 A2f2 | G2f2 g2e2 f2g2 |\ a2ga b2g2 a2f2 | g2ef g2e2 f2d2 | e2=Bc d2B2 ^c2A2 | d2ef e2^c2 d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%center The 1. strain twice and the 2. strain once. %%begintext align %% The 1. man set to the 2. wo. and turn the 2. man, and go back to back with his own Partner .| The 1. wo. does the same :| %% The 1. cu. cross over and go back to back with his Partner, then go the Figure above into the 2. cu. place. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Westmorland P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.97 "K" Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to match the dance instructions. M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - d/c/ |\ B>AG F>ED | E>FG F2G | A>Bc B>cd | e>fg f>ef |\ g2g gdB | c2B A>B c/d/ | (BG)B AFD | G3- G2 :| |: g/a/ |\ b>ag a>gf | g>fe d>ef | g>fe deB | A3 d3 |\ B>AB GgB | c2B A>B c/d | (BG)B AFD | G3- G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First man and 2. wo. take right-hands and turn half round, while the 2. wo. pass round, the 1. wo. %% into her place, the 1. man also go round the 2. man and pass into his place, then 1. man and 2. wo. %% take left-hands and turn half round into their own places again, and the 2. man and 1. wo. do the %% like. This to the first Strain played twice. %%endtext %%sep 1 1 300 %%begintext align %% The 1. man cast off on the out-side of the man, and come up round the 1. wo. into the 2. wo. place, %% while the 2. wo. casts up and goes above the 1. wo. and below the 2. man into the 1. man's place, then %% the 2. we. change sides, and the two men also change sides at the same time, then the 1. wo. and 2. %% man do the same as the other did. This to the second Strain played twice. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: What you Please P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.73 #99 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.50 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The actual time signature is "3I". N: The repeat pattern is unclear, but may be AABB, possibly with more repeats of B. N: The dance description is in four sections and two columns; ## is used here to indicate columns. M: 6/4 L: 1/4 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [| d2e f>ga | A2d ^c>de | dB2 A>GF | GAF E2D ][ D2E F>GA | EEF G>AB | B>ed c>BA | afg e2d |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% (The dance in CCDM1 is mostly illegible, especially the right 2/3 of the page. %% There are OCR versions online, but they are also quite garbled. %% The following description of the dance was found at: %% http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751821 %% It seems identical to the CCDM1 version except for capitalization %% and abbreviations in all the legible parts. ) %%endtext %%sep 1 1 500 %%begintext align %% Lead up all, fall back, that again; set to your own, %% fall back, that again :| The 1. man cross over %% with his wo. then take the 2. wo. by the right-hand, %% the 1. wo. take the 2. man by the right Hand, %% and fall back :| %% ## %% Meet your own and fall back, 1. man go in the Figure of 8 about %% the 2. man and and 1. wo. go in the Figure of 8 about the 2. wo. and %% down in the 2. cu. place, set to your own and fall back, the rest %% following and doing the same. %%endtext %%sep 1 1 300 %%begintext align %% The 1. cu. cross over and fall back, and the 1. man %% take the 2. wo. by the right-hand, the 1. wo. take %% the 2. man by the left-hand, and lead up all four %% a-breast and fall back :| %% ## %% The 2. cu. go in the Hey, the 1. cu. following the Hey down into %% the 2. cu. place, and arms with your own, the rest following and %% doing the same. %%endtext %%sep 1 1 300 %%begintext align %% The 1. cu. fall back, and slip down, the 2. cu. slip %% up into the 1. cu. place, the 1. man cross over with %% the 2. wo. and change places, the first wo. cross over %% with the 2. man and change places :| %% ## %% hands half round all four and fall back, set to your own and fall %% back, the rest following and doing the same. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Wheedler %R: march, reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (203) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. N: Both strains have 11 bars. M: 2/4 L: 1/16 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - c2 |\ f4 e4 | f2ed c2d2 | c4 B4 | A6 G2 |\ A2B2A2G2 | A2B2A2G2 | A4 =B4 | c2d2e2f2 |\ g2=B2c2A2 | =B6 c2 | c6 :| |: c2 |\ _e2c2 A2F2 | _e2c2 A2F2 | _e2c2 F2_e2 | d6 =e2 |\ f2d2=B2G2 | f2d2=B2G2 | f2d2 G2f2 | e6 b2 |\ a2e2f2d2 | e6 f2 | f6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Cu. back to back with the 2d Cu. and back to back %% with their own Partners and turn .| the 1st Cu. turn the 2d %% Cu. and turn their own Partners :| then Meet and sett, all %% four turn single and clap Hands all four quite round .| %% the 1st Cu. go the figure thro' the 2d Cu. and cross %% over and turn their own partners :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Whely House P: Longways for as many as will %R: B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.336 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The tune has no time signature. The 2nd e in bar 7 actually has a sharp sign, which makes no sense. N: Various other versions of this tune have e-flat for the first e in bar 7, and it sounds OK. M: 4/4 L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ c2 c2 c2 A2 | G>A B>c A2 F2 |\ B>A B>c d>ed>c | =B>g d>f e2 c2 |][|\ _e2 e>f d>B d>f | A>B (=B>A=B/) c2 A2 |\ B>c d>e c>d =ef | g>B A>a g2 f2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. take Hands and lead up, then face about, the 2. cu. take Hands and lead down and face %% about at the same time, the 1. and 2. man hands a whole round, the 1. and 2. we. do the same at the %% same time .| The 1. and 2. man take hands and lead to the wall, then face about, the two we. do the %% same at the same time, and turn your Partners a whole round to their own places :| The 1. man and %% 1. wo. cross over into the 2. cu. places, and run the Figure of 8 in the inside of the 2. cu. places, the 1. %% man and wo. take hands and least [sic] down through the 3. cu. and cast up, the 1. man and his wo. turn a %% Whole round into the 2. cu. places. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Wherefore come ye here Ise warrant %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (39) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The actual time signature is 6/8, but there are 12 8th notes per measure. M: 6/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - G2 |\ B3cd2- d2B2d2 | =f4c2- c2A2=F2 | B3cd2- d2B2d2 | g4d2- d2B2G2 |\ g4d2- d2B2G2 | =f4c2- c2A2=F2 | g4d2 g2d2B2 | g4d2 d2B2G2 |] [|\ (BABcd)B (dcBcd)B | (=fcAc=f)c (cBABc)A | (BABcd)B (dcBcd)B | (gdBdg)d dcBAG2 |] [| g2BcdB d2BcdB | =f2ABcA c2ABcA | g2BcdB d2BcdB | g2BcdB d2B2G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1s5 Cu. gallop down the Middle and up to the Top and cast off .| %% the 2d Cu. do the Same :| The 1st man turn the 3d Wo. and 1st Wo. %% the 2d man and turn Partners .| The 1st man turn the 2d Wo. and 1st %% Wo. the 3d Man and turn Partners :#: The 1st man and 2d Wo. foot %% it and turn .| 1st Wo. and 2d Man the same :| The 1st Cu. cross over %% and figure in .| then right and left. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Whigs of Fyffe N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.3:23 M: C L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 f- | fFFA AGGf- | fFFA (f>ga)g | fFFA AGGA | FDE^C D3 :| |: (e | f)cce gdd(e | f)cce (f>ga)g | fcce gdde | (f/g/a) Tg>e f3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d F | f2f2 c2c2 | f2f2 F2F2 | f2f2 c2c2 | d2A2 d3 :| |: c | f2f2 g2g2 f2f2 F2F2 | f2f2 g2g2 f2c2 f3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. foots to the 2d Wo. & hands round three .| the same to the 2d Man :| cross over two Cu. & turn your Partner .|. %% lead up to the top foot it & cast off one Cu. :|: %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Whim T: Bartholemew Fair N: "Bartholemew Fair" and "1728" handwritten above title. P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.170 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - d |\ BGG G>AB | c2B A2G | FAA A2B |\ c>de dBG | c>dB ABc | BGG G2 |] B |\ c>d e/f/ g>fe | dBc A2G | cAA A>Bc |\ d3 c3 | B>cB A2d | BGG G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The two men take hands and fall back, the two we. do the same at the same time, and change places, %% which makes the men improper; then take hands and fall back as before, and change into their own sides, %% which makes the men proper as at first :| The two men back to back, the two we. do the same at the %% same time, all four turn S. then right and left with your Partners, till the 1. cu. come into the 2. cu. place. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Whimbleton-House P: Longways for as many as will %R: march, reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.275 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the dance instruction. The first strain has 5 bars; the second 12 (which is 4 3-bar phrases). N: This is a different dance and tune from the Wimbleton House in CCD2 and ACMV. M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ G4 d2 cB | A2 G2 (AB) (cA) |\ ^F2 D2 G2 d2 | (cB) (AG) g2 G2 | A2 ^F2 G4 :|\ d3 e f2 d2 | c3 B A2 B2 | c2 A2 ^F2 D2 | d3 e f2 d2 | c2 B2 g4 | g2 ^f2 g4 |\ d3 e f2 d2 | c3 B A2 B2 | G2 A2 ^F2 D2 |\ d3 e d2 (cB) | (AB) (cA) d2 G2 | A2 ^F2 G4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. cast off and lead up all 4. with the 2. cu. The 1. man turns the 2. wo. the 1. wo. turns the %% 2. man :| Set all four to the 3. cu. half Figure, and cross over below the 2. cu. %% [DMDfD] %%endtext %%sep 1 1 300 %%text Note: The second Strain played once. %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Whip her and Gird her P: Longways for &c. %R: jig B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.77 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd part has initial repeat but no final repeat. N: Repeats added to satisfy the "Each Strain twice" instruction. M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ G2G G2(3(B/c/d/) | BGB c2A | G2G G2(3(B/c/d/) | AFA c2A |\ G2G G2(3(B/c/d/) | BGB g2d | ece dBd | AFA c2A :| |:\ g>fg def | g>fg d>cB | g>fg def | AFA c2A |\ g>fg def | g>fg d>cB | (c/d/)ec (d/e/)fd | AFAc2A :| |:\ BGG GDD | BGG cBA | BGG GDD | AFA c2A |\ BGG GDD | g>fg dcB | (c/d/)ec (d/e/)fd | AFAc2A :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ g3 B2G | g3 c2d | g3 B2G | d3 e2f |\ g3 B2G | g3 B2G | c2A B2G | d2d e2f :|\ |:\ g3 B2d | e3 f2f | e3 B3 | zzd e2f |\ g3 B2d | e3 f2g | g3 B3 zzc e2f :|\ |:\ g3 B2G | g3 c2d | g3 B3 | zzd e2f |\ g3 B2d | e3 f2f | e3 B3 | zzd A2d :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% First Cu cross over and gallop down to the Bottom & lead up & turn .| %% then foot it with your Partner, Jigg it and turn :| %% the 2d Cu. do the same .| %% then 1st and 2d Cu. take hands and lead out to the Wal & 1st Cu. take %% hands & foot it & cast off in the 2d Cu. Place. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: Whip the Cat *INCOMPLETE* %R: reel B: John Walsh "Caledonian Country Dances" S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/5/50/IMSLP98359-PMLP202128-walsh_caledonian_country_dance_vol2.1.pdf p.10 #270 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:10 #270 Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ G/A/B/A/ GA Bcd2 | gdTcB gdTcB | Aa2g {g}Tf2ed |\ G/A/B/A/ GA Bcd2 | gdTcB gdTcB | Aagf g2G2 :| |:\ be ((3gfe) be ((3gfe) | (3fga (Tf3/e//d//) (3fga (Tf3/e//d//) |\ be ((3gfe) be ((3gfe) | (3fga (Tf3/e//d//) (3fga (Tf3/e//d//) |\ gG GA TBcd2 | gdTcB gdTcB| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |: g2g2 g2g2 | G2G2 G2G2 | c2A2 d2c2 | B2d2 g2g2 | G2G2 G2G2 | c2d2 G2G2 :| |: e2e2 e2e2 | d2d2 d2d2 | e2e2 e2e2 | d2d2 d2d2 | B2d2 G2G2 | G2G2 B2B2 | % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% This tune seems incomplete, and lacks a dance description. %% The document also jumps from this tune on page 10 to page 27. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:1 T: White-Hall P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.86 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The dance is essentially identical to CCDM1's "Whitehall", but the tunes have some small differences. M: 6/4 L: 1/4 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - C |\ F>GA B>cd | e>fg a>ba | g3 c3 |\ B>AG A>GF | D>EF E>DC | F3 A2 |] A |\ B>cd G>gf | e>dc g>ag | e3 d3 |\ B>AB A>BA | G>AF E>DC | F3 A3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to the presence, Lead up forward and back .| That again :| Cast off, 1. man and wo. lead up, 2. cu. in their places, %% then cast off 2. cu. into your places, then men take hands and likewise we. and fall back, then the 1. cu. cast off, and 2. cu. %% lead up as before, then cross over men and we. into each other's places, then men and likewise we. go back to back, then men %% and also we. go right hands a whole turn, and left-hands a turn with your own. Which is the first part. %%endtext %%sep 1 1 300 %%begintext align %% The 1. cu. lead down and walk round the 2. cu. into their own places, then cross right over and stand in the 2. cu. places, %% the 2. cu. moving up a little, then the 2. cu. go the figure of 8, then both men take their own we. by both hands, the 1. %% man put his wo. back, and the 2. man pull his wo. to him, till both men and we. fall into their own places, then men and we. %% fall back, then the 1. wo. cross over to the 2. man, then presently the 1. man go behind the 1. wo. and turn the 2. wo. %% turning both together, set to your own, then right-hands round, and so to the rest. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Whitehall P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.31 #51 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The dance is essentially identical to DMDfD's "White-Hall", but the tunes have some small differences. M: 6/4 L: 1/4 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - C |\ F>GA B>cd | e>fg a>ba | g3 c3 |\ B>cB A>BA | G>AF E>DC | F3 A2 |] A |\ B>cd G>gf | e>dc g>ag | e3 c3 |\ B>cB A>BA | G>AF E>DC | F3 A3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to the Presence, Lead up forward and back .| That again :| %% Cast off, 1st Man and Wo. lead up, 2d Cu. in their Places, then cast off %% 2d Cu. into your Places, then Men take Hands and likewise We. and fall %% back, then the 1st Cu. cast off, and 2d Cu. lead up as before, then cross %% over Men and We. into each other's Places, then Men and We. go Back %% to Back, then Men and also We. go right Hands a whole Turn, and left %% Hands a Turn with your own. Which is the first Part. %%endtext %%sep 1 1 300 %%begintext align %% The 1st Cu. lead down and walk round the 2d Cu. into their own Places, %% then cross right over and stand in the 2d Cu. Place, the 2d Cu. moving %% up a little, then the 2d Cu. go the Figure of 8, then both Men take %% their own We. by both Hands, the 1st Man put his Wo. back, and the %% 2d Man pull his Wo. to him, 'till both Men and We. fall into their own %% Places, then Men and We. fall back, then the 1st Wo. cross over to the %% 2d Man, then presently the 1st Man go behind the 1st Wo. and turn %% the 2d Wo. turning both together, sett to your own, then right Hands %% round, and so to the rest. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Whitehall Minuet T: White-Hall Minuet P: Longways for as many as will %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.63 #96 B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.294 Z: 2013 John Chambers <jc:trillian.mit.edu> N: CCDM1 says "Each Strain is to be play'd twice over", but DMDfD says "Each Strain once". Which is right? N: The time signature is just "3". M: 3/4 L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ d2 A2 G2 | F4 E2 | F2 DEFG | AG A=B ^cA |\ d2A2 G2 | F4 E2 | F2 DEFG | A6 |] [|\ fg a2 a2 | a4 a2 | gfga g2 | g2 b4 |\ a2 bagf | e2 a4 | f2 gfed | ^c3 B A2 | fg a2 a2 | a4 a2 | gfga ga | g2 b4 |\ a2 bagf | e2 a4 | f2 gfef | d6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each Strain is to be play'd twice over. %%begintext align %% The two first Cu. Hands all four half round, then back %% again into their own Places; then the 1st Cu. cross over %% the 2d Cu. and over the 3d Cu. and lead up thro the 3d Cu. %% and so thro' the 2d Cu. and cast of into the 2d Cu. Place. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% All four hands half round, then back again into their own places; Then the first couple cross over %% the 2d. couple, and over the 3d. couple, and lead up through the 3d. couple, and so through the 2d. %% couple, and cast off into the 2. couple place. Each Strain once. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:44 T: White Fryars Hornpipe M:4/4 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:G B2 | cBAG FGAF | GABGA2D2 | F2D2F2(A2 | A2)B2cBAG | FGAF GABG | ABcdB2G2 | G6 || B2 | cBcde4 | g4agfe | defd efge | a2A2A3B | cBcd e4 | g4agfe | defd ABcd | B2G2G2 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: White hard Cabages T: Easter Tuesday %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (125) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to match dance description. M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - d |\ g2d g2d | B>AB G2d | e2d c2B | A3- A2 :|\ d/e/ |\ d2G G2e | e2A A2f/g/ | f2B B2g | g2G G2d | dcB A2G | G3- G2d | dBG ecA | fdB g2d |\ dBG ecA | fdB g2d | dcB A2G | G3 G2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Note The 1st strain is to be play'd twice and the last but once %%begintext align %% First Cu. clap and cast off below the 2d Cu. .| Then %% clap and cast up to the Top :| Cross over and figure with %% the 2d Cu. and cast off right and left quite round lead %% thro the 3d Cu. and turn your Partner .| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The White Joak P: Longways for as many as will %R: jig B: "The Dancing-Master" printed by John Walsh, London S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.3 #10 Z: 2012-2013 John Chambers <jc:trillian.mit.edu> N: 2nd part has initial repeat but no final repeat. N: Note the 6- and 10-bar phrases. M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ d2d fed | dcB A2G/F/ | B2B Bcd | A2F DEF |\ G3 BAG | FGE D6 :: A2A ABc | def e3 | AFA ABc | def e2d/c/ | B2d A2d | G2d F>GA |\ B2B B>cd | A2F D>EF | G3 BAG | FGE D3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man with his Right Hand turns the 2d Wo. First Wo. %% at the same Time turns the 2d Man with her left Hand, then %% the 1st Man turns his Partner with his left Hand in the 2d %% Cu. Place .| The 1st Cu. does the same with the 3d :| The %% 1st Cu. cross up above the 3d, Right and Left quite round %% with the 2d Cu. .| The 1st and 3d Cu. Hands down abreast and %% all foot it, 1st Cu. half figures through the 3d and turn in %% the 2d Cu. Place. %%endtext %%sep 1 1 500 %%sep 1 1 500 X:12 T: White Joak M:6/8 L:1/8 S: 8: MCJLSH3 http://www.cpartington.plus.com/links/Walsh.abc Z: Pete Stewart 2004 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:D d2d fed | dcB A2G/F/ | B2B Bcd | A2F DEF | G3BAG | FGED3 || A2A ABc | defe3 | A2A ABc | def e2d/c/ | B2d A2d | G2d F>GA | B2B Bcd | A2F DEF | G3BAG | FGED3 || %%sep 1 1 500 %%sep 1 1 500 X:1 T: The White Widow %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (76) Z: 2013 John Chambers <jc:trillian.mit.edu> M: 2/2 N: The actual time signature is just "2". N: Fixed wrong length of last note, which was a whole note (d8). L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - d2 |\ agfg a2d2 | edcB c2A2 | fedf e2c2 | d6 :| |: ga |\ b4 gagf | e2e2 e2fg | a2b2 a4 | dedc B2B2 |\ gfed fedc | d6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% First Cu. cast off, then the 2d Cu. cast off immediately, %% and all four lead up .| The 1st Cu. being the outer most %% Persons, slip in behind the 2d Cu. the 2d Cu. slipping %% out before, one after the other, then the 1st Cu. lead up %% and the 2d Cu. cast down into their own Places at the %% same Time :| The 1st Cu. set and turn single then lead %% thro and turn single .| The same back again, cast off and %% turn Partners :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Whitney's Farewell P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.89 #128 (178) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.163 "P 4" Z: 2013 John Chambers <jc:trillian.mit.edu> N: The right edge is rather illegible, and I've done some guessing. N: A few illegible parts corrected by comparison with http://deriv.nls.uk/dcn30/8975/89753179.30.jpg N: The dance descriptions seem identical except for trivial differences in spelling and punctuation. M: 6/4 L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - F2 |\ F4G2 A2B3(A/B/) | c6 F4f2 | e4d2 e2f3(e/f/) | g6- g4a2 |\ g4a2 g4a2 | b4a2 g4f2 | g2e2f2 d4c2 | c6- c4 |] a2 |\ g2a2f2 e2f2d2 | c2d2B2 A2B2G2 | F2G2A2 F2G2A2 | B6- B4c2 |\ d4c2 d4c2 | d4c2 d4c2 | d2e2f2 f4e2 | f6- f4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man turn the 2d Wo. with his right Hand, and then turn his own %% Partner with his Left; then 1st Wo. turn the 2d Man with her right %% Hand, and her Partner with her Left .| the 1st Cu. lead thro' the 2d Cu. %% and cast up, the 2d Cu. lead thro' the 1st Cu. and cast off, the two %% Men take Hands and fall back, the two We. do the like at the same %% Time then all four meet and clap Hands with your Partners, and %% then the 1st Cu. cast off. %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. man turn the 2. wo. with his right-hand, and then turn his own Partner with his left; then 1. %% wo. turn the 2. man with her right-hand, and then turn her own Partner with her left .| The 1. cu. %% lead through the 2. cu. and cast up, the 2. cu. lead through the 1. cu. and cast off, the two men take %% hands and fall back, the two we. do the like at the same time, then all four meet and clap hands with %% your Partners, and then the 1. cu. cast off. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Widows shall all have Husbands P: Longways for as many as will. %R: jig B: "Twenty Four New Country Dances for the Year 1713" John Walsh, London 1713 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to match the phrasing of the dance. M: 6/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - G |\ G2G d>ed | c2A B>AG | d2G G2A | ^F3 G2 :| |: d | e2d efg | f2e d2d | e2d efg | f3 d2d | g2f edc | B2B B2B/B/ | c2c c>de | dBc d>ef | egG G2A | A3 G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The two first Couple lead to the Wall, back again .| The first Couple lead up, and the second down, %% back again :| The first Couple cross over, do the half Figure through the second Couple, turn Hands %% round .| The first Man turn the third Woman (at the same time), the first Woman turn the second %% Man, then turn his Partner, then the first Man turn the third Man, and the first Woman turn the %% second Woman, and fall into the second Couple Place :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Willey Wilky P: Longways for as many as will. N: AKA Cobler's Hornpipe %R: reel B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.6 S: 3: CCD3 http://javanese.imslp.info/files/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.17 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd part has initial repeat but no final repeat. M: C| L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 d2 |\ c2F2 ABcA | c2F2 F2d2 | c2F2 ABcA | G2 C4 d2 |\ c2F2 ABcA | c2F2 ABcA | G4 A3G | F2 D4 :| |: c2 |\ f3g (Tg3f/g/) | a2 F4 c2 | f3g (Tg3f/g/) | a2 G4 de |\ f2ef g2fg | a2ba g2fe | defd cdcA | F2 D4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z2 |\ f8 | f8 | F8 | c8 |\ f8 | f8 | e4 ^c4 | d6 :| |: z2 |\ f4 c4 | f2g2 a2e2 | f4 c4 | f2e2 e2c2 |\ d2z2 e2z2 | f2z2 e2z2 | d2z2 A2z2 | d6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. foot it and turn single all four Hands with the 2d Cu. and back again %% cross over, Figure in, lead up and then down, and then lead thro the 2d Cu. at top . %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Wimbleton House N: Pub: J. Walsh, London, 1748 S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/5/50/IMSLP98359-PMLP202128-walsh_caledonian_country_dance_vol2.1.pdf p.40 #300 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:40 #300 Z: 2012 John Chambers <jc:trillian.mit.edu> N: The 2nd part has a begin-repeat but no end-repeat. M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 |:\ fgfe d2B2 | AdAF E/E/EE2 | fgfe d2B2 | AdAF D/D/DD2 :| |:\ AF-FG/A/ BGBd | cA-AB/c/ dBdf | ec-cd/e/ f>gfe | dBAF E/E/EE2 | AF-FG/A/ BG-GA/B/ | cA-AB/c/ dB-Bc/d/ | ec-cd/e/ f>gfe | dBAd D/D/DD2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d |:\ d'2d2 f2g2 | f2d2 a2A2 | d'2d2 f2g2 | fgaA d2D2 :| |:\ d'2d2 g2e2 | a2f2 b2g2 | c'2a2 d'2a2 | bgfd a2A2 | d'2d2 g2e2 | a2f2 b2g2 | c'2a2 d'2a2 | bgaA d2D2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Man meet and Set with the 2d Wo. and turn single, then turn her .| %% the 2d Cu. does the same :| %% then all four Right hands across half round, and Left hands back again .| %% then back to back again with your Partner, then Right and Left quite round. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Winchester Wedding T: The King's Jigg P: Longways for as many as will %R: slip-jig, triple hornpipe B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.90 #132 (180) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.225 Z: 2013 John Chambers <jc:trillian.mit.edu> N: The endpoints of slurs are difficult to determine, and many may be wrong. [Some slurs changed to match DMDfD's, which are clearer.] M: 9/8 L: 1/8 K: Bb % - - - - - - - - - - - - - - - - - - - - - - - - - B, | (DF2) G2F D2B, | (DF2) B2G c2F | (DF2) G2F (DEF) | (GAB) B2A B2 |] g | (fdB) f2B c2G | (cde) (GcB) A2F | (BGE) (GBG) (cAF) | Ge2 c2B B2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. sett to the Partners, and cast off below the 2d Cu. and %% turn :| Then take Hands and lead down towards the 3d Cu. and turn %% their Partners :| The 1st Cu. being in the 3d Cu. Place, the 1st Man turns %% the 2d Wo. by the right Hand, and the 2d Wo turns the 3d Man by the %% right Hand at the same time, so meet in the middle, and turn to their %% own Sides .| The 1st Man being in the 3d Cu. Place, turns the 3d Wo. %% by the right Hand, then the 1st Wo. being in the 2d Wo. Place, the %% 2d Wo. turns the 1st Man, and the 1st Man the 3d Wo. with their %% right Hands, so meet in the middle and turn to your own Sides :| %% [CCDM1] %%endtext %%sep 1 1 500 % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. set to their Partners, and cast off below the 2. cu. and turn .| Then take hands and lead %% down towards the 3. cu. and turn their Partners :| %% The 1. cu. being in the 2. cu. place, the 1. man turns the 2. wo. by the right-hand, and the 1. wo. turns %% the 3. man by the right hand at the same time, so meet in the middle, and turn to their own sides .| The %% 1. man being in the 2. cu. place, turns the third wo. by the right-hand, then the 1. wo. being in the 2. %% wo. place, the 1. wo. turns the 1. man, and the 1. man the 3. wo. with their right-hands, so meet in the %% middle, and turn to your own sides :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Windfor Terras %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (133) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to match dance destription M: C| L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ d2 Af e3 A | df ed ^c3 =B |\ Ad Gd Fd Ed | Dd e^c d4 :|\ a2 f/g/a g3 g | af f/g/a g3 f | eg dg cg Bg | Af ge f4 |\ af f/g/a b3 a | gfed ^c3 =B |\ Ad Gd Fd Ed | Dd e^c d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Note The 1st strain is to be play'd twice and the last but once %%begintext align %% The 1st Cu. cast off. the Man hey with the 3d Cu. and %% the Wo. hey with the 2d Cu. .| The 1st and 3d Cu. %% turn Hands across all four. and back again :| Then %% right and left quite round with the 2d Cu. .| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Windsor-Castle P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.56 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeat added to satisfy the "first Strain twice" instruction. M: 6/4 L: 1/4 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - d | g>ag (f/g/)ad | g>ab c'ab | ^f2a a2d | c>de (fd)e | cAB ^F>GA | A2G G2 :| B/c/ | d>cd B>AG | e>de cfe | d2B B2f | dgf =e^fg | ^fga gab | a2g g2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1. cu. take hands and turn down the middle, the 2. cu. cast up at the same time, the 2. cu. turn %% down the middle, and the 1. cu. cast up; and both cu. do the same as before. To the first Strain twice. %% The 1. cu. cross over below the 2. cu. and go the Figure, the 1. cu. lead through the 3. cu. and cast %% up into the 2. cu. place. %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Witches P: Longways for as many as will %R: jig B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.85 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 6/4 L: 1/4 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - c |\ d>ef f2e | f3 A>Bc | d3 G3 | C3- C2c |\ d>ed c2d | B2A A,2e | f>ed d2^c | d3- d2 ][ g/f/ | e>dc c2=B | c3 A2f | g3 b3 | c3- c2c |\ d>ed c2e | B2A A,2e | f>ed d2^c | d3 d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to the Presence. Lead up all forward and back .| That again :| The two first men take %% hands, the two first we. do the same, and put back till the men fall into the we places, then right-hands %% to the man, and left to their own wo. then the first man and second wo. clap first their own hands, then %% each others at the same time; the 2. wo. and 1. man cast off till you fall in each other's places, then %% all round in a ring, then the 2. man and 1. wo. cast off while the other clap and round again in a %% ring, and then the like to the rest .| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Woodcutters N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 2: CCD2 http://petrucci.mus.auth.gr/imglnks/usimg/6/61/IMSLP173105-PMLP149069-caledoniancountr00ingl.pdf p.77 #337 S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.4:77 #337 N: The 2nd part has a begin-repeat but no end-repeat. M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 a |\ a/g/ff fad | e>fe e2a | f>gf Te>de | dAF D2a |\ a/g/ff fad | e>fe eae | fd'b T^g>fg | aec A2 :| |: e |\ e/d/cc ceA | dAF D2a | a/g/ff fad | gdB G2b |\ b/a/gg afd | e/f/gg g2a | f>gf Te>de | dAF D2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z |\ d3 f3 | g3 a3 | d'3 a3 | d3- d2z |\ d3 f3 | g3 a3 | d3 e3 | A3- A2 :| |: z |\ a3 g3 | f3- f2z | d'3 =c'3 | b3- b2z |\ g3 f3 | e3 c3 | d3 A3 | D3- D2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Hey contrary sides, then on your own :| %% First Cu. cast off and turn, Right and Left with the 2d Cu. :| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Wooden Shooes P: Longways for as many as will %R: reel B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.339 "G G 2" Z: 2013 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - g2 |\ e2c2 dc BA | G6 g2 | e2c2 c2d2 | e2c2 c2de |\ f2fg agfe | d2g2 g2a2 | ^f2d2 g2^f2 | g2G2 G2 |] [| g2 |\ g2fe de fg | a2f2 f2g2 | c2c2 A2d2 | B2G2 G2e2 |\ ABc2 Bcd2 | def2 efg2 | agfe de fg | e2c2 c2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The first man sets to the second woman and turns her, the first woman and 2. man do the same .| %% the first man change places with the second woman, the first woman and second man do the same :| %% All four hands half round, then back to back with your Partners, then right-hands and left till the first %% couple comes to the second couple's place. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Woo'd & Married & aw N: Pub: J. Walsh, London, 1748 Z: 2012 John Chambers <jc:trillian.mit.edu> S: 4: ACMV http://archive.org/details/acompositemusicv01rugg p.2:9 M: 9/8 L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 f |\ c2B AGA F3 | c2c cfA c2f | c2B AGA FGA | D2e de^c d2 :|\ |: f |\ cde fgf edc | A2c cdB c2f | cde fgf edc | A2d de^c d2f |\ cde fgf edc | ABc fcA c2f | cdB ABG FGA | D2d de^c d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d c |\ f3 F3 f3 | f3 F3 f3 | f3 F3 f3 | d3 D3 d2 :| |: c |\ f3 F3 c3 | f3 F3 f3 | f3 F3 c3 | d3 D3 d3 | f3 F3 c3 | f3 F3 f3 | f3 F3 f3 | d3 D3 d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. cast off one Cu. and hands round with the 3d Cu. .| %% case up again and hands round with the 2d Cu. :| %% Gallop down one Cu. up again & cast off :| %% Right hands and Left %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Wooly and Georgey T: Woolly and Georgey P: Longways for as many as will %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.112 #159 (223) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.248 Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to match the instructions. M: 3/4 L: 1/16 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ G4 (GAB2) A2G2 | c2A2 (ABc2) B2A2 | B3A G3A B3c | (d6 e2) D4 |\ G4 (GA)B2 (dB)(AG) | A4 c2d2 e3f | g2e2 (dfdB) A2G2 | G6 A2 B4 :| [| c3d e2d2 g2d2 | B3c d2B2 e2d2 | G3A B2c2 d2G2 | F4 A4 A4 |\ D6 E2 D2B,2 | G6 E3 D2B,2 | d6 B2 A2G2 | G6 A2 B4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%text Note. The first Strain is to be play'd twice and the last but once. %%begintext align %% The 1st Cu cast off and Figure in, the 2d Cu. do the same; then all four %% Hands half round and cast up, then back again and cast up, then 1st Man %% and 2d Wo. change Places, the other Cu. do the same; then sett all four %% and turn S. and lead thro' the 3d Cu. into the 2d Cu. Place; the rest do %% the same. %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% The 1. cu cast off and Figure in, the 2. cu do the same; then all four hands half round and cast up, %% then back again and cast up, then 1. man and 2. woman change places, the other cu. do the same, then %% set all four and turn S. and lead through the 3. cu. into the 2. cu. place; the rest do the same. %% [DMDfD] %%endtext %%text Note: The 1. Strain must be played twice, and the 2. but once. %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: The Yellow Hair'd Laddie P: Longways for &c. %R: minuet, waltz B: "Caledonian Country Dances" printed by John Walsh for John Johnson, London S: 1: CCDTB http://imslp.org/wiki/Caledonian_Country_Dances_with_a_Thorough_Bass_(Various) p.64 Z: 2013 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - V: 1 DE |\ (FG) A2 (Bc) | (dc)(de) (d/e/f) | A2 (BA)(GF) | E4 (DE) |\ (EF) A2 (Bc) | (dc)(de) (d/e/f) | A2 (gf)(ed) | d4 |] (de) |\ (fg)(af)(ed) | (cd)(ec)(BA) | (Bc)(dB)(AG) | E4 (DE) |\ (EF) A2 (Bc) | (dc)(de) (d/e/f) | ABAFED | D4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - V: 2 clef=bass middle=d z2 |\ d2 f2 g2 | f3 e d2 | c2 d2 G2 | A6 |\ d2 f2 g2 | f3 e d2 | fg a2 A2 | d4 |] z2 |\ d2 f2 d2 | A2 c2 A2 | G2 B2 G2 | A6 |\ d2 f2 g2 | f3 e d2 | fg a2 A2 | d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. lead thro the 2d Cu. & turn in their own Places, then back to Back and turn .| %% The 2d Cu. do the same with the 3d Cu. :| %% Then the 1st Cu cast behind the 3d Cu. and lead up to the Top and turn :| %% then Back to Back and Right Hand & Left to the end of the Tune | %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:16 T: Yellow Joak M:4/4 L:1/8 B: Walsh "Third Book of the most Celebrated jiggs, Lancashire hornpipes, ..." K:F f2c A>Bc | F2cf3 | afd gec | fcB A2c | A>GF C>FE | (F3F3) || c2c acB | aBAG3 | c2c acB | gBAG2f/g/ | afd gec | fcB A2B/c/ | dBG cAF | BGFE2c | A>GF C>FE | (F3F3) || %%sep 1 1 500 %%sep 1 1 500 X:1 T: York' Assembly %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (79) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The repeat instructions are nonsense. Maybe the 2nd strain should be two 8-bar strains? M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ dcBA G2e2 | d4 g4 | dcBA G2B2 | A4 D4 |\ dcBA G2d2 | d2g2 f2g2 | edcB A3G | G8 :| |:\ AGFE D2d2 | A4 d4 | ^c2d2 e2d2 | ^c3B A2f2 |\ e2d2 ^c2B2 | A4 d^cde | fefg e3d | d6 ef | g2d2 c2B2 | c6 d2 | edcB A2G2 | F4 G2B2 |\ A2G2 F2E2 | D4 GABc | d2e2 A3G | G8 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice and the last but once %%begintext align %% First Cu. cross below the 2d Cu. then below 3d Cu. .| %% 1st Wo. cast up and go round the 2d Man to her Place %% 1st Man follow her to his Place :| first Man takes his %% Wo. by both Hands and pulls her below 2d Man and %% lead through the 3d Cu. and cast up. Sett, slip outside %% to the top and turn your Partner .| %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Young Damon's flight %R: triple hornpipe, slip-jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (71) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each Strain twice" instruction. N: The first "then" in the dance is written "yn", with the 'n' above the 'y'. M: 9/8 L: 1/8 K: Bm % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ f2c d>cB c2c | dcB dcB ^A2G |\ Fdc EcB DGF | EDC B,B^A B3 :|\ |:\ f2e fga efg | f>gf efd cde | fga fdc BAG | F3 Edc d2f |\ c2f c2f c2F | B>cd efd cde |\ fbg eaf dge | fbc c3 B2z :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% First Man take 2d by his left hand lead him half round, then %% all 4 take hands and go half round .| 2d Wo. do the same %% as the Men :| 1st Cu. sett and crose [sic] over 1st Man below 3d %% Cu. and 1st Wo. above 2d Cu. go the Hey with the 2d and %% 3d Cu. .| Then 1st Cu. fall back, 1st Man cast up 1st Wo. at %% the same time cast off. 1st Man figure thro' 2d Cu. and 1st %% Wo. at the same time figure thro 3d Cu. and turn in the %% 2d Cu. Place Proper ... %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Young Jemmy P: Longways for as many as will %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.118 #171 (235) B: "The Dancing-Master: Containind Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.101 "K 3" Z: 2013 John Chambers <jc:trillian.mit.edu> N: The two versions differ in beaming; the shortest beams were chosen here. N: Repeats added to match the DMDfD dance instructions. M: C| L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - A2 |\ F2 (ED) F2 A2 | d4 f4 | (ef) (ed) (ce) (dB) | G4 A4 |\ F2 D2 F2 A2 | d4 f3 g | a2 (gf) (ef) (ed) | d4 D2 :| |: A2 |\ d3 e (fe) (fc) | A2 c2 c2 (BA) | d3 d (gf) (ge) | f6 fg/a/ |\ A3 G A2 (Bc) | c3 B A2 A2 | d2 (ef) (gf) (ed) | d6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% Honour to the Presence, then to the We. lead up all forward and back that again. %%endtext %%sep 1 1 300 %%begintext align %% The 1st Man take his own Wo. by the left Hand, and cast off into the 2d Cu. Place, %% the Man being on the Wo. Side, and the Wo. on the Man's, then the 1st Man %% take the 2d Wo. by the Hand, and lead her betwixt the other two, each casting %% off round, then into their own Places, they standing still while the other two %% do the same :| Then the Men give their right Hands to their own We. then %% their Left to the next We. turning them off the 2d Time, then each Man sett %% to his own and change Places, then you are as you were at first; then the %% 1st Man change Places with the 2d Wo. standing Back to Back at a little %% Distance, the 1st Wo. and 2d Man do the same; all four clap Hands, and then take %% Hands and go round in a Ring; then Back to Back half, and turn your own %% half a Turn, and so on to the End :| %% [CCDM1] %%endtext %%sep 1 8 500 %%begintext align %% Honour to the Presence, then to your we. Lead up all forward and back, that again. %%endtext %%sep 1 1 300 %%begintext align %% The 1. man take his own wo. by the left-hand and cast off into the 2. cu. place, the man being on the wo. side, and the wo. %% on the man's, then the 1. man take the 2. wo. by the hand and lead her betwixt the other two, each casting off round, %% then into their own places, they standing still while the other two do over the same. This ends the first Strain played twice. %%endtext %%sep 1 1 300 %%begintext align %% Then the men give their right-hands to their own we. then their left to the next we. turning them off the second time, %% then each man set to his own and change places, then are you as you were at first; then the 1. man change places with %% the 2. wo. standing back to back at a little distance, then the 1. wo. and 2. man do the same, then all four clap hands, and %% then take hands and go round in a ring, then back to back half, and turn your own half a turn, and so on to the end. %% This ends the last Strain played twice. %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Young Sir Solomon T: Young Sir Solamon P: Longways for as many as will %R: jig B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM1 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.1 p.114 #168 (228) B: "The Dancing-Master: Containing Directions and Tunes for Dancing" printed by W. Pearson for John Walsh, London ca. 1709 S: 7: DMDfD http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=89751228 p.217 "U" Z: 2013 John Chambers <jc:trillian.mit.edu> N: The f in bar 2 actually is actually marked flat, not natural. N: In bar 12, "Bass" is placed inconsistently: the initial 'B' below the A note in CCDM1 and below the first G note in DMDfD. M: 6/4 L: 1/4 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - c/d/ |\ d>fg ag^f | g3 =f3 | e>dc B2A | aba g>fe |\ f>g f/e/ e2d | d3- d2 |] d/e/ | f>gf e2a | a>b^g a2"_Bass"D/E/ | F>GF EDC | D>ED B,2 "_Treble"g/f/ | e>dc d2G | "_Bass"A>GF G2G |\ "_Treble"A>Bc d>cB | c3 G3 | E>DC C2B, | C3- C2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu. meet and sett, and cast off into the 2d Cu. Place, then meet and %% sett, and cast up into their own Places :| The 1st Cu. cross over below the %% 2d Cu. and stand still, the 2d Cu. being in the 1st Cu. Place, take Hands and %% turn half round, the 1st Man being in the 2d Wo. Place, and the 1st Wo. in %% the 2d Man's, and all four take Hands and lead below the 3d Cu. round, till %% the 1st Cu. comes into the 2d Cu. Place to their own Sides :| %% [CCDM1] %%endtext %%sep 1 1 500 %%begintext align %% The 1. cu. meet and set, and cast off into the 2. cu. place, then meet and set, and cast up into their %% own places :| %% The 1. cu. cross over below the 2. cu. and stand still, the 2. cu.being in the 1. cu. place, take hands %% and turn half round, the 1. man being in the 2. wo. place, and the 1. wo. in the 2. man's, all four take %% hands and lead below the 3. cu. round, till the 1. cu. comes into the 2. cu. place to their own sides :| %% [DMDfD] %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Young's Wisdom %R: reel B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (110) Z: 2013 John Chambers <jc:trillian.mit.edu> N: The 2nd strand has initial repeat but no final repeat. M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - G2 |\ G3A BABc | d4 d3g | d3c (cB)(AG) | A6 D2 |\ G3A BABc | d6 (dg) | (ag)(fe) d2Bc | d6 :| |: f2 |\ agfe dcBc | d4 d3d | (ed)(cB) (cB)(AG) | TF6 D2 |\ G3A BABc | d4 d3g | d2(cB) (cB)(AG) | G6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% The 1st Cu hey the Man on the Wo. side and the %% Wo. on the Mans .| Then Hey on their own sides :| %% The 1st Cu. cross over and half Figure through %% the 2d Cu. .| Then Right and Left with the 2d Cu %%endtext %%sep 1 8 500 %%sep 1 1 500 %%sep 1 1 500 X:1 T: Zinzans Maggot %R: minuet B: "The Compleat Country Dancing-Master" printed by John Walsh, London ca. 1740 S: 6: CCDM2 http://imslp.org/wiki/The_Compleat_Country_Dancing-Master_(Various) V.2 (68) Z: 2013 John Chambers <jc:trillian.mit.edu> N: Repeats added to satisfy the "Each strain twice" instruction. M: 3/2 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - |: c2 f2d2 |\ a2 f4 b2 a2g2 | f2 d4 a2 bagf | e2d2 c2a2 B2^g2 | a2 A4 :|\ |: A2 d2A2 |\ B2 G4 ef gfed | c2 A4 a2 bagf | e2d2 c2a2 B2^g2 | a2 A4 A2 d2A2 |\ B2 G4 ef gfed | c2 A4 a2 bagf | e2d2 c2Bc d2A2 | F2 D4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - %%center Each strain twice %%begintext align %% The 1st Man sett to the 2d Wo. and turn her, the 1st Wo. %% and 2d Man do the same :| then clap hands with your %% Partners and turn, then right and left half Round and %% lead your Partner up to the Top and Cast off, then right %% and left quite round %%endtext %%sep 1 8 500

[get.cgi V=1/1 B=1 scale=0.65 512x512 ]

file	size	description
Tune-33282-alltunes.abc	1115009	ABC music file with the extracted tune(s)
Tune-33282-alltunes.txt	1115009	Plain-text file with the extracted tune(s)
Tune-33282-get.log	485994	Log file, useful mostly for debugging

These files should be available for 24 hours.