Date: Sat, 01 Jun 2024 19:04:02 GMT
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Content-Type: text/vnd.abc
X:1
T: Hommage \`a Gilles Laprise 0
C: Philippe Bruneau
B: Portland Collection v.3 p.93
S: http://archive.folx.org/tune/reel/hommage-gilles-laprise-2331 2015-7-14
S: https://www.youtube.com/watch?v=Ni3x-uwAumo [Montréal flash mob 2010-7-21]
Z: 2017 John Chambers <jc:trillian.mit.edu>
N: Phillippe says this was originally in C. This may have been the key of the accordion he was playing at the time.
M: 2/4
L: 1/16
%P: Basic version:
F:http://trillian.mit.edu/~jc/music/abc/Quebec/Hommage_a_Gilles_Laprise.abc 2024-06-01 190402 UT
K: D
|:\
"D"a4 "A7"gfeg | "D"fefg afdf | "A7"edef gecA |\
[1,3 "D"defg agfg :|[2,4 "D"df"A"ec "D"d4 :|
|:\
"D"Afed "G"B4 | Bgfe "D(A7)"[a4A4] | "D"Afed "A7"cAce |\
[1,3 ageg "D"fafd :|[2,4 "A7"agec "D"d4 :|
%%sep 1 1 500
X:1
T: Hommage \`a Gilles Laprise 1
C: Philippe Bruneau
S: http://archive.folx.org/tune/reel/hommage-gilles-laprise-2331 2015-7-14
Z: 2015 John Chambers <jc:trillian.mit.edu>
M: 2/4
L: 1/16
K: D
fg |\
"D"a3a "A7"gfeg | "D"fefg afdf | "Em"edef "A7"gecA | "D"defg "A7"agfg |
"D"a3a "A7"gfeg | "D(Bm)"fefg afdf | "Em"edef "A7"gecA |1 dfec "D"d2 :|2 dfec "D"d2AA ||
|:\
"D"Afed "G"B3B | "Em"Bgfe "A7"a2aa | "D"Afed "A"cAce | "A7"ageg "D"fafd |
"D"Afed "G"B3B | "Em"Bgfe "A7"a2aa | "D"Afed "A"cAce |1 "A7"agec "D"d2dd :|2 "A7"agec "D"d2 |]
%%sep 1 1 500
X:1
T: Hommage \`a Gilles Laprise 2
C: Philippe Bruneau
S: Printed page from Paul Lizotte at a Roaring Jelly practice, slightly simplified.
N: This version has the bar lines shifted in the 2nd part to match the "feel" of the chord changes.
R: reel
Z: 2016 John Chambers <jc:trillian.mit.edu>
M: C|
L: 1/8
K: D
fg ||\
"Em"a3a "A7"gfeg | "D"fefg "Bm"afdf |\
"Em"edef "A7"gecA | "D"defg agfg ||\
"Em"a3a "A7"gfeg |
"D"fefg "Bm"afdf |\
"Em"edef "A7"gecA |[1 "D"dfec d2 :|\
[2[M:6/4] "D"dfec d2AA Afed ||[M:C|]
|:\
"G"B3B Bgfe | "D"a2aa Afed |\
"A7"cAce ageg | "D"fafd Afed |\
"G"B3B Bgfe ||
"D"a2aa Afed |\
[1 "A7"cAce agec | "D"d2dd Afed :|\
[2 "A7"cAce agec |[M:2/4] "D"d2 |]
%%begintext
%% The 3 versions are:
%% 0 Basic version based on what several versions had in common.
%% 1 From folx.org, plus chords from a group practice session.
%% 2 Paul Lizotte's handout at a Roaring Jelly practice 2016-12-13.
%%endtext
%%begintext align
%% This is a 32-bar Qu\'ebecois reel
%% that has been transcribed in rather different ways.
%% The reason is that it does something common in "French"
%% music in the second part:
%% The chord changes happen in the middle of measures.
%% This has the effect of shifting the apparent downbeat between the parts.
%% Version 1 shows it as a regular 32-bar reel with two 8-bar parts.
%% Version 2 uses a 6/4 bar to shift the bar lines so that the chord
%% changes happen on the downbeat. This can cause confusion in readers,
%% but matches the "feel" of the tune when the downbeats are stressed.
%%endtext
%%begintext align
%% Version 1 has somewhat complex chords, so the shifted
%% stress in its second part isn't apparent on paper. If you omit
%% the "unnecessary" Em chords and the A7 chords that follow plain
%% A chords, the mid-bar chord changes become more visible.
%% Changing the A7 chords in bars 2 and 5 to the D chords
%% (as in the second version) will add to the effect.
%% Version 2 makes the downbeat-shift effect clearer but for some people
%% it produces confusion at the ends of the parts.
%% French musicians often stress the beats equally,
%% and for that style either version will work.
%%endtext